Review

Christmas culture

Culture

20 December 2023

5 min read

Five Christmas films to revel in

Haunting, salving, teary, side-splitting and glorious - our recommended festive films.

Yaroslav Walker

Yaroslav is Vicar of Christ Church, Hampstead.

Muppet characters dressed as Dickensian characters stand in a snowy street.

'Dickens made the fatal error of not putting Muppets into his story.'

‘Tis the season to be jolly and watching a good film with a cup of tea and a biscuit, while the freezing wind and rain whip at the window, can be one of the jolliest things you can do this year. The genre of ‘Christmas’ has only grown and grown over the decades, so if you’re stumped by the myriad of choices – often dreadful schlock that feature the word ‘Prince’ and ‘Christmas’ in the title superimposed over a picture of two ludicrously attractive people staring lovingly into each other’s eyes in a blizzard – take comfort in my Top 5 Christmas films.

Note – this is my top 5. My personal top 5. These are not the ‘best’ Christmas films. You will not find It’s a Wonderful Life on here. It is glorious and lovely, but I saw it too late in life, and just don’t emotionally resonate with it as much as other Christmas films. I will not apologise. You will not see Die Hard. It is indeed and iconic action film, with a superb Alan Rickman performance, and it is indeed set at a Christmas party…but that isn’t enough to make it a ‘Christmas film’. I WILL NOT APOLOGISE!

5. The Nightmare Before Christmas

An animated scene shows a grandmother readng a story to children on her lap in front of a fire.

I would have put this film higher up the list if not for the fact that it straddles two seasons – All Hollows and Christmas. This film is iconic, however. The stop-motion animation gives the whole affair an extra haunting air. The music is superb – I still find myself humming What’s This every few weeks. The story is unhinged (what else do you expect from Tim Burton?) but to just the right degree, and behind the ghoulish setting and mad-cap story there is a good old-fashioned moral-of-the-story for children and adults alike to enjoy. Nightmare is a marvellous reminder of what it means to have the Christmas spirit, and the great thing about it is that it’s a film you can enjoy any time from October 31st!

4. Bad Santa

A dishevelled looking Santa, without a beard, stares to the side.

Billy Bob Thornton is mesmerising as an ‘eating, drinking, sh***ing, f***ing Santa Claus’. This is not one for the kids! Thornton’s Willie T. Soke is a professional thief who, with his dwarf assistant, get jobs as a grotto Santa and Elf in shopping malls during the festive season so as to case the place and rob it…but this time is different. Soake’s degeneracy has become a serious liability, and his instability and vulgar sexual exploits catch the attention of John Ritter’s mall manager and Bernie Mac’s security chief. Soake is spiralling out of control, but perhaps a romantic relationship with Lauren Graham’s barmaid and a chance encounter with a vulnerable young boy (to whom Soake becomes the least appropriate father-figure) might just be his salvation, and teach him the spirit of Christmas. The script is jet-black funny, and all the performances are spot on – although this is entirely Thornton’s film to shine in. Lewd, rude, and crude, but with a heart of gold (deep down under all the effing and jeffing), this film is the perfect antidote for those who find the jollity of the festive season a little twee.

3. The Holiday

A couple, wrapped up in winter clothes, flirt with each other.

This film has Jude Law in it. This ought to be enough to commend it to you, but I’ll go further. This film has Jude Law playing a jumper-wearing widowed single-dad, who can turn the humble napkin into a delightful children’s entertainment, and who gives smouldering glances across a crowded pub. Before you all rush out to watch it, let me finish the blurb. Cameron Diaz and Kate Winslett are two women, unlucky in love, who decide to swap homes for the Christmas holiday. Winslett is escaping a toxic infatuation and finds solace in a friendship with a nonagenarian scriptwriter from the Golden Age of Hollywood, and a possible romance with Jack Black (giving a genuinely restrained and enjoyable performance). Workaholic Diaz is desperate to learn how to switch-off, relax, and maybe give love a chance. She finds solace in…Jude Law’s many lovely jumpers and smouldering glances. This is not a film to be described but experienced. Its camp and frothy and silly, but its also just really lovely and gets the tears going every time. If my recommendation isn’t enough, listen to my wife – watch this film over Christmas!

2. The Muppet Christmas Carol

Kermit, a frog talks to rats dressed as Victorian children.

It’s a well-known fact that you can’t improve upon the indominable prose of Charles Dickens…WRONG! Dickens made the fatal error of not putting Muppets into his story. Rizzo and Gonzo take on the role of narrators of the story, Kermit does a sparkling turn as Bob Cratchit, and Michael Cain stars as the best on screen iteration of Scrooge (go on, fight me on this!). It’s the well-worn story brought to life by glorious songs – every year I start to sing “Tis the season to be jolly and joyous” to myself – a side-splitting script, and a clear and tender reverence for the original story and its central message. I defy anyone, child or adult, to sit through to the end this wonderful film and not want to keep Christmas in their heart every day. If you don’t like this film then I can only guess that you’ll be visited by ‘Marley and Marley, WOOOOOOOOOOA’!

