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AI - Artificial Intelligence
Church and state
Creed
Monsters
4 min read

Peter Thiel and the Antichrist

The PayPal founder’s obsession with the Beast is nothing new

Jack is a graduate of Peterhouse, University of Cambridge and Blackfriars, University of Oxford. He writes, and also works in local government.

An AI montage show a black and white school at the centre of a red and yellow circular grid upon which are the San Francisco skyline and map.
San Francisco Antichrist.
Nick Jones/Midjourney.ai.

Sometime between 95 and 110 AD, a Christian called John the Evangelist (it is said) wrote about ‘the spirit of the Antichrist, which you have heard is coming, and even now is now already in the world.’  

Fast forward two thousand years, and the Antichrist is back on the agenda, this time via Peter Thiel, the co-founder of PayPal and Palantir (a data analytics company) and the first external investor in Facebook, who is currently offering his thoughts on the “politics of the Antichrist” in a four-part lecture series in San Francisco. 

Thiel previously said, in an interview in 2024, that he thinks that if the ‘Antichrist were to come to power, it would be by talking about Armageddon all the time.’ By Armageddon, he means the destruction of the world arising, for instance, from nuclear war, bioweapons, climate change, or AI.  And in that interview, Thiel referenced an instructional documentary film from 1946: One World or None. Its thesis is that the answer to atomic warfare is to have the nations of the world unite. According to Thiel, such a global government would be the most insidious danger of them all.  ‘The slogan of the Antichrist,’ he said, is ‘peace and safety’, which ‘resonates’ in ‘a world where the stakes are so absolute, where the alternative to peace and safety is Armageddon’. So, the promise of perfect peace is a false one: it would lead only to a one-world totalitarian government.  

We have been here before. On 13 January 1814, at one of thousands of services of national thanksgiving to celebrate the Peninsular Army’s entry into France, which heralded the end of the Napoleonic Wars, The Venerable Joseph Holden Pott, the Archdeacon, ascended the pulpit in the St Martin-in-the Fields Church on Trafalgar Square in central London. There had, he said, never been a ‘fitter moment’ to encourage ‘patriot zeal’ ‘on sound and righteous principles’, which he expounded for his flock. Jesus Christ was ‘a true patriot’. First, he loved the place of his birth and the people around him; then, he demonstrated love for the whole world. The ‘spirit of true Patriotism regards the good of other Countries as connected always with its own.’  However, one’s home country always come first.  

Throughout the Napoleonic Wars, Napoleon, who rose to power on the wave of revolutionary unrest in France, was cast by the ruling elite in Britain as the Antichrist. Protestant Britain was depicted as the new Israel, which would deliver Europe from all its woes. With the risk of political Armageddon in their own country, the establishment reasserted the importance of religion to the nation state.  

The politics of the Antichrist will always tend to have traction, but the risk is that the response to the belief that the Beast is rising out of the sea, to use the image deployed in the Christian Bible, will be just as destructive: a religious revival that is all about reactionary politics or remembrance of things past.  

Thiel’s take on history is that it its linear, angled toward the End Times. His thought is cyclical, collapsing in on itself, in that it is a tired trope that has been used before. For instance, it has been used during the Napoleonic Wars, and it is not guaranteed by a strong faith that can move mountains, which is arguably what the world needs more than anything else.  

Saint John meant, by the ‘spirit of the Antichrist’, ‘every spirit that does not acknowledge’ Jesus Christ as Lord. And soon after, the early Christian theologian Clement of Alexandria, who sold Christianity in a competitive marketplace, wrote about the ‘sects both of barbarian and Hellenic philosophy’ that unlike Christ ‘each vaunts as the whole truth the portion which has fallen to its lot’. 

The risk with Thiel is that he is simply validating unchecked ‘tech’ taking over the world. It is also sectarian that Thiel’s thoughts, for all their seemingly counter-cultural boldness, are often expressed in the shadows. His remarks in his current lecture series in San Francisco, for example, will go unrecorded. They are speculative in their nature. 

By contrast, those writers who lived through the first half of the twentieth century, which Thiel sees as a turning point in the politics of the Antichrist, flaunted their wares in public, with incisive clarity. They spoke of the way in which the spirit of Christ transcends time and all other ideology, like Clement of Alexandria in the first century.  

One such writer was C. S. Lewis, who wrote an article ‘On Living in Atomic Age’ (first published in 1948), in which he exhorted us not to exaggerate ‘the novelty of our situation’. We were always going to die, irrespective of the politics of the world around us, and as ever our mission is to better ourselves by turning to Christ. We should not assume that we alone can save the world. But Peter Thiel sounds he like does. 

So, we still have much to learn from the Christians from the early church. Saint Paul wrote to Christians in Thessalonica warning them not to be deceived by the Antichrist, who ‘sets himself up in God’s temple, proclaiming himself to be God.’  And anyone encountering Peter Thiel’s (or indeed any one’s persons) political ideas would do well to remember that.  

The PayPal founder’s obsession with the Beast is nothing new.  

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Review
Awe and wonder
Creed
Easter
Film & TV
5 min read

Heading Home: a pilgrimage that breaks out beauty along the way

We can learn a new language together as we travel.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A shaft of light from an opening in a dome lights a cross on a pedestal.
Church of the Holy Sepulchre.
Kieran Dodds.

