Podcast
Culture
S&U interviews
4 min read

My conversation with... Paul Kingsnorth

Re-enchanting... Nature. Belle TIndall reflects on an infectious conversation with Paul Kingsnorth, the celebrated author, poet and environmentalist. Finding him a particularly enjoyable guide through the daunting landscapes of belief, environmentalism and AI.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

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What would you get if you were to combine a weighty appreciation for the beauty and power of nature with an unexpected conversion to Orthodox Christianity, topped off with an unwavering aversion to smartphones?  

Well, you would get something resembling a Paul Kingsnorth.  

Paul is an award-winning poet and a best-selling author of both fiction (including the Buckmaster Trilogy: Wake, Beast and Alexandria) and non-fiction (including Real England, Confessions of a Recovering Environmentalist and his ongoing Sub-Stack series: Abbey of Misrule). He is, and always has been, an advocate for treating the natural world as if it were far more than a machine to be used or a resource to be obtained. Such behaviour is, according to Paul, nothing short of sacrilegious. As well as an enchantment with what he can see and sense in the natural world, he also has a long-standing fascination with all things mystical. He is, much to my own delight, somewhat of a real-life Gandalf the Gray. If it were not for his London accent, he could easily belong in the pages of Tolkien’s literary world.  

And just one final thing to note about Paul Kingsnorth, since 2021 he has been horrified to find himself a Christian.  

‘…in the end I just thought oh, maybe I’m a Christian. Damn.’ 

Well, actually, that’s unfair of me to say. It’s obvious when talking to Paul that the horror quickly dissolved, and wonder and awe became its swift replacements. But nevertheless, initially he could have rivalled C.S Lewis for the title of ‘the most reluctant convert in all of England.’ As tempted as I am, Paul tells his own story so powerfully (both in his writing and in our conversation for the Re-Enchanting Podcast), that I shan’t even attempt to tell it for him here.  

But what I will say, is that we need people like Paul: the eccentrics, the contemplatives, the fearful, the awe-filled, the critics, the mystics. They're essential. 

The actress Jennifer Coolidge, in her Golden Globes acceptance speech for her (unforgettable) performance in the show White Lotus, paid tribute to its creator, Mike White. It was an oddly insightful tribute. She said,

‘if you don’t know about Mike White, this is what you should know – he’s worried about the world. He’s worried about people. He’s worried about friends that aren’t doing well. He’s worried about animals…’

and she continued gushing in this vein while the camera panned to Mike weeping in the audience.  

As I was recording this particular episode of Re-Enchanting and listening to Paul talk, Jennifer’s speech kept playing in my mind. After approximately one hour in his company, I can’t claim to know Paul Kingsnorth well, but what I do know of him makes me want to pay a similar tribute:

‘if you don’t know about Paul Kingsnorth, this is what you should know – he’s worried about the world…’

And, just as Jennifer Coolidge seemed to be towards Mike White, I found myself profoundly thankful that he is.  

There was nothing nonchalant about our conversation with Paul, deep fascination seems to be his signature disposition towards most things, and perhaps therein lies the source of so much worry. When one is deeply fascinated or emotionally invested, assured of meaning, or perhaps even continually in awe of something; how can worry for its welfare not also be present? To worry about something is to care, it is to render it worthy of your worry, and Paul seems to render us all worthy of his. Why? Well, in his words, because

‘if God is an artist, which I think he is, then nature is his artwork. And we’re a part of it too, incidentally. We’re natural too.’

Therefore, the fact that we seem to have lost sight of this, and subsequently fractured our relationships with each other, with the natural world, and with God, is a crisis of the most spiritual proportions. And Paul cares. 

I feel it is at this point that I must offer a disclaimer: my conversation with Paul Kingsnorth was a delight. It was, to borrow a familiar phrase, re-enchanting and I enjoyed it to no end.  

While it is true that he leads us into some weighty topics (the terrors of AI, the disaster of being so divorced from the natural world, the problems woven into the very make-up of our society), he is a particularly enjoyable guide through what can be daunting landscapes. He may have an eye for detecting doom, but he seems to do so with a personable lightness. Like I say, he’s Gandalf, just without the staff.  

 It also helps that alongside a diagnosis, he so enthusiastically offers up what he believes to be a cure,  

‘The more you have to answer these questions: what is a human? What is nature? What is the world? The more people will be ready for actual, serious, Christianity again. Full-strength Christianity. Not the weak version, the real thing. And I think that’s starting to happen, I can feel it.’  

