Article
Christmas culture
Culture
4 min read

It really is a wonderful life

Three reasons why everyone should watch It’s a Wonderful Life this Christmas.

Jon Kuhrt is CEO of Hope into Action, a homelessness charity. He is a former government adviser on how faith groups address rough sleeping.

A man stands one side of a bank counter while others, on the other side, look hopefully at him.

In my view,  It’s a Wonderful Life is not the best Christmas film ever. It is simply the best film ever, full stop. 

Released in 1946, the film focuses on the life of a man called George Bailey who lives in the small town of Bedford Falls. As a young man, George intends to “shake off the dust of this crumby little town” and get away to see the world and achieve great things. Yet through tragedy and his own sense of responsibility, he ends up spending his entire life in Bedford Falls running the building cooperative that his late father established. 

He sacrifices a lot. He ends up giving the college money he has saved to his younger brother so he can go to university instead of him. During the depression he and his new wife give their honeymoon funds to keep the Building & Loan bank going. All the time he battles against the richest and most ruthless businessman in town, Henry Potter, who is determined to build his business empire at everyone else’s expense. 

The film focuses on a Christmas Eve where George stands accused of fraud and faces scandal and jail. It’s all too much for him – the lost dreams, the feeling of insignificance and the heavy burdens he has carried for so long – crash in on him. Drunk and alone, he finds himself on a bridge, wishing he had never been born and preparing to commit suicide. 

Yet at this lowest ebb, salvation comes. Through the visit of an angel, George is enabled to see what would have happened if he had never lived. He sees the impact that his life has had on so many people and on the whole town. He realises what a wonderful life he has had. 

The film has a basic, raw message about living right. Our cynical age tells us that there is no point in trying to change things. But this is not true.

So why is it such a great film? 

I love this film so much that, rather embarrassingly, I bought the DVD of it for my best friend two Christmases in a row. The main reason is because it has given me inspiration in my life and work. 

Why? I think it’s for the following three reasons. 

It’s realistic about the hardship of life. Mainly due to the final scene many now perceive it as quite a sentimental film, but when it was released, it was not popular because it was considered too dark. It’s because the film depicts the struggles that many ordinary people face – such as debt, low self-esteem and feelings of insignificance. 

Also, in the character of Henry Potter, it sharply criticises the greed and self-interest of money-makers who don’t care about people. Henry Potter acts within the law but does not care about how people are affected by his money making. Profit overrides everything else. 

In standing up to Potter, George Bailey is ‘sticking it to the Man’ and this is costly and tough. The renewal of community does not come without resistance against the powerful forces of greed and self-interest. 

It shows that how we live does make a difference to the world. George Bailey’s life makes a massive difference to his town. Through unglamorous dedication he helps hundreds of people escape Potter’s slum housing and own their own homes. His bravery and leadership builds up his community and offers dignity and hope to others. 

The film has a basic, raw message about living right. Our cynical age tells us that there is no point in trying to change things. But this is not true – we can make a difference if we have courage and commitment. George Bailey’s life shows the importance of how we live and the choices we make – we will invest simply in profits or will we invest in people? 

But the key thing is that we will never really know the difference we are making. It’s a mystery beyond what we can grasp. We cannot avoid the need to have faith. 

It’s about the love and grace of God. The opening scenes of It’s a Wonderful Life commences with George’s friends and family saying prayers for him because they know he is in trouble. And at the end of the film, with their prayers answered, together all of George’s friends sing ‘Hark the Herald Angels Sing’. 

People who want to make a positive difference in our broken world don’t need lofty idealism or utopian dreams of naive optimism.

It’s significant that the film starts with prayers and then ends with a hymn – because essentially, it’s all about grace, redemption and salvation. 

Too often words like this simply sound like religious jargon – as if they just refer to ‘getting into heaven when we die.’ But this is a damaging misunderstanding. Salvation is needed now – people are desperate in the face of meaninglessness, low self-esteem and suicidal thoughts. Also, people need redeeming from lives of greed and selfishness. Jesus meets people in these needs – he both comforts those who are disturbed – and also disturbs those who are comfortable. 

