Column
Creed
Feminism
Monastic life
4 min read

Cancelled but not forgotten, the medieval heretic who still intrigues today

Despite erasure and desecration, Guglielma was a trailblazer.

George is a visiting fellow at the London School of Economics and an Anglican priest.

A silhouette of a woman's face.
Seth Johnston on Unsplash.

Is it possible to be martyred years after dying a natural death? The question occurs to me under the Alps between Lyon and Milan and arises from a late thirteenth century story of Guglielma, a spirited 50-year-old to say the least. 

She arrived in Milan in 1260 like Ruby Tuesday. No one knew where she came from and yesterday didn’t matter, because it was gone. She lived in poverty, but gathered quite a following. Some said she was the daughter of the King of Bohemia (she was certainly bohemian in the cultic sense), others that she was the cousin of Elizabeth of Hungary or had been married to an English prince. 

Guglielma (we have no surname) claimed equality with God, a new dawn for womanhood, and according to a contemporary account stated she was “the Holy Spirit made flesh for the redemption of women” whom she baptised “in the name of the Father and of the Son and of herself.” 

Some 20 years after she died, Dominican agents of the Inquisition arrived in Milan and burned a top nun, Maifreda da Pirovano of the local ruling family, at the stake, for claiming that she would be made Pope. Then they pitched up at the Abbey of Chiaravalle, desecrated Guglielma’s tomb, dragged her mouldering remains to a field and burned her bones to dust, scattering her ashes to the winds. 

I resolved to embark on a little pilgrimage to Chiaravalle when I arrived in Milan, to pay my respects to Guglielma, my kind of heretic. I’d never heard of her before a short account from the podcasting historian Tom Holland, whose book Dominion, on “the making of the western mind”, I was finishing as I crossed the Italian border. 

Pilgrims used to visit her tomb twice a year in the Middle Ages before she was violently exhumed. But you’ll find no record of her at Chiaravalle now. Bizarrely, there were Italian supercars being photographed outside of the abbey when I arrived, but it’s peaceful and original, nonetheless. And Guglielma is, of course, missing. 

Speak to one of the Cistercian monks there and they will affect not to have heard of her, then murmur “heretic” and “Bohemian.” But a gentle monk called Davide sweetly told me he would show me her former tomb, in the private grounds out of bounds to visitors, if I returned in 20 minutes. 

We walked through the brothers’ vegetable garden and cemetery, where hares were nibbling around a statue of St Francis and the trees grew unruly. There, under a twelfth century arch, was her former grave, now marked with the names of local Milanese benefactors of the abbey. I wondered if they had known they would be laid to rest in heretical soil. The birds sang on. 

As such, heresy serves as a reminder not only to overthrow prevailing orthodoxies, but is also divinely owned. 

There are lessons to learn from the Gugliema cult. The first is that, as the author of Ecclesiastes has it, there really is nothing new under the sun. Women have been fighting the patriarchy perhaps since Mary Magdalene encountered “the gardener” outside an empty tomb. 

There was no word for “deaconess” in the early church, only deacons. The Gugliemites were heralding the dawn of a new age for the Christian Church run by women. That may not be wholly the ambition of today’s women priests, but let’s note in passing that it’s taken more than another 700 years for women to be consecrated as bishops.  

The second point is that she really might have had a point about the Holy Spirit. Claiming the third person of the Trinity as herself may have gone a bit far, even by today’s standards, but for a God who holds within “himself” all gender, there is a venerable tradition of considering the Spirit as female. 

The Hebrew bible often casts this spirit as female, as in the book Proverbs, where Wisdom is a woman who “shouts in the streets” and “cries out in the public square.” It was St Paul, much later, who said she must keep quiet in church. 

Guglielma is a saint only in Folk Catholicism, but women like her and Maifreda were authentic witnesses and trailblazers for women’s apostleship. We can still be too sniffy, even afraid, of heresy and we do well to remember the main charge against the Nazarene at his arrest and execution was precisely that. As such, heresy serves as a reminder not only to overthrow prevailing orthodoxies, but is also divinely owned. 

As I left Guglielma’s last grave, I knew it was empty of her, not unlike that other empty tomb. Her violators had liberated her into the world. She’d gone before me. 

It was fitting that her ashes had been thrown to the wind, like the wind that had moved across the waters in the act of creation; like the wind that had blown over other disciples at Pentecost. And like the wind that was now gently rustling the trees in this quiet monastic back garden.  

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Review
America
Culture
Feminism
Film & TV
6 min read

White Lotus understands a lot - but not Christianity

Here’s what the girl squad storyline gets right and wrong.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

Three woman dining in a luxury hotel in Thailand, turn and look to the camera.
Kate, Jacylin, Laurie.
HBO.

I really rate The White Lotus.  

This multi-award-winning show is one of the smartest around. It’s almost like a modern myth. The specificity of the premise alone is incredibly satisfying: White Lotus is the name of an international chain of high-end resorts, a luxurious touchstone for the rich, the famous, and the dodgy. Season one took viewers to Hawaii, season two jetted us off to Italy, and this year we find ourselves welcomed to Thailand. 

Each new series has a new location, a new cast and a new set of intelligent storylines. the only thing that ties the three series together is the omnipresence of the White Lotus hotel. Oh, and the presence of murder. Each series opens by telling its viewers that one person that we’re about to meet will die – it just takes us eight episodes to find out who.  

