Column
Culture
Politics
4 min read

The bullies invoking Jesus as their best buddy

Trump and Putin's desire to be loved, admired and followed.

George is a visiting fellow at the London School of Economics and an Anglican priest.

A fierce looking man walks at the head of a phalanx of suited men.
Trump strides from the White House to St John's Church, 2020.
The White House, Public domain, via Wikimedia Commons.

I’m not at all sure that the parents of a teenager driven to despair, or even suicide, by online trolls, or a woman in a coercive relationship, are likely to see their tormentors as victims, making a cry for help by making the lives of others intolerable. 

Bullies, it is said, have invariably been bullied themselves. A popular proverb has it that bullies never prosper, a comforting canard knocked down by some comprehensive research recently from the British Cohort Study that, of 7,000 children born in 1970, it was the nastiest, most aggressive little pieces of work that did best in life by age 46. 

Social insecurity may well have driven their cruel treatment of others, but financial security has been their reward. Said one of the study’s authors, there’s ‘a strong link between aggressive behaviour at school and higher earnings later in life’. 

What exemplars of that might we find on the international stage? Step forward the erstwhile and very possibly future president of the United States and the great-returner president of Russia. 

They’ve had all that and they want a harder drug. Like most bullies, they want to be loved by those whose attention they have won. 

Bullying may be too light a term for what Donald Trump has done to countless women and business associates in his life, what Vladimir Putin has done to Ukraine and other old Soviet satellites, and what both men have done to their nations’ electoral systems. 

But I want to make an armchair case for the psychological insecurity of both men. That insecurity presents itself in a rather pathetic (in the literal sense) desire to be loved, to be admired and to be followed by devoted disciples.    

And what role model might they come up with for that? Why, of course, they have both invoked Jesus Christ as their best buddy, who is very much on their side politically and who is really a lot like them. 

Trump has endorsed excruciating (again, literally) drawings of himself sitting in the dock at court with the Christ and has published his own $60 “Bible” (one remembers the delightful self-publicist Jonathan King launching his fictional memoir, entitled Bible Two). 

Putin has claimed that he’s not a little like the Nazarene calling fishermen by the sea of Galilee, as he rallies Russian youth to resist the pernicious culture of the “Satanic” West. He casts himself, along with Jesus, as the defender of “traditional values”, though the conflation of the Christ with cultural tradition is a little awry, but never mind. 

There’s pragmatic political ambition in both men for co-opting the Christ to their cause. Trump wants and needs the US Christian Right on his side for re-election. Putin is promoting a rapprochement with Russian religions and already has the Russian Orthodox Church onside for his Ukrainian escapade. 

But there’s something else going on here. The armchair psychologist can identify motives at work. Both Putin and Trump want not only attention. They’ve had all that and they want a harder drug. Like most bullies, they want to be loved by those whose attention they have won. 

Their problem, naturally, is that they can never make it, which can only compound their insecurity 

What better figure to associate themselves with than love incarnate? A demi-god aspires to be loved as God loves and is loved. It may replace a familial love that has been missing, or it may more simply be the toxic desire to be loved by those you oppress and by one’s peers – again, the instinct of the bully. 

That’s closer to admiration and has vanity at its root. Witness Putin’s faintly ridiculous bared torso astride a horse as a younger man, or Trump’s vainglorious comb-over and orange-tanned skin.  

Such a shame that we have no idea how the most famous figure who ever lived, whose legacy is the largest religion on earth, actually looked. Or they might try to look like that. Because, to their minds, emulation would win similar admiration. 

Finally, Trump and Putin need to be followed, like bullies need their gang. Never mind that even the most devoted disciples of Christ abandoned him to his fate in his mortal life. There’s something like 2.5 billion declared followers of him today, some two millennia later. That’s some legacy and the kind that would shore up even for deepest of their insecurities. 

Their problem, naturally, is that they can never make it, which can only compound their insecurity. The nature of Christian leadership, at its source, is unreachable. He said himself that we could not follow where he was going, because it’s a form of leadership beyond human scope – self-sacrificial, infinitely humble while also divine. 

That leadership was among us and we didn’t recognise it. The leaderships of Trump and Putin, even as they claim Christ-like affinity, carve recognition and to be above us. These are not men who would lay down their power, far less their lives, for their friends. 

These are bullies in the playground of politics. We must pray for their souls as we condemn their actions.   

Review
Ageing
AI
Culture
Film & TV
5 min read

Foundation shows you can’t ‘Ctrl+V’ a soul

A sci-fi classic unearths transhumanism’s flaws

Giles Gough is a writer and creative who hosts the God in Film podcast.

A woman confronts a man whose clone stands behind her.
Apple TV.

One of the reasons that science fiction has had enduring popularity as a genre is its ability to illustrate thought experiments. The way it can attempt to answer questions that can’t even be asked in any other kind of fiction is what gives it power as a form of storytelling. One question that keeps coming up is: what if you could live forever, through technology?  

