A blatantly supernatural story

A friends’ walk leads to a discussion on the plausibility of the virgin birth. Surgeon David Cranston seeks wisdom about a phenomenon that defies rationality.

David Cranston

David Cranston is emeritus Professor of Surgery at Oxford University. As well as publishing academically, he has has also authored books on John Radcliffe, and mentoring.

A two sided altarpiece painting shows an angel kneeling on on one side and a Madonna on the right hand side.

Kneeling, the Archangel Gabriel greets the Virgin at the moment of Christ's Incarnation. The Annunciation, Paolo Veneziano.

Getty Museum.

I am a member of a couple of walking groups. Many of my friends like golf and have been trying to encourage me to play and, although my golfing friends have tried hard over the years, I do agree with Mark Twain who thought of golf as a good walk spoiled.

My walking groups have rules. Both tend to be in the morning, with a pub lunch. One group set up in 2004 is strict - main course only, beer no wine. The other started in 2022 is laxer with two courses with beer and wine allowed.

The walk and lunch allow time for discussion free of mobile phones, iPads, internet and computers and consequently with full, rather than partial attention given to the discussion.

Religion and politics are allowed. At one lunchtime, discussion on Christmas led to one senior lawyer remarking that the term ‘virgin’ in the pages of the gospels may just mean a ‘young woman’. He went on to say:

“That would alter the interpretation of the New Testament somewhat!”

He said it as if it was a relatively new discovery.

Actually, it is quite old, because the first person to think that was Joseph, Mary’s betrothed husband.

Matthew explains in the first chapter of his gospel that when Joseph found that Mary was pregnant, because he was faithful to the law, and yet did not want to expose her to public disgrace, he had in mind to divorce her quietly.

In those days betrothal could only be broken by divorce. Joseph knew he was not the father.

On one occasion CS Lewis was in discussion with a colleague who stated that:

‘The early Christians believed that Christ was the Son of a virgin, but we know that this is a scientific impossibility.’

Lewis asked him to elaborate, and he went on to say:

“In those days the belief in miracles arose at a period when men were so ignorant of the course of nature that they did not perceive a miracle to be contrary to it.”

Lewis replied that this was nonsense and replied:

“When St Joseph discovered that his fiancée was going to have a baby, he not unnaturally decided to repudiate her. Why? Because he knew just as well as any modern gynaecologist that in the ordinary course of nature women do not have babies unless they have lain with men. No doubt the modern gynaecologist knows several things about birth and begetting which St Joseph did not know. But those things do not concern the main point – that a virgin birth is contrary to the course of nature. And St Joseph obviously knew that. In any sense in which it is true to say now, ‘the thing is scientifically impossible,’ he would have said the same. The thing always was, and was always known to be, impossible unless the regular processes of nature were, in this particular case, being over-ruled or supplemented by something from beyond nature.”

Lewis goes on to elaborate:

“But once and for a special purpose, God dispensed with that long line which is his instrument. Once His life-giving finger touched a woman without passing through the ages of interlocked events. Once the great glove of nature was taken off His hand. His naked hand touched her. There was of course a unique reason for it. That time he was creating not simply a man, but The Man, who was to be Himself: He was creating man anew: He was beginning at this divine and human point, the New Creation of all things. The whole soiled and weary universe quivered at this direct injection of essential life – direct, uncontaminated, untainted, through all the crowded history of Nature.”

And Donald McLeod, a Scottish theologian, in a Christmastide sermon some years ago said:

“The virgin birth is posted on guard at the door of the mystery of Christmas, and none of us must think of turning past it. It shows it stands on the threshold of the New Testament. Blatantly supernatural, defying our rationalisation, informing us that all follows belongs to the same order as itself, and if we find it offensive there is no point in proceeding further. If the virgin birth falls, the integrity of the Gospels is undermined.”

There are many things in life that we may not be able to explain. Just because we cannot believe something it does not mean it is not true. There are many things in this life that are unbelievable. I guess it all depends on our understanding of the nature of God.

Article

Belief

Creed

20 August 2024

4 min read

We’ve been seeking that festival feeling for millennia

Why else do we endure discomfort, queues, and sleep deprivation?

Jamie Mulvaney

Jamie is Vicar of St Michael's Chester Square, London.

A singer on a stage holds out his arms to conduct the crowd.

Chris Martin enchanting Glastonbury.

Raph_PH, CC BY 2.0, via Wikimedia Commons.