God’s love and grace comes to us in the midst of real issues. This is the core message of Christmas: that God became human, in history. He came to earth to share the real struggles that humanity faces and to conquer them with his redeeming love. 

People who want to make a positive difference in our broken world don’t need lofty idealism or utopian dreams of naive optimism. We know how damaged the world and its people are. But whether you are Christian or not, we all need inspiration, encouragement and hope to make a difference. And this is where It’s a Wonderful Life works a treat. 

Review
Books
Culture
Re-enchanting
6 min read

Re-enchanting… reading lists

As a Re-enchanting series ends, here's our guests and staff book picks.

Tom Rippon is Assistant Editor at Roots for Churches, an ecumenical charity.

A pile of books on a bedside table.
Jodie Cook on Unsplash.

Inside a book, we find ‘a world that reflects our own, but isn’t this world’, at least that’s what David Bennett had to say when he appeared on our Re-enchanting podcast earlier this year, and given the power of books to transport us beyond the everyday, what better way to start each episode than with the question, ‘what are you reading?’ 

Many of our guests are self-confessed bookworms and admit to having several books on the go at once, dipping in and out according to their mood and the time of day, and a sizeable number profess a love of audiobooks.  So, after a blitz of the Seen & Unseen back-catalogue – accompanied by many sidetracks into our guests’ ponderings with Belle Tindall and Justin Brierley – here’s what’s on the Re-enchanting reading list. 

Chapter one: by way of introduction 

At first glance, it would seem that our guests are a serious bunch, because the Re-enchanting book list is dominated by non-fiction. Works on the intersection of science, religion and society are clear front-runners, ranging from R.H. Tawney’s Religion and the Rise of Capitalism (Francis Spufford’s pick) to Charles Foster’s The Selfless Gene (Paul Kingsnorth), but more general works also abound. An interest in re-enchantment clearly involves careful study of the everyday from cradle – Jonathan Haidt’s The Anxious Generation (Sarah Irving-Stonebreaker) – to grave, for example, Stephen and Cynthia Covey’s father-daughter collaboration, Live Life in Crescendo, Your Most Important Work is Always Ahead of You (Michael Hastings). Some encouraging words at a time when questions about ageing and illness are on the national agenda. 

Chapter two: heading (east) into deeper waters 

As a podcast that invites its guests onto the roof of Lambeth Palace Library, it will come as no surprise that our guests’ picks also feature a selection of books on theology and spirituality. Nick Spencer recommends Prophecy and Discernment by Walter Moberly, whilst Brooklyn pastor Rasool Berry brings us back down to earth with Sam Alberry’s What God Has to Say About Our Bodies: Why the Gospel is Good News for Our Physical Selves.   

Many guests, however, seem to be directing our attention eastwards towards the spirituality of Orthodox Christianity; their picks include classics such as Michael Kozlov and Arsenius Troyepolsky’s The Way of the Pilgrim (Martin Shaw); and The Art of Prayer by Hegumen Khariton (Molly Worthen); as well as a newer work by the twentieth-century saint, Porphyrios of Kafsokalyvia, Wounded by Love (Paul Kingsnorth). But this road of literary spirituality doesn’t stop in Eastern Europe, it keeps going until our arrival in Nepal via the memoirs and meditations of Tenzin Palmo in Cave in the Snow: A Western Woman’s Quest for Enlightenment (Sabina Alkira). Stories of global faith for a globalised world indeed.  

Chapter three: story of my life 

It is said that the best stories are the real ones and our guests apparently agree: biographies and memoirs pop up repeatedly throughout their picks. Sticking with the theme of spiritual journeys, our guests are reading works which recount journeys away from faith communities, such as Megan Phelps-Roper’s Unfollow (Glen Scrivener), as well as ones deeper into faith. One of the most striking of these is James Pennington’s nineteenth-century abolitionist pamphlet Two Years Absence (Esau McCaulley). Pennington was a self-taught pastor who left his church community following his re-enfranchisement to study theology at Princeton. His pamphlet was adapted from a sermon given to prepare his congregation for the journey which would take him deeper into his faith, but away from the community in which he lived it out. Many stories begin with a ‘setting out’ only to ‘return home’ in the closing pages, and perhaps this structure bears a closer resemblance to real life than it may initially appear? 

