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Race
5 min read

Equiano: How an ex-captive became the voice of abolition

How did a formerly enslaved person think about their faith, freedom, and vocation? Luke Bretherton explores the politics and theology of Olaudah Equiano, whose story was central to the abolitionist movement and continues to resonate today.

Luke Bretherton is a Professor of Moral and Political Theology and senior fellow of the Kenan Institute for Ethics at Duke University in Durham, North Carolina.

Equiano
Portrait of Olaudah Equiano from the frontispiece of his biography

The most significant political revolution of the modern era was not that of America, France, Haiti, Russia, or China. It was the longer lasting, deeper rooted, and more pervasive revolution that is “humanitarianism.” Rather than a change in one form of political order, it was a revolution of moral sentiment that affects all political orders. The fruit of this revolution is that the acme of moral action is no longer love for a proximate “brother” but love for a remote “other.”  

A foundational text in this revolution is Olaudah Equiano’s The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African. Written by Himself (1789). Equiano, a formerly enslaved person, was a key activist in the movement to abolish slavery. Published on the eve of the Parliamentary enquiry into the slave trade and three months before the French Revolution, his autobiography was hugely popular, running to nine editions and numerous printings during his lifetime.

His autobiography is vital reading because the abolition movement in which he played such a key part is widely understood by historians as foundational to the birth of humanitarianism. It is also seen as providing the template for other, subsequent movements for social justice.

Equiano’s work and its impact needs situating within what is called the Second Great Awakening, a moment of religious fervour on both sides of the Atlantic. Dated as beginning in 1790, the Second Great Awakening represented a huge revival in popular Christianity. Out of it came modern evangelicalism. However, unlike its contemporary expression, the evangelicalism of the late 18th and early 19th century was a key influence on a number of movements for social reform, including the abolition movement.  

In his narrative, he portrays himself as the true Christian and the true human. When he encounters the European slave traders on their slave ships, they are the real savages, and despite what they say, they are not Christians.

At the heart of Equiano’s Narrative are two stories of conversion. The first is his conversion to Christianity. The second is his conversion to abolitionism. These two conversions are interrelated. Through his conversion to Christianity, he discovers an understanding of what it means to be human that leads him to see all forms of slavery as wrong. This judgment against slavery includes not just the industrial scale form of slavery driven by the plantation economy, but also what some see as the more benign forms of his own Eboe society in West Africa. 

Through his conversion narrative he gains possession of himself, his history, and his people as historical subjects able to speak and act for themselves. He becomes a political actor contributing to and a leading figure within a new political form – the social movement – that contested a dominant feature of the political economy – slavery. Crucially, he refuses and refutes the racialized ways in which Africans are negatively portrayed. Rather than a chattel, he is a Christian and a citizen with a story to tell. He is not merely biology to be exploited. He has a biography. And he is one whose testimony stands as evidence in the case against slavery.  In staging this claim he reverses the order of who listens and who speaks – he speaks and English readers listen and take instruction from him. 

In his narrative, he portrays himself as the true Christian and the true human. When he encounters the European slave traders on their slave ships, they are the real savages, and despite what they say, they are not Christians. He also represents himself in the text as a new St Paul. He’s an apostle calling others to discover both Christ and their humanity in their encounter with him through reading his story.  

Equiano’s is a profound and original work that constantly draws on Biblical frames of reference to both denounce the world as it is and announce a new world. The Bible for him is simultaneously a means of demanding recognition and offering critique.  

