Column
Culture
Royalty
4 min read

Death focuses our minds on what really matters

From ballet tales to royal soap opera, stories shed light on Lent's dark mortality.

George is a visiting fellow at the London School of Economics and an Anglican priest.

In the style of a Rembrandt painting Prince Harry embraces his father King Charles.
Midjourney.ai

The season of Lent – the 40 days of penitential fasting preceding the great feast of Easter – is unavoidably about death and dying. Christians try to die to sin; the season culminates with the brutal, if salvific, death of the Christ on the cross on Good Friday and it’s said that if we, as disciples, can’t die with him at Calvary, then we can’t truly know what it is to rise with him at Easter dawn. 

Those of us who attend an “ashing” service at church this Ash Wednesday, will have a cross traced on our foreheads by a priest, made from the ashes of the palm crosses from last year’s Palm Sunday, with the words: “Remember that dust thou art and unto dust thou shalt return.”  

Reprising folk goddess Joni Mitchell, we’re thus reminded that we are but stardust and these bodies that we lug about are all bound towards that destination. In short, we’re all going to die.  

So as signs of new spring life are appearing all around, the Christian Church starts to wallow in existential misery. To paraphrase the lugubrious Mona Lott (geddit?) from the wartime BBC comedy It’s that Man Again, it’s being so cheerful that keeps we Christians going. 

Against this, I’d like to mount a case that there really are reasons to be cheerful in Lent; that, if the words of the ancient Gregorian chant that “in the midst of life we are in death” are true, then the reverse is also true, that in the midst of death we’re living life. 

Dead, but alive again. Lost, but found. These are the qualities that ameliorate the dark mortality of Lent.

This thought comes to me partly because of the extraordinary reconciliation and peace that families often experience as they lose one of their loved number. And it comes partly having just watched a livestream of the Royal Ballet’s latest production of Manon. Our heroine dies in a New Orleans penal colony, having been exiled as a prostitute from bourgeois Paris, sustained at the end not by worldly wealth but only by the devotion of her lover. 

It’s quite a story – catch it if you can. It contains the key tenet of faith during Lent, that love conquers death. Having embraced our Lenten mortality, that’s the truth we endeavour to embrace at Easter. And that, for me, begins to put the love back into Lent, which is otherwise bleak and bitter, like the sour wine offered to the dying Christ. 

My case is that it takes our mortality to clock what’s really important. And we witness that human realisation all the time. I believe we’ve just seen it in Prince Harry’s transatlantic flight to visit the King on his cancer diagnosis. King Charles becomes simply a dad again when his son is presented with the reality and realisation of his mortality, that sooner or later he is going to die.  

As it turns out, that reality turns out to be infinitely more important than whether he got a smaller bedroom than his big brother when they were boys (copyright Spare, Bantam Press). 

It’s stories like these – from Manon to the soap opera of the modern royals – that put human mortality into bas relief, so that we can see it properly. But it’s particularly Harry’s mercy mission to his father that chimes, for me, with a gospel story, or parable as we call them. 

It’s not one that’s about kings or weddings – or even principally about death and dying. I’m thinking of the Parable of the Prodigal Son. Plot synopsis: A landowner has two sons. The younger one asks to cash in his inheritance and travels away to a foreign land, where he spends all he has on a debauched lifestyle (cf. the Paris from which Manon “escapes”) and is reduced to tending pigs and coveting their swill. He returns humbled to the family estate, where his father welcomes him with a feast, much to the consternation of his brother. 

Sound familiar? Sure, Charles isn’t God, as we assume the forgiving father to be in the parable. Nor is Harry asking to return, humbled and repentant (though we don’t know that, do we?). Nor has he been reduced to a diet of pigswill, unless California and Netflix contracts count as that. 

Possibly more accurately cast is Prince William as the elder brother, who in the parable objects to his sibling’s welcome back, pointing out that he’s done all his father’s work without such reward. 

