Explainer
Creed
Easter
5 min read

Faith, chaos and carnage

Remembered rituals comforted many who mourn. As Easter comes around again, Graham Tomlin examines the underlying hope found when all is carnage and chaos.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

A photographer, standing next to a tripod, atop a pile of rubble is a destroyed factory.
Chaos.
Peter Herrmann on Unsplash.

One afternoon in that week after the Queen died back in September, I spent a short while watching the live video footage from Westminster Hall of people filing past the Queen’s coffin as it lay in state. Ordinary members of the public, after their nine hour wait in the queue, stopped for their precious few seconds in front of the coffin before being ushered on to allow others to have their moment. It was clear that many of them were not quite sure what to do. Some just stood silently, but most felt they needed to do something. Some bowed or curtsied, others seemed to utter a quiet prayer, others crossed themselves in a slightly awkward fashion as if it was something they weren't really used to doing.  

It was clear that people needed some kind of gesture of respect, and it was significant how many turned to some kind of religious action to do that, whether bowing a head, signing the cross or muttering a few words of prayer. 

Throughout that week, at every turn, from the ceremony to recognise the new king, to the lying in state, to the funeral itself, everything seemed to happen in a context of Christian prayer. They were all deeply religious ceremonies and came in for surprising little resistance, despite our increasingly secular frame of mind as a nation. It was as if at that moment, in that difficult week, it felt as if the Christian faith held the nation’s grief for a short while. 

Having taken many funerals in my time, I recognise the same dynamic in more ordinary circumstances. Many people who maybe have a dim recollection of Christian faith from their background find the rituals and ceremonies of the church - a hymn vaguely remembered from school, a vicar saying prayers, the rich and hopeful words of resurrection in the presence of death - a valuable handrail to hold onto at a time of deep instability and profound change.  

It might seem that this outbreak of religious observance at the death of the monarch was just a temporary thing before life returned to normal, but perhaps it pointed to something much more significant.  

It always feels a little odd with the beginnings of spring, daffodils and sprouting flowers in the garden, but Good Friday is the bleakest moment of the Christian year. It is the moment when we remember how, for Christians at least, the most complete human being who ever walked the planet, Jesus of Nazareth, was executed in a huge miscarriage of justice. If this really was the day we killed God, it was the darkest moment in human history. 

And maybe that is part of the genius of Christianity – its ability to hold people in moments of grief and pain, when there aren’t easy answers to be found.

Good Friday is followed by Holy Saturday, the day when Jesus’ body lay still and decaying in a cold grave, and everything seemed to be at an end. Of course, we know that Resurrection and the joy of it was just around the corner, but they didn’t know that on the first Good Friday, and you have to go through Good Friday and even sit with the devastation of it all through Holy Saturday before you get to the joy. And maybe that is part of the genius of Christianity – its ability to hold people in moments of grief and pain, when there aren’t easy answers to be found. 

Nick Cave’s recent book, co-authored with Sean O’Hagan, has as its title, not the traditional trio of Faith, Hope and Love, but Faith, Hope and Carnage. The book explores Cave’s re-discovery of faith in part through the tragic death of his 15-year old son Arthur, and the capacity of faith to hold and sustain him in the middle of carnage, despair and tragedy. As Rowan Williams put it in his recent interview with Nick Cave: “The book reveals the way in which faith, without ever giving a plain, comforting answer, offers resources to look at what is terrible without despair or evasion.” 

The Christian understanding of evil is not that is it good dressed up in dowdy clothing. It does not tell us to believe that somehow premature death, cancer, or childhood leukaemia are somehow good for us. It says that they have no point because that is the nature of evil – that it is pointless. It has no meaning because it is the absence of meaning. It has no purpose because it is the absence of purpose.  

That is why Christians gladly say they have no neat answer to the problem of evil. Because evil is the absence of answers. It is nonsense because it makes no sense. Instead, we believe, not because we have found an answer to the problem of suffering, but despite that fact that we haven’t. We believe because we have heard a more compelling story that does make sense of everything else - the unlikely and sometimes scarcely believable hope of Resurrection, which makes sense of so much else – even the mysterious rebirth of nature that emerges from the seeming death of winter into new life in the Spring. Only unlike pagans, Christians see the natural rhythms of the world as an echo of the central story of the Resurrection of Jesus, rather than the other way round. 

Christians see in the events of the first Easter the turning point of history. That when we tried to kill God on the first Good Friday, he did not stay dead, but rose again, bringing with him the promise that those who face death or tragedy hand in hand with Christ, will somehow come through the carnage and the chaos with a life and a future.  

When you’re in agony you don’t need an explanation, you just need someone to hold you.

Of course, when you’re in the middle of pain, it’s hard to see that. When you’re in agony you don’t need an explanation, you just need someone to hold you. And that’s exactly what Christianity offers – someone to hold you. Someone who has been through the worst that life and history can throw at him and knows the worst that can happen. It offers the presence of God in the Jesus who is no stranger to pain – as it says over and over again in the Bible “I will never leave you or forsake you.” It is, as Sian Brookes explains in her excellent review of the film Allelujah! on Seen & Unseen, what we will all need at the end of our lives - someone to be with us.  

