Podcast
Podcasts
Re-enchanting
Theatre
1 min read

Kate Flaherty: re-enchanting... Shakespeare

How enchantment shows up in the playwright's iconic works.

Nick is the senior editor of Seen & Unseen.

A podcast guest holds up her hand and looks at it while speaking.

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Dr Kate Flaherty is Senior Lecturer in English and Drama at the Australian National University. She researches how Shakespeare’s works play on the stage of public culture. Her insights have been published in Contemporary Theatre Review, New Theatre Quarterly, Australian Studies and Shakespeare Survey. She is also the author of the book Ours as we play it: Australia Plays Shakespeare and of the latest volume of the Cambridge Elements series - Ellen Terry, Shakespeare and Suffrage in Australia and New Zealand.

So today Justin and Belle are going to be speaking with Kate about how enchantment shows up in the iconic works of Shakespeare. 

Find about more about Kate's research.

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Podcast
GodPod
Podcasts
Visionaries
1 min read

Visionaries: how Bach's genius shapes music today

Jeremy Begbie unravels the threads connecting his masterpieces to today

Nick is the senior editor of Seen & Unseen.

A painting of a 18th century man who wears a wig, white neckerchief and dark collarless coat.
A portrait of Johann Sebastian Bach by E.G Haussmann, 1746.
Public domain, via Wikimedia Commons.

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About this epiosde

Dive into the timeless legacy of Johann Sebastian Bach and discover how his genius continues to shape modern music. 

In this, the latest episode in GodPod’s Visionaries series, Graham Tomlin and Jane Williams, alongside Jeremy Begbie, explore Bach's innovative compositions and their profound influence on contemporary genres, from classical to pop. Join us as we unravel the threads connecting Bach's masterpieces to today's musical landscape, revealing the enduring power of his work and excavating the theology that underpins it. 

Whether you're a seasoned musician or a curious listener, this episode offers fresh insights into the genius of Bach and his lasting impact on the world of music and theology.

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Graham Tomlin
Editor-in-Chief