Essay
Creed
Joy
10 min read

Dreaming a world

When we dream a life, we dream a world. One of love, peace and joy. Such flourishing is a life led well, going well and feeling as it should.
Marketer stall traders and customers reach out arms and hands to exchange fruit and money above piles of produce.
'It is in the context of this whole world at peace that the true value of material goods becomes clear.'
Renate Vanaga on Unsplash.

Dreams are rarely modest. They don’t stay neatly in the compartments we make for them. Let’s say you have a dream job. Well, if you dream of working as an engineer or a baker or a teacher, you are also dreaming of clients, ingredients, or students and a school. Or maybe you have a dream home. Well, that home can’t exist in a vacuum. It requires a neighborhood, various political communities, a natural environment, and countless other people.

When we dream a life, we dream a world.

When Jesus preached, he announced a transformed world. When Christians dream a world, his is the world we ought to hope for. Jesus called it the “kingdom of God,” which is just to say, the world as God would have it be. That, however, only gets us so far. What kind of world would God want, after all?

Almost two-thousand years ago, some Christians in Rome were having trouble agreeing about this. Trying to help them out, Paul, the travelling preacher wrote them a letter. In it, he offered a “definition” of this ‘kingdom of God’. The Roman Christians were in danger, he thought of placing too much weight on a minor question about what food they should or should not eat. In response, Paul advises them to permit various different eating practices in their community: “For the kingdom of God is not food and drink,” he says, “but righteousness and peace and joy in the Holy Spirit.”

A life worth dreaming, Paul is saying, is not merely about the means of life— what keeps us alive – things like food, drink, money, safety, health, and the like. Flourishing includes these things, but it orients them toward life led well (righteousness), life going well (peace), and life feeling as it should (joy).

If we look at each of these three things in turn, we can glimpse a compelling vision of what it means to flourish and what kind of world we might dream of (and live towards) today.

Life Led Well: Righteousness

Righteousness, to be honest, is a strange word. It has a rather musty aroma to it: overly formal and more than a little out of date. These days, we hear it most often in the context of self-righteousness, which is decidedly not part of leading one’s life well.

So what on earth does Paul mean by it? Paul was writing in ancient Greek, and the word he uses could also be translated as “justice.” It’s an important word in the Jewish scriptures that Paul read. It means something like being in step with God’s law, which had been laid out in God’s agreement, or covenant with God’s people. This covenantal relationship is, according to Paul, the context in which our lives flourish. To lead our lives well is to act in line with the good intentions of this covenantal relationship. This is what “righteousness” means for Paul.

We might do all sort of impressive things, even things that look like moral heroism, but if we do them without love... they’re deeply flawed.

When Jesus was asked how to sum up the law that defines righteousness, he answered: Love God and love your neighbor as yourself. So a “righteous” life is a life of love. Whatever we might do, Paul says, if we do it apart from love, it lacks value. We might be a religious virtuoso with all sorts of nifty spiritual gifts, but if we lack love, we are “nothing.” We might do all sorts of impressive things, even things that look like moral heroism, but if we do them without love, Paul insists, they’re deeply flawed.

Some of the most famous words ever written about love give us an idea of what love looks like in practice:

“Love is patient; love is kind; love is not envious or boastful or arrogant or rude. It does not insist on its own way; it is not irritable or resentful; it does not rejoice in wrongdoing, but rejoices in the truth. It bears all things, believes all things, hopes all things, endures all things.”

This kind of love isn’t just any kind of love. It’s God’s kind of love. It’s the love that God has shown over and over again in faithful care for the world and in particular for God’s people. It’s the love, above all, that we see in the life of Jesus, who was willing to die for us as an expression of love.

God’s love is faithful even in the midst of the world’s brokenness. This fact offers a profound sense of assurance. God is for us. And “if God is for us,” Paul writes,

“who can be against us?” If God gave God’s own Son for us, what would God not give?

“Neither death, nor life, nor angels, nor rulers, nor things present, nor things to come, nor powers, nor height, nor depth, nor anything else in all creation, will be able to separate us from the love of God in Christ Jesus our Lord.”

To be sure, the love of God does not guarantee that our lives will go well. Jesus faced misunderstanding and violent opposition. If we love like he did, we could face the same. In Jesus, the power and wisdom of God’s love looked like weakness and foolishness. Ours should too. In Jesus, the cost of love was death. We ought to be prepared for the same.

In a fully flourishing world, none of that would be the case. Love would not suffer but dance with joy. But our world is not yet fully flourishing. (Obviously.) Love, however, spans the gap between the world we have and the world we hope for because it’s how we should live on both sides of the divide. To love well is—always and everywhere—to lead one’s life well.

