Column
Atheism
Creed
7 min read

Confessions of an atheist philosopher. Part 1: born to be atheist, born to be anxious

In the first of a series, Stefani Ruper tells of the first steps on her journey from secular philosopher to a person of faith.

Stefani Ruper is a philosopher specialising in the ethics of belief and Associate Member of Christ Church College, Oxford. She received her PhD from the Theology & Religion faculty at the University of Oxford in 2020.

Cartoon God over painting

My name is Stefani. I was a committed atheist for almost my entire life. I studied religion to try to figure out how to have spiritual fulfillment without God. I tried writing books on spirituality for agnostics and atheists, but I gave up because the answers were terrible. Two years after completing my PhD, I finally realised that that’s because the answer is God. 

Today, I explain how and why I decided to walk into Christian faith. 

Here at Seen & Unseen I am publishing a six-article series highlighting key turning points or realisations I made on my walk into faith. It tells my story, and it tells our story too. 

I began having panic attacks about dying and the meaning of life when I was four years old. I would lay in bed at night and beat my head against the mattress while imagining what it would be like to stop existing. What would it be like to cease to be? I had no idea, but it seemed too horrible to fathom. I literally tore my hair out with the dread of it. 

Like many people in my generation, my parents had been raised in the church but left it as soon as they were able. They raised my brothers and me completely without God or other spiritual things. I had no idea of anything beyond what we could see or touch. My first exposure to God was through the TV, as He makes a few guest appearances on The Simpsons

As a child raised in today’s world, God was what Charles Taylor calls “unthinkable” to me. By “unthinkable” he means literally unthinkable. It was impossible for me to think God; it remains difficult for me to think God. But here’s the thing: this unthinkability of God—the sheer impossibility, the ridiculousness, the strangeness, the preposterousness of God, to me—was a bias I inherited from being born into this specific place and time.  

I was pre-wired to disbelieve in God.  

The thing is, every society is founded on tacit assumptions about the nature of reality. Ours, the modern West, assumes that nothing is real except for physical stuff. Philosopher Charles Taylor calls this the immanent frame. Inside the immanent frame, you can, if you like, believe in more than just what we can see and touch. But that’s a choice, and it’s one you make while others consider the things you hold most sacred as like cartoon characters lounging on clouds in the sky.  Such beliefs are difficult to maintain with grace, and people often hold them with either too much timidity or too much obstinacy; many, like my parents, eschew belief altogether. This is a recipe for a tumultuous, confusing, and often unfriendly spiritual landscape.  

The great existential trade-off 

We are the first society in the history of societies to be founded on nothingness.  A child born 500 years ago would not have been able to imagine a world without God. Back then, God was not just real but number one on the list of possibly real things. Atheism was unthinkable. God was the singular, unchanging reality upon which all material things—constantly changing and subject to decay and death—depended. You can read a little about what it was like in this review of Pentiment, an adventure game set in medieval Bavaria. 

Today, faith is, even for Christians, typically cordoned off in a little corner of life, maybe squeezed into 15 minutes on a Bible app on the way to work. But back then faith was what scholar Timothy Fitzgerald appropriately labels encompassing. God was not a hypothesis to be posed, a belief into which you could opt. God suffused the world. The transcendent encompassed all.  

Here’s how it flipped.

In 1451 Johannes Gutenberg invented the printing press, which made printing books faster and cheaper than ever before. New ideas about God began to spread faster than the then dominant Church could stomp them out. Within a lightning-quick five hundred years, the number of versions of the faith in Europe multiplied from one to literal thousands. 

No one was prepared for the shock of it all. People began to differentiate themselves according to their beliefs, and authorities exploited burgeoning fault lines for the sake of conflict. Between 1517 and 1648, ten million people died in the Wars of Religion. 

The things that seem the most real to us are those we share and discuss. The whole realm of the transcendent began to lose its status as unshakably real. 

What was to be done? Philosophers like John Locke offered a solution: separate the church and the state. That seemed simple enough. And in some ways, it was. But this meant our European ancestors stopped sharing and talking about their beliefs in public. The problem is that humans are social animals. The things that seem the most real to us are those we share and discuss. The whole realm of the transcendent began to lose its status as unshakably real.  

Over time, people discussed their fundamental beliefs less and less. Society even developed the notion that sharing beliefs at social gatherings like dinner parties is impolite. So religious beliefs became deeply private things, and it started to seem like people were choosing to believe them due to personal feelings or needs. This eventually made it seem to many that beliefs were mere  wishful thinking—flights of fancy, silly, and weak.  

