Explainer
Creed
Easter
4 min read

Identifying as human has deadly implications

The incarnation and an execution impacts humanity.

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

Head and shoulders image of a man with closed eyes, on his forehead is an ashen cross.
Josh Applegate on Unsplash.

Christmas makes no sense without Easter.  

In Jesus of Nazareth, the Creator himself entered his creation to live among us. This is what Christians call the Incarnation. But why? What was the point of this identification with humanity? You might have expected these sorts of answers: he came to found the Christian religion, to teach us how to live and to gather a community of followers. These are true enough but look inside any church building or read any part of the New Testament, and you’ll find that another thing is the focus, something that makes Jesus different to any other founder of a religion. He came to die.  

Jesus’ death is the climax of all four gospel stories. It is evident that the point of the narrative is there. The rest of the Bible’s New Testament spends more time describing the machinations that led to Jesus’ death than outlining what he taught. Does that mean it doesn’t matter what Jesus taught? Of course not: Jesus’ teachings matter tremendously to Christians. But his death matters still more. 

No doubt you knew that. The first thing anyone learns about Christianity is its symbol, the cross on which Jesus was executed. One of the cruellest forms of capital punishment that has ever been legal, those executed on the cross were called ‘crucified’ – a word which still has its shuddering power even today. Crucifixion was a death reserved for the lowest of the low: common thieves, runaway slaves, rebels, and lawbreakers. Yet this particular death was the ultimate goal of Jesus’ life.  

Why? What’s it all about? For Christians, Jesus’ crucifixion strikes at the very root of all that is wrong with the world. To understand it, first we have to understand what Christians believe about that. 

If you fall into a pit you can’t climb out of, then lack of information is not your problem. Nor does it matter how many other people are in the pit with you: nobody down there can pull you or themselves out.

Everyone agrees the world in its current state is, to put it mildly, less than ideal. Most put it down to a lack of education, or to the stubborn foolishness of a few isolated individuals.  

If you believe that people behave badly because they are ill-informed, then you might think the solution is to teach people what is right. You will put great faith in education: give people the information they need and they will change their ways.  

Alternatively, if you believe ‘other’ people are the problem, you can focus your attention on opposing them, imprisoning them, or stripping them of power somehow. But Christians believe that the root of the problem is far deeper, such that these efforts only scratch the surface and will never be effective in the long run.  

Christians believe that the whole of humanity has been damaged, cut off from its relationship to what matters by a primordial catastrophe that we call ‘the Fall’. Human beings are not simply ignorant, and the problem does not lie in lack of information, or education. The problem lies in our will, the part of us that chooses what is wrong even when we know full-well that it is wrong. And the problem is not just some people ‘over there’, conveniently set apart from me. Every single human being has been impacted. Including you. And me. Every one of us is part of the problem, which is why no  one of us, however smart or well-informed we are, can be the solution. If you fall into a pit you can’t climb out of, then lack of information is not your problem. Nor does it matter how many other people are in the pit with you: nobody down there can pull you or themselves out. You need someone outside the pit who can reach down and grab hold of you.  

That is why Christianity is more than a moral programme for self-improvement, or a set of spiritual practices comparable to those of other religions. According to Christians, the human race does not need another set of rules about how to live, or a formula to cultivate mindfulness and inner peace. We need a saviour: someone who does not share our fallen condition, but who can reach down and lift us to safety.  

How far down did Jesus have to go? All the way to the bottom, which means death. Even the worst kind of death.  

How did Jesus’ death save us? Christians have various theories about that. You may have heard the most common which uses law court imagery: we were guilty and sentenced capital punishment, but Jesus was punished instead so we don’t have to. Some people love this theory and live by it; others find it morally problematic and offensive. But the point is not the theory: the point is the reality to which it points. One way or another, by dying Jesus reconnected us to God and restored the broken relationship. 

But it’s stranger still than that, because Jesus’ death is not the end. It was only the preliminary to something far more wonderful and transformative, a sign of a promise beyond our wildest hopes. By dying, Jesus defeated death itself and came back to life. If Christmas makes no sense without the cross, then the cross makes no sense without the resurrection. But more on that in my next article.  

Column
Awe and wonder
Creed
Film & TV
Re-enchanting
4 min read

The great pie mystery

Some unusual graffiti give insight into reality’s mysteries.
A green bridge spans a motorway, on its side is graffiti that reads 'PIES'
The view on the M6.
drgillybean, Creative Commons.

