Explainer
Awe and wonder
Belief
Creed
6 min read

Creating out of nothing

Considering authorship, Barnabas Aspray unpacks what the creeds mean by ‘creator’ - the source of all reality.

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

A notebook is open at two blank pages. a pen rests across the page.s.
Photo by Mike Tinnion on Unsplash

In my last article, I said that God is not an object in space-time. He is part of the fabric of reality, like the number 2. He is transcendent, as if he inhabited a fourth dimension that we could not see and yet surrounds us, just as a two-dimensional creature could not see or conceive us even if we could see them. 

However, many transcendent beings could exist, like many numbers exist. But they would not be what the Nicene Creed means by the word ‘God’.  The Creed also states that God is radically unique and that he created everything. To see what that means we need an analogy. 

Author of the world 

The Harry Potter books were written by J.K. Rowling. In them she describes a fantasy world, where wizards and witches can cast magical spells and perform supernatural feats with their power. The most powerful evil wizard is Lord Voldemort, who is the main bad guy in the whole Harry Potter series. 

But is Lord Voldemort more powerful than J.K. Rowling? Could he ever defeat her in a one-on-one battle?  

Everyone can see immediately that the answer is ‘no’. But why not? Rowling is just an ordinary person without any magical powers, and Voldemort is one of the most powerful wizards in the Harry Potter world.  

The reason Voldemort could never defeat Rowling has to do with the unique kind of relationship they have. It’s not simply that Rowling is more powerful than Voldemort. The truth is more absolute than that. Voldemort doesn’t have any power of his own that Rowling didn’t give him in the first place. Rowling doesn’t really belong to the Harry Potter world at all, even though it belongs to her.  

In other words, Rowling has the status of creator in relation to the Harry Potter world. She decides everything about how that world works. She is nowhere to be found in it, yet she is present in a special way to every part of it, and every part of it depends on her for its very existence.  

There is one way in which Rowling could enter the Harry Potter world: if she were to write a story in which she herself was one of the characters, walking about and interacting with the others. That character would be both created and uncreated at the same time, in the world yet not belonging to it. This might help us understand how Jesus could be both God and human at the same time.

There are two limits to this analogy. One is that Rowling is not an absolute creator. She uses elements from her own world and ours to create the Harry Potter world: colours, gravity, light, time, space, etc. She did not create ex nihilo (out of nothing). The other limit is that the creatures in Harry Potter do not have free will. They can only ever do what Rowling decides that they do. 

The Christian Doctrine of Creation 

The above analogy helps make one point clear. To say that God is the creator does not mean that God kickstarted the world and then left it to go its own way. An author of a novel doesn’t only write its first line. The world couldn’t possibly go its own way for a microsecond without God continuing to ‘write’ it. The Christian doctrine of creation ex nihilo has nothing to do with whether evolution occurred, or whether Genesis chapter 1 should be taken ‘literally’. It is far more fundamental than that. It says that there is no particle, no law of physics or nature, no moment in time, that is not 100% dependent on God for its very existence. In other words, the Christian God doesn’t live within our understanding of reality at all. He is the source of reality, the existence behind all other existence, far more concrete and real than anything else – spiritual or physical – ever could be. 

This does not count as a proof for God’s existence, but (just like the last article), it does affect how arguments about God’s existence should be made. Nobody should ever think that they need to provide ‘evidence’ that God exists, as if God were an object in space-time who could be measured or observed. It doesn’t make sense to demand evidence for the existence of the source of existence. What would count as evidence? Let’s return to the Harry Potter analogy for a moment. No one could ever find out more about Rowling than she chooses to reveal about herself. If Harry Potter were to find a magic spell that enabled him to talk to her, this would only be because Rowling had created such a spell in the first place. The only thing Harry could ever figure out without Rowling’s help is that he did not create himself or the world he lives in. Either nobody did, or someone else did, who Harry might want to call the ‘unknown God’. 

Nor does it make sense to ask who created God, a question that sometimes occurs to children. Either there is an infinite regress of causality, so that every source has another source behind it and so on forever, or there is something we may accurately call the ‘first’ because it is the absolute source of everything. As the previous article showed, there are two kinds of real: (1) contingent objects that may or may not have existed, like you, me, or any object we encounter in the Universe, (2) necessary principles without which we can’t imagine anything, like numbers and logic. For Christians, God belongs in the second category, so he doesn’t need to be created any more than the number 2 needs to be created.  

