Review
Art
Culture
5 min read

Genesis Tramaine: the painter whose faces catch the spirit

New York's expressionist devotional artist

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

AN experessionist painting shows a face with a large open smile and many eyes.
Oh! Ye’ Faithful, 2024
Almine Rech.

Genesis Tramaine begins her presentation as part of the McDonald Agape Lecture in Theology and the Visual Arts 2025 by singing ‘Amen’, a gospel song popularised by The Impressions in the 1960s. Her presentation about her art is essentially an act of testimony, such as might be given in a Southern Baptist Church in the USA. 

Tramaine is an expressionist devotional painter from the US who is deeply inspired by biblical texts and whose work is held in permanent collections, including the National Gallery of Art in Washington DC. The large expressionist heads she paints are not representational portraits but expressions of spiritual energies and forces within the person, often inspired by and showing biblical figures and saints, as well as church people, family and friends. 

She speaks about having met the Gospel before meeting God, as she attended a strict Southern Baptist Church while growing up. She drew from the back of the church and also wrote thoughts and impressions in notebooks. She says that she loved church but that it fell out of place in her life as she grew up. 

One day, far from home and needing help, she called her Nana on the phone, who said to seek first the kingdom of God. She found quiet in herself and prayed more, finding herself in conversation with herself. On one occasion, disturbed, she couldn't sleep and was experiencing physical manifestations. At this time, she says, she saw all of herself and surrendered to God. In the morning, she read Matthew’s Gospel - seek ye first the kingdom of God. 

The words in the Bible started to make sense to her as a story reading itself to her and she began drawing faces. Her Bible had white images of Christ and Mary, so the words didn't match the images, and this was a spur to paint the women and children of the Bible revealing the beauty of black women in particular. She read the Bible in the King James Version, stopped trying to fit in and found the strength to play with and disrupt narratives. The tools and materials to do this were all one’s that she found in the Bible. 

Eyes are our organ of vision, so faces sporting dozens of eyes are those which, like the saints, achieve the greatest insight into the true depths of reality. 

Her current exhibition at the Consortium Museum, Dijon, France, is entitled Facing Giants’ and addresses these issues head-on. She has said of the exhibition: ‘I think it’s important that you paint a real narrative, an honest reflection. I don’t think [my saints] look like saints as they have been given to us...[those] were false narratives. The images of saints that we know and that are projected at us are all white with blond hair—and we all know that that is not true.’  

She has explained that: ‘These are biblical saints who have faced giants whether those giants are actual giants or giants like fear, love, acceptance or non-acceptance, the giants of facing God and not being accepted, giants of judgments… those who have sat in the mud, if you would, and found a way to persevere. And I wanted to spend as much time as I could with those energies and those narratives, as a tool of self-encouragement and as a tool of encouragement for others.’ She feels these energies literally, speaking of entering the room where she paints with a sense of a whole other people - silent saints – being present with her when she is at the canvas.  

While Tramaine emphasises the inspiration of the Holy Spirit in her work, critics have noted her stylistic closeness to graffiti art and she herself has explained that she was familiar with graffiti in her childhood in Brooklyn. Eric Troncy, Director of the Consortium Museum, relates her work stylistically to the expressionism of George Condo, Jean-Michel Basquiat, and Willem de Kooning. Tramaine, though, speaks of other influences including Sister Gertrude Morgan, Romare Bearden, and David Hammond. In the McDonald Agape Lecture, she spoke of Hilma af Klimt and Jack Whitten as inspirations, as well as gaining inspiration from the significance of the Iyoba Idia of Benin in Nigerian culture. 

One of the distinctive features of Tramaine’s portraits is the plethora of eyes that often feature. Eyes are our organ of vision, so faces sporting dozens of eyes are those which, like the saints, achieve the greatest insight into the true depths of reality. Some more recent images have also featured a plethora of open mouths and teeth. Troncy writes that: ‘Her figures, it seems, have started to smile. To shout, perhaps; to sing—why not?; and to talk—most definitely.’ 

This is interesting, in part because, when I asked her in an earlier interview about her influences, she began by speaking about her love of gospel music, including that of Jonathan McReynolds and Le’Andria Johnson. She says this Jesus focused music ‘encourages me to praise from the depth of my soul; to paint, let go and trust from that space’. While she’s ‘not quite sure what happens’ then, ‘Black folk say I catch the spirit’. She speaks of losing time as you paint, saying that you can't be present when painting as you have to trust yourself to the process, surrender, and play in the space. 

This is, in part, why she began her McDonald Agape Lecture presentation by singing. 

Her testimony is essentially simple, direct and profound: ‘I've wanted to be an artist since I was a child. I took my prayers seriously, which means I began to develop a relationship with Jesus Christ, my Lord and Savior … I asked God if I could paint and pray, help and give, as an offering of service for the rest of my life. And the paintings began to mature. I committed to the relationship that painting offers spiritually, in Jesus’ name.’ 

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Essay
Aliens
Belief
Creed
Film & TV
10 min read

Who do you think Doctor Who is?

Why the Doctor is (and isn’t) like Jesus

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

Doctor Who and River Song converse
Doctor Who and River Song ponder metaphysics.