Paul’s episode of Re-Enchanting is well worth an hour of your time, his infectious fascination with all things nature is worth infinitely more.  

Review
Awe and wonder
Culture
Death & life
Music
4 min read

Natalie Bergman brings grief and joy to Union Chapel

A soul-soaked set turned personal tragedy into communal celebration

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A musician wearing black sits on a chair in a desert holding her guitar.
Natalie Bergman.
Natalie Bergman.

In any other context, they would call this revival! A wild belle singing songs of worship and wonder in a chapel packed to the rafters with a diverse crowd of beautiful people in rapture at songs such as ‘Talk To The Lord’ and ‘I Will Praise You’. This is Natalie Bergman at Union Chapel. 

Who? If you don’t already know, you need to know. Following three albums with Wild Belle, her debut solo album, Mercy, was a Gospel album written and recorded in response to the tragic death of her father and stepmother in a road traffic accident. Begun on retreat at a monastery, its lithe, light, luscious rhythms lift the listener from the valley of the shadow of death to the goodness and mercy found in the house of the Lord forever.    

If Mercy equates to the direct songs of praise and witness found on Bob Dylan’s Gospel albums, then her latest release, My Home Is Not In This World, equates to those later Dylan albums (like Infidels, Oh Mercy, Time Out of Mind and Rough and Rowdy Ways) where faith infuses songs exploring life and love. Bergman has quoted T Bone Burnett’s distinction between songs about the light and songs about what you can see from the light. Mercy is the former and My Home Is Not In This World, the latter. 

As a result, tonight, she takes us down paths of sorrow into the wilderness to find the light of God shining on us. At Union Chapel, a series of subtly lit arches ascend behind her and her band guiding our eyes upward until they reach the central back-lit rose window. The beauty of that light is where she takes us through the soulful spirituality of her songs. By the end, the joint is jumping with joy as we sing and dance to ‘Keep Those Teardrops From Falling’. 

Why? Her super-melodic songs draw inspiration from the deep sources of sixties soul, including Motown, while being infused also with the rhythms of reggae and highlife. Her voice ranges from childlike wonder floating on a sea of sound to smoky sultry spirituality. In common with Nick Cave on Wild God, the source of her spirituality is a vulnerability and openness occasioned by the grief she has endured, an experience common to all of us, whether now or in the future.  

She has explained simply and clearly how it happened: “When I began writing, I had already lost the greatest love I’ve ever had, so I had nothing else to lose. I went for it. I sang from the depths of my sorrow and I witnessed a little light while doing so.” As she concludes, “How could anyone have a problem with someone processing grief in a harmless way?” At Union Chapel, it’s clear that they don’t. Instead, what resonated with Bergman in her loss, also resonates with us.  

‘Talk To The Lord’ quotes Psalm 23 – ‘Though I walk in shadows, I won't be afraid / I will fear no evil / For You walk with me’ – in order to state that: 

‘When you are scared, reach out your hand 

Talk to the Lord, talk to the Lord 

If you are sad, He'll dry your tears 

Talk to the Lord, talk to the Lord’ 

In ‘I Will Praise You’, she says ‘When I'm broken, I will sing Your name’, while ‘Shine Your Light On Me’ also quotes Psalm 23 in a prayer for light as she cries like a ‘mourning dove’ for her ‘greatest love’. ‘Paint The Rain’ documents difficult days but discovers that: 

‘In this pain, you make me sing 

When I am blue, you take me in 

My little ways, they feel strange 

You give me a little bit, and you take it away 

You paint the rain’ 

In these ways, she has been enabled to live again and to find joy in family life, with My Home Is Not In This World finding its inspiration in the birth of her son, Arthur. When not lamenting lost loves, My Home Is Not In This World is grounded in the realities of home and natural life. The song ‘My Home Is Not In This World’ contrasts a prior life of glitzy glamour – her home no longer being there - with the life she has now found: 

‘My home 

My home is not in this world 

My home 

My home is not in this world  

 

I want to go outside 

Tell the trees that I love them 

Open my eyes 

See the children in the garden 

Dancing underneath the sunshine 

Swinging underneath the moonlight 

Sing away your sorrow my little one’ 

It’s been said that her ‘greatest achievement is choosing to go against the grain’, a decision that includes her spiritual focus and proves the value of going counter to the culture. It’s also been said that her universal music ‘lives in the hearts and minds and souls of her fellow travelers; born again believers in love, joy, and music’s role as guiding light and lightning rod’. That was certainly the case at Union Chapel where she ‘let the sunshine in’ and we all experienced the everlasting light of love shining on us. 

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