Article
Belief
Creed
Doubt
Faith
Royalty
8 min read

Prince William's doubt is normal - it's impossible to be certain whether there is a God

Our limited human understanding means we will never fully understand God in this life, writes Graham Tomlin.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

A young man wearing a dark suit talks to a minister wearing regalia.
Prince William talks with the Dean of Westminster Abbey, 2019.
LPhot Belinda Alker, OGL 3, via Wikimedia Commons.

A new book, serialised in the Daily Mail, suggests Prince William is wondering whether he really wants to be Supreme Governor of the Church of England. While he respects the Church, it claims, he doesn’t consider himself particularly religious and doubts if he should head up a church he doesn’t attend much. There has been a fair amount of comment on the contrast between his grandmother’s strong Christian faith, increasingly evident in her Christmas broadcasts as she came to the end of her life, and that of his father, who has also made a point since his accession to the throne of emphasising his own personal Christian commitment, both in statements around the time he became king, and in his Christmas broadcast this past year.  

William, however, is less forthcoming. He was dutifully confirmed at Eton at the age of 14, and goes to church at Christmas and Easter, so presumably is not a hardened Dawkins-esque atheist. Like many of his generation he probably has his doubts about God and religion, doesn't often speak publicly about faith and so it's hard to know from the outside whether this really is a motivating force in his life or not.  

Of course, there is a whole separate argument about why personal faith, while it helps, is not strictly necessary for such a role. Many British monarchs in the past have not had a very strong Christian faith. The significance of the role rests in the office not the person - it is a constitutional not a personal, arrangement. But that is a different story. What interests me is what this story tells us about faith and doubt and the experience of what it is to believe. 

Like in my atheist days, I have days when I wake up and wonder whether it's all true. Am I deceiving myself?

I was once an atheist. Yet, like most atheists, I had my doubts. I tried to get on with my life not believing in God, yet every now and again something would happen to make me doubt my atheism. I would meet a Christian with a profoundly impressive life motivated by their faith and it disturbed me. An argument from a Christian writer momentarily seemed strangely plausible. An encounter of the beauty and wonder of nature suddenly might lodge the thought in my mind that maybe there is a Creator after all? Like all good atheists, however, I managed to push these thoughts to the back of my mind. I learn to doubt and resist these impulses and return to my central take on the world which was that there definitely is no God. 

As it happened, in time, my doubts became too strong for me, and I began to think that Christian faith made more sense of the world than atheism did. And so, eventually and slowly, I became a Christian. Of course, the process happens the other way around as well. People with a notional Christian faith start to doubt it to the extent that it no longer makes sense to them.  

I have now been a Christian for many years and a Bishop for a few of those. Like in my atheist days, I have days when I wake up and wonder whether it's all true. Am I deceiving myself? Have I wasted most of my life on something that is not real? I might read a book that is sceptical about some aspect of the Christian story and a doubt niggles away in the back of my mind. God suddenly appears silent in answer to heartfelt prayers, and for a moment I wonder if he is there at all. I have doubts, just as I did in my atheist days.  

But just like I did when I was an atheist, I learned to doubt my doubts. Atheists often challenge Christians to come up with a piece of evidence that would suggest that God exists. And sometimes we try, with arguments from the design of the universe, apparent miracles, fulfilment of biblical prophecies and so on. But they never quite convince. The reason they don't convince is that the atheist can always come up with an alternative explanation. And that takes us to the heart of the issue.  

For Christians, and for other believers in God for that matter, God is not another object in the universe that can be proved or disproved. I might find indications that point in the direction of there being a God but, as the atheist points out, you can always explain them away in some form or other. 

Instead, atheism and belief in God are better seen, not as the result of a process of sifting evidence, looking for proof one way or another, but as different ways of looking at the world.  

A cartoon etching of a duck that looks like a rabbit.
Wittgenstein's cartoon.

The philosopher Ludwig Wittgenstein once picked up a common cartoon that circulated in German comic newspapers in the late nineteenth century to make a similar point. Looked at one way, it looks like a rabbit. Look at it another way it looks like a duck. Whether you see a rabbit or a duck is dependent upon other factors. Children who have just been to the local duckpond might be inclined to see a duck. Someone with a pet rabbit might be inclined to see a rabbit. Wittgenstein’s point was about the way concepts in our mind shape our perceptions of reality. We may perceive the same thing, but we see it as something different. 

