Article
Christmas culture
Creed
4 min read

A blatantly supernatural story 

A friends’ walk leads to a discussion on the plausibility of the virgin birth. Surgeon David Cranston seeks wisdom about a phenomenon that defies rationality.

David Cranston is emeritus Professor of Surgery at Oxford University. As well as publishing academically, he has has also authored books on John Radcliffe, and mentoring.

A two sided altarpiece painting shows an angel kneeling on on one side and a Madonna on the right hand side.
Kneeling, the Archangel Gabriel greets the Virgin at the moment of Christ's Incarnation. The Annunciation, Paolo Veneziano.
Getty Museum.

I am a member of a couple of walking groups. Many of my friends like golf and have been trying to encourage me to play and, although my golfing friends have tried hard over the years, I do agree with Mark Twain who thought of golf as a good walk spoiled. 

My walking groups have rules. Both tend to be in the morning, with a pub lunch. One group set up in 2004 is strict - main course only, beer no wine. The other started in 2022 is laxer with two courses with beer and wine allowed. 

The walk and lunch allow time for discussion free of mobile phones, iPads, internet and computers and consequently with full, rather than partial attention given to the discussion. 

Religion and politics are allowed. At one lunchtime, discussion on Christmas led to one senior lawyer remarking that the term ‘virgin’ in the pages of the gospels may just mean a ‘young woman’. He went on to say:  

“That would alter the interpretation of the New Testament somewhat!”   

He said it as if it was a relatively new discovery. 

Actually, it is quite old, because the first person to think that was Joseph, Mary’s betrothed husband.  

Matthew explains in the first chapter of his gospel that when Joseph found that Mary was pregnant, because he was faithful to the law, and yet did not want to expose her to public disgrace, he had in mind to divorce her quietly.  

In those days betrothal could only be broken by divorce. Joseph knew he was not the father. 

On one occasion CS Lewis was in discussion with a colleague who stated that:  

 ‘The early Christians believed that Christ was the Son of a virgin, but we know that this is a scientific impossibility.’ 

Lewis asked him to elaborate, and he went on to say:  

 “In those days the belief in miracles arose at a period when men were so ignorant of the course of nature that they did not perceive a miracle to be contrary to it.”  

Lewis replied that this was nonsense and replied: 

“When St Joseph discovered that his fiancée was going to have a baby, he not unnaturally decided to repudiate her. Why? Because he knew just as well as any modern gynaecologist that in the ordinary course of nature women do not have babies unless they have lain with men. No doubt the modern gynaecologist knows several things about birth and begetting which St Joseph did not know. But those things do not concern the main point – that a virgin birth is contrary to the course of nature. And St Joseph obviously knew that. In any sense in which it is true to say now, ‘the thing is scientifically impossible,’ he would have said the same. The thing always was, and was always known to be, impossible unless the regular processes of nature were, in this particular case, being over-ruled or supplemented by something from beyond nature.” 

Lewis goes on to elaborate: 

“But once and for a special purpose, God dispensed with that long line which is his instrument. Once His life-giving finger touched a woman without passing through the ages of interlocked events. Once the great glove of nature was taken off His hand. His naked hand touched her. There was of course a unique reason for it. That time he was creating not simply a man, but The Man, who was to be Himself: He was creating man anew: He was beginning at this divine and human point, the New Creation of all things. The whole soiled and weary universe quivered at this direct injection of essential life – direct, uncontaminated, untainted, through all the crowded history of Nature.” 

And Donald McLeod, a Scottish theologian, in a Christmastide sermon some years ago said: 

“The virgin birth is posted on guard at the door of the mystery of Christmas, and none of us must think of turning past it. It shows it stands on the threshold of the New Testament. Blatantly supernatural, defying our rationalisation, informing us that all follows belongs to the same order as itself, and if we find it offensive there is no point in proceeding further. If the virgin birth falls, the integrity of the Gospels is undermined.” 

There are many things in life that we may not be able to explain. Just because we cannot believe something it does not mean it is not true. There are many things in this life that are unbelievable. I guess it all depends on our understanding of the nature of God. 

Article
Art
Awe and wonder
Belief
Creed
4 min read

The art of astonishment

Why I am still bowled over by Easter’s implications.

Jamie is Vicar of St Michael's Chester Square, London.

