Article
Creed
Football
Sport
5 min read

Killing joy: VAR's search for objectivity is flawed

Why this Man United fan wishes his team had lost.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

A TV screen shows a football match with a superimposed diagonal line dividing the pitch.
VAR draws the line.
BBC Sport.

I am a Manchester United fan. But I wish Coventry had won the FA Cup semi-final. 

I have supported United alongside my hometown team, Bristol City, ever since the days of George Best, Bobby Charlton and Denis Law. (Bristol City never win anything so it’s nice to have a team that does win things occasionally – or at least used to). 

In case you’ve had your head under a pillow over the weekend, or just avoid anything football-related on principle, Manchester United won an FA Cup semi-final replay on penalties by the skin of their teeth. 3-0 up and cruising after 70 minutes they somehow capitulated to allow Coventry, a team in the division below, to score three goals in the last 20 minutes. With virtually the last kick of extra time Coventry scored a fourth. Cue scenes of sheer unbridled ecstasy and abandon among the Coventry supporters.

What they experienced at that moment is what every sports fan longs for. Beating your intense rivals or mounting an astonishing comeback, snatching victory from the jaws of defeat - when it happens there is nothing like it. It is what United fans experienced when they beat Liverpool with a last-minute winner in the quarter final, or in the never-to-be-forgotten 1999 Champions League Final when they scored twice in injury time to beat Bayern Munich. Now it was Coventry’s turn. 

But then the VAR (Video Assistant Referee), like a killjoy schoolteacher, telling the kids they should calm down and not get so excited, spoiled the party, by pointing out that in the build-up, a Coventry player’s foot was about three inches in front of the nearest body part of the last Man United defender, and so was offside. The offside rule exists to stop attackers gaining an advantage. Quite how those three inches gave the Coventry player an advantage is beyond me. Before VAR, the rule was that, if the attacker was basically level with the defender, it was deemed to be onside. Let’s face it, it was a perfectly good goal. Coventry should have won. They deserved to. 

This would have been one of the great comebacks in FA Cup history. For a second-tier team to come back from 3-0 down with 20 minutes left against a team of that fame and pedigree to potentially win the game was extraordinary. The sheer joy and ecstasy on the faces of the Coventry fans, incredulous that their team could perform such a feat against the great Manchester United made every fan of every other club just wish something like that would happen to them. 

VAR was introduced to eliminate human error and to bring a more scientific and measurable accuracy to decisions like this. The reality is that it's done nothing of the kind and in fact has made things worse. 

Yet the worst thing of all this is that it denied Coventry fans their moment of ecstasy, a moment they would bask in for the rest of their lives.

It is part of a general fallacy in our culture, that science and objectivity give us all the answers we need. So, we try to reduce the role of human instinct, on the assumption that only what can be measured and exactly delineated is of any value. Hence Boris Johnson's mantra “follow the science” during the COVID pandemic.  

The reality is that ‘following the science’ still leaves a place for human decision. Science doesn't necessarily tell you what to do. During the pandemic it could tell us about the rate of spread of the virus, but it didn't dictate that a lockdown of the severity which we endured was necessarily the right way to deal with it. There was a human choice to be made, balancing the effect on the economy and the potential loss of life with the mental impact upon young people that is now becoming apparent.  

In football, VAR doesn't solve every issue. It can tell whether the ball hit a defender’s hand in the penalty area, but it still requires a subjective judgement by the referee or VAR official. Over the weekend’s semi-finals, it was decided to not award a penalty against Manchester City's Jack Grealish, but to do the opposite for Manchester United's Aaron Wan-Bissaka, for virtually identical actions. VAR has not taken refereeing decisions out of the equation. It hasn’t made it any better.  

Yet the worst thing of all this is that it denied Coventry fans their moment of ecstasy, a moment they would bask in for the rest of their lives. It was the kind of moment for which football fans live – the experience that makes the years of watching 1-0 defeats away from home, trudging around the country following your team, worthwhile. A moment that, even as a Man United fan, I would not want to deny them. Of course I'll support United in the final against the robotically efficient Manchester City, but in that moment, VAR destroyed joy. And if that joy is caused by a marginal human error, who cares? Better to have the possibility of joy than a world where it gets taken away by a spoilsport official in a darkened room watching screens and drawing fine lines across the pitch. 

Thinking that we can rely on the seen and not the unseen is fundamentally flawed.

Blaise Pascal once famously wrote that “The heart has its reasons of which Reason knows nothing.” His point was that we have a deep instinct for things which we just know are right, that we cannot prove and just have to assume, and the attempt to reduce everything to rationality, to scientific explanation, to what can be measured, thinking that we can rely on the seen and not the unseen is fundamentally flawed. Ever since the Enlightenment of the eighteenth century we have lived with this dream of a perfectly scientific world where everything can be reduced to numbers, mechanisms and measurements. In such a world there is no room for God, no room for miracles. It even conspired to rule out the joy of Coventry fans celebrating a wildly unlikely winner.  

