Hold or cut the golden thread?

There's a ‘mysteriously beautiful’ vision threaded through our world, writes Stephen Cottrell. In an extract from his Dear England book, the Archbishop of York considers the Beatitudes.

Stephen Cottrell

Stephen Cottrell is Primate of England and Archbishop of York. He has authored 20 books.

A CGI render of a grid of golden lines receding into the perspective

The golden thread.

Joshua Sortino on Unsplash.

The heart of Jesus’ teaching is found in the longest teaching passage in the Gospels, it is known as the Sermon on the Mount.

It begins with a mysteriously beautiful passage known as the Beatitudes.

Here Jesus sets out a series of maxims that at first sight seem to be his equivalent of the Ten Commandments. Like Moses, the Old Testament prophet who received the latter, when Jesus receives the Beatitudes he has gone up a mountain.

And like Moses he has a series of short, pithy things to say that will then need a lifetime to work out.

However, the Beatitudes are not a moral code. They are not things you can either do or not do. They are attitudes to which we can aspire. Rather than describing the moral life, a code by which we can justly live alongside each other in society, they describe what it looks like to 'go the second mile’. They describe what perfect love in action looks like.

Here they are:

Blessed are the poor in spirit, for theirs is the kingdom of heaven.

Blessed are those who mourn, for they will be comforted.

Blessed are the meek, for they will inherit the earth.

Blessed are those who hunger and thirst for righteousness, for they will be filled.

Blessed are the merciful, for they will receive mercy.

Blessed are the pure in heart, for they will see God.

Blessed are the peacemakers, for they will be called children of God.

Blessed are those who are persecuted for righteousness sake, for theirs is the kingdom of heaven.

I don't propose to spend ages unpacking these. But alongside the Ten Commandments themselves, the Lord's Prayer and the Creed, the Beatitudes have become one of the central documents of the Church.

Living by them is the work of a lifetime.

They are the centre of Jesus' teaching. Their meaning, however, isn't always self-evident. Like his stories, they need inhabiting.

They are very challenging. It isn't easy to be merciful. It isn't easy to make peace. Especially if the likely outcome is the persecution we usually make efforts to avoid. Not that there is anything good about persecution. As we know, mockery and ridicule hurt. How much more hurtful is it to be hunted down because of your witness to peace? Nevertheless, it is witnesses to peace that Jesus is recruiting here. His own life, and everything that he teaches, led this way: to the peace that is beyond the world's understanding and is about a wholeness and totality of giving and receiving love.

Jesus is inviting us to live with a different set of attitudes. And he does not baulk from acknowledging that these attitudes will bring us into conflict with the carefully protected interests of those who secure power and influence for themselves at the expense of peace. They exchange it for what is little more than a truce. At best, an absence of war, what we live in our jealously guarded siloes and forcibly protect our borders, repelling intruders and stamping on those who even dream differently.

In our own society, thankfully, we enjoy freedoms of speech and action. This means that we rarely meet with much opposition beyond people's unreflective apathy or polished disdain. But these freedoms we enjoy should not be taken for granted. They have been hard won. They could easily be lost. Especially if we fail to see where they have come from; precisely this realisation of the dignity and worth of every person and our responsibilities to each other that arose through Christ.

Unfortunately, these things that underpin what is best in our society are not self-evidently the best. We've got so used to them that we easily imagine they are. But actually, we don't observe them in the world around us. Nature, for instance, is not democratic. Nor particularly caring. The weakest usually die first. The fittest survive. Nor is it much different in human communities. Our history - always written by those who win - is one bloody story of conquest after another.

Empires rise and fall, and there is very little to suggest that there might be another kingdom where a different set of values prevails, and where the king turns out to be the servant of all. But that is precisely the Christian narrative. It is a golden thread running through human history. In every age it can either be held on to, or cut away; left to our own devices, especially when our backs are to the wall, we find that the human compass is usually set towards self-preservation. Our empires and systems are usually designed to keep others out. Or at least in their place, so that they can serve us. In this so-called ‘real world’, shepherds do not go in search of one lost sheep, as Jesus suggested God does, in one of his parables. That would be uneconomic. Like the rest of us, they play a percentages game, and for the sake of the ninety-nine, we accept the loss of the one. The strongest and the wiliest prevail. That's just how it is, we say. If we can help the weak, we will. But if we can't, or if it affects us badly, we won't and we don't.

This is why the world needs a set of values - and a story - that will save us from ourselves, and our worst instincts. This is why we need a set of values that are rooted in a tradition whose stories and whose very heart are, gloriously, the life and teaching of a person who is himself the revelation of God's love and purposes for the world he made and loves - who even laid down his life to search out those who are lost: the very image of the invisible God. More than that: someone who loves us and knows what it is like to be us, who has experienced from the inside just what it is like to inhabit a divided and compromised world.

Therefore, the Beatitudes are a set of values and attitudes by which we can inhabit the world differently and through which we can begin to see what matters in the world and what must be done.

