Podcast
Culture
Feminism
S&U interviews
4 min read

My conversation with… Louise Perry

Re-enchanting sex. Yes, you read that right. Belle Tindall reflects on her somewhat spicy conversation with Louise Perry for the Re-Enchanting podcast.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

A woman smiles as she speaks into a microphone. In the background is Big Ben.
Louise Perry recording at Lambeth Palace Library.

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Radical feminist. Counter-feminist. Arch-conservative. Progressive puritan: the name Louise Perry comes with a milieu of labels attached to it, and after spending a couple of hours in her company, I would suggest that not one of them can adequately contain her.  

Louise has written and released an utter grenade of a book. Love it or loathe it, you simply cannot ignore it. The Case Against the Sexual Revolution is exactly what it claims to be, a thorough (and admittedly compelling) dismissal of the notion that the 1960s sexual revolution was a leap forward for the well-being of women. According to the book, the idea that it was/is some sort of feminist victory is simply a myth, or more sinister than that, a lie.  

If Louise is wrong, she has boldly given us the opportunity to enjoy disagreeing with her and her provocative views. But if there is even an ounce of truth in what Louise is suggesting, then it surely needs to be shouted from the rooftops.  

Personally, I found myself in both agreement and disagreement while speaking with her for the Re-Enchanting… podcast. I’ll start with the disagreements, of which I admittedly wish there were more.

Where I have tended to focus my feminist efforts on achieving equality among the sexes, Louise is promoting wellbeing. 

Louise defines herself as an agnostic, I define myself as a Christian, we both define ourselves as feminists. And yet, in what is perhaps an unexpected turn of events, Louise sits in a more conservative space than I do when it comes to what that feminism tends to look like. Maybe that makes me the exact type of person for whom her book was written. Where I have tended to focus my feminist efforts on achieving equality among the sexes, Louise is promoting wellbeing. And, according to Louise, they simply are not always the same thing. A solution to a society where masculine attributes are always favoured is not, Louise suggests, to encourage women to assimilate these masculine attributes (for therein lies the ultimate flaw in the sexual revolution). Rather, we should demand that our society learn to value attributes that are distinctly feminine, such as motherhood.  

In hindsight, I wish I had asked Louise what such a society would look like for me, who is not a mother. How can I be valued? Are women who don’t, for assorted reasons, fit the mould of wife and mother inevitably pushed to the margins of this kind of ideal? Is the discrimination that we may face simply a result of the un-traditional unfolding of our own lives?  

There is so much truth in Louise Perry’s bleak diagnosis of our modern sexual ethic, it almost hurts to hear it. The thing is, it needs to be heard. 

That, and her emphasis on evolutionary biology as the primary explanation behind sexual assault (something which, working at a rape crisis centre, she has witnessed the trauma of in close proximity), are where Louise and I come to a fork in the road and seemingly favour differing routes. Call it naivety, but I suppose I leave a little more room for redemption and innate goodness in my worldview (and therefore, a lot more room for the condemnation of societies that propagate male violence because I have decided to expect, and therefore ideologically demand, more from men) than evolutionary biology tends to allow.  

Despite this, I would suggest that there is so much truth in Louise Perry’s bleak diagnosis of our modern sexual ethic, it almost hurts to hear it. The thing is, it needs to be heard.  

We spoke a lot about ‘sexual disenchantment,’ something which she mentions in her book. In keeping with Max Weber’s definition of such, sexual disenchantment is the (very recent) idea that sex is meaningless; it is just one of the many social interactions we have on any given day, akin to making a coffee for a colleague in the office, or meeting someone for a game of tennis. There is nothing inherently unique, sacred, or distinct about it. At least, not if one decides there isn’t. Any meaning attributed to sex can be an added extra.  

The interesting thing, according to Louise, is that while society may believe on some ideological level that this is true, most of us simply do not live like it is. Afterall, if there is no unique understanding of sexual activity, there can be no unique understanding of sexual assault. As Louise chillingly stated, if this were the case, rape would just be a form of theft. And yet- both instinctively and legally, that is not how we perceive it.  

Therefore, whether we like it or not, Louise forces us to ask ourselves this deeply uncomfortable question: is such a disenchanted perception of reality truly benefitting women in the way that we have been told that it is? Or is she right, have we been sold a lie? Is it time to make a societal U-turn and re-enchant sex once again?  

Listen to our episode of Re-enchanting… Sex with Louise Perry and come to your own conclusions. Whether you agree or disagree with what she says (or, as in my case, a little of both), you’ll be mightily glad that you did.  

Article
Culture
Film & TV
Politics
War & peace
5 min read

The story from a galaxy far, far away that's just made for these times

Andor holds up a galactic mirror to our media-saturated world.

Krish is a social entrepreneur partnering across civil society, faith communities, government and philanthropy. He founded The Sanctuary Foundation.

A montage shows the lead characters from Andor.