I’m convinced that Mike White, the writer and director, must be one of the most perceptive people on the planet. I wouldn’t be surprised if, before he entails on writing another series, he just sits and watches the world. He endeavours to notice, endeavours to understand. I say this because he seems to discern the way people work: the way they love, the way they hate, the way they rest, the way they hide. And then he turns it up to eleven when crafting his characters.  

Honestly, if Mike White hadn’t mastered the art of noticing, White Lotus wouldn’t work. But he pays attention to people; deep, intense and curious attention. That’s the magic sauce, I’m sure of it.  

In the latest episode (episode three of season three, as it stands), there’s a scene that caught me by surprise. Its perceptiveness stopped me in my tracks.  

Is Mike White over simplifying this, or is he saying what he’s seeing? That people have reduced the greatest, deepest, largest and truest story ever told to an association with red or blue?

We’ve been introduced to three friends: we have Kate (Leslie Bibb), Jaclyn (Michelle Monaghan) and Laurie (Carrie Coon). They’ve been friends since school, but now in their forties, life has taken them in different directions. Kate lives in Texas with her picture-perfect family. Jaclyn is a newly married and semi-famous TV star, living and working in LA.  And Laurie is a divorcee, working hard and raising her daughter in New York City. They’ve come to Thailand (at the invitation and expense of Jaclyn) to re-connect and make some new memories.  

But it’s not that easy.  

Each woman is caught in a tussle of loving and loathing who the other two have become, they celebrate each other’s ‘successes’ and instinctively compete with them in equal measure. It’s masterfully done. As deeply as they want to be good friends to each other, perhaps for old time’s sake, this trio is not a safe one to be in.  

One evening, after Laurie has had an ‘energy healing’ session, Jaclyn mentions that she can get on board with spiritual practices a whole lot easier than she can get on board with ‘religion’ – Christianity, she states, is made for men. She can’t seem to find herself, or any other empowered women, within the biblical story. And so, she finds herself gravitating to ‘witchy’ alternatives.  

I’m a woman, a pretty ‘feminist’ one at that. I’m also, first and foremost, a Christian. And so, I think I have the right to say that this is incredibly perceptive of Mike White. I have this conversation time and time again: people wondering why a woman, one who believes in the social, economic, political and spiritual equality of the sexes, would ever hitch their wagon to the Christian tradition. Honestly, sometimes I feel like a unicorn.  

Yet, when the ‘Christian’ church was first bubbling up (we’re talking first century) it had the reputation of being a religion for women and slaves. Everywhere it travelled - city by city, village by village - women (of every socio-economic background) flocked to the Christian community in dramatic numbers. It changed the cultural landscape. Jesus, the Galilean saviour that these communities couldn’t stop talking about, kept company with women in a history-making way and they were determined to do likewise. Now, what I can’t deny is all of the patriarchy that has been thrown into the mix since. To pretend it’s not there would be silly of me.  

So, I hear you, Jaclyn. But I’ve gone straight to the source (Jesus) and I’ve hit upon a disconnect between the story I believe/the saviour I believe in, and the way it/he has been used against my gender – so I’ve stubbornly chosen to ignore the latter. I’ve never let it drive me away. I find my whole self (my gender included) forcefully loved by the God I know, endlessly drawn into his company, convinced by his assertion that he made me – fearfully and wonderfully. 

Oh Jaclyn, they can try to tell me that Christianity isn’t for me, but I ain’t budging.   

The dinner conversation moves on, Kate hits back – she tells her buddies that she, in fact, goes to her Texan church every Sunday and finds it ‘very moving’. Jaclyn and Laurie, both wide-eyed, sympathetically state that it must be hard to be around people who voted for Trump. And then it becomes obvious, to those in the scene and those of us watching it, that Kate herself voted for Trump.  

It’s an emotionally intelligent watch: two women feeling viscerally betrayed by their friend for voting in such a ‘self-defeating’ way. And the friend on the other side, betrayed that they would think of her so differently as a result of her well-intentioned political leaning.  

I live in the UK, and so I was taken aback that these women were able to draw such a confident line between A and B – between Christianity and one particular political party. Because of the perceptive nature of Mike White (as evidenced by the lines that came before these ones), I trust that this is somewhat accurate. It may not be the truth (I’m sure not every Texan Christian voted one way), but it’s certainly a perceived truth.   

It intrigued but mostly troubled me. It made me wonder what the meaning of ‘Christian’ is becoming, or perhaps has already become – people holding the cross in one hand and a political party in another, claiming that to love one is to love the other. Are we really known as people who are wanting a messiah in the White House, a Saviour in the Senate? Is Mike White over simplifying this, or is he saying what he’s seeing? That people have reduced the greatest, deepest, largest and truest story ever told to an association with red or blue?  

To Jaclyn, Laurie, Kate, and all those you represent – I’m sorry if we haven’t done the best job at representing ourselves, or Jesus, to you.  

To Mike White – watch us a little longer, watch a little deeper. We Christians are neither a patriarchal nor political tribe; don’t squeeze us into the boxes that we’re pretending we fit in. That’s our bad. There’s more to us than that. You have my word. 

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