Consider the crown and who wears it

The Feast of Christ the King prompts Jamie Mulvaney to ask what sort of strong leader we should seek.

Jamie Mulvaney

Jamie is Vicar of St Michael's Chester Square, London.

King Charles in a black dinner suit talks and gestures to President Macron who is similarly dressed.

King Charles and President Macron at a September 2023 state visit.

Remember singing 'God Save the King' for the first time and it took a little more effort? Instinctively, we were so used the Queen, and unless you're well into your eighties the concept of a King will still be something a novelty. Slowly the stamps have changed, and new passports are finally being printed. After King Charles' first year on the throne, and having celebrated his 75th birthday this month, we can reflect with a little more perspective about what it means to have a king.

A new king gives us an opportunity to look forward and back. The crown cradles continuity, bringing the past into the present. And whether you've been indulging in the latest series of Netflix's The Crown or venturing further back into royal history, we can also indulge in a little time travel. Maybe not a regal DeLorean, but if you hop inside the state coach there’s quite the ride to be taken. The historian Dominic Sandbrook recently detailed in The Times how in Britain that 'it is remarkable how often monarchs’ opening 12 months have set the tone for the rest of their reign.'

We find ourselves in a liminal space - not quite an airport terminal - but one where we are on our way although not there yet. We see glimpses of this still-coming kingdom, but not yet fully realised.

What if we went back to the future even further, considering Jesus Christ as king? We might be unable to argue with the enduring legacy of this historical figure, but most of us are unfamiliar with Jesus as King. We tend to think of baby Jesus, Jesus feeding the five thousand or Jesus on the cross, but what about Jesus as King? Today the church celebrates the Feast of Christ the King, an interestingly fairly recent tradition. A bit like the John Lewis Christmas ad encouraging us to 'let your traditions grow'. But there is nothing new about Jesus' kingship. The church has always thought of Christ as King. According to the accounts of Jesus' life in the Bible, the topic Jesus taught on more than anything else was 'the Kingdom of God'. And King Charles’ coronation was itself a portal to the life of this king. The service began with the Chapel Royal chorister greeting the new monarch, ‘Your Majesty, as children of the Kingdom of God, we welcome you in the name of the King of Kings.’ His reply? ‘In his name, and after his example, I come not to be served, but to serve.’ It was a useful reminder that the form of servant leadership we have assumed and expected from the Queen and now the King is not a modern invention or interpretation of how monarchs should be.

Much like the arrival of a new king, Christ the King Sunday also enables us to both look back and look forward. We find ourselves in a liminal space - not quite an airport terminal - but one where we are on our way although not there yet. We see glimpses of this still-coming kingdom, but not yet fully realised. The word 'Gospel' was well-known in the ancient world, describing the good news of the rightful king who has returned home to take this throne.

But this king is quite the contrast to the strong leader we're used to. As we look to world leaders today, we see many elder statesmen (you decide whether 'elder' or 'statesmen' should be emphasised!). There are different understandings and projections of what strong leadership looks like.

The historical reality of Jesus, his fingerprints on the world today, and the professed experience of millions of people worldwide continue to subvert.

Jesus is a king who comes in humility. There was speculation of a slimmed-down coronation for King Charles proportionate to the cost-of-living crisis. But in Jesus’ mind must have been more the cost of dying, as he rode on a donkey into Jerusalem, surrounded by a fickle crowd cheering his own coronation before condemnation only a week later. At his execution there was mockery with the sign on his cross ‘King of the Jews’, and of course wearing a crown of thorns. If you travel back to his birth, the magi bring royal gifts, so his life is bookended with rumours of kingship.

What might this mean for us in the twenty-first century? On the one hand, there’s the personal, individual connection to the king. Pope Francis heralds ‘Christ the King who conquers us’. We’re happy for his rule and reign out there, but what about extending into our own lives? For the past few years on the eve of Christ the King I've been to baptism services at Southwark Cathedral. One of the symbols of the water in baptism is that we overwhelm our lives with Christ's life, and ultimately his reign over who we are, how we are, and what we do. Then there’s the broader reality: a king who does not neatly or easily fit into our political paradigms, whose priorities in one way or another will catch us off guard.

Jesus is the king who turns things upside-down. His kingdom is not marked by borders but is still whispered of and spoken about two thousand years later. That is what we sing about at Christmas. The king arriving in vulnerability as a baby and one day - who knows when - Christians believe he returns in power as king. On that day, Christians believe justice, goodness and all that we long for will be ushered in. But until then, the historical reality of Jesus, his fingerprints on the world today, and the professed experience of millions of people worldwide continue to subvert.