This idea of ‘seeing as’ – seeing something not just in itself, but ‘as’ something shaped by our mind’s perceptions, became well known in philosophy after Wittgenstein’s use of the image. It may help us in thinking about belief in God as well.   

On a Christmas Day edition of ‘The Rest is Politics’ with Alistair Campbell and Rory Stewart (soon after his appearance on Re-Enchanting’), two of the most popular podcasts of our times met when Tom Holland of ‘The Rest is History’ came on the podcast. As it was Christmas Day, Alistair Campbell asked Tom Holland whether he believed the Christmas story and all the rest of the Bible. His reply referred to this very picture of the duck / rabbit, and he said:  “There are times where I can believe it, and there are other times where I look at the stories and think this is absolutely ridiculous - how could it possibly be true? I think the Infinity of space, I think of vast geological time and I think it's absolutely nonsense. So I kind of veer between the two.” 

In a way he’s right. You can’t decide between the two ways of looking at the picture by some process of forensic scientific evidence. There is no ultimate way of deciding whether it is a duck or a rabbit.  

Now the analogy with faith is imperfect. The picture could be a rabbit, it could be a duck. Whereas, to put it bluntly - there either is or is not a God – both can’t be true. Where the image helps us, is that in our limited understanding of things it is impossible for any of us to say, whether believer or atheist, that we know 100 per cent definitively that there is or is not a God. Even Richard Dawkins agrees on that point! 

The other difference is that you can’t be neutral on this. Whether you see it as a duck or a rabbit probably makes no difference to your life. Yet faith is more than just an opinion. It is a way of life. To ‘believe’ in God, in the Christian sense of ‘believe’ is not just to hold the opinion in your head that God exists, but to decide to live as if it true that God exists, that he is revealed in Jesus Christ, that each person you meet each day is a precious soul, for whom Jesus died and so on. 

The American philosopher Michael Novak put it like this:  

“The centre of the argument concerns whether I should think of the universe as impersonal and indifferent to me, and ruled by randomness and chance. Or whether I should interpret it as personal through and through, in such a way that all things that are and have been and will be dwell in the presence of God a person who understands and chooses all that he brings out of nothingness into existence.” 

Whatever faith position you take up - to believe that there is a God or that there isn't, you will have doubts. But the nature of faith is not to have an absence of doubt, but it's how you treat those doubts. At the end of the day, each of us has to decide which approach makes most sense of the world that we experience every day. Does the problem of Evil – why bad things sometimes happen - mean you can’t believe in God? Or does the problem of Good – why good things sometimes happen – mean you can’t be an atheist? 

Prince William, and Tom Holland for that matter may have their doubts about faith, But that is no reason not to decide to believe.

When I became a Christian it was because the world no longer made sense to me as a place that emerged by chance, that has no ultimate purpose, that our intelligence emerged literally from non-sense. Our deep need for love seemed to fit better with the idea that this world emerged out of love, than that it emerged from a heartless, random void. Seeing the world in that way makes better sense to me than the alternative. It doesn't mean everything suddenly makes sense, but it does offer me a better way of thinking and living in the world. I can't prove it. I have my days of doubt. But that's the way I choose to believe, and choose to live.

Article
Creed
Death & life
Easter
Film & TV
9 min read

Harry Potter and the mysteries of death

Horcruxes and our digital consciousness

Jonathan is a priest and theologian who researches theology and comedy.

Hermoine rests her head on the shoulder of Harry Potter.
Harry and Hermione at the grave of his parents.
Warner Bros.

A couple of years ago I had a conversation with some friends that has stuck with me. One of them is a palliative care doctor, and we were discussing medical trends which seek the extension of life at all costs. My friends are Jewish, and we as were comparing religious notes, it was unsurprising that they asked me: "well what do Christians think about death?" 

I replied, without really thinking: "Well, death is the enemy that is defeated." Somewhat to my surprise, their response was quite negative. "Oh, I don't like that idea. That pushes us towards denying our mortality, and trans-humanism, and the inability to let aged relatives go. We need to become better at welcoming death, at recognising it as part of our humanity." 