Dear England: Finding Hope, Taking Heart and Changing the World is published by Hodder & Stoughton.

Review

Belief

Books

Culture

Music

11 December 2024

1 min read

Belle and Sebastian's suffering singer on the struggle and the hope

On the edge of ‘Nobody's Empire’: something good will come.

Jonathan Evens

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A singer, wearing a hat, pulls his head back holding a note, and a mic.

Stuart Murdoch performs, St. Paul, Minnesota, 2024.

Andy Witchger, CC BY 2.0, via Wikimedia Commons.

Nobody's Empire: A Novel is the fictionalised account of how Stuart Murdoch, lead singer of indie band Belle and Sebastian, transfigured his experience of Myalgic encephalomyelitis/chronic fatigue syndrome (ME) through faith and music.

The book has two Belle and Sebastian songs as its keystones. The first, ‘Nobody's Empire’, gives the book its title and is a description of how it feels to have ME:

‘I clung to the bed and I clung to the past

I clung to the welcome darkness

But at the end of the night there's a green green light

It's the quiet before the madness’

Murdoch has been living with ME since the 1980s and is an outspoken advocate for those who have the condition. His experience, as described in ‘Nobody’s Empire’, has been that ‘We are out of practice, we're out of sight / On the edge of nobody's empire’. That is also the experience of Stephen, the central character in Nobody’s Empire, a music loving romantic in Glasgow in the early 1990s who has just emerged from a lengthy hospital stay having been robbed by ME of any prospects of work, a social life or independent living. In Glasgow, he meets fellow ME strugglers who form their own support group and try to get by in life as cheaply and as painlessly as possible.

As the story progresses, he finds he has the ability to write songs and wakes to the possibility of a spiritual life beyond the everyday. Later, he leaves Glasgow with his friend Richard in search of a cure in the mythic warmth of California. Because Murdoch is fictionalising his own experience, Nobody’s Empire offers its readers compelling insights into the experience of ME, particularly the experience of having the condition in the early days when it was little understood. He writes, too, with an engaging ingenuous and childlike curiosity about life and his own experiences.

Nobody’s Empire adds to the conversation about what faith means to rock’s stars.

The second song ‘Ever Had a Little Faith?’ is included towards the end of the novel as one of the early songs written by Stephen. This song, in which the line ‘Something good will come from nothing’ is repeated, is actually an early Belle and Sebastian song that was only recorded for a later album Girls in Peacetime Want to Dance. It is a song that was inspired by a sermon preached by Rev John Christie, Minister at Hyndland Parish Church in Glasgow, the church Murdoch attends. He has said of the song: "The sentiment was based on a sermon that our then minister, John Christie, preached about simply getting through a dark night, and the hope of morning."

This Easter morning sense that good will come from the nothingness of being on the edge of nobody’s empire is an experience of transfiguration. Revd Sam Wells, Vicar of St Martin-in-the-Fields has preached perceptively on prayer in terms of incarnation, resurrection, and transfiguration. The prayer of incarnation is a prayer for God to be with us in our difficult circumstances. The prayer of resurrection is a prayer for God to change and fix our difficult circumstances. Then, in response to a possible situation of need, Wells says of a prayer of transfiguration:

“God in your son’s transfiguration we see a whole new reality within, beneath and beyond what we thought we understood. In their times of bewilderment and confusion show my friend and her father that they may find a deeper truth to their life than they ever knew, make firmer friends than they ever had, find reasons for living beyond what they ever imagined and be folded into your grace like never before. Peel back the beauty and strength of their true humanity, transform and transfigure from this chaos and pain something new, something good, something of life.”

This is where Stephen’s story and Murdoch’s experience takes us as there is no fix for ME, as for many other health conditions or disabilities, and Stephen/Murdoch ultimately has no desire to be fixed, as ME becomes an important part of identity for them. Instead, Nobody’s Empire takes us up the mountain through Stephen and Richard’s California experiences, as was the case for Jesus and his disciples at the Transfiguration, so we can see beyond and come to know a deeper reality. As Wells puts it, the prayer of transfiguration is to “Make this trial and tragedy, this problem and pain a glimpse of your glory, a window into your world, where I can see your face, sense the mystery in all things, and walk with angels and saints.”

Faith has featured compellingly in a significant number of relatively recent books by rock stars including, among others, Surrender by U2’s Bono, Walking Back Home by Deacon Blue’s Ricky Ross, and Faith, Hope, and Carnage, the record of conversations by Nick Cave and the journalist Sean O'Hagan. Murdoch’s Nobody’s Empire adds to the conversation about what faith means to rock’s stars and how that is expressed through their music but offers an alternative take both as fiction and as a story in which faith and music combine to transfigure life and ME in ways that enable good to come from nothing:

“Do you spend your day?

Second guessing faith

Looking for a way

To live so divine

Drop your sad pretence

You'll be doing fine

You will flourish like a rose in June

You will flourish like a rose in June

Ever had a little faith?

Ever had a little faith?”