FAQs 

Does the Bible really teach creation ex nihilo

The point of this article is to explain what the writers of the Nicene Creed meant they said that God is the ‘creator of heaven and earth, of all things visible and invisible’. Like the Trinity, the doctrine of creation ex nihilo is not explicit in the Bible (if it was, why bother writing the Creed?). There are some people who interpret the Bible in ways that contradict the Creed, because it is possible to interpret the Bible (like any text) numerous ways, and no interpretation can be proven beyond question. But the writers of the Creed believed that creation ex nihilo arises from prayerful reflection on the implications of the whole Bible’s message. If you’re interested in the biblical case for and against creation ex nihilo, check out the following resources:  

Andrew Davison, Participation in God: A Study in Christian Doctrine and Metaphysics (Cambridge: Cambridge University Press, 2020);  

Thomas Jay Oord, ed., Theologies of Creation: Creatio Ex Nihilo and Its New Rivals (Routledge, 2014);  

Nathan J. Chambers, Reconsidering Creation Ex Nihilo in Genesis 1 (Penn State University Press, 2021);  

Gary Anderson and Markus Bockmuehl, eds., Creation Ex Nihilo: Origins, Development, Contemporary Challenges (Notre Dame: University of Notre Dame Press, 2018);  

Janet Soskice, ed. “Creation ‘ex Nihilo’ and Modern Theology.” Special Issue, Modern Theology 29, no. 2 (April 2013).  

Susannah Ticciati, ‘Anachronism or Illumination? Genesis 1 and Creation Ex Nihilo’, Anglican Theological Review 99, no. 4 (September 2017): 691–712 

What about Satan? Isn’t he the opposite of God? 

No, Satan is not the opposite of God, just as Voldemort is not the opposite of J.K. Rowling. Satan is a creature like us, part of the Universe and dependent on God for his existence. The archangel Gabriel might be a more appropriate ‘opposite’ to Satan. The only opposite of God is nothingness, which is the same as saying that nothing is the opposite of God. As to why God continues to give power to Satan knowing he will use it for evil, that is a topic for a future article on the problem of evil. Keep watching this site and you’ll find it soon.  

  

Essay
Belief
Creed
Football
Sport
6 min read

Argentina’s adoration of Lionel Messi

The icon of the beautiful game holds a nation's gaze, giving insights into redemption.

Matthias is a priest-theologian, and Centre Lead for St Mellitus College, Chelmsford

A child on the shoulders of a parent wears a light blue and white stripped football top, waves the Argentinian flag
Pedro Chosco on Unsplash.

“Behold, the Lamb of God, who takes away the sin of the world.” 

The words recited by the priest during the Eucharist as the chalice and host are lifted, inviting participants to fix their gaze on Christ, encapsulate the profound truth that what we gaze upon has inordinate power to shape us. It is a truth echoed not only in spiritual practices but also in our everyday experiences. In a world flooded with visual distractions, an age dominated by screens, this act of beholding is a counter-cultural reminder of the reality that our gaze determines our desires and, ultimately, the people we become.  

Of course, our gaze is not limited to religion or technology; it also relates to culture, and our idols in music and sport deeply influence us for better or worse.  

This truth became vividly real to me during our family travels through South America last summer. Our synaesthesically-rich itinerary of truly memorable encounters with the vast natural and cultural heritage sites of the continent coincided with Lionel Messi’s triumph in the Copa América. As a family we enjoyed witnessing the national celebrations of the football giant taking his foremost place in the pantheon of La Albiceleste – the Argentinian national team. As part of our backpacking through Argentina, we visited Rosario, the birthplace of the great man. 

For my six-year-old son, the trip was a chance to step into the world of his hero. Visiting the modest house where Messi grew up, his kindergarten, the playground where he would have played, and the club he represented before moving to Barcelona and global fame was fascinating. But far beyond all these famous sites was the immediate visual bombardment of graffitied murals across the city’s walls celebrating his legacy, life and achievements. They highlighted how deeply intertwined Messi’s story is with the local and national consciousness. Navigating our way through these vibrant backstreets and billboards, our own human senses blurring in the Argentine cultural imaginary, we reflected on how we were also manoeuvring our way through a modern-day pilgrimage. 

For the figure of Lionel Messi commands etheric resonances far beyond the immediate significance of his footballing career. His story is about more than sporting success, and as a cultural icon in Argentina he has now surpassed Diego Maradona. Messi’s journey conjures a strikingly messianic arc, encapsulating themes of death and resurrection. From his emergence out of humble beginnings before being flung into international stardom, his resignation from the national team amid public outrage to his triumphant and redemptive return, leading Argentina to World Cup glory. 

