Article
Culture
Re-enchanting
4 min read

The falcon’s call

Awed by an encounter with a bird of prey high above a Texas river, Anthony Baker ponders both the place and his place.

Anthony is a theology professor at Seminary of the Southwest in Austin, Texas.

A view of a lightly misted valley to mountains in a desert area.
The view from the South Rim of the Big Bend National Park.
National Park Service Digital Image Archives, Public domain, via Wikimedia Commons.

Seeing God in Big Bend

The scream from the sky shattered the quiet calm of my cliffside campsite. I'd never heard such a sound—it was like a large crow had decided to try and quack. I rushed out of my tent, where I'd collapsed after making the seven mile trek up the mountain, to find the source of this alarming noise.

I was up on the rim of Big Bend National Park in southwestern Texas, where I'd come on a solitary backpacking retreat. The "big bend" is the abrupt L-turn of the Rio Grande river, as it changes course from southeast to northeast. At the heart of the park rise the stark and severe Chisos Mountains, and the crown jewel of the Chisos is surely the South Rim. A thousand feet beneath me, a sheer drop from where I've staked my tent, there is a whole other mountain range. And ten miles away to the southeast I could see gorgeously striped limestone ridges across the river in northern Mexico.

It's a place that puts you in the presence of the sublime.  Everett Townsend, the pathfinder responsible for bringing the region under the protection of Franklin Roosevelt's government, was particularly awed by this view. As a biographer put it, the view from the South Rim allowed him to

"see God as he had never seen Him before and so overpoweringly impressed him that he made note of its awesomeness…"

What does it mean, though, to see God in a place? Do I need to be up high and far away, staring into sublime depths? The South Rim gives me the impression that I'm hovering like an eagle over the earth, not standing on it like a human. Why are these the places that we think we sense the divine? 

I'd like to think that seeing God in a place can be just as much about close and near attention as it is about sublime distances. What does God look and sound like here, if I stand on the ground and pay as much attention as I can to what I see and hear around me?

The Falcon's cry

I had no Internet connection on the Rim, so when I heard that bird cry out over my head I tried to burn the sound into a mental audio file. Jumping from my tent, I saw a large predator bird shooting directly above me and out over the cliff's edge. The size and shape—a large flying crossbow—told me that I'd been hailed by a peregrine falcon. A sign near my site told me that the section of the ledge where I was camping—where the South and East Rims meet—is in fact a protected nesting ground for the birds, closing to human trekkers each spring.

The peregrine is the world's fastest animal of any kind. They can dive at 200 miles per hour. That means they can only hunt birds in flight, since if they attacked anything on the ground at that speed they would both wind up, as my Granny would put it, "nothing but a greasy spot on the pavement."

A display down at the park's visitors' center had already filled me in on the near demise of the remarkable bird. DDT, a killing-machine of a pesticide that Rachel Carson called out in her book The Silent Spring in the 60s, triggers an immuno-response in female birds who have ingested it into their bodies. This response limits the calcium they can supply to their eggshells. As a result, the eggs were too vulnerable to predators or simply weather, and the embryos were not surviving.

We gave the Nobel Prize to the scientist who discovered how to use DDT to kill insects. It made so much sense, after World War II, to find ways to kill the pests who were spreading disease among the wounded soldiers and other victims of the war. But we were not yet thinking, in those days, about what else we might be killing. Now we're at least thinking, even while we're still killing.

Sin and redemption on the mountain 

What does the falcon, soaring off the Rim, reveal to me about God? Consider, for instance, the doctrine of sin. Taken as an abstraction, sin is what theologians call the manifold ways that humans can turn from their holy God.  But what if we fill that doctrine in with attentiveness to the story the falcon tells us? Here on the Rim, sin looks like failing to be awed enough by this remarkable life form to notice, until almost too late, that we are killing it. 

Similarly, redemption, in the Christian telling of things, refers to the way that God overcomes sin and restores holy relationship. Here on the rim, redemption looks like a shared grief over the damage we've done. It looks also like the effort to protect this space as a bird sanctuary—literally a "holy place." It looks like a hope that falcon and human, like the bird and its own prey, can find a balance of mutual respect and coexistence.

The warning call of God

When I came down the mountain, I got on the Wi-Fi at the lodge outside the park and went searching for bird calls. I found a match for the sound that I'd heard - that caw-quack of a scream. It was the warning call of a peregrine falcon who has found predators in its nesting grounds. The bird was talking about me! Maybe somewhere in her DNA she recognized me as one of the DDT users that ruined her ancestors' eggshells. Hearing that call, as the bird flew off into sublime depths and distances, I suspect I was hearing about the mystery of life, the damage of sin, and the beauty of redemption. In other words, I was hearing the voice of God.

