Explainer
Creed
Israel
Middle East
6 min read

The most contested real estate on the planet

Can contradictory views about how God connects to Jerusalem ever be reconciled?
A gold-domed, blue-walled octagonal mosque seen through a row of arches.
The Dome of the Rock on the Temple Mount.
Andrew Shiva via Wikipedia.

It was Saturday 14 October last year. BBC Radio were about to play a pre-recorded interview with a spokesman for Hamas and needed to explain to listeners something in advance: “the reference you will hear in a moment, stating that one of the causes of the Gaza conflict is the desire to preserve the freedom of ‘Al Aqsa’, is a references to the Al Aqsa mosque in Jerusalem—regarded as the third holiest site in the Muslim world”. 

That was it in a nutshell. The Hamas spokesman was making it plain that, behind all the many political causes of the conflict erupting so tragically in the Holy Land, there was an essentially theological issue. Yes, as in other conflicts around the world, there are strong human desires in both Israeli and Palestinian communities to live in a place of security and to have their aspirations for some political independence to be adequately met, but here in the Holy Land there is an irreducible ‘God-component’ to the conflict.  

The heart of the conflict 

It’s not just that the conflict is predominantly between two major monotheistic religions—Judaism and Islam.  It’s that those two world-religions have conflicting theological views—derived from their respective scriptures, the Hebrew Bible and the Quran—about physical places in the Holy land. And, even more particularly, they are have essentially contradictory views about the piece of land which Christians now often refer to as the ‘Temple Mount’: namely, the place where the former Jewish Temple stood, but which Muslims refer to as Haram Esh Sharif (‘the noble sanctuary’), because it is now the site both of the Dome of the Rock and the above-mentioned Al Aqsa mosque. 

This is the most contested piece of real estate on the planet. The same site is, on the one hand, revered by Jews as the site of Solomon’s temple centred on the ‘holy of holies’ and, on the other, is revered by Muslims as the place from which Muhammed went on his mysterious ‘night journey’ up to heaven and back, as recounted in the Qu’ran. So, for both religions the site is not just of historical interest but rather is invested with theological weight—as a place associated like no other, with God himself. 

The Hamas spokesman was thus helpfully laying bare the irreducible theological crux at the root of this conflict. Secular politicians and humanitarian agencies might want to take this ‘God-component’ out of the equation, but it will not go away. For this conflict is based on essentially contradictory views about how God connects to Jerusalem and especially to the Temple Mount.   

Enter Jesus 

The familiar story of Jesus’ triumphal entry into Jerusalem is remembered on Palm Sunday every year. It is an event with layers upon layers of meaning. At its heart, however, is the conviction of the Gospel writers and of the early Christians that Jesus had entered Jerusalem as the human embodiment of God himself. 

A hint of this may be found in the way that Jesus, when criticised by the religious leaders for the extravagant claims the crowds were making for Jesus at that moment (especially haling him as the ‘Messiah’), himself claims that “even the stones would cry out” in honour of him, if they could—presumably because they know that their Creator was passing by at just that moment! 

Yet this conviction—that Jesus had been the human embodiment of God—is perhaps best sensed when we note how Jesus’ coming over the Mount of Olives into Jerusalem can, arguably, be seen as the return of the Lord’s Shekinah glory into the Temple. This comes through noting a highly significant passage in the Old Testament book of Ezekiel. The prophet, writing from exile in Babylon, had seen a vision about the ‘glory of the God of Israel’: ‘the glory of the Lord went up from within the city and stopped above the mountain to the east of it’ — in other words the Mount of Olives, the hill to the east of the city of Jerusalem, that looked over the Temple Mount 

Now Jesus comes over the Mount of Olives and storms into the Temple: this is Ezekiel’s vision but now in reverse. He is embodying the return of the Lord’s glory; he is the personal presence of Israel’s God; he is, as the prophet Malachi predicted, ‘the Lord himself coming into his Temple’. 

If true, then Jesus was God’s embodied presence coming into the Temple.  God had previously made the Temple to be the place where he dwelt on earth; now Jesus was that presence himself—in human form. 

And, when Jesus goes on solemnly to announce that “your house is left desolate”, he is making it clear that that divine presence, which had genuinely filled the Temple back in the days of Solomon, was now being removed once and for all.  

After some further teaching Jesus eventually makes his own final departure from the Temple precincts—a clear sign for the writer of Matthew’s Gospel that Jesus is taking the divine presence with him out of the building. And a few weeks later, as described by Luke, we are presented with the picture of Jesus taking divine presence back into heaven in the event of the Ascension. 

Viewed in this way, we can see the whole story of Jesus’ going into the Temple as effectively a ‘de-secration’ of the Temple. He was making it clear that he alone was now where God’s presence was to be found. Divine presence was no longer to be associated with a place, but with a person. 

Back to the present  

Coming back to the present day, then, there is a profound sense in which those who associate the former Temple Mount with a doctrine of divine presence are chasing after ‘thin air’. The Temple once upon a time had housed the presence of God, but, according to this Christian understanding, it does so no longer—it is an ‘empty pot of gold’. ‘The Glory has departed’—in Jesus. 

If so, this major source of tension in the contemporary Middle East—the conflicting theologies of Judaism and Islam concerning the sanctity of the Temple Mount and its historic connection to God’s presence—can only be resolved by a recognition that Jesus has decisively changed all this.  