As Dietrich Bonhoeffer, the German theologian famous for plotting to kill Hitler said, ‘A king who dies on the cross must be the king of a rather strange kingdom.’ The mystery amidst the majesty. Keep looking back. Keep looking forward.

Column

Culture

Royalty

14 February 2024

4 min read

Death focuses our minds on what really matters

From ballet tales to royal soap opera, stories shed light on Lent's dark mortality.

George Pitcher

George is a visiting fellow at the London School of Economics and an Anglican priest.

In the style of a Rembrandt painting Prince Harry embraces his father King Charles.

Midjourney.ai

The season of Lent – the 40 days of penitential fasting preceding the great feast of Easter – is unavoidably about death and dying. Christians try to die to sin; the season culminates with the brutal, if salvific, death of the Christ on the cross on Good Friday and it’s said that if we, as disciples, can’t die with him at Calvary, then we can’t truly know what it is to rise with him at Easter dawn.

Those of us who attend an “ashing” service at church this Ash Wednesday, will have a cross traced on our foreheads by a priest, made from the ashes of the palm crosses from last year’s Palm Sunday, with the words: “Remember that dust thou art and unto dust thou shalt return.”

Reprising folk goddess Joni Mitchell, we’re thus reminded that we are but stardust and these bodies that we lug about are all bound towards that destination. In short, we’re all going to die.

So as signs of new spring life are appearing all around, the Christian Church starts to wallow in existential misery. To paraphrase the lugubrious Mona Lott (geddit?) from the wartime BBC comedy It’s that Man Again, it’s being so cheerful that keeps we Christians going.

Against this, I’d like to mount a case that there really are reasons to be cheerful in Lent; that, if the words of the ancient Gregorian chant that “in the midst of life we are in death” are true, then the reverse is also true, that in the midst of death we’re living life.

Dead, but alive again. Lost, but found. These are the qualities that ameliorate the dark mortality of Lent.

This thought comes to me partly because of the extraordinary reconciliation and peace that families often experience as they lose one of their loved number. And it comes partly having just watched a livestream of the Royal Ballet’s latest production of Manon. Our heroine dies in a New Orleans penal colony, having been exiled as a prostitute from bourgeois Paris, sustained at the end not by worldly wealth but only by the devotion of her lover.

It’s quite a story – catch it if you can. It contains the key tenet of faith during Lent, that love conquers death. Having embraced our Lenten mortality, that’s the truth we endeavour to embrace at Easter. And that, for me, begins to put the love back into Lent, which is otherwise bleak and bitter, like the sour wine offered to the dying Christ.

My case is that it takes our mortality to clock what’s really important. And we witness that human realisation all the time. I believe we’ve just seen it in Prince Harry’s transatlantic flight to visit the King on his cancer diagnosis. King Charles becomes simply a dad again when his son is presented with the reality and realisation of his mortality, that sooner or later he is going to die.

As it turns out, that reality turns out to be infinitely more important than whether he got a smaller bedroom than his big brother when they were boys (copyright Spare, Bantam Press).

It’s stories like these – from Manon to the soap opera of the modern royals – that put human mortality into bas relief, so that we can see it properly. But it’s particularly Harry’s mercy mission to his father that chimes, for me, with a gospel story, or parable as we call them.

It’s not one that’s about kings or weddings – or even principally about death and dying. I’m thinking of the Parable of the Prodigal Son. Plot synopsis: A landowner has two sons. The younger one asks to cash in his inheritance and travels away to a foreign land, where he spends all he has on a debauched lifestyle (cf. the Paris from which Manon “escapes”) and is reduced to tending pigs and coveting their swill. He returns humbled to the family estate, where his father welcomes him with a feast, much to the consternation of his brother.

Sound familiar? Sure, Charles isn’t God, as we assume the forgiving father to be in the parable. Nor is Harry asking to return, humbled and repentant (though we don’t know that, do we?). Nor has he been reduced to a diet of pigswill, unless California and Netflix contracts count as that.

Possibly more accurately cast is Prince William as the elder brother, who in the parable objects to his sibling’s welcome back, pointing out that he’s done all his father’s work without such reward.

Here, for our Lenten purposes, the father’s reply is key: “My son, you are always with me, and everything I have is yours. But we had to celebrate and be glad, because this brother of yours was dead and is alive again; he was lost and is found.”

Dead, but alive again. Lost, but found. These are the qualities that ameliorate the dark mortality of Lent. For royals, commoners, the trafficked, the desperate and alone, it delivers the one thing that death can’t extinguish: Hope.