Explainer
Christmas culture
Creed
3 min read

The earth-shaking consequences of Christmas

Imagine Tolkien being born as a hobbit in the Shire, or J.K. Rowling going to school at Hogwarts. Explore the notion of the author entering his or her own creation.

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

A nativity scene in bold colours in an illumination style.
The Nativity, Mesrop of Khizan, Armenia, 1615.
Public Domain, The Getty Museum.

The radical uniqueness of the Christmas story can be easily lost in a culture over-familiar with carols, nativity scenes, and Christmas cards. The birth of Jesus is not, for Christians, merely the birth of the founder of their religion, comparable to Muhammad, the Buddha, Guru Nanak, or Moses. The heart of the Christian claim is that in the Incarnation, the Almighty Creator of all things has irrevocably identified himself with the human race, standing in solidarity with every person who ever existed and ever will exist.  

Imagine Tolkien being born as a hobbit in the Shire, or J.K. Rowling going to school at Hogwarts. The mind-bending notion of the author entering his or her own creation is far closer to the Christian idea of Jesus than any comparison between him and other great figures of history. For Christians, he was not just a moral teacher, not just an inspiring example – not even an object of adoration and love without further qualification. He was and is all these things of course. But all those things are put in the shade by something else, totally unique and unrepeatable: Immanuel, God-among-us.  

The implications of this are staggering. Dorothy Sayers puts it this way (quote slightly adapted): 

For whatever reason God chose to make human beings as we are – limited and suffering and subject to sorrows and death – he had the honesty and the courage to take his own medicine. Whatever game he is playing with his creation, he has kept his own rules and played fair. He can exact nothing from us that he has not exacted from himself. He has himself gone through the whole of human experience, from the trivial irritations of family life and the cramping restrictions of hard work and lack of money to the worst horrors of pain and humiliation, defeat, despair, and death. He was born in poverty and died in disgrace and thought it well worthwhile. 

The Christian God is a God who plays fair, who keeps the rules he commands us to keep, who suffered the same pain, anxiety, and daily struggle that we all suffer in the world he created. 

How is this possible? Only if we hold together two things that look like a contradiction at first sight: that Jesus is both fully God and fully human, at the same time, without confusion or separation. This is how Christian dogma has been enshrined in our creeds.  

The early centuries of Christianity were a delicate balancing act. Theory after theory was tried and abandoned because it failed to hold the necessary tension between ‘fully God’ and ‘fully man’. The long councils with hundreds of bishops arguing over the precise wording of the creed may seem very remote to our daily concerns, but they were trying to protect something vital to the life of the Church. One word wrong could have upset the whole balance, and Christianity would have become simply another mystical apparition or set of moral guidelines along hundreds of others in the ancient world.  

If we let go of the ‘fully God’ part, then we are left with a religious teacher who may inspire devotion, offer moral guidance, or even speak with the voice of God. But we do not have the Creator himself entering his creation to experience it as we do.  

If we let go of the ‘fully human’ part, then we are left with a supernatural appearance of the one who made us. He might command us to live a certain way and punish us when we fail. He might leave detailed instructions about the right way to worship him. But he did not share our condition. He did not get sunburnt, jostled in the street, woken up, pinched, teased at school, or sold a dud. 

The magic is in that combination of the two, almost impossible to grasp, that puts the source of all power, truth and beauty in a collision course with the deepest fears, sufferings, joys, hopes and longings of every member of the human race. The one who made us is not unaware of what it is like to live in this world. Whatever his mysterious purposes may be for his creation, they involve humanity in a prominent position. And whatever God destines for our race is a destiny he shares. As G.K. Chesterton writes of the Incarnation:  

‘Since that day it has never been quite enough to say that God is in his heaven and all is right with the world, since the rumour that God had left his heavens to set it right.’ 

Article
Art
Awe and wonder
Belief
Creed
4 min read

The art of astonishment

Why I am still bowled over by Easter’s implications.

Jamie is Vicar of St Michael's Chester Square, London.

A painting depicts Jesus talking to disciples at a meal.
Caravaggio's The Supper at Emmaus.
The National Gallery.

Recently I wrote about how it would be helpful for those of us in the church to be honest about what we don't know.  

Mary Oliver wrote: 

'Truly, we live with mysteries too marvellous 

to be understood… 

 

Let me keep my distance, always, from those 

who think they have the answers. 