After two series with Ncuti Gatwa as the Doctor, the future of Doctor Who is uncertain. It may be time for the world’s longest-running sci-fi show, with 892 episodes to date, to come to an end. Or it may not.  

Doctor Who is one of the few sci-fi shows with an appeal that reaches beyond typical sci-fi fans. It ranges across every conceivable genre – romance, horror, period drama, epic – to name but a few. The Doctor’s time-travels may take you to Elizabethan England or the year 400,000 C.E. on a planet made of diamond – you won’t know until you start watching. The secret to the show’s longevity is the Doctor’s ability to ‘regenerate’ whenever he (or she) dies, reappearing with a new body and personality. Gatwa was the fifteenth actor to play the Doctor since William Hartnell’s inaugural performance on 23rd November 1963. (However, I secretly suspect that C.S. Lewis was the ‘zeroth’ Doctor, since he died the day before the first episode was aired. Coincidence?) 

Science fiction has the unique capacity to do thought-experiments without limits. What if you could go back in time and kill Hitler before he rises to power? What if we could transfer our brains into machines that would enable us to live forever? What if one small act of violence was the only way to save the human race from destruction?  

This article draws attention to just one of the numerous metaphysical and ethical lessons that can be drawn from the show’s stories. I do not discuss the compatibility of its moral ideology with Christian morality, or the place it gives to religion in a world with a scientific explanation for everything. My focus is on a single feature: how the Doctor’s immeasurable power places him in a position like that of Jesus according to the Christian tradition. I shall point to three ways the Doctor reminds us of Jesus, and one way in which the Doctor does not look like Jesus, going down a path that Jesus was tempted to take, but refused. 

A bloke who puts everything right 

In ‘Twice Upon a Time’, Bill Potts asks the first Doctor why he first left his home planet, Gallifrey, to embark on his many adventures. After a few false starts, the Doctor responds like this:  

Doctor: “There is good and there is evil. I left Gallifrey to answer a question of my own. By any analysis evil should always win. Good is not a practical survival strategy. It requires loyalty, self-sacrifice, and love. And so why does good prevail? What keeps the balance between good and evil in this appalling universe? Is there some kind of logic, some mysterious force?” 

Bill Potts: “Perhaps there’s just a bloke.” 

Doctor: “A bloke?” 

Bill Potts: “Yeah. Perhaps there's just some bloke wandering around, putting everything right when it goes wrong.” 

Why does evil never get the upper hand? That is the Doctor’s fundamental question. Is there some logic, some mysterious force, or is there just a ‘bloke’ who keeps putting things right? All three, from a Christian point of view.  

The ultimate triumph of good over evil, according to the Christian story, is thanks to a ‘bloke’ named Jesus who conquered death and rose again so that we might rise again with him at the end of all time. But for Christians, Jesus is not only a ‘bloke’. The Gospel of John equates Jesus with the Logos, a Greek word (where the English word ‘logic’ comes from) to name the rational principle that orders and upholds the universe. The Apostle Paul, in the letter to the Corinthians, also describes Jesus as one ‘by whom all things were created’ and ‘in whom all things hold together’. A ‘mysterious force’ indeed! 

To answer the Doctor’s question, then: there is only one thing that stops evil from getting the upper hand. It can be called a logic, and it can be called a mysterious force. But the logic and the force are not impersonal. They are other names for a bloke named Jesus who wanders around putting everything right.  

A better way of living your life 

After an encounter with the Doctor, nobody is ever the same again. It is not primarily the thrill of adventure or the sight of things more wonderful than can be imagined that changes the Doctor’s companions. It is the example of someone who has devoted their life to save, to heal, to confront evil, and to sacrifice for others. 

These features are brought into sharp focus in a moment when Rose Tyler, one of the Doctor’s companions, believes she’s lost the Doctor forever. Her mother tries to comfort her, and this leads her to reflect on what had been so amazing about her time with him: 

 “It was a better life. And I don’t mean all the travelling and… seeing aliens and spaceships and things… that don’t matter. The Doctor showed me a better way of living your life. That you don’t just give up. You don’t just let things happen. You make a stand. You say no. You have the guts to do what’s right when everyone else just runs away.” 

Like his other companions, Rose saw something in the Doctor which challenged her to live up to a higher moral standard, a standard of courage, compassion, and self-sacrifice.  

Being with the Doctor puts you in extreme situations where your character is tested and refined. You are forced to face your fears and make crucial decisions about what kind of person you are going to be. Those extreme adventures are rarely the end, however. When his companions return to their lives on earth, they have to decide how to handle normality. Will they wistfully pine after the thrills of the past, seeing normal life as dull and boring, or will they use the wisdom and virtue gained from their adventures to bring peace and justice into the world amidst daily life. 

In a similar way, Jesus called his disciples to a higher moral standard, one that prioritises humble, loving service and self-sacrifice. Life with Jesus can be an exhilarating adventure, such as when he calls someone to move and live in a foreign land or to embrace poverty as a lifestyle. But many Christians feel called to follow Jesus in ordinary ways that do not draw attention, and to put his teaching to practice in ordinary everyday life in a way that slowly transforms the world.  