Life Going Well: Peace

Paul defines life going well as peace. Peace is primarily about right relationships, which are the most important of life’s circumstances. They’re the context in which the value of other circumstances (food, money, etc.) becomes clear. For Paul, life is going well when we live at peace with God, with one another, and with the whole creation.

The foundation of life going well is peace with God.  Against all the odds, God has made this peace for us, having “reconciled us to himself through Christ.” Ultimately, when Christ’s purpose is fully realized at the end of all things, the world will be filled with God’s presence and become the home of God, entirely at peace with its creator. This fundamental peace flows in and through all the relationships between creatures. We and the world come to be at home with one another when God is at home among us.

Captives should be set free. Needs should be met. Honor should be extended to those on the margins, in fact to everyone.

Paul thinks this kind of peace should start to show up here and now among those who have taken up Jesus’s way of life. In this community, “there is no longer Jew or Greek, there is no longer slave or free, there is no longer male and female; for all of you are one in Christ Jesus.” Unity in diversity and mutual belonging are foundational principles for the way of life Paul advocates. Captives should be set free. Needs should be met. Honor should be extended to those on the margins, in fact to everyone. This is how the Church is supposed to live. All too often, history shows us, it does not.

The good news is that Jesus’s peace is not trapped in or dependent on the church. Ultimately, it extends beyond the bounds of the human community entirely. Full human flourishing is bound together with the full flourishing of all humanity and the entirety of the creation.

It is in the context of this whole world at peace that the true value of material goods becomes clear. As part of a world loved by God and destined to be God’s home, the fruit of the creation and the products humans craft are valuable. And because they are valuable, it is important that they be equitably distributed. This is an essential component of true peace, one that is plainly lacking in our world today.

Because of the unjust distribution of material goods and the broken relationships it reveals, peace is not always possible, or even good. It would be wrong to live fully at peace with a wealth-obsessed vision of life or within an economic system where some starve while others waste nearly as much food as they consume. While we ought to pursue genuine peace, we ought to beware of false peace.

In this life, all is not at peace—and it will never be. Flourishing life in this world is lived for the sake of a peace that we will never find in its fullness this side of a renovation of creation that we cannot bring about for ourselves. Nevertheless, we should live as peacemakers. We should work to reconcile ruptured relationships among humans, between humans and God, and between humans and the rest of the natural world. We should also accept that we may be hated precisely because we are peacemakers. Sometimes leading our lives well results in our lives not going well.

Life Feeling as it Should: Joy

Paul offers us a vision of flourishing in which (1) a life led well is one of righteous love and (2) for life to go well is for there to be peace. How would it feel to live such a life? One word could never sum it up completely, but Paul’s best shorthand is joy.

Joy is an emotional response to something that we recognize as good. We don’t simply rejoice in the abstract; we rejoice over something that we take to be good. In the context of a fully flourishing life, joy is the “crown” of the good life: joy is the appropriate response of the righteous person in a world at peace.

Solidarity like this requires us to resist modern tendencies to weep over those who rejoice (Instagram’s FOMO) and rejoice over those who weep (Twitter’s schadenfreude). In a broken world like ours, not all joy is worthy of the name.

This world, however, is not at peace. Consequently, there is much over which we should not rejoice. Love must regulate what gives us joy: love, Paul writes, “does not rejoice in wrongdoing, but rejoices in the truth.” Our emotional lives, Paul is saying, ought to be indexed to the truth of the world as it is. In short, it is more important to feel rightly than to feel good.

Another person’s suffering, for example, should elicit compassion, not joy. “Rejoice with those who rejoice, weep with those who weep,” Paul writes. Solidarity like this requires us to resist modern tendencies to weep over those who rejoice (Instagram’s FOMO) and rejoice over those who weep (Twitter’s schadenfreude). In a broken world like ours, not all joy is worthy of the name.

There is, however, an omnipresent cause for good joy, even in this life: God. Even when life’s circumstances are plainly not as they should be, there is still God, whose loving presence can and should be the cause of joy. That’s why Paul can command joy: “Rejoice in the Lord always.”

How does Paul expect us both to “rejoice always” and to “weep with those who weep”? Note that the command is to rejoice always, not to only rejoice. In this life our joy often must be mixed with sorrow. Rejoice in God, but lament over injustice. Rejoice in God, but weep with a neighbor in pain. Even our joy over genuinely good aspects of the world—the small joy of a sweet wild strawberry or the large joy of reconciling with a long-estranged friend—ought to be tinged with sorrow over the fact that this precious thread is not yet woven into a tapestry of fully flourishing life. In the world as we know it, joys are also always longings. They reach for a world in which they would extend into an unending web of joy. Our joys, Paul insists, ought to be as immodest as our dreams. They ought to reach for a whole world. 

