Podcast
Culture
S&U interviews
5 min read

My conversation with... Marilynne Robinson

Re-Enchanting the human story. Belle Tindall reflects on the nature of her conversation with Pulitzer Prize winning author Marilynne Robinson for Seen and Unseen’s ‘Re-Enchanting’ podcast.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

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Professor Marilynne Robinson was a guest that I felt utterly underqualified to interview. And with Barack Obama among her list of previous interviewers, I don’t think such a feeling was unjustified. But, nevertheless, there I was - talking to a Pulitzer Prize winning force of nature - all the while, hoping she could neither sense my terror, nor hear my neighbours rowing through the thin walls of my tiny, terraced house.  

It was a surreal moment, to say the least.  

Marilynne Robinson, if you are not yet acquainted, is the author of best-selling novels such as Housekeeping, Gilead, Home, and Lila and Jack. Each one a masterpiece. She has also written plenty of non-fiction, continuing to be generous with her genius.  

Just before we began recording our episode over Zoom, my co-host, Justin, asked Marilynne whether she was able to somehow block the light streaming in from the windows behind her (needless to say he is the practical maestro behind Re-Enchanting), to which Marilynne simply replied: ‘many windows, no curtains.’ Oh gosh, I thought. This lady oozes philosophy.  

How would I ever keep up?  

I was always three steps behind Marilynne; partly because I imagine most people are, but mostly because it is a truly enchanting place to find oneself. 

Well, if I’m being honest, I didn’t. When the conversation turned to the quantum realm, I was indescribably glad that Justin was there. My mind was still pondering the possible analogous depths of curtain-less windows. But I have since decided that I’m not ashamed to admit that I was always three steps behind Marilynne; partly because I imagine most people are, but mostly because it is a truly enchanting place to find oneself.  

To trail behind someone so thoughtful means that while they may be onto their next thought or point of conversation, you are able to savour what has already been said, free to pick up and ponder the magnificent breadcrumbs that they have left in their wake. And when it comes to Marilynne Robinson, there are an awful lot of breadcrumbs. If you have ever read a line of a book that has struck you to the point of not being able to read on, even if only for a moment, then you are familiar with the sensation to which I am referring.  

When you come to listen to the episode of Re-Enchanting, I do hope that you’ll hit the pause button as often as you need to in order to truly soak Marilynne in. I only wish that my real-time conversation with her had that on offer. 

Nevertheless, here is what the view looks like from three steps behind Marilynne Robinson: it resembles a mysterious and wholistic fascination with, and (if I may be so romantic) a love for humanity. That is, both my own humanity and humanity in general. Mind, body, and soul (terms which, in themselves, are full of mystery and nuance) – the whole thing.  

Marilynne defines herself as a Christian Humanist. What may sound like somewhat of an oxymoron at first, begins to make profound sense when humanism is stripped of its (rather recent) atheist connotations. Afterall, the intrinsic value every person holds just because they are a person is a profoundly spiritual and biblical concept. As Tom Holland suggests, humanism, whether one likes it or not, is rooted in, and therefore utterly dependent upon, Christian perceptions of reality. When engaging with Marilynne, whether that be through conversation or through her work, it becomes clear that her Christianity enchants her view of humanity, which in turn, has re-enchanted my own.  

It is evident in the care and complexity with which she creates her characters, giving notable time and space to the intricate inner-workings of their consciousness, amplifying their inner-monologue, and focusing attention on their interior rejuvenations, how their sense of self responds to their shifting exterior contexts. It is just as obvious when you are privileged enough to observe her gently marvel over the beautiful capacities of the human mind, the innate mysteries of the human soul; the endless nuances of all that is seen and unseen when it comes to the human-being.  

Goodness seems to be Marilynne’s preferred start-line. Undergirding any humanism that she may adhere to is the notion that human beings were designed and created... 

It should be noted that such an admiration is not born out of an avoidance of the brokenness that human-beings are so prone to displaying. Indeed, this world does not offer any of us such a luxury. The evidence of the imperfection of humanity is easier to find than the evidence of any innate goodness. And yet, that goodness seems to be Marilynne’s preferred start-line. Undergirding any humanism that she may adhere to is the notion that human beings were designed and created, that there is an intimate creator / creation dynamic at play in the cosmos; one that is ultimately fuelled by the care of the creator for the created. There is, to borrow a phrase, a ‘givenness’ to all things.  

If we, like Marilynne, choose to use the givenness of things as a lens through which we perceive reality, there is utter delight to be found. 

It is an admittedly cosmic-sized enchantment, but the implications of it trickle all the way down to the detail of the every-day, the ordinary, the (so-called) mundane. If we, like Marilynne, choose to use the givenness of things as a lens through which we perceive reality, there is utter delight to be found in our streams of thought, in our capacity to collaborate with what is beyond our control. There is a deep enchantment to be found in our very existence, our presence in both space and time.  

As a disclaimer, I feel that I must admit to merely scratching the surface of the conversation that we had with Marilynne Robinson here, to read this piece and not listen to her episode (or read her work, for that matter) is to settle for a minute fraction of her thoughts. Trust me when I say - you want the whole thing.  

Here I am, three days on and still admittedly three steps behind Marilynne as I mentally re-trace the trajectory of our conversation. But that is quite alright with me, I’m still enjoying picking up each of the breadcrumbs that she left along the way.

Review
Culture
Film & TV
Purpose
Romance
5 min read

The Four Seasons and Dying for Sex hunt all of life for meaning

The TV shows joining academics exploring what it means to flourish

Giles Gough is a writer and creative who hosts the God in Film podcast.