Christian faith still holds out the hope of Resurrection. Easter Sunday does come around after Good Friday. But even when you’re stuck on Saturday, waiting for a Sunday that never seems to come, when Resurrection is hard to believe in, when all around you is carnage and chaos, you are invited to hold tightly and determinedly to that mysterious presence that stands with you in the darkness, whether you feel it or you don’t, while you wait for the light to dawn. 

Article
Creed
Death & life
Football
Trauma
5 min read

The derby, the downpour, and the death of a hero

At Anfield, grief and glory collide
A mural on a side of a pub shows a footballer making a heart sign.
Diogo Jota commemorated, near Anfield.
Liverpool FC.

My wife and I went to our first game of the season recently: Liverpool v Everton, in the pouring rain. The stuff of dreams.  

It’s a bit of a walk from the train station to Anfield and the whole way, I’d been so excited to get that first glimpse of the stadium, the fans, the atmosphere, the buzz. We turn a corner and suddenly you can see Anfield looming large between rows of houses. One more street and then we’re there and … flowers on the floor. Tributes to Diogo Jota. 

Oh yeah. Diogo Jota’s dead. 

We get a pie, a programme for Jo’s Mum and Dad (who lets us use their season tickets; thanks Jeff and Janet), find our seats. Kick off. Flags wave from the Kop as they normally do and … there’s one of Diogo Jota. 

Oh yeah. Diogo Jota’s dead. 

10 minutes in and Ryan Gravenberch scores a beautiful goal to make it 1-0 and Anfield is roaring. Then 20 minutes hits and everyone stands up to sing Diogo Jota’s song (“Oh, he wears the number 20 …”). 

Oh yeah. Diogo Jota’s dead. 

I hadn’t forgotten that Diogo Jota had died, but being at Anfield made me remember that Diogo Jota had died. 

Being at Anfield – seeing the flowers and the flags, singing his song – all of it hit me and my wife unusually hard. With each new reminder of Jota’s death, I was taken back to the moment a mate messaged me to ask if I’d seen the news of his car crash. There I was again, no longer at Anfield watching the footy, but stood in my house, staring at my phone in disbelief.  

For the last year or so, St. Mellitus College (where I’m lucky enough to teach) has been hosting a series of public events to celebrate 1700 years since the Council of Nicaea. The events have been fantastic and, one of the perks of the job is that I’ve had loads of chances to learn from some of the best theologians alive at these events.  

In March 2025, Professor Trevor Hart was giving one of the public lectures for this project. The next day, I and the rest of the staff team had a chance to speak with the professor about his paper. One of the things that struck me in the conversation was what he said about trauma. 

One of the key characteristics of trauma, he said, is that it interrupts our sense of time. I’m going about my day and – all of a sudden – something triggers my trauma response and the past (that thing or event that causes my trauma) is made very present again. I see it and feel it as if it I’m living it for the first time again; it is re-present-ed to me.  

And this is exactly what happened to me, 20 minutes into the Merseyside Derby.  

Look, I’m not saying I have PTSD about Jota’s death or anything like that. I didn’t know Jota; frankly he’s not mine to grieve and I don’t want to co-opt the loss that Jota’s friends and family will be feeling.  

But, our first trip to Anfield since Jota’s death gave us something of a taste of how trauma re-present-s itself. The past became all too present as I stood there, thinking about the moment I heard of Jota’s death.  

But, for a Christian theologian (like Hart), this aspect of trauma is very significant. Because this is exactly what happens in the sacraments.  

The sacraments are bits of Church life in which Jesus Christ is really and especially present. Different Churches will disagree on exactly which events or rituals constitute the sacraments but most would say that baptism and Holy Communion definitely do. 

Let’s take Holy Communion (sometimes called the Eucharist, or Lord’s Supper) as an example. Again, this will look different in different Churches, but in holy communion bread and wine is blessed and said to become Jesus’ body and blood. And here we see the rupture of past and present. The body and blood of Christ, broken and shed on the cross before being raised again, is re-present-ed here for me, now. It is made really present (both in the physical and temporal sense of that word).  

Time and space collapse in on themselves as Jesus Christ – who created time and space in the first place and so can do what He wants with them, thank you very much – bends them to His will just to be present here, and now, with me. 

I wonder whether something similar happens in trauma, too? If trauma, too, might function as a sacrament, of sorts? If the moment of the past rupturing the present when trauma responses are triggered is precisely where Jesus Christ seeks to meet and really be present with those people? 

It certainly felt like it in the roaring, red cathedral of Anfield Road. The moments of remembering Jota’s life and having his death re-present-ed to us felt genuinely … sacred.  

And look, it was the Merseyside Derby, our first in-person game of the season; I was obviously excited, so maybe I was just primed to be emotional when these memories of Jota appeared. Maybe. Who knows? But it would be entirely in keeping with what the Church knows of God’s character that he meets with us precisely at those points where time and space begin to fall apart: in the sacraments, and in trauma. 

There will be flowers and banners and songs for Jota for some time yet. Whenever we drive from our house into Liverpool city centre, we drive by a huge mural of Jota that’s been painted onto the side of a pub.  

It won’t be possible to forget Jota, and there will be lots of prompts to remember him. And in those moments of remembering, time and space may well continue to collapse in on itself. I may find myself once again in my house, staring aghast my phone. And I may well find that Jesus Christ is there with me too. 

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Graham Tomlin
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