Let me keep company always with those who say 

"Look!" and laugh in astonishment, 

and bow their heads.' 

We begin life by thinking we know everything, and we end it by thinking we know nothing at all, or, very little. Easter confronts us with what we don't know, and what is too marvellous to be understood comprehensively. Sure, the evidence for the resurrection of Jesus is surprisingly staggering. Take Francis Collins, who was Director of the Human Genome project and led the US government's COVID-19 pandemic. He said that he grew up thinking faith was the result of emotionalism or indoctrination. Although his job was saturated in evidence-proving hypotheses, he hadn't taken the trouble to look at the evidence in arriving at his conclusion that God didn't exist, before doing so and giving his life to Christ. 

But even when you've surveyed the wondrous cross and its aftermath, the implications of Easter are unscientific and unsettling, as well as documented and liberating. Try as we might, we can't pin down Jesus. Rowan Williams offers that: 

 "One of the strangest features of the resurrection narratives is precisely this theme of otherness, the unrecognisability of the risen Jesus… For some at least, the encounter with the risen Jesus began as an encounter with a stranger".  

We see this as Mary Magdalene mistakes Jesus for the gardener at the tomb, and similarly with those on the road to Emmaus on the day of the resurrection. They had known Jesus up close, and yet here they travelled quite some way with him before realising it was him. 

This is most beautifully depicted by Caravaggio in his 'The Supper at Emmaus', hanging in the National Gallery in London. As Jesus breaks the bread, their eyes are opened to see what the breaking of his body meant for them. Jesus was hidden in plain sight all along. With the echoes of Christendom, or the Christ-haunted cultures many of us live in, Jesus is hidden in plain sight for us too. We hear echoes, but do not hear his voice. We see fingerprints, but do not see the scarred hands of the Almighty. And in the renaissance master's painting, we see dramatic light and shade, the freeze-frame burst of astonishment of the disciples. As the National Gallery description offers, 

 'he has shown the disciples as ordinary working men, with bearded, lined faces and ragged clothes, in contrast to the youthful beardless Christ, who seems to have come from a different world.’ 

Amidst the mystery, this revelation comes in relation to us. And this is what Caravaggio depicts: that which we find difficult to understand is the joy of a risen saviour who chooses to walk, talk, eat with fellow humans on the day of his resurrection. But, as Williams writes,  

'He eludes and questions our predictions and projections, recedes and hides before our attempts to arrive at adequate, definitive statements... A theology of the risen Jesus will always be, to a greater or lesser extent, a negative theology, obliged to confess its conceptual and imaginative poverty.'  

Perhaps Caravaggio's imagination is less impoverished than most of us!  

Intriguingly, Williams has also written a poem about how the resurrection changes the way those on the road to Emmaus viewed each other. Maybe the anonymity of one of them (the gospel writer, Luke, only names one) helps us to place ourselves in the middle of this mystery. And that is a good place to find ourselves, if we answer the invitation of the risen Jesus and the God who spoke to a captive people through the prophet Jeremiah  

'Call to me, and I will answer you and tell you great and unsearchable things you do not know.’ 

For the disciples, the penny drops, but there is still so much they don't know. This is not to say that they know nothing. Jesus is, in many ways, what Donald Rumsfeld would categorise as a 'known unknown'. Christians believe that Jesus revealed himself in the scriptures, but enough for us to know that there's a lot more to know that we don't know. For those with Christian faith, we don’t exchange the certainty of what we know for mystery, but one of the invitations of the resurrection is to incorporate mystery into faith. And this in itself is not difficult: for to encounter Jesus is to be met with wonder. Those on the road to Emmaus didn’t recognise Jesus at first but their hearts burned within them. For John Wesley, his 'heart was strangely warmed', which strikes me as a very British way of saying his heart was burning within him! 

But many of us will attest that to encounter the risen to Jesus is to shout 'look!' and laugh in astonishment, and to bow our heads. 

Celebrate our 2nd birthday!

Since Spring 2023, our readers have enjoyed over 1,000 articles. All for free. 
This is made possible through the generosity of our amazing community of supporters.

If you enjoy Seen & Unseen, would you consider making a gift towards our work?

Do so by joining Behind The Seen. Alongside other benefits, you’ll receive an extra fortnightly email from me sharing my reading and reflections on the ideas that are shaping our times.

Graham Tomlin
Editor-in-Chief