A painting depicts Jesus talking to disciples at a meal.
Caravaggio's The Supper at Emmaus.
The National Gallery.

Recently I wrote about how it would be helpful for those of us in the church to be honest about what we don't know.  

Mary Oliver wrote: 

'Truly, we live with mysteries too marvellous 

to be understood… 

 

Let me keep my distance, always, from those 

who think they have the answers. 

Let me keep company always with those who say 

"Look!" and laugh in astonishment, 

and bow their heads.' 

We begin life by thinking we know everything, and we end it by thinking we know nothing at all, or, very little. Easter confronts us with what we don't know, and what is too marvellous to be understood comprehensively. Sure, the evidence for the resurrection of Jesus is surprisingly staggering. Take Francis Collins, who was Director of the Human Genome project and led the US government's COVID-19 pandemic. He said that he grew up thinking faith was the result of emotionalism or indoctrination. Although his job was saturated in evidence-proving hypotheses, he hadn't taken the trouble to look at the evidence in arriving at his conclusion that God didn't exist, before doing so and giving his life to Christ. 

But even when you've surveyed the wondrous cross and its aftermath, the implications of Easter are unscientific and unsettling, as well as documented and liberating. Try as we might, we can't pin down Jesus. Rowan Williams offers that: 

 "One of the strangest features of the resurrection narratives is precisely this theme of otherness, the unrecognisability of the risen Jesus… For some at least, the encounter with the risen Jesus began as an encounter with a stranger".  

We see this as Mary Magdalene mistakes Jesus for the gardener at the tomb, and similarly with those on the road to Emmaus on the day of the resurrection. They had known Jesus up close, and yet here they travelled quite some way with him before realising it was him. 

This is most beautifully depicted by Caravaggio in his 'The Supper at Emmaus', hanging in the National Gallery in London. As Jesus breaks the bread, their eyes are opened to see what the breaking of his body meant for them. Jesus was hidden in plain sight all along. With the echoes of Christendom, or the Christ-haunted cultures many of us live in, Jesus is hidden in plain sight for us too. We hear echoes, but do not hear his voice. We see fingerprints, but do not see the scarred hands of the Almighty. And in the renaissance master's painting, we see dramatic light and shade, the freeze-frame burst of astonishment of the disciples. As the National Gallery description offers, 

 'he has shown the disciples as ordinary working men, with bearded, lined faces and ragged clothes, in contrast to the youthful beardless Christ, who seems to have come from a different world.’ 

Amidst the mystery, this revelation comes in relation to us. And this is what Caravaggio depicts: that which we find difficult to understand is the joy of a risen saviour who chooses to walk, talk, eat with fellow humans on the day of his resurrection. But, as Williams writes,  

'He eludes and questions our predictions and projections, recedes and hides before our attempts to arrive at adequate, definitive statements... A theology of the risen Jesus will always be, to a greater or lesser extent, a negative theology, obliged to confess its conceptual and imaginative poverty.'  

Perhaps Caravaggio's imagination is less impoverished than most of us!  

Intriguingly, Williams has also written a poem about how the resurrection changes the way those on the road to Emmaus viewed each other. Maybe the anonymity of one of them (the gospel writer, Luke, only names one) helps us to place ourselves in the middle of this mystery. And that is a good place to find ourselves, if we answer the invitation of the risen Jesus and the God who spoke to a captive people through the prophet Jeremiah  

'Call to me, and I will answer you and tell you great and unsearchable things you do not know.’ 

For the disciples, the penny drops, but there is still so much they don't know. This is not to say that they know nothing. Jesus is, in many ways, what Donald Rumsfeld would categorise as a 'known unknown'. Christians believe that Jesus revealed himself in the scriptures, but enough for us to know that there's a lot more to know that we don't know. For those with Christian faith, we don’t exchange the certainty of what we know for mystery, but one of the invitations of the resurrection is to incorporate mystery into faith. And this in itself is not difficult: for to encounter Jesus is to be met with wonder. Those on the road to Emmaus didn’t recognise Jesus at first but their hearts burned within them. For John Wesley, his 'heart was strangely warmed', which strikes me as a very British way of saying his heart was burning within him! 

But many of us will attest that to encounter the risen to Jesus is to shout 'look!' and laugh in astonishment, and to bow our heads. 

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