Article
Christmas culture
Creed
4 min read

A blatantly supernatural story 

A friends’ walk leads to a discussion on the plausibility of the virgin birth. Surgeon David Cranston seeks wisdom about a phenomenon that defies rationality.

David Cranston is emeritus Professor of Surgery at Oxford University. As well as publishing academically, he has has also authored books on John Radcliffe, and mentoring.

A two sided altarpiece painting shows an angel kneeling on on one side and a Madonna on the right hand side.
Kneeling, the Archangel Gabriel greets the Virgin at the moment of Christ's Incarnation. The Annunciation, Paolo Veneziano.
Getty Museum.

I am a member of a couple of walking groups. Many of my friends like golf and have been trying to encourage me to play and, although my golfing friends have tried hard over the years, I do agree with Mark Twain who thought of golf as a good walk spoiled. 

My walking groups have rules. Both tend to be in the morning, with a pub lunch. One group set up in 2004 is strict - main course only, beer no wine. The other started in 2022 is laxer with two courses with beer and wine allowed. 

The walk and lunch allow time for discussion free of mobile phones, iPads, internet and computers and consequently with full, rather than partial attention given to the discussion. 

Religion and politics are allowed. At one lunchtime, discussion on Christmas led to one senior lawyer remarking that the term ‘virgin’ in the pages of the gospels may just mean a ‘young woman’. He went on to say:  

“That would alter the interpretation of the New Testament somewhat!”   

He said it as if it was a relatively new discovery. 

Actually, it is quite old, because the first person to think that was Joseph, Mary’s betrothed husband.  

Matthew explains in the first chapter of his gospel that when Joseph found that Mary was pregnant, because he was faithful to the law, and yet did not want to expose her to public disgrace, he had in mind to divorce her quietly.  

In those days betrothal could only be broken by divorce. Joseph knew he was not the father. 

On one occasion CS Lewis was in discussion with a colleague who stated that:  

 ‘The early Christians believed that Christ was the Son of a virgin, but we know that this is a scientific impossibility.’ 

Lewis asked him to elaborate, and he went on to say:  

 “In those days the belief in miracles arose at a period when men were so ignorant of the course of nature that they did not perceive a miracle to be contrary to it.”  

Lewis replied that this was nonsense and replied: 

“When St Joseph discovered that his fiancée was going to have a baby, he not unnaturally decided to repudiate her. Why? Because he knew just as well as any modern gynaecologist that in the ordinary course of nature women do not have babies unless they have lain with men. No doubt the modern gynaecologist knows several things about birth and begetting which St Joseph did not know. But those things do not concern the main point – that a virgin birth is contrary to the course of nature. And St Joseph obviously knew that. In any sense in which it is true to say now, ‘the thing is scientifically impossible,’ he would have said the same. The thing always was, and was always known to be, impossible unless the regular processes of nature were, in this particular case, being over-ruled or supplemented by something from beyond nature.” 

Lewis goes on to elaborate: 

“But once and for a special purpose, God dispensed with that long line which is his instrument. Once His life-giving finger touched a woman without passing through the ages of interlocked events. Once the great glove of nature was taken off His hand. His naked hand touched her. There was of course a unique reason for it. That time he was creating not simply a man, but The Man, who was to be Himself: He was creating man anew: He was beginning at this divine and human point, the New Creation of all things. The whole soiled and weary universe quivered at this direct injection of essential life – direct, uncontaminated, untainted, through all the crowded history of Nature.” 

And Donald McLeod, a Scottish theologian, in a Christmastide sermon some years ago said: 

“The virgin birth is posted on guard at the door of the mystery of Christmas, and none of us must think of turning past it. It shows it stands on the threshold of the New Testament. Blatantly supernatural, defying our rationalisation, informing us that all follows belongs to the same order as itself, and if we find it offensive there is no point in proceeding further. If the virgin birth falls, the integrity of the Gospels is undermined.” 

There are many things in life that we may not be able to explain. Just because we cannot believe something it does not mean it is not true. There are many things in this life that are unbelievable. I guess it all depends on our understanding of the nature of God. 

