Interview
Culture
S&U interviews
4 min read

Kelsey Grammer is back in the building

As vintage comedy Frasier reboots, Kelsey Grammer talks with Krish Kandiah about his comeback and the significance of another recent role in Jesus Revolution.

Krish is a social entrepreneur partnering across civil society, faith communities, government and philanthropy. He founded The Sanctuary Foundation.

A group sit in a lounge playing musical instruments while the man closest to the camera laughs.
Kelsey Grammer plays Pastor Chuck Smith in Jesus Revolution.
Lionsgate.

Staying up late on a Friday night to watch Cheers was one of the regular highlights of my childhood. My parents were as bewitched as I was with the sonorous voice of Kelsey Grammer. Indeed, the whole world loved it. His spin-off sitcom Frasier went on to run for 11 years, winning 37 Emmy awards, a feat only recently surpassed by Game of Thrones. Grammer himself became one of the most decorated, well-loved – and well-paid - actors in the world. 

Nearly 20 years after its final episode Frasier is being rebooted. This time it is returning to Boston, the place where everybody came to know Dr Frasier Crane’s name. I, like many, are jubilant, convinced that the warm, masterful and often farcical humour will resonate just as well with a new audience. But what about Grammer? How does he feel about putting on the jester’s motley and playing Dr Crane again? 

“He's fantastic.”, Grammer explains to me with a broad smile and clear enthusiasm. I find myself wanting to tell him everything that’s keeping me awake at night.  

“Whatever it is about this journey with Frasier: he's lived a kind of a parallel life with me. Now we've found our way back to one another.” 

Grammer seems to be as excited as I am about the comedy comeback, but has Dr Frasier Crane changed over the decades? He explains: 

“He's a little wiser, a little calmer about some things. He's still a bit of a nuts on others. But the growth of the last 20 years or so in his life is reflected, I think, in this performance now.” 

Sometimes our greatest triumphs are accompanied by our lowest moments. At the same time that Frasier was first showering Grammer with fame, fortune and critical acclaim, he was wading through personal trauma. Substance abuse, addiction, and divorces resulted. I had to ask Grammer if he was a stronger person this time around:  

“I came to this one differently. I came to this one prepared to enjoy it. The previous manifestation of Frasier was a little bit much maybe a little bit too soon. It was challenging at times.” 

Grammer’s personal journey fascinates me. He seems to have resolved the sense of emptiness that so often accompanies great success.  Perhaps a clue can be found in the film Grammer is in London to promote. Jesus Revolution is based on a true story from the 60s and centres on a small church in Florida which gets invaded by hippies.  Grammer plays the role of Chuck Smith, the pastor who is torn between two very different congregations.  

“He spoke to my sense of good. People finding themselves, finding their way forward and not giving up, not relenting. I loved his search and his courage in the face of a waning congregation and the challenge of trying to make God relevant in that time.” 

Time magazine covers from the 60s and 70s.

Two Time magazine covers beside each other. One reads 'Is God dead?' The other 'Jesus Revolution'.

The film illustrates this challenge by bookending two editions of Time magazine. At the start of the film Grammer waves a 1966 cover at his sparse, stiff congregation. It is jet-black and asks pointedly “Is God Dead?” By the end of the film Grammer, surrounded by a crowd of unlikely long-haired worshippers, is clutching a Time Magazine from 1971, this time featuring on its cover a psychedelic picture of a bearded Christ proclaiming “The Jesus Revolution”.   

Grammer’s character experiences his own personal Jesus revolution in the movie. He welcomes those long-haired bare-footed hippies into his home, his church, and his life, and as he begins to see the world – and God - through their eyes, he becomes a kinder, braver and happier person.  

This is what I see in the Hollywood superstar I am interviewing: someone willing not only to talk openly about his faith, but to actively promote it. He is a man on a mission as he tells me: 

"You can defend and champion and be an activist for a sort of alternate lifestyle or any number of things that you think are important. I applaud that. But it's also okay to applaud and champion the idea that a life of faith has equal value…” 

Grammer, now wistful and warmer, adds: 

"I just thought, I want to do something that has value, meaning, you know, other than just making people laugh." 

Grammer grew up in a family of faith, but that family was also torn apart by heartbreak. His father was brutally murdered when he was just 13 years old. Seven years later his sister was abducted, raped, stabbed and left to die in a trailer park. I ask Grammer bluntly how he can have faith in God after such horrors and suffering: 

“Well, I've been wrestling with it my whole life, since the early days of when tragedy first came knocking at the door… And I spent a long time looking around, you know, thinking, what the heck happened? Very recently, I stood on a baseball field at one of the harvest revivals and I just said, “Where were you?”. He said, “I was right there.” 

Grammer has found a way to make sense of his life, a way to deal with trauma and tragedy. Like Chuck Smith making room for the outcasts, like Dr Frasier Crane making time to listen to troubled people on the radio, Grammer could be a new sort of pastor for a new generation.   

“I think people are walking around with broken hearts. I hope they have a chance to say: ‘Well, maybe, maybe this faith thing isn't so bad.’”  

Maybe he’s right. For a man that has experienced more than his fair share of personal tragedy, I have the feeling that he knows what he’s talking about. I came away feeling moved by his continuing faith in God despite everything he has suffered and despite everything he has struggled with. I hope audiences will see something of that authenticity and challenge in Jesus Revolution.  

 

Jesus Revolution is on UK and Irish cinema release. Tickets are available now.