The ultimate sacrifice for the least important 

The Doctor not only calls his companions to live this way – he leads by example. When Wilfred, the grandfather of one of the Doctor’s companions, gets trapped in a control room about to be flooded by radiation, the Doctor realises that there is only one way to save him. He must replace Wilfred in the control room and be exposed to the radiation instead. Wilfred protests that the Doctor should let him die instead of sacrificing himself to save him, and the Doctor responds with frustration:  

Wilfred: “No really, just leave me. I’m an old man, Doctor. I've had my time.” 

Doctor: “Well, exactly. Look at you. Not remotely important. But me? I could do so much more. So much more!” 

Wilfred is not a national President, a scientist about to make a breakthrough in cancer research, or a famous artist whose paintings will enchant the world. The Doctor complains that Wilfred is not worth saving – not by a logic that looks at the worldly ‘importance’ of an individual. Why, then, should his life be spared, especially in exchange for the life of someone far more powerful and ‘important’? 

The Doctor’s frustrated words reveal the moral battle within him. But it does not last long. He knows his duty: to give his life for anyone, no matter how small or unimportant. Every life is worth saving simply because it is a life. He enters the control booth, enabling Wilfred to go free. 

This story combines two features central to Christianity. First, it shows the principle that every human life has equal value. God does not measure people by their ‘importance’, their ‘potential’, or their ‘talent’. There is only one measure for a life: the fact that it is created in God’s image and is therefore loved by God. Every life matters, from the greatest down to the very least.  

Secondly, this story shows the Doctor giving his life in exchange for another. Christians believe that this is what Jesus did for every human being on the cross. Many wise Christians over the centuries have said that Jesus died for each of us as if there were only one of us. As the Doctor did for Wilfred, so Jesus made the ultimate sacrifice on our behalf. 

The temptations of unlimited power 

Doctor Who often raises the question ‘how should good people wield power?’ The Doctor’s time machine gives him the ability to prevent all catastrophe and evil from ever occurring, yet often he refrains from doing so. At times his companions get angry with him for not using his almost limitless power to save, cure and free everyone throughout history. Once, a companion tries to coerce him into going back in time to prevent the death of her boyfriend. He frequently tries to explain that “some things have to happen this way.” There are fixed points in time that cannot be changed. 

That may sound like a cheap explanation – an escape clause for the script writers. But sometimes the show goes deeper, and then we find out what happens when the Doctor gives in to the temptation to fix everything by force. In one episode, compelled by the desperate need of his closest friends, the Doctor for the first time engages in warfare. After a violent and bloody battle, he saves his friends, but it becomes clear that he has done so at the price of his innocence. When River Song arrives at the end, she accuses him of compromising his moral values to save his friends. He responds defensively: 

Doctor: You think I wanted this? I didn’t do this. This… this wasn’t me! 

River: This was exactly you. All of it. You make them so afraid. When you began, all those years ago, sailing off to see the universe, did you ever think you’d become this? The man who can turn an army around at the mention of his name? Doctor? The word for healer and wise man, throughout the universe. We get that word from you, you know. But if you carry on the way you are, what might that word come to mean? To the people of the Gamma Forests, the word “Doctor” means mighty warrior. How far you’ve come! 

This powerful speech reveals two important things. First, using violence against evil is a path that leads to ever-increasing violence. Eventually the once innocent, pacifist Doctor has become a tyrant, imposing his will on the universe. In a similar way, the Gospel of Matthew describes how Jesus, after fasting for forty days in the desert, was visited by the Devil who tempted to use coercive power to establish his kingdom of justice and righteousness: 

The devil took Jesus to a very high mountain and showed him all the kingdoms of the world and their splendour; and he said to him, ‘All these I will give you, if you will fall down and worship me.’  

Where the Doctor gave in to temptation, Jesus resisted. He refused to impose his kingdom of peace by violence, because to do this is ultimately to worship a principle and force in direct opposition to God’s will and his ways. Instead of raising an army and conquering the world to save those he loves, Jesus chose the way of the cross. The path of self-sacrifice is painful and slow. But it is the only way to bring about an everlasting kingdom built, not on coercion, but on free and loving submission. 

Secondly, River Song’s speech shows that the Doctor’s actions change the very meaning of his name. Will that name come to mean ‘mighty warrior’ instead of ‘healer’ or ‘wise teacher’? Likewise, those who bear the name ‘Christian’ have the power to determine what that name means to the world. The actions of Christians shape the meaning of the name ‘Christ’ to those around them. Christians do not always live in such a way as to make the name of Jesus mean what Jesus would have wanted. What does Jesus want his name to mean? 

Support Seen & Unseen

Since Spring 2023, our readers have enjoyed over 1,500 articles. All for free. 
This is made possible through the generosity of our amazing community of supporters.

If you enjoy Seen & Unseen, would you consider making a gift towards our work?
 
Do so by joining Behind The Seen. Alongside other benefits, you’ll receive an extra fortnightly email from me sharing my reading and reflections on the ideas that are shaping our times.

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