Podcast
Culture
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Weirdness
5 min read

My conversation with... Tom Holland

Noticing that Tom Holland is the star of The Rest Is Politics Christmas special, Belle Tindall is remembering her conversation with the historian earlier this year.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

A man sits at a table speaking into a microphone but looks into the distance. Behind him, through the window and beyond a wall is Big Ben
Tom Holland recording the podcast at Lambeth Palace Library.

In a festive one-off, two worlds have collided. Tom Holland, of the beloved 'The Rest is History' podcast, has joined Rory Stewart and Alistair Campbell in their 'The Rest is Politics' parallel universe. They spend a merry hour talking through religion, politics and the way in which they have both shaped our modern world... plus dinosaurs, always dinosaurs. 

And it got me reminiscing - my mind drifted back to earlier in this slightly odd year, on the eve of the coronation, when we had the one and only Tom Holland on our podcast. We called that episode of the podcast - Re-Enchanting History and the Coronation - but for me, it could just as aptly be entitled Re-Enchanting the Weird.  

Below is a reflection that I wrote immediately after that fascinating episode was recorded. If you've enjoyed his appearance on The Rest is Politics, you may just enjoy his appearance here too. 

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Re-Enchanting the Weird

Let me start in the proper place, with introductions.  

If you are a fan of history, Tom needs no introduction. But, for those of you who are not yet acquainted with his wonderfully infectious expertise, Tom is the co-host of the beloved podcast, The Rest is History (alongside Dominic Sandbrook). He is also the best-selling author of Rubicon, Persian Fire, Dominion, and the up-coming book for children, The Wolf-Girl, The Greeks, and The Gods. Justin Brierley and I recently had the pleasure of soaking up a little of Tom’s extensive knowledge when we interviewed him for a Coronation special of Seen and Unseen’s Re-Enchanting podcast.  

Tom’s most recent book, Dominion, charts the mighty impact that the Christian revolution has had; beginning with its unexpected origins and following its cultural reverberations through to the present age, highlighting its very present influence. We are, to borrow Tom’s own phrase, a society of goldfish who are (perhaps unknowingly) swimming in a distinctly Christian fishbowl. And so, our conversation began there – as he pointed out that, like it or not, the West operates in the residue of the Christian revolution. Christianity has been hidden in plain sight all along. For the sake of eloquence, I’ll let Tom explain:  

‘The conceit of the West is that it’s transcended Christianity to become purely universal, purely global. But its values, its assumptions, its ethics remain palpably bred of the marrow of Christianity’.  

Throughout our conversation, Tom took us on a whistle-stop tour of what was, what is, and the thread that can be drawn between the two. And while I don’t wish to spoil things for you, I imagine you can guess what the thread is. This conversation touches upon the origins of democracy (as we perceive it), the Reformation and the Nazis, to name but a few. I couldn’t recommend it enough. But I must warn you, you cannot un-hear Tom’s observations. The things he points out, you simply cannot un-see. Christianity will no longer be hidden; it will just be in plain sight.  

Seen as it is within in touching distance, we also wanted to get Tom’s thoughts on the Coronation. And this is where the re-enchantment of the weird began. At least, for me.  

The very notion of this upcoming Coronation is odd. It is a distinctly peculiar event.  

Firstly, it is incredibly old. We are the only country in the world that still does this particular thing in this particular way. What we will see unfold before us is derived from the 10th Century, when King Edgar was coronated by St. Dunstan, and yet it goes back further still - its roots actually lie in Bronze Age Israel.  

During the Coronation, the ancient and the modern will converge. As spectators, we will be peeking into times gone by; as Tom (rather excitedly) said, watching this ceremony, and everything that will surround it, will be like ‘seeing a dinosaur… still alive… in a zoo’. I wrote that last week’s conversation with astrophysicist, Dr. Jennifer Wiseman, made me feel small – small in time and small in place. Well, in many ways, so did Tom’s thoughts on the Coronation. The ritual is so very old, and we, so very young.  

But there is more. Tom reminded us that the Coronation is not only old, it’s weird. It places the mystical, the supernatural, the sacred, and the down-right strange on centre stage.  

Nick Cave, who will be sitting in Westminster Abbey on the day despite not being much of a royalist, explained that he accepted the invitation purely because of its bewildering oddness. In his Red Hand Files, he wrote  

‘what I am also not is so spectacularly incurious about the world and the way it works, so ideologically captured, so damn grouchy, as to refuse an invitation to what will more than likely be the most important historical event in the UK of our age. Not just the most important, but the strangest, the weirdest.’  

Both Nick Cave and Tom Holland have allowed themselves the fun of being curious. Curious about the fact that something profoundly supernatural is about to be taken incredibly seriously in the heart of a so-called secular society. And whatever pragmatic questions I may have about the place of monarchy in the here and now, I think I will allow myself the fun of being curious about that too.  

My conversation with Tom re-enchanted the parts of Christianity that, as someone who grew up as a Christian, I used to be quite embarrassed by. Namely, the weirdest parts.  

As a teenager, my instinct was to minimise (at least in public) the aspects of the Christian faith that cannot be explained by rationalism. I used to keep quiet about the parts of my faith that outed me as someone who believed in things that are supernatural. I would try my absolute best to blur the details of the most obscure facets of Christian thinking. But, as Tom said, ‘a Christianity that has bled itself of enchantment is a pallid thing.’ And if there is one thing that the whole Jesus movement was not, it’s pallid.  