Do you have a favourite piece of graffiti? I used to.  

If you're travelling on the M6 around Cheshire, at some point you’ll come to one of those green motorway bridges. And on the side of it, overlooking the tarmac, you'll see in massive writing the word “PIES”.  

When I was a kid, I used to be fascinated by this. It raises so many questions. Who wrote the graffiti? How did they do it? Was this person in favour of pies or against them? Was it about all pies or just some pies? What had happened in this person's life to make them have such strong opinions about pastry?  

And it was just me. For nearly 30 years, people were left nonplussed about the graffiti as more and more instances of it began to crop up across the North-West of England. 

And then, in 2016, the mystery was solved. Apparently, it wasn't really to do with pies at all. It was all the result of a Liverpool band called The Pies trying to promote their music. After getting stuck on the motorway one day, they decided to write the name of their band on the side of the motorway bridge because, well, what else are you going to do when you’re broken down?  

It's fair to say, I was a little bit gutted to learn about the origins of the graffiti. 

What was once an intriguing mystery that kept me up at night and haunted my every thought (okay, perhaps a slight exaggeration) was revealed to be something so … boring. With hindsight, I wish I'd never learnt the truth about what happened. I thought wanted to know the origins of the pastry-based vandalism but, as they say, ignorance sometimes is bliss.  

You see, we sometimes need a little bit of mystery in life.  

Peel back the world in Lost or Westworld and you see there’s actually only a thin layer of reality masking a great chasm of nothingness. 

This is evident in lots of different ways, but perhaps most apparent when it comes to entertainment and art. TV series Lost, for example, was a huge hit when it first came out. Why did the plane crash? What is the island? What is the smoke monster? Viewers were hooked and demanded answers.  

But then answers came and everyone was upset. As Lost went through series after series, and explained more and more about what was happening, the audience slowly became more and more disenchanted with the program. The finale – where the programme’s biggest mysteries were finally revealed – was almost universally panned. 

The same to be said of the recent HBO hit Westworld. Its first series was by far and away its best. But season two and three trailed off significantly as there was simply no mystery left in the programme after its spectacular first series. I wonder if this is precisely why the works of the late David Lynch were as compelling as they were? The still-incredible Twin Peaks holds up so well precisely because it categorically refuses to explain itself. 

Elsewhere there is a growing tendency in video games, for example, for the narrative of the story to be hidden away, shrouded in mystery and atmosphere. Think of From Software games like Dark Souls and Elden Ring, massively successful in part because they are so mysterious. In both instances, it’s entirely possible to complete the game and have no clue whatsoever that there was even a story in the game, let alone to understand it. The player becomes captured by the mysteries of the worlds they find themselves in, and it’s these mysteries, rather than any answers, than compel them forwards. 

The reason why programmes like Lost and Westworld begin to lose their allure as they explain more and more about their world is that this jars with the reality of the world around us. Peel back the world in Lost or Westworld and you see there’s actually only a thin layer of reality masking a great chasm of nothingness.  

Peel back the world around us, however, and reality goes all the way down. And this is precisely what we would expect from a world created by a God, who is infinitely Infinite. Reality is not paper thin; goes all the way down. It is mysterious, unfathomable, and resists easy answers. 

And so, when we get disappointing explanations about a plane crash in a TV programme, or the origins of our favourite graffiti, it rightly leaves us feeling unsatisfied. Because we are made to be at home in a world that is deeply real. We are made to be at home in a world where the reality has unfathomable, unimaginable depth to it. A world that cannot simply be explained away. 

And this is why mystery is so important in our life. In the post-Enlightenment culture in which we find ourselves, a culture that demands every question be answered and every Scooby-Doo villain be unmasked, the notion of boundless mystery might seem somewhat disquieting. 

But we are made for mystery. And this is why the best works of art trade more on the mysteries they introduce, rather than the answers that might be behind them. And this is why mystery can be found all around us. Even in a pie.

Join with us - Behind the Seen

Seen & Unseen is free for everyone and is made possible through the generosity of our amazing community of supporters.

If you’re enjoying Seen & Unseen, would you consider making a gift towards our work?

Alongside other benefits (book discounts etc.), you’ll receive an extra fortnightly email from me sharing what I’m reading and my reflections on the ideas that are shaping our times.

Graham Tomlin

Editor-in-Chief