To sum up: in this world, flourishing life is

  1. always and only a life of love,
  2. always but not only a life of joy
  3. neither always nor only a life at peace.

In the end, all three are woven together, but in this life, in which there are circumstances with which it would be wicked to be at peace and over which it would be evil to rejoice, love must come first.

When we dream a life, we dream a world. A world of love, peace, and joy, in harmony with one another. This is the world Jesus’s life summons into being. It lies beyond this immature and evil-stricken world. And yet it summons us. We hunger for it.

Paul affirms this hunger. It is a sign that we were indeed made for more than the lives we experience here and now. And yet it also points to the fact that some foretaste of that life can be discovered here. In little pockets of peace in communities marked by love, there are yet grounds for joy. Grounds that help us see every good thing around us as a gift from God.
 

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Explainer
Creed
Theatre
7 min read

How Shakespeare seasoned justice with mercy

As Shakespeare’s birthday approaches, Anthony Baker explores how the playwright let two ancient enemies fight it out on stage – justice and mercy.

Anthony Baker

Anthony is a theology professor at Seminary of the Southwest in Austin, Texas.

A line illustration of a theatrical play scene showing a crowd waiting on standing and sitting judges to make a decision
A scene from Measure for Measure, The Spirit of the Plays of Shakspeare (sic), Howard (1828-33).
Public domain, via Wikimedia Commons.

In order to act with mercy toward someone, must I forgo a sense of justice? If I decide to act justly, have I decided to leave mercy behind? These are questions of philosophers and theologians. They also provide some of the thickest philosophical and theological ponderings of William Shakespeare.  

A studied contemplation of mercy and justice does not, of course, originate with the Elizabethan playwright. For as long as humans have pondered how to order their civic spaces, they have puzzled over the demands of each. Around 500 B.C.E, Rabbi Yehudah is recorded as having said that God spends three hours a day on a throne of justice before getting up and crossing over to a throne of mercy, on which he spends an equal length of each day. 200 years later, when Plato devoted his most famous dialogue to the question of justice, he gave only the slightest nod to mercy, acknowledging that the just ruler would need a reputation for generosity.  

Though many of Shakespeare's plays notice the interaction, or lack of interaction, of these two qualities (The Tempest and nearly all of the history plays, for instance), he penned two for what seems to me the explicit purpose of letting these two ancient enemies fight it out on stage. I'll focus on one of these and return briefly below to the other.  

Justice Unbound 

The first, Measure for Measure, takes its title from a line from Jesus' sermon on the mount. This is a signature move of the Bard, to take a religiously charged line, doctrine, or even person, and make theater out of them. While some have argued that this was all he was doing with religion or theology, I have suggested that he is doing more. He is mining the depths of faith language to see if he can find gems that we might be missing if we only pay attention to the identity politics of Reformation era England. "Grace is grace despite of all controversy," one character in this play says. That could be the tagline for Shakespeare's theological interventions.  

We see Shakespeare having some of his typical fun with religion in Measure for Measure. The Duke of Vienna gives away his power in order to go abroad, as he claims, for a piece of international politics. In fact, he sneaks back into the city immediately, now disguised as a friar (a member of a religious order like the Franciscans). He tells the friar who lends him the robes that he is doing this because he has made an irresponsible practice of letting the city's "strict laws and biting statues slip." He has, that is to say, been more of a merciful father than a just ruler. He doesn't want to unbind this "tied-up justice" himself, since he fears this would cause his people to question his integrity. ("But you've always been so merciful before now!") So, he contrives a plan to deputize one of the nobles, Lord Angelo, to be the hammer of justice in his stead. He also hints that there are other reasons for his disguise. I'll come back to that bit of foreshadowing.  

Angelo immediately finds an episode in need of his firm hand. A gentleman named Claudio has got his girlfriend, Julietta, pregnant. There are in fact circumstances that seem worth considering: the two are engaged and are only waiting for her to receive her dowry - arranged before they go to church.  But Angelo will not hear of clemency. He is severe, one noble remarks. This is as it should be, a wise old Lord responds. "Mercy is not mercy that oft looks so," he says, perhaps angling gently at a critique of the Duke's mode of operation.  

Justice only deals with what it can see, in other words. We pick up a jewel on the ground only when it catches the light; buried or soiled, we walk right past it or even trample it.

Merciless Secrets 

At this point in the play we have our two adversarial qualities in neat, separate containers. One container, called The Duke, is only merciful. But this container must be removed from the state so the other, called Angelo, can display its contents of merciless justice. 