This film, this pilgrimage, this story begins in Jerusalem in the rotunda of the Church of the Holy Sepulchre with its Aedicule, a small chapel, containing the tomb from which Jesus rose.  

Jesus' resurrection was revolutionary because it is the first fruits of a wider resurrection into a new heaven and a new earth, the new Jerusalem, where all that is harmful on earth is transformed into eternal glory and beauty. 

The Church of the Holy Sepulchre holds that vision within its walls, a vision that was then transported throughout the world through pilgrimage and creatively replicated in other locations so that all who entered their local church or cathedral would be transported through art and architecture to the New Jerusalem.  

US philanthropist and author Roberta Ahmanson thinks that American Protestants, in particular, have neglected this story because of the Reformation's preference for word over image. As a result, in 2022, she gathered an eclectic group of Christian college presidents, church pastors, and Christian creatives taking them on a pilgrimage from Jerusalem to London via Italy and Aachen while filming their responses to the visual history of the New Jerusalem as found in the churches they visit. In their two-week journey, the group cover almost 2,000 years of church art and architecture. 

Ahmanson explains that this search for the reality of the Kingdom of God as it is to be realised in the New Jerusalem at the end of time did not mean that pilgrims were to abandon the world. On the contrary, she says, "their job was to serve this world to make it more like the heavenly home where their ultimate citizenship lay." That remains the aim of this art and architecture as:  

“By studying the nature of that promised place, as artists and architects and writers of the past have sought to express it, we are schooled to live lives of wholeness and beauty right here on earth. The longing for beauty is ultimately a longing to be Home, to be in the place where we are whole.” 

The beauty of the churches visited on this pilgrimage provided a vision of the New Jerusalem to those who entered in order that they took that vision into their everyday lives when they left. Along the way, the pilgrims on this trip learnt how artists, architects and theologians worked in parallel for many centuries – from Saint Augustine’s vision of a New Jerusalem to Dante’s admonitions about the Last Judgment. 

The film combines scenes of beautiful interiors with explanations of their significance from Ahmanson and others, plus it shows the reactions of various of the pilgrims as they allow their sense of wonder and understanding of Church history to be expanded. David and Joy Bailey, founders of Arrabon which cultivates Christian communities to pursue healing and reconciliation in a racially divided world, are two of those to have spoken about the impact the trip had on the group of pilgrims.   

Joy said: “Everybody was very literate coming from these strong traditions of faith being either oral or written but to see it so visually impacting, it was breaking us all open and trying to find language for that took the entire trip.” David suggested that: “What the trip was helping you to see was this deeper rootedness, this long tradition that, I think, could actually be very helpful for us today because some of the things that were there were the understanding of humanity as plain on the outside and beauty on the inside, the glory that comes with the inward journey that reflects on Heaven as it is on Earth.”  

Re-enacting, revisiting and reinhabiting Christ's journey to the cross and the meaning of his resurrection remains central to Christian experience 

As we travel further from Jerusalem in the film, we are surprised to find that the template of the Holy Sepulchre continues to inspire and shape the experience of pilgrims. Ahmanson explains that: “In churches across the old Roman Empire, from Africa and Palestine to the furthest reaches of Britain, liturgy was created to tell the story and to bring the spaces alive in the telling. Pilgrimages to Jerusalem and later to Rome and then to the tomb of Saint James in Spain became a kind of geographic liturgy. When the trip became too long or … too dangerous, believers found alternative destinations. Across the continent, from Magdeburg in Germany and Constance in Switzerland, to Bologna and Pisa in Italy and London and Cambridge in England, round churches or smaller models replicating the Church of the Holy Sepulchre became pilgrim destinations.” 

Re-enacting, revisiting and reinhabiting Christ's journey to the cross and the meaning of his resurrection remains central to Christian experience, particularly during Lent and Holy Week. Walking labyrinths, Palm Sunday processions and Passion dramas, praying the Stations of the Cross, washing feet on Maundy Thursday, sharing a Passover meal, the Good Friday three-hour devotional, and the Dawn Eucharist on Easter Day are among the many ways Christians continue to follow in the footsteps of Jesus while remaining where they are during this most special season.  

Many of these practices provide the opportunity to go on pilgrimage while remaining at home. Just as with images of the New Jerusalem brought from Jerusalem to the churches of Europe, so with, for example, the practice of praying the Stations of the Cross which originated in medieval Europe when pilgrims were unable to visit the Holy Land, so instead “visited” the Holy places through prayer.  

The film, and other creative off-shoots including exhibitions of photographs from the pilgrimage taken by Kieran Dodds and performances by spoken word poet Street Hymns (one of the pilgrims), with his fellow poets Hanna Watson, Jasmine Sims, and Lo Alaman, in response to images of the New Jerusalem, provide viewers with a similar opportunity to experience, reflect and pray. The aim of all these initiatives is, as Ahmanson explains, what has always been the aim; “to serve this world to make it more like the heavenly home” where our ultimate citizenship lies, and to do so by “creating beauty in buildings and art and music and serving the suffering and those in all kinds of need”. 

 

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