Two women in a composite image.
Tina Fey and Michelle Williams.

A recent Harvard study revealed an intriguing relationship between religion and how well people feel their lives are going. The study suggests that there is a direct correlation between attendance at religious services and happiness.  

The researchers defined ‘human flourishing’ as encompassing all aspects of a person’s life, including happiness, health, purpose, character, and relationships. Perhaps a snappier way to think of this would be “what does it mean to live a full life?.”  

There must have been something in the air that leads to asking this big question, because two TV shows have come out close to the release of this study, both of which tackle what it means to have a fulfilling life. While science has only turned its attention to this topic recently, artists, philosophers and storytellers have been grappling with this one for centuries, and as science has neither Tina Fey, nor Michelle Williams, let’s see what the story tellers have to say  

The Four Seasons 

The Four Seasons is Netflix’s latest comedy drama series based on a 1981 Alan Alda film of the same name. In it, a group of long-time friends in their fifties, who regularly go on holiday with each other have their whole dynamic rocked when Nick (Steve Carell) tells them he plans to divorce Anne, (Kerri Kenney-Silver) his wife of 25 years. Danny and Claude (Colman Domingo and Marco Calvani) are the group’s only same sex couple, but their warm and hedonistic lifestyle is marred by Danny needing surgery for his heart condition, which he keeps putting off. Our point of view characters are Kate and Jack, played by Tina Fey and Will Forte. Initially positioned as the most normal and stable couple of the group, seeing the unhappiness in their friend’s marriages opens a fissure in their own relationship. Kate gets frustrated that Jack appears to turn into a hypochondriac when they’re in private, and Jack resents his embarrassing secrets being shared by Kate as the butt of a joke. As season one draws to a close, we are unsure if these two will repair their marriage.  

The Four Seasons is a show about wanting your remaining days on this earth to be filled with meaning and passion. Dying for Sex has arguably the same motivation but on a tragically compressed timescale.  

Dying for Sex 

Inspired by the story of Molly Kochan and originally shared on the podcast of the same name, Dying for Sex follows Molly (Michelle Williams) as she receives a diagnosis of Stage IV metastatic breast cancer. In a moment of desperate clarity, she decides to leave her husband, Steve (Jay Duplass) and begins to explore her sexual desires for the first time in her life. Aided by her best friend Nikki (Jenny Slate), Molly dives into the world of online dating, finding partners that range from the kinky to incompetent, and finally compassionate. Molly’s one goal is to experience an orgasm with another person for once in her life. An aim that is hindered by a childhood trauma of sexual abuse. Despite the edginess of the title, Dying for Sex is a heartfelt meditation on what it means to find love just as your body is shutting down on you. It includes perhaps the best depiction of the final stages of life for a person with a terminal illness, the show is worth it for that alone.  

Yet one constant remains for believers and non-believers, and it is as trite as it is true; love is the key to a fulfilled life. 

It is important to note that there is a class element to both of these shows. The Four Seasons places good-looking affluent people in beautiful locations and then invites you to feel invested in their relationship drama, like an episode of 90210 for people in their fifties. Similarly, Dying for Sex sees Molly receive some of the best medical care possible, by virtue of still being on her husband’s health insurance. In a country where free health care is not seen as a basic right, the luxury of the facilities she has to hand starts to seem conspicuous. But this is not oppression Olympics and we’re not here to compare people’s pain. The less money you have will certainly decrease the amount of time you have to ponder the meaning of life, but it’s not a question that should be avoided indefinitely.  

The connection between ‘human flourishing’ may be the type of thing that might get jumped on by pastors around the world. But a note of caution is advised here as to how it’s used. Firstly, the Harvard study does not appear to make any kind of distinction between religions. So, if one were to use this study to endorse being a devout Christian, then the same could be said for being a Muslim, Buddhist, Hindu etc. 

Secondly, if the church tells people that becoming a Christian will statistically increase their chances of happiness, it’s doing them a disservice because Jesus never promised that. He distinctly told his followers: “Whoever wants to be my disciple must deny themselves and take up their cross and follow me. For whoever wants to save their life[a] will lose it, but whoever loses their life for me will find it.” That’s a difficult line to swallow in the world of retail religion, but it borders on false advertising to ignore it. 

Lastly, as critics have pointed out, even if faith improves happiness, it doesn't make the beliefs automatically true! If used as a guiding principle, the pursuit of happiness could have you swapping churches, denominations, even religions until you find what makes you happiest.  

These two shows stimulate an interesting thought experiment; whether a relationship with God would have made a difference in their lives? For Kate and Jack in The Four Seasons, the answer may well have been yes. For Molly in Dying for Sex the answer is a little trickier. Jesus doesn’t condone a promiscuous lifestyle, but the drive towards that was borne out of a fundamental lack of connection with her husband. The main thing that Jesus does promise his followers is connection, either directly with him, or with those walking the same path.  

You can have a fulfilling life outside of God, it would be disingenuous to say otherwise. Yet one constant remains for believers and non-believers, and it is as trite as it is true; love is the key to a fulfilled life. Molly finally attains it when she finds true love, Jack and Kate begin to lose it when they fear their love might be slipping beyond their grasp. 

But the one area where faith might just differ from the secular is that Jesus lived out his time on this earth as a walking talking example of perfect love. Patient, kind, quick to forgive. The kind of example that’s impossible to completely emulate, but still worth trying. 

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