Article
Belief
Comment
Leading
4 min read

Here’s what Pope Leo really needs, and it’s not our speculation

What the media analysis misses when projecting on to the new pope.
Pope Leo waves to the crowd.
Vatican Media.

If memory serves, there was a very positive feeling about Pope Francis when he was elected in 2013. Mind you, I had just started my first year at university and was passionately atheistic - I had flunked my ‘General Studies’ A-Level essay purely because I had nothing to say in favour of the proposal that heaven exists. It was plain enough to me that it was all unscientific wish-fulfilment - so a requirement to give balance had to be jettisoned. 

But the late Pope was so adept at doing things that sent a message, that even in my sphere it became commonly agreed that he was a breath of fresh air. Anyone would tell you that he was very down-to-earth. PR types can only dream of that kind of cache among those who have zero interest in what the company is selling.  

The less ostentatious popemobile!  

The refusal to live in the official papal apartments!  

Here was a man clearly wanting to step back from pomp, and the wealth (all that Vatican gold!). 

It is only now that, as a Catholic, I have an inside track perspective on how more complicated this all actually was. Some in the Church found some of the public piety unsettling. All churches have a trade-off to make between the gospel directive to not value treasure on earth, as well as a gospel directive to give honour to God using all of our humanity, which might involve using our sense of beauty.  

But I am not saying I agree or disagree with any of this. Francis was making a point, and it was well made. I am rather saying that there is a tendency sometimes to think of a pontiff in ill-fitting terms - often political ones. As an atheist, I crammed things into a binary of ‘good, stripped-down rationalisation’ versus ‘bad, mythological and weird’. Especially in secular media, there is a tendency to make popes answers to questions that the media have asked, and not the ones of the Church. The story is always more intricate than ‘liberal’ versus ‘conservative’. Francis was not, in the end, the moderniser some commentariat hoped for, but only because he demonstrated what should have already been obvious: that that the Pope is not ‘in charge of’ the Catholic Faith like that. 

At any rate, speculation of a similar kind is already booming around the new Pope, Leo XIV. Everyone is trying to read into every micro-detail we have. What is the significance of his being an American? Is this the conclave’s attempt to create a counter-Trump? Why did Leo come out in traditional garb (which Francis made a point of eschewing)? Why ‘Leo’?  

Rumours have already abounded that this new Pope likes to do his private masses in the old Latin; others have pointed out that he ran with Francis’ crowd - and even his opening speech touched on the late Pope’s theme of ‘synodality.’ Synodality, depending on who you ask, is either a noble attempt at decentralisation and listening to the full range of voices in the Church - or an attempt to sneak doctrinal change under the guise of being pastoral. 

My advice is to stay well away from it all. Perhaps I’m bringing my own personal journey in too much here - but people change their minds all the time. I wouldn’t want someone to judge me on that General Studies essay now, let me tell you. People especially change when given such a task as Robert Prevost has been given. Even on a purely natural view, being handed responsibility for over a billion Catholics is likely to have a sobering effect, and make one hyper-aware of every move one is about to make. 

But, more importantly, on a supernatural lens, Catholics will want to say that this Pope has been, at the very least, permitted by the Holy Spirit. Benedict XVI put it as dismally as this, in 1997:  

"Probably the only assurance [the Holy Spirit] offers is that the thing cannot be totally ruined.”  

Pope Leo’s ability to shepherd the Church is not a power he enjoys on his own - it comes, as the official teaching has it, “by virtue of his office.” He gets it purely from God, and by existing in relationship to a bigger thing, the Church. It is a difficult thing to make sense of, but the Catholic view of the Pope is not really a statement about human power. It is the belief that, at some very foundational level of analysis, Jesus has agreed not to abandon those who follow him; agreed not to “leave us as orphans." The Pope has come to be seen, in time, as that foundation; as that ‘rock’. But he should always be seen within the bigger picture of God’s promises to us. 

For the meantime, the Pope needs not analysis, second-guessing, or projections. He needs prayers.  

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Article
Belief
Culture
Film & TV
4 min read

Hollywood’s streaming hope, here’s why

Today’s darker world of turmoil has viewers seeking solace.