It tries to delude us that it takes subjective human or moral judgement out of the equation. but it can never do that. And in doing that, it sucks the joy out of life.  Science is a great gift, and it can tell us a lot about our world. But it cannot tell us everything. It was never meant to bear such weight and the sooner we realise that it has its limits, and doesn't overstep its boundaries, the better.

Review
Belief
Creed
Music
Wildness
5 min read

Did Nick Cave’s tour just take thousands to church?

He’s picking holes in the idea that religion is where freedom goes to die.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

A rock star prowls the stage while behind hundred of faces tined red star.
Cave and the congregation.
Instagram/nickcaveofficial.

I recently went to Nick Cave and the Bad Seeds’ Wild God Tour.  

I was told that it would be a terrific show, and it was. I was told that Cave would be more charismatic and commanding than he’s been in decades, and he was. I was told that it would be some kind of spiritual experience, and it was… 

Kind of.  

Those who are likening it to a ‘spiritual’ (including ‘This Country’ actor, Charlie Cooper) experience are certainly onto something, the whole production is designed to be transcendent, it’s just that the adjective they’re opting for is a little too vague. Instead, I would suggest that the show is a religious experience.  

Now, hear me out - I know that we tend to feel nice and comfortable with the ambiguity of the former adjective, and much more cautious when it comes to rigidity of the word I’ve subbed it out for. If you just winced at the sight of the big, bad, R-Word, I get it. It comes with all kinds of wince-worthy connotations. A lot of it, deserved. Some of it, not. 

But, like it or not, I truly don’t think that Nick Cave is giving us the comfortable luxury of vague-ness.  

When I wrote about the Wild God album upon its release, I mentioned that the ‘Wild God’ to whom the record is an obvious ode is not abstract. Rather, the ‘wild god’ is the Christian god. The album attaches itself to a specific story, it finds its home within a specific paradigm. And the same is true of the tour. I would propose, if I may be so bold, that Cave and his Bad Seeds have spent the past few months telling the Jesus-story in every city they’ve found themselves, and subsequently, taking tens of thousands of people to church.  

I would hate for you to think that my objective here is to stick a flag on the hill of this album/tour/artist. It’s not my intention to claim Nick Cave for ‘team Christianity’; it’s not necessary, he speaks continuously and profoundly about his own faith. Rather, as someone who has lived her life according to the very same Jesus-story, I’m simply offering you a lens through which you can gaze upon this touring work of art.  

So, I’ll suggest it again – the Wild God tour is a religious experience.  

And I know that sounds too constrictive of an analysis, but I think that’s on us for ever kidding ourselves into thinking that ‘religious’, ‘Christianity’ and ‘church’ were small words.  

That’s certainly not the way Nick views them. In a recent issue of his Red Hand Files, he writes, 

‘ I experience a certain vague ‘spiritualness’ within the world’s chaos, an approximate understanding that God is implicit in some latent, metaphysical way, yet it is only really in church – that profoundly fallible human institution – that I become truly spiritually liberated. I am swept up in a poetic story that is both true and imaginative and fully participatory, where my spiritual imagination can be both contained and free. The church may appear to some as small, even stifling, its congregation herdlike, yet within its architecture, music, litanies, and stories, I find a place of immense spiritual recognition and liberation.’ 

Fascinating, isn’t it? The concept feels kind of upside down. How could confinement cultivate liberation? How could boundaries ever encourage freedom, or particularity somehow hold entirety?  

Can the ‘spiritual imagination’ truly be ‘both contained and free’? I think it can. In fact, I think that would be my own story, too. And, what’s more, I think the Wild God tour is some kind of proof of concept.  

Can art be bursting with rage and religion? I think Nick has just proved that it can. I think he is probing, once again, at the myth that faith and hope can’t sit alongside carnage. 

The whole show is framed by Cave’s joyous bewilderment at his own conversion – song by song, it tells the story of how he has been wading through the thickets of grief, his eyes steadily fixed on the God who rescued him ‘just in time’. 

 It’s specific. It’s religious.  

And here’s the funny thing: the show having such a specific story to tell doesn’t seem to have a narrowing effect. Instead, songs about storms in the tiny town of Tupelo and girls who live on Jubilee Street seem to be swept up into a story that’s big enough to hold them, big enough even, to imbue them with yet more meaning. Doubt also sits comfortably here. As does anger and profanity.  

Can something be sweary and sacred? Can art be bursting with rage and religion? 

I think Nick has just proved that it can. I think he is probing, once again, at the myth that faith and hope can’t sit alongside carnage. He’s finding holes in the idea that religion is a place where freedom goes to die, picking a fight with the claim that ambiguous spirituality, or even outright irreligion, is more freeing.  

It’s a big old fight he’s picked, one that’s been fought – in one way or another – since the beginning of time. I guess, as a Christian, it’s a fight that I have picked, too. I have placed my life (and, if we’re going to get weird with it, my afterlife) within the confines of a particular story. Am I certain that I’m right? Of course not – otherwise my faith would be faith-less, no? Nevertheless, I too have chosen to place my understanding of the eternal in the confines of the particular. I, too, am trusting that within the boundaries of the Christian story, there’s space for me to run free.  

The word ‘religion’ is roomier than we are often urged to believe. Need convincing? Nick Cave is your man.