Explainer
Awe and wonder
Belief
Creed
6 min read

Creating out of nothing

Considering authorship, Barnabas Aspray unpacks what the creeds mean by ‘creator’ - the source of all reality.

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

A notebook is open at two blank pages. a pen rests across the page.s.
Photo by Mike Tinnion on Unsplash

In my last article, I said that God is not an object in space-time. He is part of the fabric of reality, like the number 2. He is transcendent, as if he inhabited a fourth dimension that we could not see and yet surrounds us, just as a two-dimensional creature could not see or conceive us even if we could see them. 

However, many transcendent beings could exist, like many numbers exist. But they would not be what the Nicene Creed means by the word ‘God’.  The Creed also states that God is radically unique and that he created everything. To see what that means we need an analogy. 

Author of the world 

The Harry Potter books were written by J.K. Rowling. In them she describes a fantasy world, where wizards and witches can cast magical spells and perform supernatural feats with their power. The most powerful evil wizard is Lord Voldemort, who is the main bad guy in the whole Harry Potter series. 

But is Lord Voldemort more powerful than J.K. Rowling? Could he ever defeat her in a one-on-one battle?  

Everyone can see immediately that the answer is ‘no’. But why not? Rowling is just an ordinary person without any magical powers, and Voldemort is one of the most powerful wizards in the Harry Potter world.  

The reason Voldemort could never defeat Rowling has to do with the unique kind of relationship they have. It’s not simply that Rowling is more powerful than Voldemort. The truth is more absolute than that. Voldemort doesn’t have any power of his own that Rowling didn’t give him in the first place. Rowling doesn’t really belong to the Harry Potter world at all, even though it belongs to her.  

In other words, Rowling has the status of creator in relation to the Harry Potter world. She decides everything about how that world works. She is nowhere to be found in it, yet she is present in a special way to every part of it, and every part of it depends on her for its very existence.  

There is one way in which Rowling could enter the Harry Potter world: if she were to write a story in which she herself was one of the characters, walking about and interacting with the others. That character would be both created and uncreated at the same time, in the world yet not belonging to it. This might help us understand how Jesus could be both God and human at the same time.

There are two limits to this analogy. One is that Rowling is not an absolute creator. She uses elements from her own world and ours to create the Harry Potter world: colours, gravity, light, time, space, etc. She did not create ex nihilo (out of nothing). The other limit is that the creatures in Harry Potter do not have free will. They can only ever do what Rowling decides that they do. 

The Christian Doctrine of Creation 

The above analogy helps make one point clear. To say that God is the creator does not mean that God kickstarted the world and then left it to go its own way. An author of a novel doesn’t only write its first line. The world couldn’t possibly go its own way for a microsecond without God continuing to ‘write’ it. The Christian doctrine of creation ex nihilo has nothing to do with whether evolution occurred, or whether Genesis chapter 1 should be taken ‘literally’. It is far more fundamental than that. It says that there is no particle, no law of physics or nature, no moment in time, that is not 100% dependent on God for its very existence. In other words, the Christian God doesn’t live within our understanding of reality at all. He is the source of reality, the existence behind all other existence, far more concrete and real than anything else – spiritual or physical – ever could be. 

This does not count as a proof for God’s existence, but (just like the last article), it does affect how arguments about God’s existence should be made. Nobody should ever think that they need to provide ‘evidence’ that God exists, as if God were an object in space-time who could be measured or observed. It doesn’t make sense to demand evidence for the existence of the source of existence. What would count as evidence? Let’s return to the Harry Potter analogy for a moment. No one could ever find out more about Rowling than she chooses to reveal about herself. If Harry Potter were to find a magic spell that enabled him to talk to her, this would only be because Rowling had created such a spell in the first place. The only thing Harry could ever figure out without Rowling’s help is that he did not create himself or the world he lives in. Either nobody did, or someone else did, who Harry might want to call the ‘unknown God’. 

Nor does it make sense to ask who created God, a question that sometimes occurs to children. Either there is an infinite regress of causality, so that every source has another source behind it and so on forever, or there is something we may accurately call the ‘first’ because it is the absolute source of everything. As the previous article showed, there are two kinds of real: (1) contingent objects that may or may not have existed, like you, me, or any object we encounter in the Universe, (2) necessary principles without which we can’t imagine anything, like numbers and logic. For Christians, God belongs in the second category, so he doesn’t need to be created any more than the number 2 needs to be created.  

FAQs 

Does the Bible really teach creation ex nihilo

The point of this article is to explain what the writers of the Nicene Creed meant they said that God is the ‘creator of heaven and earth, of all things visible and invisible’. Like the Trinity, the doctrine of creation ex nihilo is not explicit in the Bible (if it was, why bother writing the Creed?). There are some people who interpret the Bible in ways that contradict the Creed, because it is possible to interpret the Bible (like any text) numerous ways, and no interpretation can be proven beyond question. But the writers of the Creed believed that creation ex nihilo arises from prayerful reflection on the implications of the whole Bible’s message. If you’re interested in the biblical case for and against creation ex nihilo, check out the following resources:  

Andrew Davison, Participation in God: A Study in Christian Doctrine and Metaphysics (Cambridge: Cambridge University Press, 2020);  

Thomas Jay Oord, ed., Theologies of Creation: Creatio Ex Nihilo and Its New Rivals (Routledge, 2014);  

Nathan J. Chambers, Reconsidering Creation Ex Nihilo in Genesis 1 (Penn State University Press, 2021);  

Gary Anderson and Markus Bockmuehl, eds., Creation Ex Nihilo: Origins, Development, Contemporary Challenges (Notre Dame: University of Notre Dame Press, 2018);  

Janet Soskice, ed. “Creation ‘ex Nihilo’ and Modern Theology.” Special Issue, Modern Theology 29, no. 2 (April 2013).  