If Jesus is ‘God incarnate’ (something clearly not recognised in Judaism and Islam)—if, in other words, he is the place where we go to find God—then that takes the ‘God-component’ out of the equation and brings to an end the elevated status that so many give to Jerusalem and the Temple.   

Jerusalem, understood in this way, now points in God’s purposes to the far greater reality of Jesus Christ who alone embodies the true presence of God in human form. Jesus himself said that “one greater than the Temple is here”. But, tragically, the overwhelming majority of those who live in Jerusalem and the Holy Land today are committed to religious systems which deny these and other New Testament claims for Jesus.  

Taking this further 

Alternatively, you might like to access to a suite of resources for Holy Week: take your pick from some ‘In the Steps of Jesus’ videos (filmed in Jerusalem), or some audio recordings (‘The Week that Changed the World’) or a book (‘Immersed in the Passion’) that retells the story from Palm Sunday to Easter Day. 

Review
Creed
Film & TV
Friendship
4 min read

Testament soulfully re-tells the acts that changed the world

What happened after The Chosen?

Giles Gough is a writer and creative who hosts the God in Film podcast.

A man stands the landing of an external staircase and stares out.
Angel Studios.

Testament reimagines the story of how Jesus’ disciples spread the good news of him to the world by transplanting it to an alternate-modern era. Swapping Jerusalem for London. As the followers risk everything to preach the good news, the Temple races to silence them before the oppressive Imperium retaliates. But public miracles and divided loyalties force both sides to confront the true cost of their choices. In the first episode it asks the question, what would it be like if the Son of God had come down from heaven, come to your very hometown, and you’d missed him? 

Most re-tellings of the early church usually end the story either with Jesus’ resurrection, or his ascension into heaven. Testament starts the action just after Pentecost, fifty days after Jesus’ death and resurrection. In Christianity, Pentecost is the day when the Holy Spirit descended on the Apostles like “a violent wind” and gave them not just the ability to be understood in any language, but also the courage and conviction to go out and tell people about Jesus. We see much of the action through the character of Stephen, a young man who decides to follow Jesus after hearing the Apostles preach. Consequently, Stephen’s mother accuses him of heresy and throws him onto the street, making him fully dependent on this early Jesus movement.  

In the first episode, the storytellers seem to have presented themselves with a bit of a challenge, by starting the action at Pentecost. Not only does it seem like the most interesting events have just happened off camera, but we’re also meeting these characters in a moment of spiritual awakening and holy joy, which is notoriously hard to depict on screen. Especially with characters we’ve just met. Nonetheless, as they navigate the logistics of having so many converts all at once (the kind of happy problem any church minister would like to have) we see that the Apostles have a familiar, lived-in quality to their inter-personal dynamics. You can easily believe that these very different men have spent every day living and working with each other for the last three years until they’ve sanded off the rough edges of their relationships.  

Whilst the show doesn’t always hold together at first, it builds momentum by tackling some of the more difficult parts of the book of Acts with sensitivity and nuance. It’s helped by the performances being incredibly watchable. The colour-blind casting is a delight, and perhaps reflective of Christianity being the most ethnically diverse religion on the planet. Tom Simper, who plays Peter, has an incredibly expressive face and a compassionate manner. Kenneth Omole who plays John can be vulnerable as he returns to the garden of Gethsemane to mourn the absence of his friend and saviour. Yet the next scene, where he is confronted by a Temple priest, he emanates a quiet authority. You can’t take your eyes off him.

If nothing else, this show gives Saul a compelling backstory and a terrifying characterisation.

Making Stephen the point of view character is a bold narrative choice. Anyone with a passing knowledge of the New Testament might feel anxious for the character, and having him be played by such a young actor as Charles Beaven underscores the upcoming tragedy. Mogali Masuku plays Mary as a woman with her head thoroughly screwed on. Her storyline shows Mary ministering to addicts and victims of human trafficking, looking gangsters dead in the eye and telling them these lost souls belong to Jesus now. On the other side of the divide is Saul. Eben Figueiredo plays him with the type of zeal that allows people to do both wonderous and terrible things. If nothing else, this show gives Saul a compelling backstory and a terrifying characterisation. It’s Saul, not the Temple establishment, who is the main antagonist of this season.  

If there is one clear misstep, perhaps it’s the depiction of what the show calls ‘The Sentinels’, the foot soldiers of the ‘Imperium’, a stand-in for the Roman Empire. Rather than being dressed in modern military fatigues, they are clad head to toe in a red, faceless body armour. The type that would be more at home in the Star Wars universe. They’re possibly dressed like this to represent the empire’s overwhelming and sinister military power, but as we see repeatedly through world events, human cruelty looks painfully normal. 

The timing of this show seems noteworthy as well. This show drops roughly a year after Angel Studios, the producers of Testament, were forced to split from the creators of The Chosen. Following the lives of the Apostles as they begin to follow Jesus, The Chosen became a monster hit and the flagship show of Angel Studios’ catalogue. So a show following the lives of the Apostles after Jesus leaves them (albeit transplanted to a different time), might be an attempt by Angel Studios to recapture some of the popularity they have lost.  

Testament definitely has a faltering start, but it has all the ingredients to be compelling TV. If you can stick with this show as it finds its feet, you will be treated to a soulful depiction of an oft-overlooked part of the Jesus story. 

Watch the trailer

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