Review
Change
Re-enchanting
5 min read

Our top 10 Re-Enchanting conversations

Podcast co-host Tindall picks her favourite episodes.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

A man wearing a hat sits at a table talking and raises both hands in front of himself to gesture

Disenchantment, that was the prediction. Well, it was ‘demagification’ (‘entmagisierung’), if we’re being specific. The idea - coined by German sociologist, Max Weber, and largely popularised by Canadian philosopher, Charles Taylor – is that we’d lose our appreciation of the mystical things, the sacred things, and the transcendent things. We’d simply stop trusting them. Instead, we’d have our eyes glued to all that is rational, measurable, and material. The stuff that we make would be the stuff that awes us and meaning would become something that only our minds are given permission to conjure up. We’d be at the top of the pyramid; nothing beyond us, nothing above us, nothing more clever or able than us. This would be us - subject to the process of disenchantment. Thoroughly de-magic-ed. 

That was the prediction.   

And, one could argue that it’s happened - we’re there, just as we were predicted to be. We’ve arrived at disenchantment station with no need for all of that pre-modern baggage.  

Or so it seems.  

I’m increasingly sceptical that we really have scrubbed ourselves clean of the residue of pre-modernity, I’m dubious at the suggestion that there isn’t a hint of enchantment left on us. I wonder if we’re just pretending that’s the case – I also wonder if we’re getting worse and worse at it. I sometimes think that we doth protest too much. That’s my hunch, anyway. Either way, whether this disenchantment we’re living in was inevitable or has become some kind of self-fulfilling prophesy, its presence begs the question: are we happy about it? Or are we longing for re-enchantment? And, if we are craving such, where are we going to find it? Where can we go?   

That’s the premise of Seen and Unseen’s Re-Enchanting podcast, the question written into the rock of each and every episode. We speak with a myriad of guests – those who are influential in all kinds of corners of culture - and wonder whether the Christian story is where re-enchantment might be found. Is it a place we can go when we’re yearning for a story that isn’t so secular? When we’re pondering the meaning of things beyond what we decide the meaning is?  

I’m one of the hosts of this podcast (alongside Justin Brierley), and I really mean it when I say this – these conversations are special. They have so often infused my mind, settled my heart, piqued my curiosity, and shifted my perspective on… well… pretty much everything. They’ve done what they set out to do, they have enchanted me.  

This year, we hit fifty episodes. To celebrate, I’d like to break down my top ten most re-enchanting conversations from 2024.  

 

Joshua Luke Smith is at number ten. This conversation - with the poet, songwriter, storyteller, podcaster – reminded me of the art of noticing. It reminded me of the importance in seeing my life, as over-familiar as I am with it, as the backdrop to some truly miraculous things. I’ll never again kid myself into thinking that the mundane isn’t a mighty space.  

Go to episode

 

In at number nine is the creative force of nature, Jessica Oyelowo. As a singer, songwriter, actor, producer and documentary maker, Jessica had a lot to say on what it’s like to believe in a God who wishes to get his work done through you.  

Go to episode

 

I’ve always admired Krish Kandiah, so to get him onto Re-Enchanting was a little bit of an honour. His thing is hospitality – dedicating his life to hosting vulnerable children, asylum seekers, and people he vehemently disagrees with. This conversation is a culture wars antidote.  

Go to episode.

 

I had an odd experience with this episode. As I was actually recording this episode, I was already looking forward to listening to it. Which I have, multiple times. Professor Iain McGilchrist is a psychologist and philosopher and well worth an hour (or seven, if you listen to it as much as I have) of your time.  

Go to episode.

 

Ah, Elizabeth Oldfield. Mockingbird recently called her ‘your spiritual but not religious college roommate who keeps pushing Sally Rooney books on you and won’t get the hint.’ And if that doesn’t sell this episode to you, I don’t know what will. I’m not sure how to sum up this conversation, other than to say that it felt like medicine.  

Go to episode

 

I cried while recording this episode. It was so moving it made me cry in front of the world-renowned mega-big-deal scientist, Francis Collins. It’s not my finest moment, professionally speaking. But who can blame me? This was one of the most profound conversations I’ve ever had.  

Go to episode

 

Once or twice, I’ve left an episode recording audibly thanking God for making the person with whom I had just spoken. This was one of those times, Lisa Fields is thank-the-actual-Lord-worthy.  

Go to episode.

 

And we’re in the top three. Up in third place is the notorious Rory Stewart: centrists rejoice! This episode actually didn’t involve me; I was sitting behind the camera, watching on in awe. Rory speaks with rev. Jonathan Aitken about their experiences with prisons (one as the Prisons Minister and one as a prisoner – Jonathan’s line), the current state of Westminster, and the role of faith in politics.  

Go to episode.

 

In second place, but holding a particularly special place in my heart, is Claire Gilbert. Claire points us to the wonder of medieval mystic, Julian of Norwich. Who, in turn, points us to the wonder of God. The result was falling deeper in love with all three of them. Claire, and her beloved Julian, are a balm to the weary soul.  

Go to episode.

 

This had to be number one. There was no question. Not a hint of deliberation. This conversation had me glowing for days, it was that good. Martin Shaw, renowned mythologist, wilderness devotee, lover of ‘the Galilean druid’, and, I think, the most extraordinary man I’ve ever met. This conversation – his stories and his thoughts – had me mesmerised. And, considering the amount of people who have spoken to me about this episode since, I don’t think I’m the only one.  

Go to episode.

 

I defy you to listen to any one of these conversation and not consider yourself re-enchanted. Go on, I dare you.  

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