Nathan is a speaker and writer on topics related to faith, life and God. He lives near Seattle, Washington. His writing is featured frequently in The Seattle Times. nathanbetts.com

An actor dressed in an ancient Middle Eastern way is filmed by a large camera.
Filming The Chosen.
Angel Studios.

Whatever you think of Christianity, just skimming the streaming options on Amazon or Netflix tells you that Christianity is by no means in decline; if anything, as one recent article in The Economist reads, it “is having a moment.” 

Amazon Prime’s House of David, Netflix’s Mary, and the series The Chosen are a few of the streaming options mentioned in The Economist article titled “Christian entertainment has risen”, which also notes the approximate 280 million people viewership worldwide of The Chosen

Sure, not all of these shows are the highest in production quality and they don’t necessarily garner great reviews across the board. House of David, the article cites, has been described as “wooden and cheap-looking, humourless and dull.” Negative comments have been shared about other Christian films as well ranging back to Mel Gibson’s The Passion of the Christ

Yet, with all the mixed reviews of the various Christian streaming options available today, I could not help but wonder exactly why has there been such an uptick in Christian films and shows.  

There are two reasons hinted at in the article that stood out to me. The first thought revolves around the need for faith. The second is hope.  

At one point, the writer observes that the surge in biblical films is not necessarily a sign that Hollywood has now seen the light as much as it is indicative of the fact “that the world right now feels very dark.” People are searching for some light. The head of the Wonder Project, the independent studio that made House of David, adds: “Today people want to watch things that ‘restore faith’”. 

Personally speaking, I have lowered my intake of news over the last year primarily because I found that it either gets me down or increases my anxiety levels. The decision to tune out news outlets felt like the wise choice in limiting the ambient angst in my life. As I have shared this with friends, I have found that I am not alone in this; not by a long shot. 

Yet, with all the gloomy news we see around us, I’ve come to believe that even in our age of cynicism and scepticism, we still want to trust in others, our friends, our spouse, our leaders, and dare I say, God. 

The common thread among the surge of Christian television shows and films is that they present a world we want to live in. They are telling stories that involve redemptive endings; massive themes are covered, ranging from temptation and forgiveness, humility over pride, healing of wounds, and perhaps greatest of all, life after death. I wonder if one of the reasons we are attracted to these shows is the fact that they carry narratives that speak to the very core of who we are, who we struggle to be, yet who we want to become. They present a world of pain, struggle, turmoil, and darkness that also includes healing, strength, peace, and light. In a word, they fill us with faith. 

The Economist writer adds that “in a saturated streaming market, these films and shows are offering that most of Christian values—hope—to their makers.” Speaking now as a person living in America where the daily news cycle consistently offers us some type of disaster to digest, I find myself paying close attention to any possible signs of hope, and that includes the shows I stream.   

The more I live, the more I realize that every one of us is trying to figure out how to live in a battlefield of different pressures and struggles presented to us in life 

Not too long ago, I got into an unexpected conversation involving faith with the person who cuts my hair. Midway through the haircut, she told me that she and her husband were going to church that weekend. From our conversation, I had gathered that she was not religious at all so I gently asked her why they were going to church. Her voice slowed down and got shaky. She moved the scissors away from me. She then looked at me through the mirror and said, “My husband and I just had a baby and life has been very stressful. We are not sure we are going to make it. We are going to church because we need something to hope in.” 

The more I live, the more I realize that every one of us is trying to figure out how to live in a battlefield of different pressures and struggles presented to us in life. The question has always been, “How is it possible for us to live and perhaps even flourish in this type of world?” The ubiquitous nature of entertainment options available to us in our technological age might be unique to us, perhaps. But what is not new is our desperate need for faith and hope to sustain us. The rise in Christian entertainment reminds us of this truth.  

We might not need Amazon Prime video or Netflix to survive in this world, but the offering of faith and hope found in the films and storytelling within those streaming services are the exact ingredients we need to live. When you think about it like that, it’s easy to understand why Christian entertainment is indeed having a moment.