Explainer
Culture
Freedom of Belief
Migration
7 min read

From Nigeria’s killing fields to Europe’s shores, the data behind the domino effect

While Nigeria thrives, some left-behind are desperate to escape.

Chris Wadibia is an academic advising on faith-based challenges. His research includes political Pentecostalism, global Christianity, and development. 

A data map shows circles of varying size across a map of Nigeria
Fatal attacks map.
ORFA.

Just as every coin has two sides, every soul contains the equal capacity for good and evil. Just like affairs of the soul, migration has the ability to strengthen or weaken societies.  

Nigeria, the Giant of Africa, has one of the world’s largest and most professionally distinguished diasporas. Over 17 million Nigerians live in other countries. The most famous members of the Nigerian diaspora, figures like Ngozi Okonjo-Iweala, Chimamanda Ngozi Adichie, Anthony Joshua, John Boyega, Giannis Antetokounmpo, and Wally Adeyemo, have achieved stardom thanks to talents that impact or entertain millions of people globally.  

However, these famous figures merely represent the glorious one percent of the Nigerian diaspora. Their success can easily distract observers from the grim reality of why so many Nigerians desperately seek to leave a country known for producing world changers.  

Seeking data on violence 

In October 2019, researchers at the Observatory of Religious Freedom in Africa started a project exploring the nature and impacts of of religious violence in Nigeria. The project spanned four years and generated many significant findings. Terror groups in Nigeria killed 31,000 civilians in 7,000 attacks in just four years, the Fulani Ethnic Militia (FEM) accounting for 39 per cent of these killings (a figure dwarfing the killings perpetrated by ISIS and al-Qaeda affiliates),  So called “land-based community attacks,” a concept referring to instances when actors like FEM invade small Christian farming settlements to kill, rape, and abduct Christians and burn their homes, accounted for 82 per cent of civilian killings in the study, Christian death tolls far exceeding Muslim death tolls (2.7 Christians killed for every 1 Muslim killed) in the reporting period, and 6.5 times as many Christian murders compared to Muslim murders relative to average state populations.  

The methodology of the study set out to find data on all the people, regardless of their religion, negatively affected by terrorist violence. However, with every new batch of data collected, disturbing patterns emerged. Since the 2009 birth of the infamous Boko Haram insurgency, global media coverage of the terrorist violence has consistently argued Muslims rather than Christians disproportionately bear the brunt of this Islamist extremist violence. The findings of the study suggest otherwise.  

ORFA data map of fatal attacks across Nigeria.

A data map shows circles of varying size across a map of Nigeria
Source: ORFA.

Shouldn’t the government do something? 

Historically, Nigerian governments have been reticent, even reluctant, to condemn violence in the north associated with the Fulani ethnic group. Former presidents like Muhammadu Buhari, a member of the Fulani, have even gone as far as to dismiss the issue of Fulani ethnic violence as just “cattle rustling.” However, in Nigeria, mere “cattle rustling” to some is a seriously grave situation for others.  

Findings by the Observatory researchers suggest Nigerian security operatives, most of whom belong to the Fulani and Hausa ethnic groups, have a suspiciously selective way of engaging with terrorist violence in northern Nigeria, often leaving Christians distinctively vulnerable. Roman Catholics in Nigeria have even accused Nigeria's military of being a jihadist force. Churches in northern Nigeria live in a constant state of terror and acutely distressing fear.  

In Nigeria, the federal government alone, led by the president, has the final say on matters concerning security and the army. Incumbent President Bola Ahmed Tinubu has notably appointed far more Christians to senior government offices than his predecessor, Buhari. The Nigerian government is famously opaque. Despite its nominally democratic visage, family dynasties and networks continue to dominate political life and business affairs.  

Understanding the religious geography and reaction 

Religion in Nigeria is divided along geographical lines. The northern half is dominated by conservative Islam. Catholicism and Anglicanism reign supreme in the southeast. The southwest functions as a geographical melting pot of Islam (albeit a more secular variety compared to the north) and Christianity (especially Pentecostalism).  The north contains a surprisingly large number of Pentecostals. Many Pentecostal pastors and choirs in the north have been kidnapped by the mercilessly violent Islamist extremists.  