And as I groped to try and explain why that wasn't quite what I meant, the best analogy I could find for articulating what Christians think about death came from Harry Potter. And in the years since that conversation, it is still the best analogy that I can find to talk about mortality. 

So, here is the version of what I wish I had said. 

The Harry Potter books have many themes, but above all they are about death. That may sound unlikely for a series of books apparently aimed at children, but the evidence stacks up... 

The main character is an orphan, and the majority of people he comes close to will die across the seven books. (Now seems as good a time as any to mention that the rest of this article will basically all be spoilers, so maybe stop now if you've been putting off reading the books for the last 20 years. I'm also going to assume you are at least reasonably familiar with the plot). 

Harry's life is defined by the death of his parents and his own close shave with mortality as a baby, and as the books continue the body count gets almost ludicrously high. 

Indeed, the author J.K. Rowling has said that Harry is "the prism through which I view death in its many forms." 

Unsurprisingly, given how central the theme is, there is a certain amount of explicit reflection on death, even if it is somewhat vague. Thus, we find that: "to the well organised mind, death is but the next great adventure." Dying hurts not at all, but is "quicker and easier than falling asleep." Those who die can "go on," perhaps by "boarding a train." 

If all of this sounds a touch sentimental and the sort of thing that might appear in bad funeral sermons, it is paired with descriptions of grief that are visceral and deeply moving. (I may have cried more than once whilst doing the "research" for this article). 

But where the discussion of death gets really interesting, at least to me, is in the plot, and the metaphysics that underpins it. By metaphysics I just mean the whole picture of the structure of reality that makes the world of Harry Potter work. 

And in this metaphysics we find that death is indeed an enemy. This becomes clear partly through the sheer excruciating depiction of loss that runs through the books - how could something that causes this much pain be anything but an enemy? - but in book seven it is also made explicit. 

In one of my favourite moments of the whole series, Harry stands before his parents' gravestone, and reads the epitaph: 

'"The last enemy that shall be destroyed is death"... A horrible thought came to him, and with it a kind of panic. "Isn't that a death Eater idea? Why is that there?" 

"It doesn't mean defeating death in the way the Death Eaters mean it, Harry," said Hermione, her voice gentle. "It means... you know... living beyond death. Living after death."' 

In Harry and Hermione's reaction to the quote on his parent's tombstone we find that there are multiple ways for death to be an enemy. 

The Deathly Hallows sounds eerily like a current technological advancement: the rising trend of griefbots.

Book seven, in fact, presents three ways to defeat death, and they are highly illuminating. 

Firstly, there are Horcruxes. This is Voldemort's project for immortality: the division of his soul via murder and the darkest magic, and the implantation of those parts of the soul into objects which guarantee that, even should he die, he will live on.  

This is, I think it's fair to say, not a vision of the death's vanquishing which the books present as appealing - Voldemort is the darkest wizard of living memory, and the creation of his Horcruxes takes him deeper into evil than anyone has ever gone. Yet it has strange parallels to various current attempts at death defiance. Dividing your soul up and placing it in objects sounds pretty similar to me to uploading your consciousness into a computer. 

Now I'm not saying that all transhumanists are evil wizards whose projects rely on murder, but I do wonder if the same impulse lies behind Horcruxes and downloaded consciousness. 

There is, in both, the same fear of death, the same refusal to accept that my life might end. And there is the same default assumption that the body doesn't really matter - that the centre of my being is somewhere else, and that I can separate it from this inconvenient vessel which is so subject to injury and decay. The inevitability of bodily death is acknowledged, but life can go on even if my body fails, because I can place myself into objects. What matters is my consciousness, and that can be made eternal. 

The second option is a little more complex: the Deathly Hallows. These are three strange, mysterious objects, possession of which promises to make the bearer "master of death." The wand that gives murderous power. The stone that brings back the dead. The cloak that conceals. 

The Hallows dress up their promise in esoteric garb - they offer a quest for the initiated that requires a certain embrace of mystery, and they certainly seem friendlier than Horcruxes, since no one has to die to make them.  

