Column
Culture
Politics
4 min read

The bullies invoking Jesus as their best buddy

Trump and Putin's desire to be loved, admired and followed.

George is a visiting fellow at the London School of Economics and an Anglican priest.

A fierce looking man walks at the head of a phalanx of suited men.
Trump strides from the White House to St John's Church, 2020.
The White House, Public domain, via Wikimedia Commons.

I’m not at all sure that the parents of a teenager driven to despair, or even suicide, by online trolls, or a woman in a coercive relationship, are likely to see their tormentors as victims, making a cry for help by making the lives of others intolerable. 

Bullies, it is said, have invariably been bullied themselves. A popular proverb has it that bullies never prosper, a comforting canard knocked down by some comprehensive research recently from the British Cohort Study that, of 7,000 children born in 1970, it was the nastiest, most aggressive little pieces of work that did best in life by age 46. 

Social insecurity may well have driven their cruel treatment of others, but financial security has been their reward. Said one of the study’s authors, there’s ‘a strong link between aggressive behaviour at school and higher earnings later in life’. 

What exemplars of that might we find on the international stage? Step forward the erstwhile and very possibly future president of the United States and the great-returner president of Russia. 

They’ve had all that and they want a harder drug. Like most bullies, they want to be loved by those whose attention they have won. 

Bullying may be too light a term for what Donald Trump has done to countless women and business associates in his life, what Vladimir Putin has done to Ukraine and other old Soviet satellites, and what both men have done to their nations’ electoral systems. 

But I want to make an armchair case for the psychological insecurity of both men. That insecurity presents itself in a rather pathetic (in the literal sense) desire to be loved, to be admired and to be followed by devoted disciples.    

And what role model might they come up with for that? Why, of course, they have both invoked Jesus Christ as their best buddy, who is very much on their side politically and who is really a lot like them. 

Trump has endorsed excruciating (again, literally) drawings of himself sitting in the dock at court with the Christ and has published his own $60 “Bible” (one remembers the delightful self-publicist Jonathan King launching his fictional memoir, entitled Bible Two). 

Putin has claimed that he’s not a little like the Nazarene calling fishermen by the sea of Galilee, as he rallies Russian youth to resist the pernicious culture of the “Satanic” West. He casts himself, along with Jesus, as the defender of “traditional values”, though the conflation of the Christ with cultural tradition is a little awry, but never mind. 

There’s pragmatic political ambition in both men for co-opting the Christ to their cause. Trump wants and needs the US Christian Right on his side for re-election. Putin is promoting a rapprochement with Russian religions and already has the Russian Orthodox Church onside for his Ukrainian escapade. 

But there’s something else going on here. The armchair psychologist can identify motives at work. Both Putin and Trump want not only attention. They’ve had all that and they want a harder drug. Like most bullies, they want to be loved by those whose attention they have won. 

Their problem, naturally, is that they can never make it, which can only compound their insecurity 

What better figure to associate themselves with than love incarnate? A demi-god aspires to be loved as God loves and is loved. It may replace a familial love that has been missing, or it may more simply be the toxic desire to be loved by those you oppress and by one’s peers – again, the instinct of the bully. 

That’s closer to admiration and has vanity at its root. Witness Putin’s faintly ridiculous bared torso astride a horse as a younger man, or Trump’s vainglorious comb-over and orange-tanned skin.  

Such a shame that we have no idea how the most famous figure who ever lived, whose legacy is the largest religion on earth, actually looked. Or they might try to look like that. Because, to their minds, emulation would win similar admiration. 

Finally, Trump and Putin need to be followed, like bullies need their gang. Never mind that even the most devoted disciples of Christ abandoned him to his fate in his mortal life. There’s something like 2.5 billion declared followers of him today, some two millennia later. That’s some legacy and the kind that would shore up even for deepest of their insecurities. 

Their problem, naturally, is that they can never make it, which can only compound their insecurity. The nature of Christian leadership, at its source, is unreachable. He said himself that we could not follow where he was going, because it’s a form of leadership beyond human scope – self-sacrificial, infinitely humble while also divine. 

That leadership was among us and we didn’t recognise it. The leaderships of Trump and Putin, even as they claim Christ-like affinity, carve recognition and to be above us. These are not men who would lay down their power, far less their lives, for their friends. 

These are bullies in the playground of politics. We must pray for their souls as we condemn their actions.   