The overwhelming majority of Christians in Nigeria live in the southern half of the country. However, in a Nigeria which has suffered from one oppressive government after another for decades (most of these led by conservative Islamic military and civilian presidents), most Christians struggle to survive and lack the energy to speak up for their northern kin. Despite their weariness, the Southern Nigerian Church (the collective population of Christians living in the south) has a sacred responsibility to awaken and demand greater protections from the federal government and the military for Christians living in the north.   

Local causes, global effect 

Over the last two decades, commentators have routinely pointed to climate change as the primary factor facilitating violent encounters between Muslims and Christians. Fulani cattle herders, guided by the desire for better grazing lands for their livestock, have often encroached on land owned by Christian farmers in the north and middle regions. The findings by researchers at the Observatory suggest significantly more is going on to facilitate these violent clashes than just climate change. Ascribing the challenge of religious violence in Nigeria to just climate change provides a get-out-of-jail free card to the men of violence linked to the orchestrated killings of Christians. 

Ethno-religious violence has quietly become commonplace in northern Nigerian life. The single solution capable of curbing this violence is unprecedented, cross-party, interethnic, and interreligious security reform. Strength of security affects every person in Nigeria. From the richest to the poorest, no one is immune from a sudden kidnapping, suicide bomb, or violent act of banditry negatively changing their life forever.  

Nigeria's neighbours in Europe cannot afford to continue slumbering and must wake up. Readers in Europe feeling insulated from the violence the data records are just as susceptible to the shockwaves that a collapse of the Nigerian state as other West African neighbours. Such an event would imperil the security of citizens in countries like Italy, Spain, and Greece just as much as it would people living in Mali, Chad, and Cameroon.  

Nigeria has never been nearer to a civil war or state collapse since the Biafra War of the late 1960s. Ethno-religious violence disproportionately targeting northern Christians is one of the greatest and most overlooked factors contributing to Nigeria's dysfunctionality. In an unprecedentedly connected world, such a collapse would, in turn, trigger further collapses.  The European Union (EU) does not grasp the severity of how such a collapse would affect its own security and stability. At a time when every day brings news of small boats carrying migrants to European shores, Nigeria's collapse would trigger one of the greatest avalanches of mass migration in modern African history.  

A modern Middle Passage 

Nigeria has a population of over 235 million, the largest in Africa and sixth largest globally. If just 10 per cent of the population attempted to flee in the event of another civil war or a destabilising political event, that is 23 million Nigerians desperately fleeing into any country they reason might welcome them. Many of these millions would gamble by voyaging on the tempestuous Atlantic Ocean in small boats with the goal of beginning new lives in European countries. Some would inevitably perish in what might evolve into this century's Middle Passage. Nigeria’s collapse would destroy the EU by overwhelming its borders and social services. The average population of an EU country is just under 17 million, or the size of Nigeria's diaspora. The unprecedented connectedness of our world means catastrophic destabilisation in one country can have significant consequences for the stability of other countries globally. The EU has a geopolitical responsibility to invest in improving Nigeria's security situation. Abductions, killings, and displacements in Nigeria might trigger instability in Europe and beyond. 

However, the collapse of Nigeria would not only destabilise the EU. ISIS affiliates like ISWAP (Islamic State West Africa Province) have a strategic interest in Nigeria's collapse, because it would open the door for them to expand their control throughout West Africa.  

A team of researchers guided by the goal of better understanding terrorist violence in Nigeria simply followed the breadcrumbs of organically emergent data to show why the broader world should take seriously violence against Christians in the Giant of Africa. Living in an unprecedentedly connected world comes with new privileges and new responsibilities. To simply indulge in these new privileges without standing strong and shouldering these new responsibilities would be foolish, selfish, and nearsighted.  

English poet John Donne once famously wrote,

No man is an island,  
Entire of itself,  of the continent,  
A part of the main.  
If a clod be washed away by the sea,  
Europe is the less. 
Every man is a piece.

The “old self” understanding of global connectedness, ruled by selfishness and ignorance, must give way to the “new self” model of prosperity and security via proactive collaboration. For every one Okonjo-Iweala, Boyega, or Antetokounmpo, millions of Nigerians suffering from the effects of a rapidly destabilising state dream of emigrating abroad. Global Christianity and global security stakeholders each have an interest in a stable Nigeria. A stable Nigeria functions as a wellspring of human capital for the benefit of the entire world.  