Column
Awe and wonder
Creed
Film & TV
Re-enchanting
4 min read

The great pie mystery

Some unusual graffiti give insight into reality’s mysteries.
A green bridge spans a motorway, on its side is graffiti that reads 'PIES'
The view on the M6.
drgillybean, Creative Commons.

Do you have a favourite piece of graffiti? I used to.  

If you're travelling on the M6 around Cheshire, at some point you’ll come to one of those green motorway bridges. And on the side of it, overlooking the tarmac, you'll see in massive writing the word “PIES”.  

When I was a kid, I used to be fascinated by this. It raises so many questions. Who wrote the graffiti? How did they do it? Was this person in favour of pies or against them? Was it about all pies or just some pies? What had happened in this person's life to make them have such strong opinions about pastry?  

And it was just me. For nearly 30 years, people were left nonplussed about the graffiti as more and more instances of it began to crop up across the North-West of England. 

And then, in 2016, the mystery was solved. Apparently, it wasn't really to do with pies at all. It was all the result of a Liverpool band called The Pies trying to promote their music. After getting stuck on the motorway one day, they decided to write the name of their band on the side of the motorway bridge because, well, what else are you going to do when you’re broken down?  

It's fair to say, I was a little bit gutted to learn about the origins of the graffiti. 

What was once an intriguing mystery that kept me up at night and haunted my every thought (okay, perhaps a slight exaggeration) was revealed to be something so … boring. With hindsight, I wish I'd never learnt the truth about what happened. I thought wanted to know the origins of the pastry-based vandalism but, as they say, ignorance sometimes is bliss.  

You see, we sometimes need a little bit of mystery in life.  

Peel back the world in Lost or Westworld and you see there’s actually only a thin layer of reality masking a great chasm of nothingness. 

This is evident in lots of different ways, but perhaps most apparent when it comes to entertainment and art. TV series Lost, for example, was a huge hit when it first came out. Why did the plane crash? What is the island? What is the smoke monster? Viewers were hooked and demanded answers.  

But then answers came and everyone was upset. As Lost went through series after series, and explained more and more about what was happening, the audience slowly became more and more disenchanted with the program. The finale – where the programme’s biggest mysteries were finally revealed – was almost universally panned. 

The same to be said of the recent HBO hit Westworld. Its first series was by far and away its best. But season two and three trailed off significantly as there was simply no mystery left in the programme after its spectacular first series. I wonder if this is precisely why the works of the late David Lynch were as compelling as they were? The still-incredible Twin Peaks holds up so well precisely because it categorically refuses to explain itself. 

Elsewhere there is a growing tendency in video games, for example, for the narrative of the story to be hidden away, shrouded in mystery and atmosphere. Think of From Software games like Dark Souls and Elden Ring, massively successful in part because they are so mysterious. In both instances, it’s entirely possible to complete the game and have no clue whatsoever that there was even a story in the game, let alone to understand it. The player becomes captured by the mysteries of the worlds they find themselves in, and it’s these mysteries, rather than any answers, than compel them forwards. 

The reason why programmes like Lost and Westworld begin to lose their allure as they explain more and more about their world is that this jars with the reality of the world around us. Peel back the world in Lost or Westworld and you see there’s actually only a thin layer of reality masking a great chasm of nothingness.  

Peel back the world around us, however, and reality goes all the way down. And this is precisely what we would expect from a world created by a God, who is infinitely Infinite. Reality is not paper thin; goes all the way down. It is mysterious, unfathomable, and resists easy answers. 

And so, when we get disappointing explanations about a plane crash in a TV programme, or the origins of our favourite graffiti, it rightly leaves us feeling unsatisfied. Because we are made to be at home in a world that is deeply real. We are made to be at home in a world where the reality has unfathomable, unimaginable depth to it. A world that cannot simply be explained away. 

And this is why mystery is so important in our life. In the post-Enlightenment culture in which we find ourselves, a culture that demands every question be answered and every Scooby-Doo villain be unmasked, the notion of boundless mystery might seem somewhat disquieting. 

But we are made for mystery. And this is why the best works of art trade more on the mysteries they introduce, rather than the answers that might be behind them. And this is why mystery can be found all around us. Even in a pie.

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