Snippet
Belief
Christmas culture
Creed
3 min read

My Boxing Day anti-climax

What if the most wonderful time has come and gone, and not much has changed?

Jonathan is a priest and theologian who researches theology and comedy.

A grump cat wears a red Christmas hat, sitting amongst Christmas decorations.
Amin Alizadeh on Unsplash.

Can I begin by sharing an embarrassing secret? 

Every year I find Christmas… a disappointment. 

This is because it turns out that I’m still basically a 10-year-old, and I still, in the core of my being, believe that the presents under the tree are going to be the key to the lasting happiness I seek. 

And, not only that, but I am also convinced that somehow all the candles, and the nostalgia, and the Christmas specials of Call the Midwife, will add up to some glorious, mulled wine inspired transcendence. 

Now I know all this is nonsense.  

I know that low expectations are the key to enjoying family holidays; that the presents are tokens of love, and sometimes obligation, which aren’t supposed to complete me. 

And yet, on Boxing Day there is always this sensation of anti-climax. 

The presents have been opened, and the people I love have done their best, and sometimes given me truly creative and thoughtful presents, but none of them are the specific thing I secretly craved. 

And the carols were stunning, and candlelight does make everything and everyone beautiful, and I cried at Call the Midwife, but I’m still me, with all my ambivalence and endless need and childish self-regard.  

The most wonderful time of the year has come and gone, and not much has changed. 

Which gets me thinking about that first Christmas, and how anti-climactic, in some ways, that was too.  

Christians believe that the birth of this particular baby in that particular stable, was a key turning point in all history, as God entered the world in human form, coming to rescue his people and restore humanity. 

But in the short term, how much actually changed? 

Mary and Joseph still faced the overwhelming task of keeping a new-born alive, in a stable far from home. 

The shepherds and the wise men seem to have wondered back to their respective lives, and are never heard from again. 

And evil still rages unchecked. The story doesn’t make it into many Nativity plays (strangely enough) but the next episode in the narrative is truly horrific – Herod, the paranoid ruler massacring all the babies in Bethlehem in a futile attempt to eliminate the new-born king. 

The light shineth in darkness, as we hear in the stunning final reading of Carol services, but the darkness comprehended it not. 

Christmas came and went, and the world kept turning. 

Christian faith always has to contend with this reality – that not much may change. And so for me there is actually hope in the recognition that the bible includes quite a lot of reality – quite a lot of disappointment, and non-transformation, and outright evil – in its telling of the entrance of God into the world. 

And yet, and yet. I also believe that that baby, that birth, that Christmas, really did sow concrete seeds of change into the midst of the darkness and disappointment. 

The darkness may not have comprehended the light, but neither could it overcome it. 

And somehow, the light shines still, even amidst the piles of wrapping paper and washing up and reminders of human failure that fill our post-Christmas days. 

Happy boxing day! 

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Article
Belief
Culture
Film & TV
4 min read

Hollywood’s streaming hope, here’s why

Today’s darker world of turmoil has viewers seeking solace.

Nathan is a speaker and writer on topics related to faith, life and God. He lives near Seattle, Washington. His writing is featured frequently in The Seattle Times. nathanbetts.com

An actor dressed in an ancient Middle Eastern way is filmed by a large camera.
Filming The Chosen.
Angel Studios.

Whatever you think of Christianity, just skimming the streaming options on Amazon or Netflix tells you that Christianity is by no means in decline; if anything, as one recent article in The Economist reads, it “is having a moment.” 

Amazon Prime’s House of David, Netflix’s Mary, and the series The Chosen are a few of the streaming options mentioned in The Economist article titled “Christian entertainment has risen”, which also notes the approximate 280 million people viewership worldwide of The Chosen

Sure, not all of these shows are the highest in production quality and they don’t necessarily garner great reviews across the board. House of David, the article cites, has been described as “wooden and cheap-looking, humourless and dull.” Negative comments have been shared about other Christian films as well ranging back to Mel Gibson’s The Passion of the Christ

Yet, with all the mixed reviews of the various Christian streaming options available today, I could not help but wonder exactly why has there been such an uptick in Christian films and shows.  

There are two reasons hinted at in the article that stood out to me. The first thought revolves around the need for faith. The second is hope.  

At one point, the writer observes that the surge in biblical films is not necessarily a sign that Hollywood has now seen the light as much as it is indicative of the fact “that the world right now feels very dark.” People are searching for some light. The head of the Wonder Project, the independent studio that made House of David, adds: “Today people want to watch things that ‘restore faith’”. 

Personally speaking, I have lowered my intake of news over the last year primarily because I found that it either gets me down or increases my anxiety levels. The decision to tune out news outlets felt like the wise choice in limiting the ambient angst in my life. As I have shared this with friends, I have found that I am not alone in this; not by a long shot. 

Yet, with all the gloomy news we see around us, I’ve come to believe that even in our age of cynicism and scepticism, we still want to trust in others, our friends, our spouse, our leaders, and dare I say, God. 

The common thread among the surge of Christian television shows and films is that they present a world we want to live in. They are telling stories that involve redemptive endings; massive themes are covered, ranging from temptation and forgiveness, humility over pride, healing of wounds, and perhaps greatest of all, life after death. I wonder if one of the reasons we are attracted to these shows is the fact that they carry narratives that speak to the very core of who we are, who we struggle to be, yet who we want to become. They present a world of pain, struggle, turmoil, and darkness that also includes healing, strength, peace, and light. In a word, they fill us with faith. 

The Economist writer adds that “in a saturated streaming market, these films and shows are offering that most of Christian values—hope—to their makers.” Speaking now as a person living in America where the daily news cycle consistently offers us some type of disaster to digest, I find myself paying close attention to any possible signs of hope, and that includes the shows I stream.   

The more I live, the more I realize that every one of us is trying to figure out how to live in a battlefield of different pressures and struggles presented to us in life 

Not too long ago, I got into an unexpected conversation involving faith with the person who cuts my hair. Midway through the haircut, she told me that she and her husband were going to church that weekend. From our conversation, I had gathered that she was not religious at all so I gently asked her why they were going to church. Her voice slowed down and got shaky. She moved the scissors away from me. She then looked at me through the mirror and said, “My husband and I just had a baby and life has been very stressful. We are not sure we are going to make it. We are going to church because we need something to hope in.” 

The more I live, the more I realize that every one of us is trying to figure out how to live in a battlefield of different pressures and struggles presented to us in life. The question has always been, “How is it possible for us to live and perhaps even flourish in this type of world?” The ubiquitous nature of entertainment options available to us in our technological age might be unique to us, perhaps. But what is not new is our desperate need for faith and hope to sustain us. The rise in Christian entertainment reminds us of this truth.  

We might not need Amazon Prime video or Netflix to survive in this world, but the offering of faith and hope found in the films and storytelling within those streaming services are the exact ingredients we need to live. When you think about it like that, it’s easy to understand why Christian entertainment is indeed having a moment.