1. Love Actually

Richard Curtis is my favourite director. Every film of his, however flawed (and there a several flaws in Love Actually), is so warm-hearted and good-natured that I can’t help but love them. Love Actually is Curtis firing on all cylinder: a painfully funny script, an ensemble cast of Britain’s finest talent, and a score that plays your emotions like a fiddle. A series of interconnecting love stories – love found, love lost, unrequited love, misdirected love – playing out in the run-up to Christmas, this film will not fail to put a tear in your eye and smile on your face. At times it’s a little too ‘laddy’ – I’m looking at you American sexcapade storyline – and the fact that all these people live in gorgeous houses in Wandsworth in spite of doing no discernible work is infuriating, but the fact that it is number one on this list in spirt of this is mark of just how strong a film it is. The cast list alone puts it at the top: Hugh Grant, Colin Firth, Alan Rickman, Liam Neeson, Chiwetel Ejiofor, Bill Nighy, Rowan Atkinson popping in for a bit…EMMA THOMPSON! The raw power of Emma Thompson quietly weeping as she listens to Joni Mitchell and contemplates the implosion of her marriage is stunning to behold. At its heart, it is a simple Richard Curtis film; it wants the viewer to relax in the beautiful spectacle of love, and to know that they are loved. I love Love Actually, and Love Actually loves me.

EMMA THOMPSON!

Article

Attention

Culture

Digital

Easter

5 March 2025

4 min read

Let your mind wander if you want to make the most of Lent

How to escape the cold and bitter tunnels of digital distraction.

Simon Burton-Jones

Simon is Bishop of Tonbridge in the Diocese of Rochester. He writes regularly round social, cultural and political issues.

A montage image places a woman, with eyes shut and hands on hip, at the centre of blurred circle of ground and tree branches.

Jr Korpa on Unsplash.

According to Blaise Pascal, the seventeenth century French polymath: all of humanity’s problems stem from man’s inability to sit quietly in a room alone.

And now, four hundred years later, we have proof of how hard we find this.

Researchers carried out an experiment, putting several people in a room on their own with nothing else to do but sit there for fifteen minutes. A majority admitted feeling uncomfortable with little but their thoughts to console them. The experiment was repeated, only this time an instrument was placed in the room that could administer an unpleasant electric shock. In the fifteen-minute period, one in four women self-administered the shock to relieve the boredom. Two in three men did.

There is a chance we draw the wrong conclusions from social experiments because it is hard to get into the minds of others, but we can make a good guess here. Our lives are over-stimulated. To be alone in a room with our thoughts for any length of time is unusual to the point of weird. We don’t need to live like this. Our smartphones are the ‘rod and staff which comfort us’. Any spare moment can be spent using TikTok, Instagram or Spotify.

As people age, they tend to think the world is losing its attention span without realising that focus declines as we grow older. But something seems to have changed in the last two decades. A whole new digital architecture has been designed that wasn’t there. It creates the buzz of the city but has gone up around us like skyscrapers, creating cold shadows and bitter wind tunnels of anger and distraction that block out the warmth.

This new online city is intentionally designed to keep our attention; to prevent us from doing anything offline. And it is working. Between 2010 and 2020, globally, we consumed twenty times more information. This is a colossal increase for our brains to cope with in the blink of an evolutionary eye. Our minds have become less like the cool, white minimalist interior design people aspire to in life and more like the junk garage where broken and pointless stuff is tipped.

According to Johann Hari in Stolen Focus, we tend to blame ourselves for this state of affairs. After all, if we tell others our smartphone is distracting us, the answer we get back is to turn it off. While we can take steps like this, Hari says it lets tech companies off the hook. As with shopaholics, there is individual responsibility, but there is also the edifice of consumer capitalism designed to make us buy more stuff or absorb more information.

Mind wandering is, paradoxically, a form of attention. It is the space where we solve the puzzles of our lives, joining dots we had missed, colouring in a picture to bring it alive.

When we consider what it means to follow Jesus today, we often do not appreciate what tech is doing to us. The gains are obvious – having the world at our fingertips, being able to talk to family and friends in an instant – but the losses remain obscure. How does digital distraction affect reading of the Bible and a commitment to prayer? There is little research on this, but we may be giving God less devoted attention than before. In flitting from one source to another, like a fly on a hot summer’s day, we do not stay long enough in one place to discover if God is waiting for us there.

Prompts from God frequently emerge outside the thinking of the Church. A cohort of Silicon Valley tech wizards has come up with the idea of the digital Sabbath, where people spend one day a week unplugged. Though describing themselves as not especially religious, their manifesto practically drowns in religious tradition. They advise people to:

Avoid technology
Connect with loved ones
Nurture your health
Get outside
Avoid commerce
Light candles
Drink wine
Eat bread
Find silence
Give back

It is sabbath re-imagined for the digital era.

Johann Hari also lists some practical actions that can be taken, like staying on task and limiting exposure to social media in particular as it is shown to be bad for mental health in large doses. We should also allow our minds to wander. This does not contradict the argument about not losing focus. Mind wandering is, paradoxically, a form of attention. It is the space where we solve the puzzles of our lives, joining dots we had missed, colouring in a picture to bring it alive.

When the prophet Elijah meets with God at Mount Horeb, there is first a strong wind, then a powerful earthquake and lastly a raging fire. But God does not reveal himself in these gripping phenomena. He is to be found in the sheer silence which follows; in the whisper of a voice.

The sheer silence today is broken by the familiar buzz of a news feed or social media update – or the shock of an electric current. The moment we move out of earshot of the faint audio of the divine.

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