On the opposing side, people who abstained from religious belief started to see their nonbelief as noble resistance to the temptations of wishful thinking. The idea was that being willing to view the universe as cold and uncaring was the difficult but right and brave thing to do.  Nobody wants to seem weak, and everybody wants to seem noble. The transcendent faded out of our collective consciousness. 

Or, to use Nietzsche’s terms, God died. 

Thus, God and material things swapped places in our understanding of reality. God, once the most real thing in existence, became something you could believe in if you felt like it. Material things, once viewed as constantly decaying and thus only real through God, became the unquestionably real.  

 

This isn’t normal, we weren’t made for this. We weren’t made to live without hope or homecoming or a bigger story of which we are a part. 

Today, the immanent frame reigns. But it’s not inert. It has its own compulsive, even hypnotic, powers, arguably with as strong a grip on our souls as God once had. It locks our attention on the here-and-now (as that’s all there is), and in doing so elevates the status of things like food, fashion, and entertainment in our quests for fulfillment. We throw ourselves into pleasure, hoping for relief. But immanence leads nowhere except back into itself, like an Ouroboros, the snake that eats its own tail.   

Immanence is so pervasive we take for granted that this is just the way things are. And yet young children do things like tear their hair out trying to make sense of what seems like an absurd existence. This isn’t normal. We weren’t made for this. We weren’t made to live without hope or homecoming or a bigger story of which we are a part. Characters in today’s novels are always buying sportscars and asking Is this all there is? Maybe it’s not. 

What if all of us are grasping at the same ultimate truth, getting little bits of it right and wrong?

Betting on transcendence 

My panic attacks made me obsessed with finding answers. The horror I felt at living in a cold and dark universe was relentless. But I also couldn’t lie to myself. A solution wouldn’t be real if it were imaginary. So as much as I wished I could believe in God, I couldn’t.  

When I learned this history of immanence however, I realised that my automatic inclination to disbelief was a bias—an inheritance of our culture, and nothing more. 

I then asked myself: 

What if, as our culture sloughed off the transcendent, it didn’t move into greater nobility, truth, and progress like it tells itself, but pre-emptively gave up on the most important thing in existence? What if all of us are grasping at the same ultimate truth, getting little bits of it right and wrong? What if some of us are on the right path, exploring relationship with a Creative power beyond our imagining that loves us, helps us, saves us?  

The fact is, when it comes to transcendence, we don’t know what’s true. No one knows with certainty. 

But we do know that immanence is a bias. And we know the first step to finding the truth is to free ourselves from bias. We must identify and untangle presumptions, then rebuild our mental frameworks as carefully as we are able.  

As for me, I’ve spent more than a decade in the academy doing this work. And in the end? Spoiler alert: I’ve thrown my hat in with transcendence.  

Essay
Belief
Creed
Football
Sport
6 min read

Argentina’s adoration of Lionel Messi

The icon of the beautiful game holds a nation's gaze, giving insights into redemption.

Matthias is a priest-theologian, and Centre Lead for St Mellitus College, Chelmsford

A child on the shoulders of a parent wears a light blue and white stripped football top, waves the Argentinian flag
Pedro Chosco on Unsplash.

“Behold, the Lamb of God, who takes away the sin of the world.” 

The words recited by the priest during the Eucharist as the chalice and host are lifted, inviting participants to fix their gaze on Christ, encapsulate the profound truth that what we gaze upon has inordinate power to shape us. It is a truth echoed not only in spiritual practices but also in our everyday experiences. In a world flooded with visual distractions, an age dominated by screens, this act of beholding is a counter-cultural reminder of the reality that our gaze determines our desires and, ultimately, the people we become.  

Of course, our gaze is not limited to religion or technology; it also relates to culture, and our idols in music and sport deeply influence us for better or worse.  

This truth became vividly real to me during our family travels through South America last summer. Our synaesthesically-rich itinerary of truly memorable encounters with the vast natural and cultural heritage sites of the continent coincided with Lionel Messi’s triumph in the Copa América. As a family we enjoyed witnessing the national celebrations of the football giant taking his foremost place in the pantheon of La Albiceleste – the Argentinian national team. As part of our backpacking through Argentina, we visited Rosario, the birthplace of the great man. 

For my six-year-old son, the trip was a chance to step into the world of his hero. Visiting the modest house where Messi grew up, his kindergarten, the playground where he would have played, and the club he represented before moving to Barcelona and global fame was fascinating. But far beyond all these famous sites was the immediate visual bombardment of graffitied murals across the city’s walls celebrating his legacy, life and achievements. They highlighted how deeply intertwined Messi’s story is with the local and national consciousness. Navigating our way through these vibrant backstreets and billboards, our own human senses blurring in the Argentine cultural imaginary, we reflected on how we were also manoeuvring our way through a modern-day pilgrimage. 