Here, for our Lenten purposes, the father’s reply is key: “My son, you are always with me, and everything I have is yours. But we had to celebrate and be glad, because this brother of yours was dead and is alive again; he was lost and is found.” 

Dead, but alive again. Lost, but found. These are the qualities that ameliorate the dark mortality of Lent. For royals, commoners, the trafficked, the desperate and alone, it delivers the one thing that death can’t extinguish: Hope. 

Review
Belief
Books
Culture
4 min read

Could Lamorna Ash become a Christian in a year?

Moving, funny and beautifully written, this young writer’s quest for faith has lessons for all of us.
A woman stares away from the camera
Lamorna Ash.

When two of Lamorna Ash’s university friends decided to leave behind their lives as standup comedians and train to become priests, Ash was fascinated. She interviewed them and wrote an essay about it for the Guardian but, by the time her piece came out, knew she was “not finished with Christianity.” 

“Perhaps it was naive not to have anticipated how spending my days alongside two fresh converts… would have some cumulative effect on me,” she writes. “Through these encounters, it was as if the very corner of the sky had been pulled back. I couldn’t see what was going on behind it, but I understood it was there for them… they taught me how to believe in the belief of others… their stories became the starting point.”  

And so Ash bought a second hand Toyota Corolla, stocked the glove box with CDs and set off on a Christian road-trip around the country that started with a Christianity Explored course and ended with a series of meetings with people who were consciously ‘dechurching’, taking in Catholics, Orthodox Christians, Quakers, Anabaptists and a YWAM community along the way. She books in ‘desert times’ on Iona; in Walsingham; at a silent Jesuit retreat. She walks, and talks, and tries to pray and thinks. Throughout her travels, Ash carried a ‘jokey’ question in the back of her mind to frame her research: could she become a Christian in a year? 

The result of her quest is this book: tender, fascinating, moving, funny and beautifully written. Throughout my reading of Don’t Forget We’re Here Forever I kept thinking of people I would like to give it to, Christian and non-Christian alike. Ash has achieved a remarkable feat: to make faith and its pursuit a compelling subject regardless of whether you’re a believer or not.  

Primarily, this is because she has not - joke question aside - set out with an agenda, other than to more fully understand what makes believers tick (and, she admits, because it is something to write about). Though she is scathing about Rico Tice, whom she finds performative and evasive, and finds the dogma of the Christianity Explored course too rigid and inflexible for her liking, she is sympathetic towards and interested in her fellow Christianity Explored small group companions - and is self-aware enough to admit that during this time she “played the worst version of myself: hackles raised, on alert, unable to let a conversation pass without some interjection”. Though she finds the intensity of Youth With A Mission’s community - along with the fact that many of the staff are married to each other - a bit much, she is individually drawn to some of the people who work there, and reflective about what and why they’re doing. As someone who has grown up with faith, it is fascinating to see what we often take for granted held up to scrutiny by someone who is not there to be deliberately combative, but to try and understand.  

“I am still too close to it to tell you definitively all the ways the encounters… changed me,” Ash writes. “What it felt like at the time, though, was that each conversation was leading me to places in my own mind I had never visited before.”  

There are elements of Ash’s book I am intrigued by, but sceptical of: her suggestion, for example, that the Bible should not stop where it does, but might be continually added to, “like a divine Wikipedia, updated in perpetuity.” Her theological understanding is not, perhaps understandably, advanced. She is a self-confessed product of her era: young, progressive, queer, and her readings of and understandings of other people are framed through that lens.  

But despite its failings, Don’t Forget We’re Here Forever remains compelling because of its curiosity - a curiosity that Ash wonders might be the place “where God exists”; its attempts, however stumbling, to understand faith rather than just dismiss it. It is an atheist Quaker who teaches Ash “how I might approach Christianity: it was supposed to be a challenge.” You will have to read it to learn where Ash herself ends up, but her book extends the challenge to those of us who might benefit from a similar scrutiny of what we believe - not to fall out of faith, but also to understand it, and God, more.

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