Explainer
Awe and wonder
Belief
Creed
6 min read

Creating out of nothing

Considering authorship, Barnabas Aspray unpacks what the creeds mean by ‘creator’ - the source of all reality.

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

A notebook is open at two blank pages. a pen rests across the page.s.
Photo by Mike Tinnion on Unsplash

In my last article, I said that God is not an object in space-time. He is part of the fabric of reality, like the number 2. He is transcendent, as if he inhabited a fourth dimension that we could not see and yet surrounds us, just as a two-dimensional creature could not see or conceive us even if we could see them. 

However, many transcendent beings could exist, like many numbers exist. But they would not be what the Nicene Creed means by the word ‘God’.  The Creed also states that God is radically unique and that he created everything. To see what that means we need an analogy. 

Author of the world 

The Harry Potter books were written by J.K. Rowling. In them she describes a fantasy world, where wizards and witches can cast magical spells and perform supernatural feats with their power. The most powerful evil wizard is Lord Voldemort, who is the main bad guy in the whole Harry Potter series. 

But is Lord Voldemort more powerful than J.K. Rowling? Could he ever defeat her in a one-on-one battle?  

Everyone can see immediately that the answer is ‘no’. But why not? Rowling is just an ordinary person without any magical powers, and Voldemort is one of the most powerful wizards in the Harry Potter world.  

The reason Voldemort could never defeat Rowling has to do with the unique kind of relationship they have. It’s not simply that Rowling is more powerful than Voldemort. The truth is more absolute than that. Voldemort doesn’t have any power of his own that Rowling didn’t give him in the first place. Rowling doesn’t really belong to the Harry Potter world at all, even though it belongs to her.  

In other words, Rowling has the status of creator in relation to the Harry Potter world. She decides everything about how that world works. She is nowhere to be found in it, yet she is present in a special way to every part of it, and every part of it depends on her for its very existence.  

There is one way in which Rowling could enter the Harry Potter world: if she were to write a story in which she herself was one of the characters, walking about and interacting with the others. That character would be both created and uncreated at the same time, in the world yet not belonging to it. This might help us understand how Jesus could be both God and human at the same time.

There are two limits to this analogy. One is that Rowling is not an absolute creator. She uses elements from her own world and ours to create the Harry Potter world: colours, gravity, light, time, space, etc. She did not create ex nihilo (out of nothing). The other limit is that the creatures in Harry Potter do not have free will. They can only ever do what Rowling decides that they do. 

The Christian Doctrine of Creation 

The above analogy helps make one point clear. To say that God is the creator does not mean that God kickstarted the world and then left it to go its own way. An author of a novel doesn’t only write its first line. The world couldn’t possibly go its own way for a microsecond without God continuing to ‘write’ it. The Christian doctrine of creation ex nihilo has nothing to do with whether evolution occurred, or whether Genesis chapter 1 should be taken ‘literally’. It is far more fundamental than that. It says that there is no particle, no law of physics or nature, no moment in time, that is not 100% dependent on God for its very existence. In other words, the Christian God doesn’t live within our understanding of reality at all. He is the source of reality, the existence behind all other existence, far more concrete and real than anything else – spiritual or physical – ever could be. 

This does not count as a proof for God’s existence, but (just like the last article), it does affect how arguments about God’s existence should be made. Nobody should ever think that they need to provide ‘evidence’ that God exists, as if God were an object in space-time who could be measured or observed. It doesn’t make sense to demand evidence for the existence of the source of existence. What would count as evidence? Let’s return to the Harry Potter analogy for a moment. No one could ever find out more about Rowling than she chooses to reveal about herself. If Harry Potter were to find a magic spell that enabled him to talk to her, this would only be because Rowling had created such a spell in the first place. The only thing Harry could ever figure out without Rowling’s help is that he did not create himself or the world he lives in. Either nobody did, or someone else did, who Harry might want to call the ‘unknown God’. 

Nor does it make sense to ask who created God, a question that sometimes occurs to children. Either there is an infinite regress of causality, so that every source has another source behind it and so on forever, or there is something we may accurately call the ‘first’ because it is the absolute source of everything. As the previous article showed, there are two kinds of real: (1) contingent objects that may or may not have existed, like you, me, or any object we encounter in the Universe, (2) necessary principles without which we can’t imagine anything, like numbers and logic. For Christians, God belongs in the second category, so he doesn’t need to be created any more than the number 2 needs to be created.  

FAQs 

Does the Bible really teach creation ex nihilo

The point of this article is to explain what the writers of the Nicene Creed meant they said that God is the ‘creator of heaven and earth, of all things visible and invisible’. Like the Trinity, the doctrine of creation ex nihilo is not explicit in the Bible (if it was, why bother writing the Creed?). There are some people who interpret the Bible in ways that contradict the Creed, because it is possible to interpret the Bible (like any text) numerous ways, and no interpretation can be proven beyond question. But the writers of the Creed believed that creation ex nihilo arises from prayerful reflection on the implications of the whole Bible’s message. If you’re interested in the biblical case for and against creation ex nihilo, check out the following resources:  

Andrew Davison, Participation in God: A Study in Christian Doctrine and Metaphysics (Cambridge: Cambridge University Press, 2020);  

Thomas Jay Oord, ed., Theologies of Creation: Creatio Ex Nihilo and Its New Rivals (Routledge, 2014);  

Nathan J. Chambers, Reconsidering Creation Ex Nihilo in Genesis 1 (Penn State University Press, 2021);  

Gary Anderson and Markus Bockmuehl, eds., Creation Ex Nihilo: Origins, Development, Contemporary Challenges (Notre Dame: University of Notre Dame Press, 2018);  

Janet Soskice, ed. “Creation ‘ex Nihilo’ and Modern Theology.” Special Issue, Modern Theology 29, no. 2 (April 2013).  