Susannah Ticciati, ‘Anachronism or Illumination? Genesis 1 and Creation Ex Nihilo’, Anglican Theological Review 99, no. 4 (September 2017): 691–712 

What about Satan? Isn’t he the opposite of God? 

No, Satan is not the opposite of God, just as Voldemort is not the opposite of J.K. Rowling. Satan is a creature like us, part of the Universe and dependent on God for his existence. The archangel Gabriel might be a more appropriate ‘opposite’ to Satan. The only opposite of God is nothingness, which is the same as saying that nothing is the opposite of God. As to why God continues to give power to Satan knowing he will use it for evil, that is a topic for a future article on the problem of evil. Keep watching this site and you’ll find it soon.  

  

Review
Ageing
Belief
Books
Culture
4 min read

Mine eyes have just read the best novel of the year

Quentin Letts’ Nunc! is a beautiful, moving and funny exploration of life, death and first century Jewish cuisine.
A book cover shows a cartoon man sitting on the title text while a dog sits below.

Historical fiction is my favourite genre of novel. Make it biblical historical fiction and you’ve sold me before I’ve cracked the spine! I bought a copy of Quentin Letts’ NUNC! without having read a single review or knowing anything about it… and what a sensible decision it was. Letts has produced a novel that combines his rapacious satirical wit, theological and historical acumen, and a beautiful sentimentality – the novel is dedicated to his brother Alexander, who died of cancer. 

It is inspired by the words of the Nunc Dimittis, as translated in the Book of Common Prayer. Sung by Simeon, as he holds the Christ child in his arms, they are words that are full of joy, because God has promised Simeon that he will not die until he has seen the Messiah. “Lord, now lettest thou now thy servant depart in peace,” it begins: words that are spoken or sung at every Evening Prayer in the Church and have provided hope and comfort for generations.

The novel opens with the character of Symons (no, I didn’t misspell it), a titanic literary concoction of corduroy, wax jacket, and mild middle-aged irritation, who lives in a classical English cathedral town. He receives a terminal cancer diagnosis. He has an argument with his wife, Anne (the typology is strong in this novel). He gets pissed. As he totters home from his local wine bar, he passes the cathedral and is captivated by the sound of singing.  

Upon entry he realises the choir is rehearsing the canticles for Evensong. He hides behind a pillar and kneels down in a pew. The Nunc Dimittis is rehearsed, and the heady combination of high emotion and fine wine sends him into a prayerful stupor. We are transported to first century Jerusalem and spend most of the rest of the novel in the company of Simeon and a cadre of his friends, acquaintances, and opponents. 

What follows is a series of hilarious vignettes, featuring a wide array of brilliantly sketched characters. Spending much of our time in ‘Deuteronomy Square’ we meet Rueben the tea seller, Tambal the slave (who has a fondness for Roman cuisine and a horrid aversion to gefilte fish), Noor the mad garlic seller, Jonah the hypocritical Pharisee, and Shlomo the dog. Through them, and many others, Letts allows the reader to explore the social, political, religious, and dietary life of the inhabitants of Jerusalem. 

The humour never vanishes, the confessional power never overwhelms, the lightness of touch is always present; and yet the novel takes on a new intensity...

How did the Judeans feel about the Romans? Were there ever friendships between Jew and Gentile oppressor? How did the average man or woman feel about Herod? What was their attitude to a priestly and religious hierarchy? Were the Wise Men buffoons? Letts weaves such themes through a narrative laden with the humour and heart-warming episodes that mark the best ‘slice-of-life’ writing. The people of first century Jerusalem might be separated from us by time, space, language, culture, and cuisine, but their highs and lows, their gripes and loves, their daily search for happiness and meaning, are no different to ours. 

Underpinning the story is Simeon’s daily watch for the promise of the Christ. Letts has ten verses from the Gospel of Luke as a foundation to build his protagonist, and four of these are a song. Undeterred, Letts uses Simeon as a cypher to explore further and deeper themes: youthful indiscretion, regret, passion, love, shame, faith, doubt.  

Letts also allows for a certain frisson of imaginative licence to round out his back-story. What was Simeon’s profession? Who were his parents? Did he know Anna the Prophetess? Why had God given him this task of watching and waiting, praying and hoping? Never overexplaining or labouring the point, Letts grants the reader a few moments of memory and introspection from the old man, but otherwise invites us to understand Simeon through his daily dealings with those around him.  

By the end of the novel we have not only one of the funniest characters of modern fiction, but one of the most spiritually and emotionally complex. I prepared to leave Simeon – encountering Mary, Joseph, and the infant Christ – feeling as if he was a member of the family.  

Letts concludes the novel with Simeon’s great biblical performance: ten verses which suddenly take on a remarkable poignant weight. The novel quietly switches gear to become a theological meditation worthy of any spiritual writer. The humour never vanishes, the confessional power never overwhelms, the lightness of touch is always present; and yet the novel takes on a new intensity and seriousness that took me by the hand and led me to look upon the mystery of life, death, truth, beauty, and goodness.  

It took me a while to make it through the final two chapters…my eyes kept misting with tears.  

If you only read one novel this year, please let it be NUNC! 

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