If you, like Tom Holland, crave enchantment, this episode will be for you. Afterall, what better place to go looking for the wonderfully weird than in the ‘greatest story ever told’?  

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5 min read

Symbols in culture – the interface between the Seen and the Unseen

Open your eyes.

Theodore is author of the historical fiction series The Wanderer Chronicles.

an all seeing eye hovers above a renaissance style picture of the supper at Emmaus.
Pontormo, via Wikimedia Commons.

As December gives way to January, we become conscious of time rolling on from one year into the next.  

The moment is often marked by that most famous image of the New Year: the Roman god Janus standing sentinel at the threshold; two-faced, gazing back into the past, but also forwards into the future.  

The double-faced god is a striking symbol to depict this interface of time. But we also often find symbols at another important interface: the place where the Seen meets the Unseen. 

Symbols have always existed at this touch-point - between the spiritual and the material. We might even say between heaven and earth. Symbols possess a power which goes beyond the strictly rational. They are more than their constituent parts. 

In the moment when Jesus effectively instituted the church, he tells his disciple Peter: “Behold, I give you the keys to the kingdom of heaven, and whatever you bind on earth shall be bound in heaven, and whatever you loose on earth shall be loosed in heaven.” Here, Jesus not only uses symbolic language with his image of the key, he also assigns Peter (and so the church) a divinely-appointed role: to stand there at this threshold between the seen and the unseen, and to have an effect. 

The mission then, to occupy and influence this frontier between both realms, is significant. It’s worth considering – especially at this liminal time of year - what a culture’s symbols say about its direction of travel. What are the symbols that saturate our conscious and unconscious world? What effect are they intended to have by their creators? What influence do they actually have in the seen and unseen? 

Our culture is saturated with symbols that were always meant to exert influence in the unseen. Some consciously; other maybe less so. 

The notion that symbols act on reality is not a merely Christian concept. Far from it. In many cultures, the origins of written communication have often been interwoven with both mystery and magic. The futhark, for example – the basis of the Old Norse runic alphabet in Scandinavia – developed directly out of shamanistic practices. In a word: witchcraft. Certain symbols were graven into material objects in order to have a specific effect. A rune for protection carved into the haft of a warrior’s axe; a rune for fertility on a woman’s comb or belt. Symbols to curse; symbols to bless. All intended to manipulate the reality around them. Effectively they acted as a kind of spell. 

Roll the wheel of history forward a bit and we see the cross itself became a powerful symbol across the developing civilizations of the world, especially in Europe. Making the sign of the cross became synonymous with an invocation of God’s blessing or else protection against some evil. An outcome all the more extraordinary when one considers the origin of its use – a shameful incident of execution, standing on a lonely hill. 

Similarly, the Crescent represents one of the great symbols of history, often in antagonism with the Cross. Think of the symbolic reversals still visible in the architecture of some parts of Spain. When the Iberian peninsula fell to Moorish conquest in the early eight century, the cross was torn down, all symbols of Christian faith effaced, only to return eight centuries later with the Reconquista. Today, you can see still the Cross surmounted on clearly Moorish architecture, a visible sign of those historic conflicts. 

Such warring symbols of unseen spiritual realities are hardly consigned to the history books. Witness perhaps the most live example playing out all across the cities of Europe. The Star of David opposed and disdained by those waving black, green, red and white flags. 

Nor is the clash of symbols simply a matter between the great religions of the world. The rainbow flag represents a certain positioning within the realm of the unseen wherever it is planted. In other contexts, our culture is saturated with symbols that were always meant to exert influence in the unseen. Some consciously; other maybe less so.  

Apple’s ‘apple’ is not just an apple. It is an apple with a bite taken out of it. Elsewhere, symbolic representations of devil horns proliferate – to be expected on heavy metal t-shirts and album covers; perhaps less so throughout myriad children’s TV shows and movies across our streaming channels. Yet they are there.  

The ‘One-Eye’ symbol has been associated variously with freemasonry, Luciferanism, Satanism and the occult. It appears in anything from pop videos to movie posters to political protest logos (“Just Stop Oil” anyone?). Even a ubiquitous pose-for-camera for celebrity photo-shoots. Once you clock it, you’d amazed how prevalent this symbol is across our culture.  

Does it signify anything? Or nothing at all? 

You have to assume that the creators of such symbols don’t include them by accident. Some are hidden in plain sight; others are brazen and bold. Either way, they are meant to be there. But why? 

Symbols have always been used in the casting of spells. These days, we give so much head space to the consumption of culture, myriad symbols flashing in and out of our consciousness as we scroll ever onward, have we any idea what spells we are subjecting ourselves to – irrespective of whether we believe they are effective or not? 

Against such murkiness, perhaps this season of Christmas rolling into the New Year is a good time to consider what some might consider the ultimate symbol appearing in our reality of the Seen: the Incarnation.  

In a way, Christ identified himself as the visible interface between the seen and the unseen when he said: Whoever has seen me has seen the Father.  

And yet, the Incarnation also transcends the mere symbolic. Yes, Christ points to an unseen reality, but he is also the ‘thing’ itself. He is both Seen and Unseen in one. Not a symbol pointing to something else, but the thing to which all symbols ultimately point: the central reality in the universe where God and creation meet. 

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