Susannah Ticciati, ‘Anachronism or Illumination? Genesis 1 and Creation Ex Nihilo’, Anglican Theological Review 99, no. 4 (September 2017): 691–712 

What about Satan? Isn’t he the opposite of God? 

No, Satan is not the opposite of God, just as Voldemort is not the opposite of J.K. Rowling. Satan is a creature like us, part of the Universe and dependent on God for his existence. The archangel Gabriel might be a more appropriate ‘opposite’ to Satan. The only opposite of God is nothingness, which is the same as saying that nothing is the opposite of God. As to why God continues to give power to Satan knowing he will use it for evil, that is a topic for a future article on the problem of evil. Keep watching this site and you’ll find it soon.  

  

Article
Belief
Creed
Leading
Politics
5 min read

Let's keep hope weird, Zack

Amid growing grief for the future, the Greens' leader is calling for 'ordinary hope'

Lauren Westwood works in faith engagement communications for The Salvation Army.

Zack Polanski walks down an alleyway
Zack Polanski returns to Manchester.
The Green Party

The recent Green Party’s political broadcast has been praised for its emotional clarity, moral urgency and a call to action that has seen party membership surge.  

Looking down the lens, recalling his years growing up in the north of England, party leader Zack Polanski sighs,  

“There was something in the air… a kind of ordinary hope.” 

As he walks through a typical British city, filmed in Manchester, lined with terraced houses and bright-white lights beaming over takeaway shops and industrial bins, he diagnoses the collective hopelessness of a ‘people too tired to fight, to sleep.’ 

In just under four minutes, Polanski disarms objections to his cause with a sensitive, poetic script. He opens by referring to the common experience of a satisfying bowl of cornflakes – before plainly illustrating the socioeconomic injustice facing the everyman. He then makes the case for fair wealth taxation, and closes with the cheery challenge:  

‘Let’s make hope normal again.’ 

It’s a compelling appeal that resonates with those weary of cynicism. But what does it actually mean? 

To be clear, I call this to question because I desperately want good things for our country. Warm homes, clean air, safe streets and an NHS that works for all – I believe these things should be normal. But I’m not sure I want to normalise hope. 

Because real hope is weird. 

Hope is not to be confused with optimism, or good prospects, or a positivity about the future reserved for the privileged. It’s not increased with social mobility or sitting comfortably in a five-year plan. Hope is not even the belief that things will get better. Real hope is much truer than that. It is a deep knowing that all shall be well, even when that seems foolish – a glance through the ancient literature of the Bible points to hope as singing in a prison cell, relief in the wilderness, resurrection in the face of crucifixion. 

As NT Wright, the theologian, puts it: ‘Hope is what you get when you suddenly realise a different worldview is possible, a worldview in which the rich, the powerful, and the unscrupulous do not after all have the last word.’ This kind of hope doesn’t waiver with the housing market, interest rates, or inheritance tax. It’s not the result of good policy or strong polling. It’s the stubborn belief that love wins – and has, in fact, already won – even, or especially, when it looks like all is lost. 

This is where Polanski’s got it right. There is a present and growing grief for the future. Across the UK, millions feel disengaged, disrespected and undervalued. Distrust of politicians, division in communities and loss of faith in the systems supposed to be for our benefit seem to be at an all-time high. 

Polanski’s call to hope comes at a time when a redeemed order seems impossible or, at best, several generations away. But, instead of accepting the kind of ‘ordinary hope’ Polanski experienced back in his youth, the answer to our deepest longing lies in realising we need something extraordinary to happen and knowing that we’re allowed to believe that it will. 

We don’t need to be desensitised to hope – we need the opposite. We need to be reawakened to everyday glimmers of redemption – the neighbour who pops by for sugar and stays for a safe conversation, the health worker who acknowledges a former patient with a grateful smile, the family whose fear is soothed by the kind gesture of an elderly white neighbour – and recognise our share and our part in bringing it on, believing there is yet more and better to uncover. 

Polanski is incredibly perceptive in his address to the concerns of the hard-working plumber and the fledgling hair salon owner, nervous that their hard earnings and ambition will be cut short: ‘I wondered, “Why did they think I was talking about them?” And now, I get it. It’s because it’s too hard to picture.’  

Hope, too, is hard to see. A better world is hard to imagine. Though Polanski is advocating for a public reform and reimagination of what it means to be taxed, our souls are capable of the sudden realisation that another way is possible. We can experience life-altering revelation that leads to fresh vision, both for what is seen and for the yet unseen. 

For the Christian, hope is not some far-out abstract concept, but a gift made real through belief in the life, death and resurrection of Jesus Christ – a Middle Eastern man who walked the earth two thousand years ago, held no title, had no place to lay his head, and called himself the Way, the Truth and the Life. See? Real hope gets weird. 

Instead of being content to accept an ordinary hope – made small, palatable and unremarkable – we can embrace hope as it was designed. A liberating reality that brings steady assurance to every thought, every reaction, every decision and, yes, every vote. This confidence comes not because we are sure of our own rightness, but precisely because we are not. We submit to its mystery because a hope that we can control, mediate and measure will never lead to the transformation we most long for. 

Do I long to see an increased hope for the future across the UK? Of course. But do I believe we should ever grow accustomed to hope? I don’t think so. We need contagious hope – wild and holy and strange, anything but normal. 

Tax the super-rich so that children can eat, parents can sleep, and ordinary people can be lifted out of extraordinary poverty, if you want – but let’s keep hope weird. 

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