Venturing away from the spiritual, but remaining in the political vein, perhaps the most frequently mentioned book so far has to be Rory Stewart’s memoir Politics on the Edge, himself a Re-enchanting guest way back in series 2. Alternatively, readers who have had their fill of politics may wish to try the memoirs of polar explorer Robert Bartlett, as recommended by Molly Worthen, or, to take a leaf from Milton Jones, the equally fascinating and no-less-hair-raising Windswept and Interesting: My Autobiography by Billy Connolly. 

So far, fiction has not featured much amongst our guests’ recommendations, but tentative favourite would be the Pulitzer prize-winning novel by Barbara Kingsolver, Demon Copperhead.  Set in present-day Appalachia and inspired by Charles Dickens’ David Copperfield, Demon Copperhead touches on the poverty and struggles of America’s left-behind communities, who today find themselves worlds away from the glitz of global politics, yet wielding a political influence that extends far beyond their own borders. 

Chapter four: A whole new world or the world reimagined? 

In the instances when fiction has appeared in our guests’ bed stands, it seems that they have a taste for fantasy and science fiction.  The favourite by far here is C. S. Lewis, with several guests reminiscing of their experience of reading Narnia, but for Jack Palmer-Wright the experience of rereading The Lion, the Witch and the Wardrobe took special significance this year as he introduced it to his five-year-old for the first time. Adult readers looking to relive the experience of discovering Lewis for the first time should check out Lewis’ lesser-known Space Trilogy, particularly That Hideous Strength: A Modern Fairytale for Grown-Ups, recommended by Holly Ordway as a prophetic tale for today’s world.  

Other stalwarts of the fantasy genre also made an appearance, such as J. R. R. Tolkien and J. K. Rowling, but perhaps the most surprising recommendation to come out of Re-enchanting would be Margaret Cavendish’s The Blazing World (Frank Skinner). Published in 1666 and considered to be perhaps the first science-fiction novel, The Blazing World is set in a parallel world with fantastical technologies reached via the North Pole. The characters, including Cavendish herself, criss-cross between worlds as the novel moves through its three sections, ‘Romancical’, ‘Philosophical’ and ‘Fantastical’, exploring questions of social organisation, governance, and whether it is really possible to create a new religion complete with a fully fledged religious literature. Given the ongoing conversations about the place of religion in the twenty-first century, perhaps it’s time for Cavendish to make a comeback. 

Chapter five: what next? 

Stories are made of words but they are also made of silences, and these narrative gaps are just as key to getting a story to take flight as the most well-chosen, well-balanced phrase.  The biggest gap in our Re-enchanting reading list is poetry.  Books about poets – the Romantics, Seamus Heaney, to name a couple - have made an appearance, but we have yet to receive a straightforward poetry recommendation from any of our guests.  So, should you feel the need to fill this gap, here’s a few from us for anyone looking for something to dip into over the coming year. 

  • Sara Teasdale  
  • Mary Oliver 
  • Gerard Manley Hopkins  
  • Jackie Kay 
  • Jalāl al-Dīn Muhammad Rūmī 
  • Victor Hugo 

Happy reading and see you in 2025 for more Re-enchanting. 

2024 staff picks

And here’s the picks from the rest of the Seen & Unseen editorial team. 

Graham Tomlin, editor-in-chief 

  • Sally Rooney: Normal People
  • Jessie Childs: The Siege of Loyalty House: A New History of the English Civil War

Belle Tindall, staff writer 

  • Selina Stone: Tarry Awhile .
  • Sally Rooney: Intermezzo.  
    Frank C. Laubach: Letters from a Modern Mystic.   

Nick Jones, senior editor 

  • Jon Fosse: A Shining
  • Mary Millar: Jane Haining – A Life of Love and Courage
  • Peter Ross: Steeple Chasing

Join with us - Behind the Seen

Seen & Unseen is free for everyone and is made possible through the generosity of our amazing community of supporters.

If you’re enjoying Seen & Unseen, would you consider making a gift towards our work?

Alongside other benefits (book discounts etc.), you’ll receive an extra fortnightly email from me sharing what I’m reading and my reflections on the ideas that are shaping our times.

Graham Tomlin

Editor-in-Chief