Column
Atheism
Creed
6 min read

Confessions of an atheist philosopher Part 5: leaping for truth

In the fifth of a series, philosopher Stefani Ruper recalls the night she decided to do something, to get data about God.

Stefani Ruper is a philosopher specialising in the ethics of belief and Associate Member of Christ Church College, Oxford. She received her PhD from the Theology & Religion faculty at the University of Oxford in 2020.

A black and white close up of a women in a street at night, turning to look around at a neion 'open' sign.
Trevin Rudy on Unsplash.

My name is Stefani. I was a committed atheist for almost my entire life. I studied religion to try to figure out how to have spiritual fulfillment without God. I tried writing books on spirituality for agnostics and atheists, but I gave up because the answers were terrible. Two years after completing my PhD, I finally realised that that’s because the answer is God.  

Today, I explain how and why I decided to walk into Christian faith.  

Here at Seen and Unseen I am publishing a six-article series highlighting key turning points or realisations I made on my walk into faith. It tells my story, and it tells our story too.  Read part 1 here. 

 

Inhale…two, three, four… Exhale... two, three,  four…. Inhale… two, three, four… exhale… two, three four… 

I was laying in bed, staring at the ceiling, doing breathing exercises trying to calm my body and mind. The clock on my bedside table flashed 3:59. I had a lecture on twentieth century French metaphysics to attend in four hours. But I couldn’t sleep.  

Night time anxiety had been my habit for as long as I could remember. It all started when I was four years old and first asked myself what would it be like to be dead? while trying to fall asleep one night. Since then, my anxiety often started with normal, day-to-day worries (did I complete enough items on my to-do list today?). But they almost always spiraled into bigger concerns. I always found my way to questions like Is this really all there is?  

I sighed and kept on with my breathing exercises. Inhale… two, three, four… exhale… two, three, four… 

But then… 

Then, I had an idea

I blinked and sat up.  

God might be there!, I thought to myself. 

 God might have been there all along!  

I started to laugh, incredulous. 

Here’s the two things I had just learned that made me finally wake up to this extraordinary possibility. 

Interpretation is a choice 

When I was an atheist, I often said that if God existed and wanted us to believe in Him, God would make it obvious. God would write something like 'Believe in Me!' in letters in the sky.  God would give us indubitable evidence of His existence. 

But interpretation is a matter of choice.  

It’s like a story a man once told at my church. He was out walking in the woods at night. He said, God if you’re there, give me a sign! A shooting star went through the sky. He then shrugged and said to himself, oh, it’s a coincidence.  

I had always told the story of my life as a string of coincidences. No matter how uncanny an event, I always assumed it was pure chance. But what if I had been ignoring the underlying narrative and purpose to things all along? God could be communicating with us and steering the course of our lives all the time, but if we never took the initiative to interpret our experiences with Him in them, we would never see Him. 

The only way for me to assess God’s possible role in my life would be to start interpreting events as if God were the author. I wouldn’t have to get rid of my “pure coincidence” view. I would only have to add this new one. Then, I could compare the two.    

Openness to evidence is a choice 

The philosopher William James makes the extraordinary, underappreciated point that there are certain kinds of beliefs you can’t get the evidence for unless you believe them first. One example is jumping over a chasm or gap on a hiking trail. You can’t successfully jump over the chasm and get the evidence that you’re capable of jumping it unless you believe you can do it first.  

God is similar in a very specific sense: evidence of God’s presence in your life is only available to you if you believe first.  

Imagine your heart is a room with a door. God could be shining a floodlight at the door all the time, but if you don’t open the door a crack, God’s light will never be able to shine through. I now believe that God can do a lot of amazing things, but God doesn’t impose. It’s up to all of us to crack open our doors. 

Once you do, you can start to get experiential evidence. This might be feeling loved, experiencing peace and joy that surpass your previous understanding, or unusual confidence or resilience amidst troubles. It might be a sense of forgiveness beyond what you’ve known before. Or it might be experiences of healing and personal growth—often of issues that you’ve tried to heal multiple ways. 

The greatest hypothesis of all was out there waiting to be tested—and I wasn’t participating! 

The leap of faith is a leap for truth 

I used to think that faith was a betrayal of the truth. If I wanted to be loyal to the truth, I needed to stick to the “bare facts” provided by science. I shouldn’t ever claim anything beyond them, on the off chance the claim might be false.  

However... 

When it comes to God (as well as many other things, such as what it means to be a good person), the only way to find out what’s true is to put the belief into play. It’s to embrace a hypothesis, act on it, and see what happens.  

When I jolted up out of bed that night, I realised that throughout my entire life I had thought that I was being loyal to the truth, but what I was actually doing was standing on the sidelines. The greatest hypothesis of all was out there waiting to be tested—and I wasn’t participating! The human species is in its infancy. There’s so much we don’t know about existence. What if the universe is lovingly Created? What if there are dimensions beyond what we can see and touch?  

The truly courageous thing, I now believe, is the opposite of what I’d always thought. It isn’t to refrain from belief. It’s to dare to believe.  

The verdict 

That night, I decided I would try to get data about God. I’d walk into a life of prayer, worship, and faith. I’d work on re-interpreting my story with God in it. I’d identify biases or misconceptions I had about faith and educate myself about them. I’d ask God to help me see, feel, and believe, if He was there. 

I’m less than a year in. But today I’m sleeping better, healing deep emotional wounds, overcoming unhealthy habits, finding peace, stepping deeper into joy, and experiencing feelings of invulnerability where I used to feel the most vulnerable. This sense of invulnerability is beyond anything I’ve ever experienced before, like a spring of confidence and peace welling up from depths beyond me. I consider this data for God. 