Along our travels, we were surrounded by beauty; in creation, culture, and human creativity. This beauty and artistry also shines forth in Messi and his craft. Watching someone of such skill and elegance on the pitch, and such apparent humility away from the cameras, embodies the joy of the beautiful game. Messi’s place within the Argentine cultural imagination, as a social actor producing and reproducing a shared sense of meaning that verges on the spiritual, is also cemented in the country’s cultural delights. These narratives of new beginnings and flourishing are evident not only the vibrant street art, but also in the exquisite steaks and fine Malbec wine consumed in the fashionable Buenos Aires restaurants frequented by footballers and other celebrities.  And, in the ubiquitous ‘Number 10’ football strips we saw worn by every second visitor at the breathtaking Iguazú Falls. This powerful symbiosis between Messi and the collective idea of ‘Argentina’ means that his triumph in 2022 became a communal act of redemption for a nation whose imagined identity is intricately tied to the sport, the culmination of a wider set of imagined bonds fostering a collective sense of belonging, meaning, and beauty. 

Beauty and the Church 

This appreciation for beauty resonates deeply with the Christian tradition. Beauty matters – not only in life but also in the Church, in worship, and in encounters with the divine. Just as Messi’s artistry captivates, so too should the Church inspire awe and wonder. The synaesthetic experience of Christian worship, the harmony of liturgy and sacred music, provides glimpses of the divine and transcendent beauty and is designed to draw the gaze upward, to behold Christ and his beauty. In the early Church, when Christians emerged from the underground catacombs and built churches and cathedrals, pagans marvelled at the beauty of the liturgies occuring inside. The order, reverence, and otherworldly radiance of Christian worship captivated those who encountered it. 

The importance of beauty in worship echoes the Transfiguration, where Christ’s divine glory was revealed and transfixed his disciples. On Mount Tabor, Christ unveiled the divine radiance that transforms all who behold him, all who fix their eyes on him. The beauty of God transforms us when our minds are oriented toward God. This is not merely aesthetic – it is theological: our entire being is beautified. St. Maximus the Confessor argued that when our mind is oriented toward God, it is beautified by him, and as this beauty flows outward it also shapes and transforms our being. Conversely, when we turn our attention away from God, we lose this radiance and harmony, becoming shapeless and disordered. 

Beauty, then, is not just a peripheral concern; it is integral to worship and formation, to our becoming fully human and being fully transformed into the image of God. The Church should be a place where we encounter the beauty of Christ, where the liturgy itself becomes an icon that draws our ears and eyes, minds, hearts, and bodies towards God. 

The Redeemer gazing back

In our culture, we are drawn to watch figures like Lionel Messi, whose brilliance and beautiful artistry inspire devotion and cement collective cultural and even spiritual meanings. Yet, while football and an individual’s life story might inspire and unify, as we are reminded by Dietrich Bonhoeffer, they nevertheless remain penultimate. These worldly things, be they football, fame, or even national unity, cannot satisfy our deepest longings and thirst for ultimate meaning, and will ultimately fade away. In the wider spiritual imagination, these moments of beauty do however encapsulate a deeper, lasting reality, and so may point beyond themselves, toward the source of all beauty – God Himself. And this is where theology and the gaze converge, bringing us back to where we started: that what we choose to look upon shapes us profoundly. As we navigate a world filled with distractions and idols, it is a reminder that what we choose to behold not only reflects our values but also shapes the people we are becoming. The question is then, where – or rather at whom – are we directing our gaze? 

Our South American travels culminated in Rio de Janeiro, at the feet of the iconic statue of Cristo Redentor. Standing atop a mountain, Christ himself gazes over the metropolis, the shimmering beaches, the favelas, and the Maracanã Football Stadium. With outstretched arms, the statue is an enduring symbol of Christ’s immanence. Not a distant, transcendent God removed from our world, but the present Christ.  

In considering what shapes us – be it football legends, the wonders of creation, or the allure of our screens – it becomes evident that only one gaze has the power to redeem. The story of Lionel Messi may inspire us, but the story of Jesus Christ redeems us. Only in Christ do we find a beauty that is both immanent and eternal, calling us to fix our eyes on him and be transfigured by his glory. For we can only behold him at all because he was beholding us first. 

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