Interview
Creed
Freedom of Belief
Middle East
S&U interviews
13 min read

Iran’s police forced me to leave my country

Interrogated and jailed for changing his faith, Medhi tells his story.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

On a sun-lit railway platform, two men talk casting shadows on a waiting red and white train. Another shadow beside them is that of a man silouheted in the foreground
The train station, Zanjan, Iran.
Bahram Bayat on Unsplash.

'Mehdi' is Iranian and a converted Christian; now living in the United Kingdom, he tells Belle Tindall his story.  His name has been changed to protect his identity.  

Can we start with your own story? How did you become a Christian and how did that shape your life in Iran?  
 
Oh, yeah, absolutely. So I was eighteen when I came to Christ. And it was through my older brother who is six years older than me. He was dealing with lots of problems like depression, mental health and drugs and stuff for a few years. He was struggling with violence a lot outside the house, and then inside the house too. He would become really violent and start lots of fights, especially with me. And I was very young at that time, I was around 12 years old.  

I was hurt, and scared, and angry and bitter towards him. But when I was nearly 18, he had this experience with Jesus through one of his friends who had converted from Islam to Christianity. And he just had this experience of, like, new birth in Holy Spirit and he completely changed. He became really calm and kind. And it was very vivid - the changes in him.  

And I was struggling too, so I became really curious. One day, he was watching some videos about Christianity, one of them was of two pastors chatting through the gospel, and I asked him if I could watch it with him. Which was very unlike me, I wasn’t religious at all. I mean, I was Muslim, and I used to practise a little when I was younger, but I wasn’t serious about it because it never worked for me.  

So, I watched a video I heard message of the Gospel, and I could feel it – the love, the kind of security that Jesus was offering me, and the salvation. And so I prayed at the end of that video and my life completely changed.   

Literally, the day I prayed, I just felt completely different. It was just a supernatural peace. And I fell in love with the Bible instantly, I began reading the Bible constantly, and my curiosity was so evident that my brother took notice. Because I didn't actually tell my brother that I had prayed a prayer as a result of the video. And so I said to him, ‘I don’t know what’s happening to me’. He smiled and just hugged me, and said – ‘you’re a Christian now’  

And on that day I realised that I had become a Christian.  

So yeah, God completely transformed our relationship, and instead of fighting, we started praying together and trying to explore what it all meant. But it was very difficult because Christianity is banned Iran. We went to one of the church buildings, which was built before the Islamic revolution; we walked up and knocked on the door, and said ‘we’re Christians now, can we come in? Can we visit the church? Can we have a look inside?’ And he said ‘no, I'm sorry, you're not allowed in’. There were cameras at the door, we were Muslim converts, and we were being watched.  

So, that day we just became really discouraged because we suddenly realised, ‘oh, it's not going to be easy to be a Christian’.  

By some miracle, we got in contact with some other underground Christians, and we started to see each other. We would meet in our houses and read the bible together and share storied, sing some worship songs. We found some ways of accessing Christian resources, like worship songs, hymns books, things like that.  

By this time, I was twenty years old.  

And after a year or so of life looking like that, with these regular meetings, I was getting ready for work one morning and there was a knock at my door. I opened it and there were ten or so officers standing in front of the house. So, they raided and searched our house, they didn’t say why, they gave us no information – so I guessed it was because of my faith, but I didn’t know. It’s just that I had heard stories of this happening.  
And because we would hear about the stories around us happening to. 

But, we didn’t think that what we were doing was serious enough to get their attention. There were only 10-15 of us, we were just gathering together casually. We weren't really organised. And also we weren’t in any way in touch with foreign (Christian) organisations, which they are really sensitive about it. 

Because they see that as a political activity, you see. They believe that Christianity is a weapon of Western countries, with a long-term plan to convert Islamic countries like Iran so that they can alter the culture and take the power. Because, in Iran, there’s a very high value placed on religion.   

But anyway…  

The officers came in and collected up everything they could find that was related to Christianity in some way. Then they put handcuffs on me, my brother, my sister and my dad (they had also become Christians by this point) and they blindfolded us and put us in separate cars.  

We had no idea where we were being taken, but we arrived at the Intelligence Services Detention Centre, where they interrogated us. They questioned us about our activities, our gatherings, who we knew.  

They released my family that day, but they kept me in because I was the most active Christian and because I was being stubborn. I wasn’t giving them the information that they were after, I wasn't responding to their questions or commenting on my faith, because I felt like Jesus was our friend, you know? 