Might I be wrong? Absolutely. But at the end of the day I am just one person. All I can do is go out and get some data and share what I find, contributing my little piece to the species-wide quest for the truth of things.  

So go out and get your data. Take a chance on God, if you like. Crack open your door. See if light shines through. Let me and others know what you find.  

Review
Awe and wonder
Creed
Easter
Film & TV
5 min read

Heading Home: a pilgrimage that breaks out beauty along the way

We can learn a new language together as we travel.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A shaft of light from an opening in a dome lights a cross on a pedestal.
Church of the Holy Sepulchre.
Kieran Dodds.

This film, this pilgrimage, this story begins in Jerusalem in the rotunda of the Church of the Holy Sepulchre with its Aedicule, a small chapel, containing the tomb from which Jesus rose.  

Jesus' resurrection was revolutionary because it is the first fruits of a wider resurrection into a new heaven and a new earth, the new Jerusalem, where all that is harmful on earth is transformed into eternal glory and beauty. 

The Church of the Holy Sepulchre holds that vision within its walls, a vision that was then transported throughout the world through pilgrimage and creatively replicated in other locations so that all who entered their local church or cathedral would be transported through art and architecture to the New Jerusalem.  

US philanthropist and author Roberta Ahmanson thinks that American Protestants, in particular, have neglected this story because of the Reformation's preference for word over image. As a result, in 2022, she gathered an eclectic group of Christian college presidents, church pastors, and Christian creatives taking them on a pilgrimage from Jerusalem to London via Italy and Aachen while filming their responses to the visual history of the New Jerusalem as found in the churches they visit. In their two-week journey, the group cover almost 2,000 years of church art and architecture. 

Ahmanson explains that this search for the reality of the Kingdom of God as it is to be realised in the New Jerusalem at the end of time did not mean that pilgrims were to abandon the world. On the contrary, she says, "their job was to serve this world to make it more like the heavenly home where their ultimate citizenship lay." That remains the aim of this art and architecture as:  

“By studying the nature of that promised place, as artists and architects and writers of the past have sought to express it, we are schooled to live lives of wholeness and beauty right here on earth. The longing for beauty is ultimately a longing to be Home, to be in the place where we are whole.” 

The beauty of the churches visited on this pilgrimage provided a vision of the New Jerusalem to those who entered in order that they took that vision into their everyday lives when they left. Along the way, the pilgrims on this trip learnt how artists, architects and theologians worked in parallel for many centuries – from Saint Augustine’s vision of a New Jerusalem to Dante’s admonitions about the Last Judgment. 

The film combines scenes of beautiful interiors with explanations of their significance from Ahmanson and others, plus it shows the reactions of various of the pilgrims as they allow their sense of wonder and understanding of Church history to be expanded. David and Joy Bailey, founders of Arrabon which cultivates Christian communities to pursue healing and reconciliation in a racially divided world, are two of those to have spoken about the impact the trip had on the group of pilgrims.   

Joy said: “Everybody was very literate coming from these strong traditions of faith being either oral or written but to see it so visually impacting, it was breaking us all open and trying to find language for that took the entire trip.” David suggested that: “What the trip was helping you to see was this deeper rootedness, this long tradition that, I think, could actually be very helpful for us today because some of the things that were there were the understanding of humanity as plain on the outside and beauty on the inside, the glory that comes with the inward journey that reflects on Heaven as it is on Earth.”  

Re-enacting, revisiting and reinhabiting Christ's journey to the cross and the meaning of his resurrection remains central to Christian experience 

As we travel further from Jerusalem in the film, we are surprised to find that the template of the Holy Sepulchre continues to inspire and shape the experience of pilgrims. Ahmanson explains that: “In churches across the old Roman Empire, from Africa and Palestine to the furthest reaches of Britain, liturgy was created to tell the story and to bring the spaces alive in the telling. Pilgrimages to Jerusalem and later to Rome and then to the tomb of Saint James in Spain became a kind of geographic liturgy. When the trip became too long or … too dangerous, believers found alternative destinations. Across the continent, from Magdeburg in Germany and Constance in Switzerland, to Bologna and Pisa in Italy and London and Cambridge in England, round churches or smaller models replicating the Church of the Holy Sepulchre became pilgrim destinations.” 

Re-enacting, revisiting and reinhabiting Christ's journey to the cross and the meaning of his resurrection remains central to Christian experience, particularly during Lent and Holy Week. Walking labyrinths, Palm Sunday processions and Passion dramas, praying the Stations of the Cross, washing feet on Maundy Thursday, sharing a Passover meal, the Good Friday three-hour devotional, and the Dawn Eucharist on Easter Day are among the many ways Christians continue to follow in the footsteps of Jesus while remaining where they are during this most special season.  

Many of these practices provide the opportunity to go on pilgrimage while remaining at home. Just as with images of the New Jerusalem brought from Jerusalem to the churches of Europe, so with, for example, the practice of praying the Stations of the Cross which originated in medieval Europe when pilgrims were unable to visit the Holy Land, so instead “visited” the Holy places through prayer.  

The film, and other creative off-shoots including exhibitions of photographs from the pilgrimage taken by Kieran Dodds and performances by spoken word poet Street Hymns (one of the pilgrims), with his fellow poets Hanna Watson, Jasmine Sims, and Lo Alaman, in response to images of the New Jerusalem, provide viewers with a similar opportunity to experience, reflect and pray. The aim of all these initiatives is, as Ahmanson explains, what has always been the aim; “to serve this world to make it more like the heavenly home” where our ultimate citizenship lies, and to do so by “creating beauty in buildings and art and music and serving the suffering and those in all kinds of need”. 

 

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