In the frontispiece of the book he is pictured as holding a Bible which is open at the Book of Acts in the New Testament. Acts chronicles the adventures of the apostles after Christ's death and resurrection. The frontispiece is the key to understanding the story Equiano tells. He is not Odysseus who returns home after many trials and tribulations. Rather, he is St Paul: one who becomes an apostle, taking on a new name and identity in the process. Like St Paul, Equiano suffers whipping, imprisonment (in the hold of a ship), storms, and travels in chains all for the sake of preaching the Gospel. And like St Paul, who ends his journey in Acts in Rome, Equiano’s journey leads him finally to London, the centre of his imperial world.  From there he writes an epistle addressed to the churches who are failing to be faithful to the Gospel.  In doing so, he appeals, like St Paul, to a universal humanity now available in Christ, in whom “there is neither Jew nor Greek, slave nor free, male and female; for all of you are one in Christ Jesus” (Galatians 3:28).      

The most significant political revolution of the modern era was not that of America, France, Haiti, Russia, or China. It was the longer lasting, deeper rooted, and more pervasive revolution that is “humanitarianism.”

There are those who read Equiano as simply a stooge for colonialism and capitalism. Yet they fail to convince. Such readings deny any connection to the abolition movement. And rather than being someone who is reclaiming his voice and agency, they turn him into a faceless and voiceless subject of forces beyond his control. 

To dismiss Equiano is to fail to see the truly revolutionary nature of the text he wrote. In his autobiography, Equiano describes the Christian masters who brutally tortured their slaves for the slightest offense, the ubiquitous rape of women, including very young girls, and the theft from slaves who had little or nothing. Alongside and in stark contrast to this brutality, exploitation, and alienation, Equiano narrates an alternative world, one characterized by intimacy and connection. In this world, he becomes friends with women and children, and forms equal partnerships with white men. The vision of freedom he presents does not entail violently taking control of the state (as was the pattern set by the French revolution). That vision of revolution simply changes who is in control of the state and the economy but does not change the basic form and character of relations between people. 

The freedom Equiano portrays is neither structural nor economic. Rather, he bears witness to a revolution of intimacy and sentiment. His life story embodies a changed structure of feeling, one where in place of the rape, whipping, chains, fear, disgust, and disdain that rules relations between blacks and whites there is the possibility of mutuality and respect. Equiano’s autobiography continues to reverberate as it calls us to a conversion of our hearts and mind so that we encounter others––no matter who they are or where they come from––as neither objects to exploit nor enemies to be feared but as neighbours in need of care. Such neighbour love may well be a fragile basis for hope in a world of carnage and desolation still living in the after lives of slavery. Nevertheless, it is as revolutionary now as it was in Equiano’s day. 

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Re-enchanting
5 min read

Our top 10 Re-Enchanting conversations

Podcast co-host Tindall picks her favourite episodes.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

A man wearing a hat sits at a table talking and raises both hands in front of himself to gesture

Disenchantment, that was the prediction. Well, it was ‘demagification’ (‘entmagisierung’), if we’re being specific. The idea - coined by German sociologist, Max Weber, and largely popularised by Canadian philosopher, Charles Taylor – is that we’d lose our appreciation of the mystical things, the sacred things, and the transcendent things. We’d simply stop trusting them. Instead, we’d have our eyes glued to all that is rational, measurable, and material. The stuff that we make would be the stuff that awes us and meaning would become something that only our minds are given permission to conjure up. We’d be at the top of the pyramid; nothing beyond us, nothing above us, nothing more clever or able than us. This would be us - subject to the process of disenchantment. Thoroughly de-magic-ed. 

That was the prediction.   

And, one could argue that it’s happened - we’re there, just as we were predicted to be. We’ve arrived at disenchantment station with no need for all of that pre-modern baggage.  

Or so it seems.  

I’m increasingly sceptical that we really have scrubbed ourselves clean of the residue of pre-modernity, I’m dubious at the suggestion that there isn’t a hint of enchantment left on us. I wonder if we’re just pretending that’s the case – I also wonder if we’re getting worse and worse at it. I sometimes think that we doth protest too much. That’s my hunch, anyway. Either way, whether this disenchantment we’re living in was inevitable or has become some kind of self-fulfilling prophesy, its presence begs the question: are we happy about it? Or are we longing for re-enchantment? And, if we are craving such, where are we going to find it? Where can we go?   