But, as this is Shakespeare, things quickly begin to get messy. Angelo turns out to be hiding secrets. The old Lord, having hinted that the Duke is over-merciful, now suggests that Angelo is being a bit hard on Claudio. He cautiously suggests that, had time and place given opportunity, Angelo himself might have come to the wrong side of the law. Angelo's response says more, perhaps, than he means to:  

"What's open made to justice,/ That justice seizes."  

Justice only deals with what it can see, in other words. We pick up a jewel on the ground only when it catches the light; buried or soiled, we walk right past it or even trample it.  

This is our first hint of Shakespeare's subversion of the polarized containers. Listening to Antonio's speech, we've begun to wonder if, lacking the slightest trace of mercy, justice doesn't in fact begin to look a little unfair. 

And then we see Angelo acting on his theory. Claudio's sister comes to him to beg for her brother's life. Angelo is quickly captivated by her beauty, and soon offers her a deal. If she will meet him for sex in the garden—secretly of course, so that the crime cannot be "unjust"— he will let Claudio free.  

This offer obviously shows the rot in his theory of justice, as he is forming a contract, a just bond, around blackmail and rape. But it also ruins mercy, since his proposed pardon of Claudio is not merciful at all, but simply the meeting one end of a "just" bargain.  

The Kiss 

Our neat containers have nearly dissolved around their contents. "Mercy is not mercy that oft looks so," but justice is not justice that only looks so. Justice as merciless as Angelo's turns out to be unjust, in the same way that mercy without justice turns up bereft of mercy. This is why the Duke left, and it's why Angelo fails as his deputy.  

But the Duke has returned, and now we begin to see what his secret purposes are. He goes to visit Claudio for confession and counsel, and also goes to Claudio's sister for comfort and advice. Here is one of the delightful places where Shakespeare plays with religious stereotypes.  The "controversy" of grace that I mentioned above, is for Shakespeare's audience an all-too familiar one, over whether God saves us through our works, and so through a contractual justice, or through grace, which is to say through an act of unearned mercy. The Catholic Church was generally (though not often accurately) associated with the former, the Protestants with the latter. But here it's a Catholic friar (or at least a disguised one!) who enters as the personified mercy.  

The Duke/friar devises a plan, and it nearly goes as awry as the more famous friar's plan in Romeo and Juliet. Which is to say that our comedy nearly becomes a tragedy. I won't give away the ending, if you've forgotten or never made it through. But I'll offer a hint: the Duke, on his return, is no longer an embodiment of unjust mercy as he was before. Now he sees clearly that true mercy is just, and true justice is mercy. The two must kiss, as the Psalm puts it. His clever idea for a resolution is all about allowing mercy and justice to exchange a kiss. 

When Mercy Seasons Justice 

The more familiar play in which Shakespeare lets us watch the battle of justice and mercy is The Merchant of Venice. Here we find the story of maybe the strangest contract made since the dawn of commerce: if a merchant defaults on his loan, the moneylender will claim an entitlement to "a pound of flesh." Is this mutually agreed-upon contract unjust, or simply merciless?  

The religious fun is rampant in this play as well. The lender is a Jew and the merchant is a Christian. But the Jew's strict call for commercial exactitude gets tempered by his excessive love for his daughter, and the Christian's supposed reputation for grace is in fact an excuse to practice favoritism. Eventually we have on stage such a confusion of religious stereotypes that someone asks which character is which.  

Well, the poor merchant can't pay, as we knew already at the moment he made the foolish contract. And so, Portia, this play's mercy persona, comes—also in disguise—from the fairytale land of Belmont with a clever trick to save her beloved merchant. While her solution involves a highly questionable interpretation of the law, she manages to persuade the ruling authority.  

As Portia is making her case, she offers one of the most explicitly theological speeches in all of Shakespeare's works. Earth's rulers might think they are most godlike when they enact the law with authority, she says. But "mercy is above this sceptered sway." In fact, mercy is "an attribute of God himself." She concludes, much as the Duke concludes, that "earthly power doth then show likest God's/ When mercy seasons justice."  

In plays like these we see displayed one of his most enduring gifts to us: the ability to play with the familiar and make it strange and new.

Shakespeare, had he indeed been "for all time" as a contemporary put it, would be celebrating his own 459th birthday this week. In plays like these we see displayed one of his most enduring gifts to us: the ability to play with the familiar and make it strange and new. He gives us philosophical and religious figures and themes, and then just as we assume we know who and what they are, he surprises us by showing what sort of dish you can make if you but swirl the ingredients.  

Our best efforts at justice, whether of the personal or political sort, must be seasoned by mercy. Our acts of mercy, if not ultimately just acts, will turn out to be merciless. Would we have noticed this if no one had had let it happen on stage in front of us? 

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