For the figure of Lionel Messi commands etheric resonances far beyond the immediate significance of his footballing career. His story is about more than sporting success, and as a cultural icon in Argentina he has now surpassed Diego Maradona. Messi’s journey conjures a strikingly messianic arc, encapsulating themes of death and resurrection. From his emergence out of humble beginnings before being flung into international stardom, his resignation from the national team amid public outrage to his triumphant and redemptive return, leading Argentina to World Cup glory. 

Along our travels, we were surrounded by beauty; in creation, culture, and human creativity. This beauty and artistry also shines forth in Messi and his craft. Watching someone of such skill and elegance on the pitch, and such apparent humility away from the cameras, embodies the joy of the beautiful game. Messi’s place within the Argentine cultural imagination, as a social actor producing and reproducing a shared sense of meaning that verges on the spiritual, is also cemented in the country’s cultural delights. These narratives of new beginnings and flourishing are evident not only the vibrant street art, but also in the exquisite steaks and fine Malbec wine consumed in the fashionable Buenos Aires restaurants frequented by footballers and other celebrities.  And, in the ubiquitous ‘Number 10’ football strips we saw worn by every second visitor at the breathtaking Iguazú Falls. This powerful symbiosis between Messi and the collective idea of ‘Argentina’ means that his triumph in 2022 became a communal act of redemption for a nation whose imagined identity is intricately tied to the sport, the culmination of a wider set of imagined bonds fostering a collective sense of belonging, meaning, and beauty. 

Beauty and the Church 

This appreciation for beauty resonates deeply with the Christian tradition. Beauty matters – not only in life but also in the Church, in worship, and in encounters with the divine. Just as Messi’s artistry captivates, so too should the Church inspire awe and wonder. The synaesthetic experience of Christian worship, the harmony of liturgy and sacred music, provides glimpses of the divine and transcendent beauty and is designed to draw the gaze upward, to behold Christ and his beauty. In the early Church, when Christians emerged from the underground catacombs and built churches and cathedrals, pagans marvelled at the beauty of the liturgies occuring inside. The order, reverence, and otherworldly radiance of Christian worship captivated those who encountered it. 

The importance of beauty in worship echoes the Transfiguration, where Christ’s divine glory was revealed and transfixed his disciples. On Mount Tabor, Christ unveiled the divine radiance that transforms all who behold him, all who fix their eyes on him. The beauty of God transforms us when our minds are oriented toward God. This is not merely aesthetic – it is theological: our entire being is beautified. St. Maximus the Confessor argued that when our mind is oriented toward God, it is beautified by him, and as this beauty flows outward it also shapes and transforms our being. Conversely, when we turn our attention away from God, we lose this radiance and harmony, becoming shapeless and disordered. 

Beauty, then, is not just a peripheral concern; it is integral to worship and formation, to our becoming fully human and being fully transformed into the image of God. The Church should be a place where we encounter the beauty of Christ, where the liturgy itself becomes an icon that draws our ears and eyes, minds, hearts, and bodies towards God. 

The Redeemer gazing back

In our culture, we are drawn to watch figures like Lionel Messi, whose brilliance and beautiful artistry inspire devotion and cement collective cultural and even spiritual meanings. Yet, while football and an individual’s life story might inspire and unify, as we are reminded by Dietrich Bonhoeffer, they nevertheless remain penultimate. These worldly things, be they football, fame, or even national unity, cannot satisfy our deepest longings and thirst for ultimate meaning, and will ultimately fade away. In the wider spiritual imagination, these moments of beauty do however encapsulate a deeper, lasting reality, and so may point beyond themselves, toward the source of all beauty – God Himself. And this is where theology and the gaze converge, bringing us back to where we started: that what we choose to look upon shapes us profoundly. As we navigate a world filled with distractions and idols, it is a reminder that what we choose to behold not only reflects our values but also shapes the people we are becoming. The question is then, where – or rather at whom – are we directing our gaze? 

Our South American travels culminated in Rio de Janeiro, at the feet of the iconic statue of Cristo Redentor. Standing atop a mountain, Christ himself gazes over the metropolis, the shimmering beaches, the favelas, and the Maracanã Football Stadium. With outstretched arms, the statue is an enduring symbol of Christ’s immanence. Not a distant, transcendent God removed from our world, but the present Christ.  

In considering what shapes us – be it football legends, the wonders of creation, or the allure of our screens – it becomes evident that only one gaze has the power to redeem. The story of Lionel Messi may inspire us, but the story of Jesus Christ redeems us. Only in Christ do we find a beauty that is both immanent and eternal, calling us to fix our eyes on him and be transfigured by his glory. For we can only behold him at all because he was beholding us first. 

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