It’s an unlikely setup for success: a series set in a forgotten corner of the galaxy, a prequel to a prequel, telling the backstory behind Rogue One - the fourth highest-grossing Star Wars film. It’s a show with none of the original characters—no Darth Vader, no Luke Skywalker, no Obi-Wan. And yet, Andor has garnered widespread critical acclaim and fan appreciation. This Disney+ series has become the first true Star Wars content for grown-ups. 

Disney invested heavily in acquiring the rights to both the Marvel and Star Wars franchises, paying $4 billion for each. The returns have been massive—an estimated $13 billion from the Marvel Cinematic Universe and $11 billion from Star Wars. Yet, despite the financial success, something has been lost along the way: mediocre storylines, convoluted time-travel plots, and repetitive tropes have dulled the creative edge. 

But Andor stands apart. It offers something different—a grounded, character-driven narrative with rich, resonant themes that speak directly to today’s audience. 

Tyranny needs resisting at all levels

Andor follows a number of intersecting character arcs. Although the series is named after Cassian Andor (played by Diego Luna), a disillusioned smuggler turned Rebel Alliance operative, the story is much larger than a single man.  

As the Empire tightens its grip—both openly through military might and brutality, and in the shadows with a vast array of spies, surveillance, and an ever-expanding intelligence network—the need for resistance at every level becomes urgent. Those with a voice need to speak up while there is still a semblance of democracy and freedom of speech. Money is required to fund an insurgency and foot soldiers from all walks of life need to be found and prepared to rise and challenge the systemic injustice and rising imperial oppression. 

Enter Cassian Andor, orphaned at age six and adopted by Maarva and Clem Andor. His early experiences with poverty and oppression awaken something within him—something that solidifies when Clem is executed by stormtroopers. At the other end of the spectrum is Mon Mothma, born into privilege and political influence. Her arc centres on a moral crossroads: whether she will risk her status, her wealth, and her safety to support the resistance from within the halls of power. 

The relevance of Andor's message couldn’t be timelier. In an era marked by rising authoritarianism, disinformation, and increasing political polarization, the show insists that tyranny must be resisted at every level. It reminds us that democratic institutions are fragile, and silence in the face of injustice enables oppression to grow unchecked. Whether it’s fighting against despotic leadership, the erosion of freedom of speech, or systemic inequality, Andor suggests that the burden of resistance cannot simply fall solely on the heroic few. It requires people at every level of society to act with courage, integrity, and purpose before it’s too late. 

 Truth matters 

One important storyline in Andor is how the Empire constructs a moral justification for its actions through state-controlled, propagandist media. Good people can be manipulated, and truth can be twisted. In real time, we witness spin doctors denying or reframing the brutality unfolding around them—even as the Empire violently crushes a peaceful protest in Gorman. 

Showrunner Tony Gilroy uses every world-building tool at his disposal to draw parallels with both historical and contemporary injustices. For instance, the costuming of the Empire’s senior leadership and Imperial Security Bureau agents evokes eerie similarities to Gestapo uniforms. In contrast, the Gorman resistance fighters appear as if they’ve stepped off the set of Les Misérables, echoing the June Rebellion of 1832. They even speak in a French-accented galactic dialect, reinforcing the connection. 

It's difficult not to read this as a critique of how modern news outlets reframe and re-narrate global conflicts—such as the war in Israel and Gaza—to suit and shape their audiences. This agenda-driven reporting distorts facts and desensitizes viewers, often at the expense of those suffering on the ground. The complicity of the press in disinformation and facilitating or justifying atrocities, is contributing even today to ongoing humanitarian crises in places like Sudan and Gaza. 

In a supposedly post-truth era, Andor reminds us that truth still matters. The series holds up a mirror to our media-saturated world, revealing how outrage is manufactured, narratives are controlled, and reality is often mediated through selective storytelling. It challenges us to reflect on the reliability of the news we consume—and on our own role in questioning or accepting the stories we're told. 

Which side are you on? 

One of the most compelling aspects of Andor is its portrayal of parallel lives on both sides of the conflict. While much of the action follows Cassian’s transformation from smuggler to reluctant operative to key rebel leader, we also witness the rise of Dedra Meero—a driven, ambitious surveillance officer within the ISB, the Empire’s intelligence arm. 

Dedra begins as an underdog fighting workplace sexism in a male-dominated bureaucracy. But as her career advances, so does her capacity for cruelty. She becomes one of the Empire’s most ruthless enforcers, willing to sacrifice anything and anyone in her relentless pursuit of Rebel operatives. Her story is a chilling reminder of how authoritarian systems reward efficiency and zeal, no matter the moral cost. Ironically, her single-mindedness may end up helping the rebellion—her recklessness potentially exposes secrets about the Death Star. 

Throughout the series, we see similar tactics employed on both sides—surveillance, betrayal, sacrifice. The only difference is the larger narrative arc that ultimately vindicates the Rebellion’s cause. But in building complex, believable antagonists like Dedra, Andor shows us the banality of evil—how ordinary people, convinced they are doing the right thing, can become instruments of oppression. 

The question the series leaves us with is chillingly simple: in a world sliding toward growing injustice, which side are you on? 

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