But in the end, as Dumbledore admits, they are not really that different from the Horcruxes, for those who seek them also respond to the temptation to defy death, just like Voldemort. And if Horcruxes are about preserving the soul in the face of the inevitability of bodily death, the Hallows tease the possibility of avoiding death altogether, through the exercise of power. 

The wand gives the power of invincibility and conquest: the avoidance of death through the murder of all who might threaten to kill. 

The cloak gives the power to hide, to keep out of trouble, to evade death by escape. 

And the stone? The stone overcomes the loss of death by bringing its victims back, by refusing to accept that those we love might leave us.  

Again, the Deathly Hallows sounds eerily like a current technological advancement: the rising trend of griefbots. There is the same attempt to respond to grief by clinging to simulations of those whom we mourn, and the same despair at the end of the line. For the dead do not belong with the living, we are told, and legend has it the first owner of the stone was driven to suicide. 

The Hallows attempt to deny death through power, and this is why Dumbledore found them so alluring, and so destructive: they promised to wind back his own loss while giving him the victory he thought would give his life meaning. 

And yet, in reality, even when Harry unites them all, they don't give what they promise. Indeed, they only work to their full power when they are used for humbler ambitions: to hide friends from danger, to perform wondrous magic without boasting in the glory of the wand, or to face death with the comforting presence of those who have gone before. 

For the stone only becomes available to Harry when he finally embraces the third way to defeat the death. The way his parents believed in.  

Death, in the Potter books, is defeated by dying. Or perhaps more specifically, by dying for love - love of children, love of friends, love of a world gone tragically wrong.  

Harry's mother protected her son from dying multiple times, through the power of her sacrificially loving surrender. Dumbledore, in a complex way, protects Malfoy and saves the Elder Wand from Voldemort, thereby protecting the whole wizarding world, through his voluntary death. Even Snape, in the bitterest and most twisted story of them all, ends up giving Harry what he needs to win and finding a measure of redemption, in and through his own murder. 

And, in the climax of this long, convoluted story, Harry avoids death by going willingly to die. Because he loves his friends. Because he hates others dying for him. Because he recognises the terrible duty he faces, the terrible path Dumbledore has laid out for him, and he loves too much to run. 

Voldemort is wrong. Love does conquer death. 

The parallels to the Christian vision of death are stark. The quote on the tombstone which sparks these reflections for Harry (and for me) is in fact from the Bible. "The last enemy that shall be defeated is death" is a profoundly Christian idea. 

Yet my friends were right to react negatively to what they thought I meant by death being an enemy. 

For, just like the good guys in Harry Potter, Christians have traditionally been suspicious of attempts at immortality on our own terms. The Bible, I would suggest, knows nothing of a technological defeat of death, whether through downloading our consciences, or radical life extension, or technologies of power. Death cannot be staved off by any of our own work. 

But this does not mean that death is a good thing, simply a part of human existence which we would do well to welcome and learn to get along with (though I do think we would do better to think about death more, and be more honest about its existence).  

Death is an enemy. It is the final enemy. We are right to rage against it. To grieve those whom we lose. To feel its existential weight. 

Yet, perhaps paradoxically, we should not fear it. For death is an enemy that has been vanquished, but vanquished through Jesus' death.  

Immortality is not, for Christians, something we achieve, but something that is given to us. We believe in the Saviour who dies, and who rises again, and in whose resurrection, as strange as it may sound, we also will be raised. Death is defeated by love, but it is not our love, it is God's love for us. 

This gift, according to the early Christian writers, can only be received by going through death, not by avoiding death. Indeed, Paul's letters, which make up most of the New Testament, are full of the insistence that the pattern of Christian life is always death first, then life. Death in baptism, to new life in Christ. Death to sin, to life in freedom. Bodily death, to bodily resurrection. 

And so, what I should have said to my friend, is that Hermione is right. Death is the final enemy to be defeated, but this does not mean the ways of the Death Eaters. It does not mean projects of immortality, whether rooted in science, or a mystery cult, or power over others. 

Rather it means it life after death - a life that is given to us, by our saviour who has been through death and defeated it. 

Death is the enemy but it is not our enemy to defeat. That victory was won for us, on Easter Sunday 2000 years ago, in a cemetery near Jerusalem, when Jesus rose again. 

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