Review
Awe and wonder
Culture
Death & life
Music
4 min read

Natalie Bergman brings grief and joy to Union Chapel

A soul-soaked set turned personal tragedy into communal celebration

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A musician wearing black sits on a chair in a desert holding her guitar.
Natalie Bergman.
Natalie Bergman.

In any other context, they would call this revival! A wild belle singing songs of worship and wonder in a chapel packed to the rafters with a diverse crowd of beautiful people in rapture at songs such as ‘Talk To The Lord’ and ‘I Will Praise You’. This is Natalie Bergman at Union Chapel. 

Who? If you don’t already know, you need to know. Following three albums with Wild Belle, her debut solo album, Mercy, was a Gospel album written and recorded in response to the tragic death of her father and stepmother in a road traffic accident. Begun on retreat at a monastery, its lithe, light, luscious rhythms lift the listener from the valley of the shadow of death to the goodness and mercy found in the house of the Lord forever.    

If Mercy equates to the direct songs of praise and witness found on Bob Dylan’s Gospel albums, then her latest release, My Home Is Not In This World, equates to those later Dylan albums (like Infidels, Oh Mercy, Time Out of Mind and Rough and Rowdy Ways) where faith infuses songs exploring life and love. Bergman has quoted T Bone Burnett’s distinction between songs about the light and songs about what you can see from the light. Mercy is the former and My Home Is Not In This World, the latter. 

As a result, tonight, she takes us down paths of sorrow into the wilderness to find the light of God shining on us. At Union Chapel, a series of subtly lit arches ascend behind her and her band guiding our eyes upward until they reach the central back-lit rose window. The beauty of that light is where she takes us through the soulful spirituality of her songs. By the end, the joint is jumping with joy as we sing and dance to ‘Keep Those Teardrops From Falling’. 

Why? Her super-melodic songs draw inspiration from the deep sources of sixties soul, including Motown, while being infused also with the rhythms of reggae and highlife. Her voice ranges from childlike wonder floating on a sea of sound to smoky sultry spirituality. In common with Nick Cave on Wild God, the source of her spirituality is a vulnerability and openness occasioned by the grief she has endured, an experience common to all of us, whether now or in the future.  

She has explained simply and clearly how it happened: “When I began writing, I had already lost the greatest love I’ve ever had, so I had nothing else to lose. I went for it. I sang from the depths of my sorrow and I witnessed a little light while doing so.” As she concludes, “How could anyone have a problem with someone processing grief in a harmless way?” At Union Chapel, it’s clear that they don’t. Instead, what resonated with Bergman in her loss, also resonates with us.  

‘Talk To The Lord’ quotes Psalm 23 – ‘Though I walk in shadows, I won't be afraid / I will fear no evil / For You walk with me’ – in order to state that: 

‘When you are scared, reach out your hand 

Talk to the Lord, talk to the Lord 

If you are sad, He'll dry your tears 

Talk to the Lord, talk to the Lord’ 

In ‘I Will Praise You’, she says ‘When I'm broken, I will sing Your name’, while ‘Shine Your Light On Me’ also quotes Psalm 23 in a prayer for light as she cries like a ‘mourning dove’ for her ‘greatest love’. ‘Paint The Rain’ documents difficult days but discovers that: 

‘In this pain, you make me sing 

When I am blue, you take me in 

My little ways, they feel strange 

You give me a little bit, and you take it away 

You paint the rain’ 

In these ways, she has been enabled to live again and to find joy in family life, with My Home Is Not In This World finding its inspiration in the birth of her son, Arthur. When not lamenting lost loves, My Home Is Not In This World is grounded in the realities of home and natural life. The song ‘My Home Is Not In This World’ contrasts a prior life of glitzy glamour – her home no longer being there - with the life she has now found: 

‘My home 

My home is not in this world 

My home 

My home is not in this world  

 

I want to go outside 

Tell the trees that I love them 

Open my eyes 

See the children in the garden 

Dancing underneath the sunshine 

Swinging underneath the moonlight 

Sing away your sorrow my little one’ 

It’s been said that her ‘greatest achievement is choosing to go against the grain’, a decision that includes her spiritual focus and proves the value of going counter to the culture. It’s also been said that her universal music ‘lives in the hearts and minds and souls of her fellow travelers; born again believers in love, joy, and music’s role as guiding light and lightning rod’. That was certainly the case at Union Chapel where she ‘let the sunshine in’ and we all experienced the everlasting light of love shining on us. 

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