Life was becoming very unbearable, Jesus was our only solution 

And it’s the same for many Iranians. There were people around us who are who were, and still are, dealing with lots of difficulties because of the economic situation, because of the oppression and corruption of the government, as well as the terrible economic situation. It feels like there’s no hope, no solution. The only solution can be found in the hidden places, it’s Jesus. For us, he became the hope of a new life.  

And so, I saw Jesus like that and it gave me the strength to go forward into whatever was coming next. So, I didn’t give them any answers and they put me in solitary confinement. I was in there for twenty-two days. And I was only 20 years old. And as an ordinary person… you know, that context is very important! I never had any problem with the police, or crime, or the law, or with people around me. And all of a sudden, I’m in this intense place. I’m in high security, with blindfolds and handcuffs. This wasn't something that I was used to, it wasn't even something I could have imagined.  

It was very, very, tough.  

I was in a tiny room, it was two-metre by six-metres, and there was a matt on the floor with two sheets, a toilet in the corner and that was it.  

It was incredibly difficult. Every moment, you’re expecting something really bad to happen to you. You don't have from your family or your friends, and you just think of all the worst possibilities that could happen at any moment.  

Are they about to torture me? Where are my family? What’s happening to my friends right now?  

For twenty-two days, not knowing how long I was going to be held here, I was bombarded with all these negative thoughts.  

I felt like I was being mentally and emotionally crumpled like a piece of paper, you know, trapped in this small room. But I had very powerful moments with God in that dark environment. He helped me to go beyond the circumstances that I was in, through the power of the Holy Spirit, who not chain could ever bind.  

After twenty-two days, they released me and two others on bail, and they took us to court, our trial lasted a year. They finally gave us an eight-month suspended sentence and warned us that if we were caught continuing our Christian activities within a five-year period, we’ll be brought back in and our sentence will be severe.  

So, we were in real danger.  

But it was almost impossible to not to continue with our Christian activities because Jesus was our whole life. Plus, we were a family, we couldn't leave each other. And so we started to see each other, but in public places.  

Little by little, the group, our small group grew to around two-hundred people.  

So, we scattered. We met in small groups around the city. We couldn’t be too organised, because we had to confuse the government. It was a huge challenge, to keep changing place and time. We couldn’t use our phones because they were constantly being tapped, we couldn't even take them with us because they were being tracked. We became paranoid about every person we’d meet, wondering if they were undercover officers or spies.  

Four years after my first arrest, I was arrested again. 

This time we were waiting for it. We were playing with our lives. We just couldn’t help it. We were ordinary people who were ready to leave everything; our families and friends, we were ready to pay the price. Because Jesus had truly changed our lives.  

So, they officers came again, they raided my house again, and this time it was far more aggressive. They took seven of us this time and the same thing happened – blindfolds, handcuffs, interrogations, solitary confinement – but this time I was in there for over a month. And it was way more intense; there were lots of horrible threats, mind games and mental torture. 

And then they sent us to the central prison, without a trial or a hearing – which is illegal. We didn’t know our charges or our sentence- nothing.   

And that prison had 8,000 prisoners and a very bad reputation. You know, it was overcrowded with no capacity, and so it was very violent and had very poor conditions. We were all terrified to go there. They kept us there, in that prison, for three years. But still, God was a light in that dark place. Some fellow prisoners even came to Christ. 

Can you tell me when and why you left Iran? 

Eight months after I was released, I was advised to leave Iran. They told me that if I stayed, my life was going to be very hard. They wanted me out of the country.  
That I decided to leave. 

So, I left Iran, and I went to Turkey, the neighbouring country, to seek asylum. I was there for three years.  

This was another difficult chapter for me; the new culture, new language, new country. Plus, the immigration police, unfortunately, they were corrupt just like the Iranian police. And the way they interrogated me had me re-living so much trauma. I wasn't allowed to leave my city as an asylum seeker, you have to go and have your fingerprints taken every two weeks – and I was just a prisoner again.  

I met my English wife there though. That’s the beautiful part of this story – we met at church, served together, fell in love, got married and eventually moved to the UK.  

So, what is it like being an Iranian Christian in the UK?  

There have been plenty of culture shocks. In Iran, my ‘church’, we didn’t have a building, we didn’t have any resources. It was a glimpse of the New Testament, really, with everything that we went through. We lived like the disciples – encountering Jesus personally, being ready to follow him, even if it had to be in secret. So, obviously, church in the UK has been quite a shock.  