That’s the premise of Seen and Unseen’s Re-Enchanting podcast, the question written into the rock of each and every episode. We speak with a myriad of guests – those who are influential in all kinds of corners of culture - and wonder whether the Christian story is where re-enchantment might be found. Is it a place we can go when we’re yearning for a story that isn’t so secular? When we’re pondering the meaning of things beyond what we decide the meaning is?  

I’m one of the hosts of this podcast (alongside Justin Brierley), and I really mean it when I say this – these conversations are special. They have so often infused my mind, settled my heart, piqued my curiosity, and shifted my perspective on… well… pretty much everything. They’ve done what they set out to do, they have enchanted me.  

This year, we hit fifty episodes. To celebrate, I’d like to break down my top ten most re-enchanting conversations from 2024.  

 

Joshua Luke Smith is at number ten. This conversation - with the poet, songwriter, storyteller, podcaster – reminded me of the art of noticing. It reminded me of the importance in seeing my life, as over-familiar as I am with it, as the backdrop to some truly miraculous things. I’ll never again kid myself into thinking that the mundane isn’t a mighty space.  

Go to episode

 

In at number nine is the creative force of nature, Jessica Oyelowo. As a singer, songwriter, actor, producer and documentary maker, Jessica had a lot to say on what it’s like to believe in a God who wishes to get his work done through you.  

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I’ve always admired Krish Kandiah, so to get him onto Re-Enchanting was a little bit of an honour. His thing is hospitality – dedicating his life to hosting vulnerable children, asylum seekers, and people he vehemently disagrees with. This conversation is a culture wars antidote.  

Go to episode.

 

I had an odd experience with this episode. As I was actually recording this episode, I was already looking forward to listening to it. Which I have, multiple times. Professor Iain McGilchrist is a psychologist and philosopher and well worth an hour (or seven, if you listen to it as much as I have) of your time.  

Go to episode.

 

Ah, Elizabeth Oldfield. Mockingbird recently called her ‘your spiritual but not religious college roommate who keeps pushing Sally Rooney books on you and won’t get the hint.’ And if that doesn’t sell this episode to you, I don’t know what will. I’m not sure how to sum up this conversation, other than to say that it felt like medicine.  

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I cried while recording this episode. It was so moving it made me cry in front of the world-renowned mega-big-deal scientist, Francis Collins. It’s not my finest moment, professionally speaking. But who can blame me? This was one of the most profound conversations I’ve ever had.  

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Once or twice, I’ve left an episode recording audibly thanking God for making the person with whom I had just spoken. This was one of those times, Lisa Fields is thank-the-actual-Lord-worthy.  

Go to episode.

 

And we’re in the top three. Up in third place is the notorious Rory Stewart: centrists rejoice! This episode actually didn’t involve me; I was sitting behind the camera, watching on in awe. Rory speaks with rev. Jonathan Aitken about their experiences with prisons (one as the Prisons Minister and one as a prisoner – Jonathan’s line), the current state of Westminster, and the role of faith in politics.  

Go to episode.

 

In second place, but holding a particularly special place in my heart, is Claire Gilbert. Claire points us to the wonder of medieval mystic, Julian of Norwich. Who, in turn, points us to the wonder of God. The result was falling deeper in love with all three of them. Claire, and her beloved Julian, are a balm to the weary soul.  

Go to episode.

 

This had to be number one. There was no question. Not a hint of deliberation. This conversation had me glowing for days, it was that good. Martin Shaw, renowned mythologist, wilderness devotee, lover of ‘the Galilean druid’, and, I think, the most extraordinary man I’ve ever met. This conversation – his stories and his thoughts – had me mesmerised. And, considering the amount of people who have spoken to me about this episode since, I don’t think I’m the only one.  

Go to episode.

 

I defy you to listen to any one of these conversation and not consider yourself re-enchanted. Go on, I dare you.  

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