Donne, in the same poem, wrote,  

Each man's death diminishes me, 
For I am involved in mankind. 
Therefore, send not to know 
For whom the bell tolls, 
It tolls for thee. 

The world is involved in Nigeria and Nigeria is involved in the world. The death of Nigeria would pave the way for the death of the EU. The bell tolls for the EU community to awaken from decades of neglectfully overlooking its interests in a stable and secure Nigeria.  

 

Further resources 

  • ORFA report summary.
  • ORFA full report.
  • 'No Road Home', a data study on those living in displaced persons camps. Download the study (PDF).
Essay
Art
Culture
Trauma
7 min read

From egalitarian to elite: 100 years of Art Deco

Birthed by a lost generation, its legacy is not what its creators sought

Sarah Basemera is a circular economy enthusiast and a founder of Canopi, a boutique for recrafted furniture.

An art deco poster shows the heads of three woman against a beach background.
McGill Library on Unsplash.

Agatha Christie, The Savoy Hotel, Cartier, The Great Gatsby, and All That Jazz sit under the gilt-edge umbrella that is Art Deco. This design movement blossomed for two decades. In 2025, Art Deco turns 100 years old. Today, it's a celebrated era for its gift to design, but what can we learn from this period, and how have the ideologies of this period stood the test of time? 

Art Deco saw  geometric patterns with rectilinear lines, rich jewel contrasting colours with luxury exotic materials, virtuosic craftsmanship, and streamlined expression in architecture, furniture, fashion, art, and jewelry.  

On the surface, this style had many muses, from traditional African art to Cubism. It linked the discovery of Tutankhamen in 1926 with the ceramics of Japan. The bold theatrical colours of the costumes and stage designs of the Ballet Russes, also made a huge impression on Deco creatives. It infused their work with the first vibrant, intense strokes of modern design.  

Over the past 100 years, we have applied Art Deco ideas in different ways, taking what we want from it when we needed to. 

It was the first truly international style, yet it had distinct local expressions. American Art Deco – such as the ornate topped skyscrapers like the Empire State building, had a different expression from opulent Parisian objects such as Cartier alabaster cigar boxes. 

The original Art Deco creatives sought to capture the essence of beauty refined to its simplest form. There was a focus on geometric shapes, symmetry and measured ornamentation.  They wanted to remove the excess frills of previous generations and refine the design.   

Under the gilt-edged Art Deco umbrella were two somewhat opposing arms – the decadent strand vs the essentialist. Today, in popular culture, we remember this period for the Roaring Twenties, excess and hedonism. The decadent strand favoured luxurious, opulent craftsmanship. Its products were attainable only by a small pool of wealthy patrons. 

The essentialist strand – "Art Deco de Moderne" began with noble intentions. They prized efficiency and simplicity, characterised by geometric rectilinear designs. These creatives wanted design to respond to the changing needs of the age. They wanted great design to be accessible to more people. Both strands recognised the power of design to elevate the human experience. They invested in the endeavour to craft beauty across the entire sphere of life, from elevated factories to generous streamlined apartments. 

Vogue Cup and Saucer, 1930, V&A Museum.

An art deco cup and saucer on display.
Vogue cup and saucer, 1930.

100 years later, the problem of accessibility of good design hasn't been fixed. Craftspeople still need to find ways to sustain a living. Handmade design from natural materials is still mainly attainable by the wealthiest. Local craftsmanship is in crisis, and many of us do not know and cannot afford artisans to make things for us from natural materials. Many skilled artisans cannot maintain workshops in our cities. 

Art Deco designers may not have described themselves as hedonists, but they certainly produced goods with this dazzling class in mind. These designers had to be at ease with this world and knew how to play its game to remain commercially viable. So why did the Art Deco Age gush with an ideology of hedonism?  

The philosophy of hedonism from the interwar period reflected the worldview of the so-called 'Lost Generation'. American author Gertrude Stein famously said to a young Ernest Hemingway years after World War I: 

"All of you young people who served in the war... You are all a lost generation . . . You have no respect for anything. You drink yourself to death ...". 

This mood was the backdrop to the literary and creative landscape of the 1920s. 