Explainer
Culture
Royalty
4 min read

Making sense of the coronation’s oaths, oils and acclamations

The significance of the thousand-year-old coronation ceremony is unpacked by Ian Bradley to reveal the vulnerability at its heart.

Ian Bradley is Emeritus Professor of Cultural and Spiritual History at the University of St Andrews.

A medieval illustration of King Edgar's coronation shows him between his predecessor and successor, while angels hover above him.
King Edgar enjoys his coronation, the first in English history.
Life of St Edward the Confessor, CC BY-NC 3.0, University of Cambridge.

Coronations point to the sacred nature of the United Kingdom monarchy. Packed with religious symbolism and imagery, they exude mystery, bind together church and state through the person of the monarch and clearly proclaim the derivation of all power and authority from God and the Christian basis on which government is exercised and justice administered. At their coronations kings and queens are not simply crowned and enthroned but consecrated, set apart and anointed, dedicated to God and invested with sacerdotal garb and symbolic regalia. Here, if anywhere, we find the divinity which, as Shakespeare observed more than four hundred years ago, hedges the British throne.  

The United Kingdom is the only country which still marks the accession of a new monarch with a coronation. Of the other European monarchies, Belgium, Luxembourg and the Netherlands have never held coronations, Spain discontinued them in 1492 (they were not revived when the monarchy was restored there in 1975), Denmark in 1849 and Sweden in 1873. Norway abolished coronations in 1908 although since then its monarchs have undergone a ceremony of consecration or blessing in Nidaros Cathedral, Trondheim, with the royal regalia present in the church but not used in the ceremony. 

Anglo-Saxon innovation

Coronations are religious services rather than constitutional ceremonies. While details have been subtly adapted over the centuries, the basic format has essentially remained the same for over a thousand years. The crowning of the monarch is just one of several distinct elements in the service. Others include recognition by the assembled congregation representing the people of their new sovereign, administration of oaths, anointing with holy oil, investiture with the royal regalia and celebration of Holy Communion. All these elements are present in the earliest surviving order for the coronation of an English monarch, prepared by St Dunstan as Archbishop of Canterbury for the Anglo-Saxon King Edgar in 973. 

Edgar’s coronation, which took place in Bath Abbey, included many features found in all subsequent coronations. Held on Whit Sunday, the traditional day for ordinations to the priesthood, it laid considerable emphasis on the theme of consecration and the priestly aspects of kingship, exemplified by the wearing of priestly robes. Anointed and crowned by Dunstan, Edgar was entrusted with the protection and supervision of the church and graced with the titles rex dei gratia (king by the grace of God) and vicarus dei (Vicar of God). His wife, Aelfthryth, was anointed and crowned as queen. This practice, of a double crowning and anointing, was followed in the coronations of all subsequent married kings and queens as it will be with Charles and Camilla on 6 May. 

Oaths and oil 

Edgar was led into Bath Abbey by two bishops, as Charles will be as he enters Westminster Abbey which has been used for all English coronations since 1066. Before crowning, he was required to swear three oaths which form the basis of those still taken by every British monarch. As now framed, they include promises to adhere to the rule of law and the principles of justice and mercy, and to maintain the laws of God, the Protestant religion and the Church of England. Having taken the oaths, the monarch is anointed with holy oil, a further sign of being set apart and consecrated in the manner of a priest.  

Earning the right 

Edgar’s coronation included the celebration of Mass and it remains the case that the coronation is embedded in a celebration of Holy Communion. Dunstan’s order clearly established the church’s control over royal inauguration rites in England and specifically the key role of the Archbishop of Canterbury in presiding over the ceremony. In the sermon that he preached at a second coronation over which he presided, that of Ethelred the Unready at Kingston Upon Thames in 979, he preached on the duties of a consecrated king, describing him as the shepherd over his people and reminding him that while ruling justly would earn  him ‘worship in this world’ as well as God's mercy, any departure from his duties would  lead to punishment at Doomsday. 

A sense of sharing 

Rooted in tradition as they are, coronations still have the power to connect with the popular spiritual and religious instincts that remain strong, if often hidden, in our so-called post-Christian society. In a much-quoted article on Queen Elizabeth II’s coronation in 1953 two sociologists, Edward Shils and Michael Young, described it as:  

‘the ceremonial occasion for the affirmation of the moral values by which the society lives. It was an act of national communion and an intensive contact with the sacred.’  

They noted that it was frequently spoken of as an ‘inspiration’ and a ‘re-dedication of the nation’. The ceremony had ‘touched the sense of the sacred’ in the population, heightening a sense of solidarity in both families and communities. They pointed to examples of reconciliation between long-feuding neighbours and family members brought about by the shared experience of watching the ceremony together on television.  

We have recently witnessed something of this sense of national communion and intensive contact with the sacred in the public reaction to the death of Elizabeth II, as shown by the numbers who came out to witness the progress of the late queen’s coffin on its last journeys and to file past it in the High Kirk of St Giles in Edinburgh and Westminster Hall.  

Ultimately, Christian monarchy points beyond itself to the majesty, mystery and vulnerability of God. It is a lonely, noble and sacrificial calling.  What our sovereign needs and deserves most is our loyal and heartfelt prayers. As we prepare for the king’s coronation, we could do well to reflect on and respond to the request that his mother made before hers:  

“You will be keeping it as a holiday; but I want to ask you all, whatever your religion maybe, to pray for me on that day, to pray that God may give me wisdom and strength to carry out the solemn promises I shall be making, and that I may faithfully serve them and you, all the days of my life.”