There are different reasons why people go to church here in the UK: because their family go, because it’s the right thing to do, because they want to be a better person, because they’re lonely. Although these reasons exist in Iran too, if you want to go to an underground church as a Christian, you really have to want it. Because you take a huge risk.  

I think it’s been a privilege for me to experience a house church in Iran, to understand the value of the salvation that Jesus has given me. You know, at one point, when I was in solitary confinement – I had no family, no friends, no freedom – Jesus was literally all that I had. Jesus was everything. All my focus was on him, he was the only hope, he had all my attention.  

Besides the struggles I had, I could still rejoice. I was praising him because they could take everything away from me, but they couldn’t take him away. In other words, the sweetness of salvation overcame the bitterness of imprisonment. 

So, things are different, here. I have mixed feelings, really.  

So, with everything that you have experienced, and knowing first-hand how dangerous it is to be a Christian in a country that regards it as a threat - can I ask you your thoughts the narrative that’s floating around, that people are pretending to be Christians to get refugee status here in the UK. What are your thoughts on such accusations?  

First of all, I think the nature of the conversation is wrong. It spreads hatred and judgment, and creates an environment of suspicion that breaks trust between people. It's exactly like Mother Theresa said: 'when you judge people, you have no time to love them'.

Also, I think that the government are saying this to distract us from the things that are actually happening.  

The violation of human rights, the right to both free speech and freedom of belief, in Iran is real, it’s true, it’s happening. The persecution that Christians are facing in Iran is absolutely real.  

And, does that mean that some of them are leaving the country? Yes. I had to. I’m here. I had to leave my home. And there aren’t enough legal routes, there aren’t enough ways to seek asylum in countries like the UK. So, occasionally they have to smuggle in.  

So, it’s true that Christians are leaving Iran. I’m one of them. And I was incredibly lucky, I got here safely and securely.  Although, not as a refugee.

But if I had to come to this country by boat and sought asylum, would that be different? Would my story be false? Because even Turkey wasn't safe; Turkey is currently deporting Christians back to Iran, they’re arresting them, they’re closing down churches. In the last three years, they’ve kicked out most of the Christian missionaries. So, it could have happened, I might have had to smuggle myself here, with twenty other people, on a small boat.  

And I come here, and I tell my story, and you tell me it’s not real?  

If you come to the table with this mindset, if you’ve already made your decision about my life, if you’ve judged me already, and if you don't see me as a genuine Christian – you betray my humanity. You’ve betrayed the value of human rights.  

No one wants to leave their country in the first place. So, one of the first accusations are, ‘oh, they're leaving because of the economic situation’. No, it's not true. The majority of people who are staying in Iran right now, they are dealing with horrible economic situations, but don't leave their country. We leave when we’re in danger.  

How the government go to the table matters. Their compassion is at zero at the moment.  

The government violates human rights in Iran. We know this. And yet, so few people leave. The numbers are so small, you can’t rightly say ‘oh, if we accept this person, the whole of Iran will try to enter the country’, it’s just not true. It’s just playing with words.  

The picture they are painting of the situation is not accurate. So, first they need to fix that, and then talk about the desperate and oppressed person who has genuinely been through something awful, who has had to leave their country, who has put their life at risk. 

We can’t just forget about compassion and generosity. 

And so, when we say ‘these Iranians are all faking Christianity to gain asylum’ – that’s not the true issue. 

The question is: how has a government that claims to support Human Rights responded responsibly and appropriately to the discrimination and violation being faced by Christians?  What are the solutions? How can their lives can be protected and saved when there is no legal route for them to seek asylum in a safe country like the UK? 

Interview
Art
Culture
Freedom of Belief
Trauma
9 min read

The women with tears of gold

Artist Hannah Thomas’ visceral and moving portraits offer a glimpse into suffering, and healing, souls.

Jane Cacouris is a writer and consultant working in international development on environment, poverty and livelihood issues.

A triptych of three portraits depicting of white shawled women agains a gold background
Hannah Thomas

“We may understand the statistics of violence against women, and the catastrophic effects such violence has on the fabric of society, but we don’t comprehend it until it is associated with a face, a voice, a story.”

Christopher Bailey, World Health Organization  

In March of this year on International Women’s Day, I was invited to attend the art exhibition and book launch of Tears of Gold by artist, Hannah Rose Thomas. Visceral and moving, the exhibition included both Hannah’s paintings and the self portraits of women survivors of ethnic and religious persecution, forced displacement and sexual violence; Yazidi women who escaped ISIS captivity in Iraq, Rohingya women who fled violence in Myanmar and Nigerian women who are survivors of Boko Haram and Fulani violence.  