 When the Great War ended, people wanted to celebrate - play, party and travel, but euphoria for some turned to excess. The simple joys of living here and now became an absolute value. They had witnessed the horrors of war, the fragility of life and were jubilant, wishing to live life to the full. Knowing life could be cut short, the doyennes of the age swung into excess, supposedly breaking free of Christian values, only to find they became trapped in cycles of gratification that didn't deliver. "Let us eat and drink, for tomorrow we die!" 

This unbridled hedonism was their feast after the plague - it was a coping mechanism. They couldn't think about the future – living here and now was a maxim underpinning this period.  

The Lost Generation grasped the concept of being present in the moment, but they also discovered numbing pain was a deeply unsatisfying solution. 

Fast forward a hundred years, and hedonism is still elusive and utterly unhelpful. It still has a numbing rather than a healing effect. Perhaps its modern relative is bingeing. You know what your binge is, and so does Netflix and our NHS.  

What can the hedonists hijack of Art Deco teach us? Looking sympathetically on this era – hedonism appears to be a coping mechanism. Something humans have needed for aeons. "Do not worry about tomorrow for tomorrow will worry about itself. Each day has enough trouble of its own",said Jesus. The Lost Generation grasped the concept of being present in the moment, but they also discovered numbing pain was a deeply unsatisfying solution. 

Ideally, the weight of grief and loss must be wrestled with, carried, shared and not buried. In great pain, it is still wiser to face it, wrestle, get help and cry out to God. In our age, we have the benefit of hindsight to know that burying trauma produces unhealthy outcomes in the long term. We have the privilege of being able to access counsellors, therapists and psychologists.  

The fragility of being in the shadow of death doesn't hang over us today in the West, because we haven't had a recent World War. The closest reminder came through the COVID-19 pandemic. For a moment, we were all forced to focus on simpler things and live less frenetically.  

Another ideology underpinning the age of Art Deco was the belief in the transformative power of the machine age. In this era, confidence rose in the ability of machines.  Steamships, aeroplanes, automobiles, electrification and telecommunications were transformative innovations.  

The rise of machines represented a break from the failed past and the move into modernity into the future. Some of the more modern leaning Art Deco designers took inspiration from the shapes of the new machines and hoped that mass production would lead to more democratic outcomes, with good design being available to all. From Art Deco de Moderne, we began to learn the beauty of simplicity. Efficiency and essentialism were prized. It was the forerunner to Modernism proper. Sadly, this aspect has been butchered over the decades and reproduced unfaithfully in architecture and consumer products. The principle of celebrating the inventiveness of man slowly evolved into something less noble. The desire to return to the essence of good design was galvanised by the need to rebuild fast after World War Two, both as a sign of triumphalism but also to give the nation decent homes. Council house homes were built quickly to rehouse the nation using cheap materials. 

Today, mass production has indeed made design more accessible. More of us have access to contemporary-designed objects and clothes because they are manufactured quickly out of cheap, synthetic, non-biodegradable, toxic materials, at the sweat and tears of workers who are trapped in inhumane conditions, rarely seeing sunlight or fair wages. 

Nevertheless, 100 Years of Art Deco design has shown us that quality still endures over quantity. The Art Deco legacy of brilliant buildings made of robust materials, with subtle virtuoso ornamentation, has survived the test of time. Though more of us can enjoy contemporary design at affordable prices, I doubt we will cherish most of what we own today even 20 years from now. It is mass-produced, less durable and made from low-grade materials and built to pass. 

Art Deco teaches us, our legacy is not in our hands but in those who remember us. Today, we look back at Art Deco not as egalitarian or hopeful but as opulent and lavish. The intellectuals of that age openly lived torn by their excesses, some even dying by suicide. Yet it was meant to be designed for the ordinary person and to elevate all. By simplifying design to its essence, it was supposed to democratise design. 

From Wall Street Deco to the frivolous woos and woes of Wodehousian characters and music in the keys of Jazz, this era has made its distinguished, enduring mark on the arts. Beneath the sparkle, what has developed an enduring patina with age, is the high quality of craftsmanship across all fields. 

Looking beyond the arts, the Lost Generation has taught us that escapism is elusive and to be cautious but not charmed by machines. We can delight in excellent craftsmanship and cherish the beauty of essence. 

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