One person to attempt to answer this question is Isaac Asimov, one of the early giants of the sci-fi genre. Born in 1920, Asimov arrived into a world that was rapidly changing, and yet, his imagination was still able to outpace it. Much of what he is known for is his depiction of robots, with ‘Asimov’s laws of robotics’ influencing the depiction of androids in Star Trek: The Next Generation. However, direct adaptations of Asimov’s own work were few and far between. Robin Williams’ Bicentennial Man released in 1999 and Will Smith starred in I, Robot in 2004 were the best of the bunch. That is, until Apple TV began adapting Asimov’s Foundation

Asimov’s Foundation books were written across the span of fifty years. The premise of the stories is that in a distant future, a galactic empire is beginning to fail and cannot be saved. The mathematician Hari Seldon develops the theory of psychohistory, where he uses statistical laws to predict the future of large populations. In the wake of the empire’s fall, Seldon predicts a dark age lasting 30,000 years before a second empire arises. Seldon devises a plan to reduce this dark age to just one thousand years by preserving a ‘foundation’ of knowledge. The novels describe some of the dramatic events that frustrate, or are a result of Seldon's Plan. One of the features of the story that the Apple TV show of Foundation focuses on is attempted immortality.  

Foundation gives us three depictions of ‘immortality’. Firstly, Seldon orchestrates having his conscience eventually uploaded into the Prime Radiant, a super-computer in order to allow him to shepherd his plans beyond the limits of his own human lifespan. Secondly, his protégé, Gaal Dornick is throughout the first season put into a cryo-sleep that lets her move into the future without ageing. Finally, the characters of Dawn, Day and Dusk attempt immortality through cloning. The tyrannical emperor Cleon decided that the only person fit to succeed him was…himself. So, he creates a revolving triumvirate of his own clones: Brother Day, a Cleon in his prime; Brother Dusk, an aging Cleon who serves to advise Day; and Brother Dawn, a young Cleon being trained to succeed Brother Day. This "genetic dynasty" has been ruling with an iron fist for 400 years by the start of the series.  

These interpretations of immortality grant each character the ability to shape and curate history in a way that no one human could ever achieve. But as there’s no drama without conflict, Foundation shows us the downsides of this kind of immortality. Firstly, Gaal’s version, being frozen in cryo-sleep for decades might literally extend her life, but from Gaal’s perspective, it is no longer than it would have been otherwise. Whilst she does get to see history play out, she loses connections with people like her family and her lover Raych. She is unable to build the life she would have planned for herself.    

No-one mourns your absence because there’s an identical copy of you still walking about. 

Seldon’s version of immortality is flirted with by tech bros and transhumanists like Peter Thiel. The idea of a computer that has the processing power to replicate a human brain turns up in numerous stories, but it’s another false immortality. Firstly, the original Hari Seldon still dies, and the ‘digital version’ stored eventually in the Prime Radiant is merely a copy. We might not think much of copy and pasting a document or file on our computer, but it doesn’t quite work the same for human beings. A copy is not the same as the original. You can’t ‘Ctrl+V’ a soul. In addition to this, we find out at one point that due to a mistake, Hari’s digital self has been trapped in darkness, fully conscious but with no rest, no distractions and no way of communicating with the outside world for 148 years. This naturally drags Hari into an interminable madness.  

Lastly, the Empire run by the clones, Dawn, Day and Dusk suffer much the same problem as the other two. It’s not a real immortality; as each clone eventually dies. But in many ways, it’s even worse than death. No-one mourns your absence because there’s an identical copy of you still walking about. This is a trope that is troubling, because a protagonist dying and being returned via cloning is often presented as a ‘resurrection’. It has been used as a story arc in the X-men comics and in Peter Capaldi’s era of Doctor Who, with very little outcry from their respective fandoms. Possibly because the thought that the producers have canonically killed the main character and replaced them with an exact copy is simply too uncomfortable to consider. In Foundation itself, the clones are judged by their fidelity to the original (a cold and petty despot) and any deviation is met with a death sentence. Whilst clones may be one way to rule a sci-fi galactic empire, it’s possibly their inability to adapt to changing circumstances that contributes to the fall of civilisation.  

The great irony in all of these interpretations is; you are only immortal to those observing you, and an immortality that relies on perspective is not really an immortality at all.  

It seems that hard science fiction, and ancient Greek myths can at times, overlap in their focus. Viewed in one light, Asimov’s Foundation series can be seen as one long story of Prometheus, who steals fire from the gods to give it as a gift to mankind, only to be punished by Zeus for his actions. Asimov appears to be telling us that mankind can’t accurately predict the future and you can’t live forever. So despite being a staunch atheist, one of the great minds of science fiction might be suggesting that immortality may belong squarely in the realm of the divine.

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