Snippet
Belief
Christmas culture
Creed
3 min read

My Boxing Day anti-climax

What if the most wonderful time has come and gone, and not much has changed?

Jonathan is a priest and theologian who researches theology and comedy.

A grump cat wears a red Christmas hat, sitting amongst Christmas decorations.
Amin Alizadeh on Unsplash.

Can I begin by sharing an embarrassing secret? 

Every year I find Christmas… a disappointment. 

This is because it turns out that I’m still basically a 10-year-old, and I still, in the core of my being, believe that the presents under the tree are going to be the key to the lasting happiness I seek. 

And, not only that, but I am also convinced that somehow all the candles, and the nostalgia, and the Christmas specials of Call the Midwife, will add up to some glorious, mulled wine inspired transcendence. 

Now I know all this is nonsense.  

I know that low expectations are the key to enjoying family holidays; that the presents are tokens of love, and sometimes obligation, which aren’t supposed to complete me. 

And yet, on Boxing Day there is always this sensation of anti-climax. 

The presents have been opened, and the people I love have done their best, and sometimes given me truly creative and thoughtful presents, but none of them are the specific thing I secretly craved. 

And the carols were stunning, and candlelight does make everything and everyone beautiful, and I cried at Call the Midwife, but I’m still me, with all my ambivalence and endless need and childish self-regard.  

The most wonderful time of the year has come and gone, and not much has changed. 

Which gets me thinking about that first Christmas, and how anti-climactic, in some ways, that was too.  

Christians believe that the birth of this particular baby in that particular stable, was a key turning point in all history, as God entered the world in human form, coming to rescue his people and restore humanity. 

But in the short term, how much actually changed? 

Mary and Joseph still faced the overwhelming task of keeping a new-born alive, in a stable far from home. 

The shepherds and the wise men seem to have wondered back to their respective lives, and are never heard from again. 

And evil still rages unchecked. The story doesn’t make it into many Nativity plays (strangely enough) but the next episode in the narrative is truly horrific – Herod, the paranoid ruler massacring all the babies in Bethlehem in a futile attempt to eliminate the new-born king. 

The light shineth in darkness, as we hear in the stunning final reading of Carol services, but the darkness comprehended it not. 

Christmas came and went, and the world kept turning. 

Christian faith always has to contend with this reality – that not much may change. And so for me there is actually hope in the recognition that the bible includes quite a lot of reality – quite a lot of disappointment, and non-transformation, and outright evil – in its telling of the entrance of God into the world. 

And yet, and yet. I also believe that that baby, that birth, that Christmas, really did sow concrete seeds of change into the midst of the darkness and disappointment. 

The darkness may not have comprehended the light, but neither could it overcome it. 

And somehow, the light shines still, even amidst the piles of wrapping paper and washing up and reminders of human failure that fill our post-Christmas days. 

Happy boxing day! 

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Review
Christmas culture
Culture
Film & TV
2 min read

Making a song and dance about the nativity

A pedigree musical producer’s passion project casts a Hollywood prince in the role of Holy Land rock star regent. Krish Kandiah reviews the results.

Krish is a social entrepreneur partnering across civil society, faith communities, government and philanthropy. He founded The Sanctuary Foundation.

An angry monarch in a red breastplate and crown seethes towards the camera.
Antonio Banderas as King Herod.

It’s a teen drama. It’s a musical. It’s a classic good vs evil conflict. It’s a comedy. It’s a film. It’s a Christmas movie.  

All six are rolled into one in the brilliant film, recently released, called Journey to Bethlehem

Faith Palomo and Milo Mannheim star as teenagers Mary and Joseph, whose worlds collide with a turn of events that don’t at all match the plans they had for life and love and relationships.  

In comes Lecrae, the American rapper, playing the Angel Gabriel – an unexpected visitor with some unexpected news given in a most unexpected way.  

Meanwhile King Herod, played as a rock star regent by Antonio Banderas, can’t sleep. He is plagued by nightmares, and his biggest nightmare is about to come true when he receives news that his throne is under threat.  

Three Persian Kings, a prince, a donkey, a star and a baby are about to make matters a whole lot worse for him – but better for everyone else. Unless, that is, King Herod’s soldiers can get to Bethlehem first.  

In the middle of a global refugee crisis we are reminded that Mary and Joseph and the baby Jesus have to pack all their belongings and flee Israel and head to the safety of Egypt. 

The ancient storyline is pitch perfect for a musical makeover and who better to produce it than the director behind Glee, High School Musical 3, and Camp Rock and who has written songs for Miley Cyrus, The Back Street Boys and The Jonas Brothers and Pink. Adam Anders is a lifelong committed Christian and has been planning this movie with his wife for 17 years, hoping that they could make it a hit with people of all faiths and none.  

Having watched the movie, I am pretty sure he has been successful. This week I hosted a special online schools’ event with Adam Anders, inspiring thousands of children across the UK to explore their musical gifts. He explained to them why he made the film:  

“There are so many amazing movies that are colourful celebration musicals for the whole family at Christmas, but they don’t tell the story of Christmas. Santa is not why we celebrate Christmas.  We got to make this family movie that everyone is going to love with great music, song and dance. I have children and I made it for them.” 

The film doesn’t hold back from looking at some of the tough issues: in the middle of a global refugee crisis we are reminded that Mary and Joseph and the baby Jesus have to pack all their belongings and flee Israel and head to the safety of Egypt. We are drawn into the challenges of being brought up in a patriarchal society and the societal expectations on young Mary to get married whatever her own ambitions and hopes might have been. We meet a megalomaniac dictator willing to kill children in order to have his way.  
But at the heart of the film is the love story, “Mary and Joseph are the original Romeo and Juliet.” says Anders. “And that makes for a brilliant story with opportunities for some brilliant songs.”  

I wholeheartedly recommend “Journey to Bethlehem”. You’ll laugh. You’ll cry. You’ll jump. You’ll gasp. You’ll wonder. You’ll want to watch it over and over.