As I walked around the exhibition looking at the faces of thirty-three girls and women ranging in age from twelve to fifty years old, I saw faces that radiated dignity and resilience but also pain and grief that is beyond words. Most are looking away, but a few look straight ahead, their eyes locking with the eyes of the onlooker.  

One was of Charity. As a woman myself, I felt an unexplained connection with this woman looking straight at me from the painting. She asked without words that I try to understand something of her suffering. Charity was held captive by Boko Haram in Northern Nigeria for three years and forced to “marry” one of her captors and convert from Christianity to Islam. She was raped and gave birth in captivity to a baby girl named Rahila. When Charity was eventually rescued from her ordeal and reunited with her husband in a camp for internally displaced people, her husband beat her and rejected her baby. Now on a daily basis, she faces abuse and isolation in the camp. Although she is no longer harmed by her perpetrators, she is still paying for their crimes.  

Another, Basse. The raw pain in her eyes strikes me. At the time Hannah painted her in 2017, it was three years since Basse’s daughter (age six) had been taken by Daesh (ISIS) after their Yazedi community was attacked and displaced in Sinjar in Iraq. She had since found her daughter’s photo on a “marketplace” website of girls for sale. As a mother myself I can only just begin to comprehend her anguish as one mother to another we gaze at each other through the painting.  

As works of art, the portraits are extraordinarily skillful and beautiful, but they are so much more than that. They offer a glimpse into the soul of women who have experienced the most unspeakable suffering. In the words of Prince Zeid Ra’ad Al Hussein, the former UN High Commissioner for Human Rights, they are Hannah’s “witness statement” for and on behalf of thirty-three brave women survivors, as well as shining a spotlight on the issue of gender-based violence that affects millions of women (a staggering one in three according to UN Women) across the world today.  

From refugee camps to Whitehall  

When I caught up with Hannah recently, she spoke about the privilege of meeting these women during the trauma-healing art workshops she organised with support of local partners and the sponsorship of charities (including BRAC, Open Doors, World Vision and Bellwether International).  

Starting out as an Arabic student in Jordan, she had her first opportunity to work with Syrian refugees for the UN Refugee Agency (UNHCR) in 2014. She began to paint the portraits of some of the refugees to show the real people behind the statistics of the global refugee crisis. This first gave her a glimpse of the healing potential of the arts and how it can be used as a tool for advocacy. Since Jordan, she’s been able to organise art projects with Yazidi women who escaped ISIS captivity in Iraqi Kurdistan in 2017; Rohingya refugees in Bangladeshi camps and Christian women survivors of sexual violence at the hands of Boko Haram and Fulani militants in Northern Nigeria, both in 2018, and most recently with women from the asylum-seeking community in Glasgow and Ukrainian refugees in Romania. 

Warm and immensely articulate, Hannah seems impossibly young, grounded and humble to have been on such a remarkable life journey already, from working with the women in the camps to exhibiting her paintings in numerous places of influence including the European Parliament, the British Houses of Parliament and Buckingham Palace, even meeting HRH King Charles and showing him her portraits of the Yazedi women.  

She describes King Charles, who went on to write the foreword for her book, as “genuinely interested in the stories of the women and really touched by them.” 

Easing the burden 

Creativity and an interest in the power of the story has always fascinated Hannah since she was a child. And as she writes in the introduction to Tears of Gold, all her work has a common thread of intention, “the restoration of these women’s voices”. She longs to give them a unique platform to tell their stories and refers to Holocaust survivor Primo Levi who describes the “unlistened-to story” as the enduring burden of the survivor.  

This desire to give a voice to the voiceless has dove-tailed in a surprising and powerful way with her love of creativity. She says,  

“Ever since I was young I have…had this desire to be a voice for the voiceless somehow but never imagined this could be through art. For many years there has been this tension between these two aspects of myself – this longing to express something of the beauty of God through my paintings and yet another aspect compelled to work in the sphere of social justice and human rights. God has woven together these two separate strands in the most beautiful and unexpected way.” 

Drawing on the writings of the French Philosopher Simone Weil, Hannah asks in her book:

“can the creative arts create a space to pay attention to the unspeakable suffering of another? Can this help restore her?” 

