Video
Creed
Easter
2 min read

Moments of empathy and expectation

As Easter approaches, many contemplate the critical events of Holy Week. These have inspired historic artists, from Da Vinci to anonymous sculptors, and modern creatives. Understand more about their work. Watch this set of short videos from the Visual Commentary on Scripture.

Nick is the senior editor of Seen & Unseen.

A medieval painting of angels holding the dead Christ.
Bellini's Dead Christ Supported by Two Angels.
Giovanni Bellini, Public domain, via Wikimedia Commons

To better understand the events of Maundy Thursday, Good Friday, Holly Saturday and Easter Sunday, and the art works inspired by them, view and listen to these visual commentaries. Curated by The Visual Commentary on Scripture team of theologians and art historians, they give insights into the historical and contemporary cultural responses in art

The Visual Commentary on Scripture is a freely accessible online publication that provides theological commentary on the Bible in dialogue with works of art. 

Maundy Thursday: a global feast

On Maundy Thursday, Christians remember the meal Jesus ate with his disciples known as The Last Supper. This film explores the textual and cultural traditions that inspired three works of art of the Last Supper. It discusses two fifteenth-century paintings, one by Ercole de' Roberti and the other by Leonardo da Vinci, and a 20th century print by Japanese artist Sadao Watanabe.

Find out how the cultural context of diverse communities around the world drives responses to The Last Supper - from high altar pieces with lock and key, to common dining experiences across the centuries.

Good Friday: hope in the darkness

Good Friday is a ‘culminating moment’ that ‘provides evidence of both human violence and cruelty, as well as of grace and human love and charity.’ This film focuses on the Crucifixion of Jesus which is remembered by Christians on Good Friday. It discussing the ‘feast of imagery that is the Altarpiece with Scenes from the Passion of Christ carved by an unknown artist from Antwerp in the early 16th century.

Holy Saturday: considering life and death

Holy Saturday considers the time spent in the tomb by Jesus. This film focuses on a type of religious image known by its German name, an ‘Andachtsbild’ (plural Andachtsbilder). These types of art works shows Christ in his suffering or death, extracted from a narrative context to form a highly focused, and often very emotionally powerful, focus of devotion.

Capturing moments before and after the crucifixion - of a scarred back, bruised knees,  a mouth open for first breath, they compress ‘the spirit of a bigger story’ into single images that encourage empathy. Works carved or painted by the hands of Hans Leinberger, Juan de Valmaseda and Giovanni Belllini.

Easter Sunday: the loving look

On Easter Sunday, the Resurrection of Jesus is celebrated. In this film, VCS Director Ben Quash interviews filmmaker, playwright, author, and photographer Wim Wenders about his photograph 'The Road to Emmaus' (2000), where the risen Jesus is said to have met his disciples.

Wenders shares how he found and photographed The Road to Emmaus, capturing not only his favourite story – a ‘real road movie’ – but also creating his favourite image. The academy nominated director also explains why he loves to photograph places, and compares the ‘critical eye’ and the ‘loving eye’ that a documentary maker can use.

Snippet
Creed
Easter
Economics
1 min read

What’s left when the market crashes?

The hope that faces the worst and still stands.

Callum is a pastor, based on a barge, in London's Docklands.

A stock market map show red.
Mapping the market.

One moment your firm feels steady. The next, a surprise resignation, a regulatory shift, or a market panic sends everything spiralling. We live in volatile times, economically, politically, personally. One day it’s a routine check up, the next it’s a diagnosis. One day life as normal, the next life no more. So how do we keep going when things go wrong? And what kind of hope holds when everything collapses?

Good Friday, the day Christians remember the crucifixion of Jesus, might seem like an unlikely place to look. After all, it’s about public failure: betrayal, injustice, humiliation, death. Jesus, declared innocent by both Roman and Jewish authorities, was still executed as a criminal. If anyone looked like a failed investment, it was him.

And yet, that moment of collapse is also where Christians find their deepest hope.

As Jesus hung on the cross, mocked by crowds and soldiers alike, one criminal beside him suddenly saw things differently. “This man has done nothing wrong,” he said. “Jesus, remember me when you come into your kingdom.” Jesus replied, “Today, you will be with me in paradise.” It’s a staggering claim—that even in death, Jesus holds authority over life. Somehow an innocent Jesus thinks his death has significance for a guilty criminal. 

Two signs in that story point to something bigger. First, darkness covered the land in the middle of the day—a sign of judgement, echoing an ancient prophecy. Second, the curtain in the temple tore in two—symbolising that the barrier between God and people had been removed. In his death, Jesus was taking on the cost of wrongdoing, so that humanity could be brought back to God.

This isn’t optimism. It’s not distraction. It’s a hope that faces the worst and still stands.

Markets run on confidence. We weigh risk, scan for signals, try to act wisely. But confidence—con fide—literally means “with faith.” The Christian claim is that Jesus is worth that faith. Not because he keeps us safe from all harm, but because even in death, he has gone ahead of us and made a way through.

So the question is: when everything goes wrong, where will your confidence be?