Article
Belief
Community
Creed
Sport
5 min read

Is Goodison Park a place of worship?

Delve beyond the identity and the inspiration.

Henry Corbett, a vicar in Liverpool and chaplain to Everton Football Club.  

  

Football fans wearing blue stand and watch a match in a stadium.
Everton fans hope.
Everton F.C.

In some places football is considered a religion. No more so than in Liverpool. Its citizens revere not just one team but two - the Blues and the Reds.  

It's a divided city. Some wear the blue of Everton FC, others the red of Liverpool FC. A mere mile separates the stadia where supporters pay homage to their heroes.  

As the chaplain to Everton, I often contemplate this devotion. Is Everton’s stadium Goodison Park a place of worship? And is football really a religion?  

The quick answer is “Yes” and “No”. Goodison Park is surely a place of worship, and football is not a religion, though that second answer may need a bit of a defence.  

That football grounds are places of worship is instanced at every game played: chants of praise are sung and worth is given to the players, the team, the history, the manager, maybe even the owner.  

Goodison Park has hosted games since 1892. The attendance at the ground’s opening was 12,000, the cost £3,000, and the point of it all? Everton Football Club had begun in 1878 as St Domingo’s, founded by a Methodist minister. The Rev Ben Swift Chambers wanted to keep his St Domingo’s Church cricket team fit during the winter, and the cricket team was to help young men stay away from less worthy pursuits. Similarly, Manchester City was founded by Anna Connell, the vicar’s daughter, to keep young men on the streets of East Manchester away from trouble.   

St Domingo’s then became Everton FC and later came the move to the new stadium on Goodison Road. The crowds brought gate receipts, the players and staff needed wages, and football clearly becomes a business as well as an activity to help young men avoid trouble.  

Then and now the game is entertaining, the outcome is unpredictable, and the players can show outstanding skills, athleticism, courage, resilience, teamwork.   

That’s where the worship naturally comes in. Awe and wonder are important human attributes, and Evertonians have delighted in the skills and character of players down the club’s 147-year history. At every football ground there will be chants for players that celebrate their skill, character, achievements, giving worth to their ability. And yes, there may also be chants doing the opposite of worship to the opponents and to the unlucky referee just trying to do their job. The team is celebrated and worshipped, sometimes in language that is hard to believe: “We’re by far the greatest team the world has ever seen” can feel like undeserved worship when Everton are struggling to avoid relegation. Such optimistic sentiment may reflect Evertonians’ awareness of the importance of history and the bigger picture! Another chant begins “And if you know your history...”.   

Outside Goodison Park is a statue of Dixie Dean: he scored 60 league goals in the 1927-28 season and his ability and achievement is worshipped, given great worth, by many before and after a game. The other statue outside the ground is of the “Holy Trinity”, Howard Kendall, Alan Ball and Colin Harvey, the midfield three that helped bring the League title to Everton in 1970. Many such players in the history of the club have received and still receive worship. Goodison Park is a place of hope, frustration, joy, anguish, and, yes, of worship.  

But is football a religion? Goodison Park is called by some a cathedral, the club has fans, it conveys an identity, the game offers principles for living such as teamwork and the valuing of different gifts.   

Yes, football is like a religion, and understandably religious language and gesture are often used around the game. “Salvation!” says the commentator as Graham Stuart scores the winning goal in the 3-2 win over Wimbledon to keep Everton in the Premier League. Television cameras can home in on a supporter clasping their hands in prayer at some decisive moment.   

And yes, football can play a part in someone’s life that is very like the part a religion can play: it can become the most important thing, it can shape mood, behaviour, it can provide long-lasting rituals.  

But it is one thing for football to be like a religion in some respects, it is another for it genuinely to qualify as a religion.   

This of course begs the question “how are you defining religion?” I am going for the stronger definition. So, I’m not agreeing with a statement such as “shopping is your religion”. I would rather say “shopping is one of your passions, interests, maybe overriding interests, but no, not a religion”. Some of the stronger dictionary definitions include “A system of beliefs, symbols and practices that addresses the nature of existence”, and “the way people deal with ultimate concerns about their life” and “a set of beliefs concerning the cause, nature, and purpose of the universe”.   

Does football meet those definitions, does football answer the deepest questions of life?  

Who am I? An Evertonian, but deeper than that, who am I?   

What is the purpose of my life beyond hoping Everton win football matches?   

What happens after death?   

Football does not address those ultimate concerns. It is like a religion in offering identity, inspiring worship, having a gathering point like Goodison Park for communal activity, but it is not a religion as it does not address those ultimate questions.  

I will be going to worship the skills and characters of players, coaches, staff and manager at Goodison Park before the season ends, but I don’t see my love of football as a religion. The Christian faith is my religion: it addresses the deepest questions, the ultimate concerns, just as other religions seek to do.   

There is more to life than football. As an Everton manager, a practising Catholic, Carlo Ancelotti once said: “Football is the most important of the less important things”.  

Celebrate our 2nd birthday!