She tells me about the privilege of seeing the transformative impact on some of the women in her workshops as she taught them to put brush to paper to paint their self-portraits as a way of telling their stories. Many of the women painted themselves with tears. What is striking is that the stories behind the art reveal survivors not victims. One young Nigerian women Aisha, who had suffered rape at the hands of Fulani militants, painted gold tears she said symbolised God bestowing on her a crown of beauty instead of ashes; the oil of joy instead of mourning. Her story is about being precious in God’s eyes and his restorative healing in the face of unimaginable human-induced suffering.  

One girl who took part in the Nigerian art project, Florence, had been raped by Fulani militants when she was ten years old. On her last day at Hannah’s art project she said, “Here I have found peace of mind.” God using his healing hand through art. 

Connecting through vulnerability  

“I had been on my own journey through post-traumatic stress disorder and depression. Painting has been an important part of my recovery journey and how I learned to find my voice again. This was one of the key motivations behind these art projects as I wanted to be able to bring this gift to others.” 

The stigma that survivors of sexual violence face in their own communities when they return home is particularly painful. During the art project in Northern Nigeria, Hannah publicly shared about her own struggles, following a traumatic experience as a young woman, with survivors of rape by Boko Haram and Fulani militants. The women later reflected together that this vulnerability connected them as women and helped them realise that they were not to blame and need not be ashamed. It began to break the stigma and silence and to create a safe space of mutual trust so they could begin to share their experiences.  

Hannah writes, “Sharing our stories enables us to connect, and reminds us that we have more in common than divides us”.  

Most precious and in the image of God  

Coming face to face with the portraits painted by Hannah, as the daughter of a Portuguese Catholic father, I recognised the likeness of the style, colour and reverence to the icon painting of Jesus that my parents have on their wall at home.  

Drawing on Mother Theresa who talked about “seeking the face of God in everything, everyone, everywhere, all the time . . . especially in the distressing disguise of the poor,” Hannah’s portraits seek to revere each woman, to paint them with the love and devotion that God might. They remind us that they are all of exquisite value in God’s eyes.  

Hannah’s expression lifts as she explains the methods of iconography that she studied and practiced in order to paint the women’s portraits and the palette she used. Gold leaf as a symbol of their sacredness to God regardless of what they have suffered, and lapis lazuli, the most expensive and illustrious blue pigment sourced from the mountains of Afghanistan and used by artists such as Michelangelo in the Renaissance period, unparalleled for its depth and richness and purity.  

Each painting takes a long time to complete, around nine days, due to a layering process required to build up the colour in the natural pigments that are used, Hannah says:

“I'm interested in the quality of attention. And the contemplative prayerful aspect of the paintings. For me they're a form of prayer. Praying for each of the women I've met.”

She explains that the process of Byzantine painting is like a prayer. Starting with the under painting with all the dark colours, the background tone, and then slowly progressing on a journey, adding in highlights, from darkness to light. It’s “symbolic of the journey of the soul” she says.  

And how are they received in the political corridors of power? Hannah pauses.  

“The fact that it takes so much time. It’s different from a photograph. It invites people to contemplate in a way that's quite unique. In a place with such high pressure where there isn't much time to pause. It’s about creating space for contemplation. Where mentalities can shift. When you slow down and attend to the story.”  

Impossible to measure the impact of such a shift, but when Hannah tells me about the number of politicians moved to tears by both the paintings and the women’s stories, it is clear the impact is there, measurable or not.

The art of attention 

Tears of Gold opens with Hannah’s reflection on the art of attention. The word “attention” comes from the Latin ad tendere, meaning to reach towards. She writes:

“Only by reaching out in love and understanding can we overcome the agendas of violence and polarisation that seek to divide us.” 

According to Rabbi Jonathan Sachs, this “reaching out” requires a commitment “to see in the human other a trace of the divine Other... to see the divine presence in the face of the stranger.” 

When we reach out and allow ourselves to connect with the suffering of another whose pain is unimaginable – in Hannah’s words, to reach across the abyss of difference between us - we take a step towards understanding that suffering. Art can be a way of bridging that abyss, of opening a passage between us and the other. By taking a step towards the other and understanding just a fraction of their pain, we can be stirred.  

Does the arts have the ability to stir us beyond the self-centred voyeurism that an overload of media imagery may have reduced human suffering to? By the way Hannah’s portraits have been received in the corridors of power in the Global North, we can only hope that the answer is yes.  

Perhaps the arts are the answer to stirring humanity’s compassion to move beyond complacency.  

And to demand a different way.  

 

Tears of Gold by Hannah Rose Thomas can be purchased from Plough. All publisher profits from this book will be donated to relevant charities.