Column
Atheism
Creed
6 min read

Confessions of an atheist philosopher Part 5: leaping for truth

In the fifth of a series, philosopher Stefani Ruper recalls the night she decided to do something, to get data about God.

Stefani Ruper is a philosopher specialising in the ethics of belief and Associate Member of Christ Church College, Oxford. She received her PhD from the Theology & Religion faculty at the University of Oxford in 2020.

A black and white close up of a women in a street at night, turning to look around at a neion 'open' sign.
Trevin Rudy on Unsplash.

My name is Stefani. I was a committed atheist for almost my entire life. I studied religion to try to figure out how to have spiritual fulfillment without God. I tried writing books on spirituality for agnostics and atheists, but I gave up because the answers were terrible. Two years after completing my PhD, I finally realised that that’s because the answer is God.  

Today, I explain how and why I decided to walk into Christian faith.  

Here at Seen and Unseen I am publishing a six-article series highlighting key turning points or realisations I made on my walk into faith. It tells my story, and it tells our story too.  Read part 1 here. 

 

Inhale…two, three, four… Exhale... two, three,  four…. Inhale… two, three, four… exhale… two, three four… 

I was laying in bed, staring at the ceiling, doing breathing exercises trying to calm my body and mind. The clock on my bedside table flashed 3:59. I had a lecture on twentieth century French metaphysics to attend in four hours. But I couldn’t sleep.  

Night time anxiety had been my habit for as long as I could remember. It all started when I was four years old and first asked myself what would it be like to be dead? while trying to fall asleep one night. Since then, my anxiety often started with normal, day-to-day worries (did I complete enough items on my to-do list today?). But they almost always spiraled into bigger concerns. I always found my way to questions like Is this really all there is?  

I sighed and kept on with my breathing exercises. Inhale… two, three, four… exhale… two, three, four… 

But then… 

Then, I had an idea

I blinked and sat up.  

God might be there!, I thought to myself. 

 God might have been there all along!  

I started to laugh, incredulous. 

Here’s the two things I had just learned that made me finally wake up to this extraordinary possibility. 

Interpretation is a choice 

When I was an atheist, I often said that if God existed and wanted us to believe in Him, God would make it obvious. God would write something like 'Believe in Me!' in letters in the sky.  God would give us indubitable evidence of His existence. 

But interpretation is a matter of choice.  

It’s like a story a man once told at my church. He was out walking in the woods at night. He said, God if you’re there, give me a sign! A shooting star went through the sky. He then shrugged and said to himself, oh, it’s a coincidence.  

I had always told the story of my life as a string of coincidences. No matter how uncanny an event, I always assumed it was pure chance. But what if I had been ignoring the underlying narrative and purpose to things all along? God could be communicating with us and steering the course of our lives all the time, but if we never took the initiative to interpret our experiences with Him in them, we would never see Him. 

The only way for me to assess God’s possible role in my life would be to start interpreting events as if God were the author. I wouldn’t have to get rid of my “pure coincidence” view. I would only have to add this new one. Then, I could compare the two.    

Openness to evidence is a choice 

The philosopher William James makes the extraordinary, underappreciated point that there are certain kinds of beliefs you can’t get the evidence for unless you believe them first. One example is jumping over a chasm or gap on a hiking trail. You can’t successfully jump over the chasm and get the evidence that you’re capable of jumping it unless you believe you can do it first.  

God is similar in a very specific sense: evidence of God’s presence in your life is only available to you if you believe first.  

Imagine your heart is a room with a door. God could be shining a floodlight at the door all the time, but if you don’t open the door a crack, God’s light will never be able to shine through. I now believe that God can do a lot of amazing things, but God doesn’t impose. It’s up to all of us to crack open our doors. 

Once you do, you can start to get experiential evidence. This might be feeling loved, experiencing peace and joy that surpass your previous understanding, or unusual confidence or resilience amidst troubles. It might be a sense of forgiveness beyond what you’ve known before. Or it might be experiences of healing and personal growth—often of issues that you’ve tried to heal multiple ways. 

The greatest hypothesis of all was out there waiting to be tested—and I wasn’t participating! 

The leap of faith is a leap for truth 

I used to think that faith was a betrayal of the truth. If I wanted to be loyal to the truth, I needed to stick to the “bare facts” provided by science. I shouldn’t ever claim anything beyond them, on the off chance the claim might be false.  

However... 

When it comes to God (as well as many other things, such as what it means to be a good person), the only way to find out what’s true is to put the belief into play. It’s to embrace a hypothesis, act on it, and see what happens.  

When I jolted up out of bed that night, I realised that throughout my entire life I had thought that I was being loyal to the truth, but what I was actually doing was standing on the sidelines. The greatest hypothesis of all was out there waiting to be tested—and I wasn’t participating! The human species is in its infancy. There’s so much we don’t know about existence. What if the universe is lovingly Created? What if there are dimensions beyond what we can see and touch?  

The truly courageous thing, I now believe, is the opposite of what I’d always thought. It isn’t to refrain from belief. It’s to dare to believe.  

The verdict 

That night, I decided I would try to get data about God. I’d walk into a life of prayer, worship, and faith. I’d work on re-interpreting my story with God in it. I’d identify biases or misconceptions I had about faith and educate myself about them. I’d ask God to help me see, feel, and believe, if He was there. 