Since March 2023, our readers have enjoyed over 1,000 articles. All for free. This is made possible through the generosity of our amazing community of supporters.
If you enjoy Seen & Unseen, would you consider making a gift towards our work?
Do so by joining Behind The Seen. Alongside other benefits, you’ll receive an extra fortnightly email from me sharing my reading and reflections on the ideas that are shaping our times.
Graham Tomlin
Editor-in-Chief

Article
Art
Awe and wonder
Belief
Creed
4 min read

The art of astonishment

Why I am still bowled over by Easter’s implications.

Jamie is Vicar of St Michael's Chester Square, London.

A painting depicts Jesus talking to disciples at a meal.
Caravaggio's The Supper at Emmaus.
The National Gallery.

Recently I wrote about how it would be helpful for those of us in the church to be honest about what we don't know.  

Mary Oliver wrote: 

'Truly, we live with mysteries too marvellous 

to be understood… 

 

Let me keep my distance, always, from those 

who think they have the answers. 

Let me keep company always with those who say 

"Look!" and laugh in astonishment, 

and bow their heads.' 

We begin life by thinking we know everything, and we end it by thinking we know nothing at all, or, very little. Easter confronts us with what we don't know, and what is too marvellous to be understood comprehensively. Sure, the evidence for the resurrection of Jesus is surprisingly staggering. Take Francis Collins, who was Director of the Human Genome project and led the US government's COVID-19 pandemic. He said that he grew up thinking faith was the result of emotionalism or indoctrination. Although his job was saturated in evidence-proving hypotheses, he hadn't taken the trouble to look at the evidence in arriving at his conclusion that God didn't exist, before doing so and giving his life to Christ. 

But even when you've surveyed the wondrous cross and its aftermath, the implications of Easter are unscientific and unsettling, as well as documented and liberating. Try as we might, we can't pin down Jesus. Rowan Williams offers that: 

 "One of the strangest features of the resurrection narratives is precisely this theme of otherness, the unrecognisability of the risen Jesus… For some at least, the encounter with the risen Jesus began as an encounter with a stranger".  

We see this as Mary Magdalene mistakes Jesus for the gardener at the tomb, and similarly with those on the road to Emmaus on the day of the resurrection. They had known Jesus up close, and yet here they travelled quite some way with him before realising it was him. 

This is most beautifully depicted by Caravaggio in his 'The Supper at Emmaus', hanging in the National Gallery in London. As Jesus breaks the bread, their eyes are opened to see what the breaking of his body meant for them. Jesus was hidden in plain sight all along. With the echoes of Christendom, or the Christ-haunted cultures many of us live in, Jesus is hidden in plain sight for us too. We hear echoes, but do not hear his voice. We see fingerprints, but do not see the scarred hands of the Almighty. And in the renaissance master's painting, we see dramatic light and shade, the freeze-frame burst of astonishment of the disciples. As the National Gallery description offers, 

 'he has shown the disciples as ordinary working men, with bearded, lined faces and ragged clothes, in contrast to the youthful beardless Christ, who seems to have come from a different world.’ 

Amidst the mystery, this revelation comes in relation to us. And this is what Caravaggio depicts: that which we find difficult to understand is the joy of a risen saviour who chooses to walk, talk, eat with fellow humans on the day of his resurrection. But, as Williams writes,  

'He eludes and questions our predictions and projections, recedes and hides before our attempts to arrive at adequate, definitive statements... A theology of the risen Jesus will always be, to a greater or lesser extent, a negative theology, obliged to confess its conceptual and imaginative poverty.'  

Perhaps Caravaggio's imagination is less impoverished than most of us!  

Intriguingly, Williams has also written a poem about how the resurrection changes the way those on the road to Emmaus viewed each other. Maybe the anonymity of one of them (the gospel writer, Luke, only names one) helps us to place ourselves in the middle of this mystery. And that is a good place to find ourselves, if we answer the invitation of the risen Jesus and the God who spoke to a captive people through the prophet Jeremiah  

'Call to me, and I will answer you and tell you great and unsearchable things you do not know.’ 

For the disciples, the penny drops, but there is still so much they don't know. This is not to say that they know nothing. Jesus is, in many ways, what Donald Rumsfeld would categorise as a 'known unknown'. Christians believe that Jesus revealed himself in the scriptures, but enough for us to know that there's a lot more to know that we don't know. For those with Christian faith, we don’t exchange the certainty of what we know for mystery, but one of the invitations of the resurrection is to incorporate mystery into faith. And this in itself is not difficult: for to encounter Jesus is to be met with wonder. Those on the road to Emmaus didn’t recognise Jesus at first but their hearts burned within them. For John Wesley, his 'heart was strangely warmed', which strikes me as a very British way of saying his heart was burning within him! 

But many of us will attest that to encounter the risen to Jesus is to shout 'look!' and laugh in astonishment, and to bow our heads. 

Celebrate our 2nd birthday!

Since Spring 2023, our readers have enjoyed over 1,000 articles. All for free. 
This is made possible through the generosity of our amazing community of supporters.

If you enjoy Seen & Unseen, would you consider making a gift towards our work?

Do so by joining Behind The Seen. Alongside other benefits, you’ll receive an extra fortnightly email from me sharing my reading and reflections on the ideas that are shaping our times.

Graham Tomlin
Editor-in-Chief