I’m less than a year in. But today I’m sleeping better, healing deep emotional wounds, overcoming unhealthy habits, finding peace, stepping deeper into joy, and experiencing feelings of invulnerability where I used to feel the most vulnerable. This sense of invulnerability is beyond anything I’ve ever experienced before, like a spring of confidence and peace welling up from depths beyond me. I consider this data for God. 

Might I be wrong? Absolutely. But at the end of the day I am just one person. All I can do is go out and get some data and share what I find, contributing my little piece to the species-wide quest for the truth of things.  

So go out and get your data. Take a chance on God, if you like. Crack open your door. See if light shines through. Let me and others know what you find.  

Review
Creed
Film & TV
Friendship
4 min read

Testament soulfully re-tells the acts that changed the world

What happened after The Chosen?

Giles Gough is a writer and creative who hosts the God in Film podcast.

A man stands the landing of an external staircase and stares out.
Angel Studios.

Testament reimagines the story of how Jesus’ disciples spread the good news of him to the world by transplanting it to an alternate-modern era. Swapping Jerusalem for London. As the followers risk everything to preach the good news, the Temple races to silence them before the oppressive Imperium retaliates. But public miracles and divided loyalties force both sides to confront the true cost of their choices. In the first episode it asks the question, what would it be like if the Son of God had come down from heaven, come to your very hometown, and you’d missed him? 

Most re-tellings of the early church usually end the story either with Jesus’ resurrection, or his ascension into heaven. Testament starts the action just after Pentecost, fifty days after Jesus’ death and resurrection. In Christianity, Pentecost is the day when the Holy Spirit descended on the Apostles like “a violent wind” and gave them not just the ability to be understood in any language, but also the courage and conviction to go out and tell people about Jesus. We see much of the action through the character of Stephen, a young man who decides to follow Jesus after hearing the Apostles preach. Consequently, Stephen’s mother accuses him of heresy and throws him onto the street, making him fully dependent on this early Jesus movement.  

In the first episode, the storytellers seem to have presented themselves with a bit of a challenge, by starting the action at Pentecost. Not only does it seem like the most interesting events have just happened off camera, but we’re also meeting these characters in a moment of spiritual awakening and holy joy, which is notoriously hard to depict on screen. Especially with characters we’ve just met. Nonetheless, as they navigate the logistics of having so many converts all at once (the kind of happy problem any church minister would like to have) we see that the Apostles have a familiar, lived-in quality to their inter-personal dynamics. You can easily believe that these very different men have spent every day living and working with each other for the last three years until they’ve sanded off the rough edges of their relationships.  

Whilst the show doesn’t always hold together at first, it builds momentum by tackling some of the more difficult parts of the book of Acts with sensitivity and nuance. It’s helped by the performances being incredibly watchable. The colour-blind casting is a delight, and perhaps reflective of Christianity being the most ethnically diverse religion on the planet. Tom Simper, who plays Peter, has an incredibly expressive face and a compassionate manner. Kenneth Omole who plays John can be vulnerable as he returns to the garden of Gethsemane to mourn the absence of his friend and saviour. Yet the next scene, where he is confronted by a Temple priest, he emanates a quiet authority. You can’t take your eyes off him.

If nothing else, this show gives Saul a compelling backstory and a terrifying characterisation.

Making Stephen the point of view character is a bold narrative choice. Anyone with a passing knowledge of the New Testament might feel anxious for the character, and having him be played by such a young actor as Charles Beaven underscores the upcoming tragedy. Mogali Masuku plays Mary as a woman with her head thoroughly screwed on. Her storyline shows Mary ministering to addicts and victims of human trafficking, looking gangsters dead in the eye and telling them these lost souls belong to Jesus now. On the other side of the divide is Saul. Eben Figueiredo plays him with the type of zeal that allows people to do both wonderous and terrible things. If nothing else, this show gives Saul a compelling backstory and a terrifying characterisation. It’s Saul, not the Temple establishment, who is the main antagonist of this season.  

If there is one clear misstep, perhaps it’s the depiction of what the show calls ‘The Sentinels’, the foot soldiers of the ‘Imperium’, a stand-in for the Roman Empire. Rather than being dressed in modern military fatigues, they are clad head to toe in a red, faceless body armour. The type that would be more at home in the Star Wars universe. They’re possibly dressed like this to represent the empire’s overwhelming and sinister military power, but as we see repeatedly through world events, human cruelty looks painfully normal. 

The timing of this show seems noteworthy as well. This show drops roughly a year after Angel Studios, the producers of Testament, were forced to split from the creators of The Chosen. Following the lives of the Apostles as they begin to follow Jesus, The Chosen became a monster hit and the flagship show of Angel Studios’ catalogue. So a show following the lives of the Apostles after Jesus leaves them (albeit transplanted to a different time), might be an attempt by Angel Studios to recapture some of the popularity they have lost.  

Testament definitely has a faltering start, but it has all the ingredients to be compelling TV. If you can stick with this show as it finds its feet, you will be treated to a soulful depiction of an oft-overlooked part of the Jesus story. 

Watch the trailer

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