Why do we go to festivals? It was something I contemplated at 4am while trying to stop a marquee from setting sail into the air during a quintessentially English late July storm. Thankfully we pinned it down, but sometimes it seems we can't get a handle on something until it's been taken away from us. Lockdown allowed us to indulge in some soul-searching about our appetite for summer festivals. A Department of Digital, Culture, Media and Sport select committee survey of 36,000 people showed that what people most missed about festivals during the pandemic was 'the atmosphere'. The atmosphere, much like that airborne marquee, is something difficult to put your finger on, but whatever it is, you do want to soak it up.

So, what contributes to that ‘atmosphere’? Harry van Vliet from the Amsterdam University of Applied Sciences compared over 20 studies into motivations for festival-going. He distilled them into: escape, family togetherness, socialisation, and novelty. Other researchers, such as Rippen and Bos, cite realising significance, giving meaning and giving shape, and deploying, developing and maintaining competencies. As abstract and ethereal as our motivations are, at festivals we want to ram the tent peg into the ground, staking the opportunity to escape or to imagine the future. Why else would you endure discomfort, questionable cuisine and sanitation, queues and sleep deprivation? We endure little inconveniences because we have bigger thirsts.

Then there's the gap between what people hope to get out of a festival and what the organisers are aiming for. Spare a thought for those who booked onto the FYRE Festival, which promised ‘a new type of music festival that would ignite the energy and power of its guests’. Instead, they ignited fury, lawsuits, and six years in prison for the founder. The driver here was greed. If festivals are an immersive experience, what the festivalgoers unsuspectingly immersed themselves in was the sad fruit of that particular rotten orchard. Instead of the gourmet meals and luxury villas, the staff ate sandwiches in styrofoam boxes and guests who’d spent up to $100,000 to attend fought over a limited number of mattresses and tents. One legal document from a guest claimed guests were lured into ‘a complete disaster, mass chaos and post-apocalyptic nightmare’.

The performer, therefore, is like a prophet or a priest. We get to enter little portals to the divine.

We know if we’ve immersed ourselves in something more hopeful. I’ve spoken to several people who’ve been to Taylor Swift gigs, all still ‘buzzing’. Cities and countries keep reporting the bounce, the economic uplift they’ve all experienced from a Swift visitation. Deep down, at concerts and festivals alike we all probably know that we’re not there to ignite the energy and power of us as the guests, but to spectate the energy of the maestro at work. They are the ones who plumb the depths of creative introspection for us. They are the ones who concoct, via musical alchemy and a large support team, something reaching transcendence. If we can immerse ourselves in that, then, however fleetingly, all the inconvenience will have been worth it.

Festivals, therefore, are a pick-n-mix of artistry that we can come up close to. And therefore, the thought goes, their creative genius. Which is almost as elusive as the atmosphere of an immersive festival itself. Elizabeth Gilbert, the author of Eat, Pray, Love, says it was a mistake when we placed the human at the centre of the universe, and the pressure that comes from having to be a creative genius. In her 2009 TED Talk she spoke about Socrates believing he had a daemon that spoke to him, and the Romans believed that they had a ‘sort of disembodied creative spirit’ called a genius. The performer, therefore, is like a prophet or a priest. We get to enter little portals to the divine.

Maybe Coldplay can be right, when on the Pyramid stage at Glastonbury they sang to tens of thousands, ‘you’ve got a higher power.’

But what if the founder of the FYRE Festival was actually right? What if the guests themselves at festivals have energy and power, and not just Chris Martin? Millenia ago, this idea was once also floated at the festival of tabernacles, or Sukkot, where the Israelites made a pilgrimage to the Temple in Jerusalem and would camp in tents for seven days.

The gospel writer John says that Jesus spoke to whatever it was people had pitched up tents by the temple for:

‘On the last and greatest day of the festival, Jesus stood and said in a loud voice, ‘Let anyone who is thirsty come to me and drink. Whoever believes in me, as Scripture has said, rivers of living water will flow from within them.’

John goes on to explain that ‘By this he meant the Spirit, whom those who believed in him were later to receive. Up to that time the Spirit had not been given, since Jesus had not yet been glorified.’

Where the Holy Spirit had previously been given to specific people, for specific times and purposes, including creativity, here the Holy Spirit was promised to anyone who would believe in him. And as well as their own fulfilment, the divine creative energy would flow through them to others.

More than a mere atmosphere or nebulous spirit, Jesus claims to be one with the creative energy who hovered over the waters at the start of the Bible, the dwelling place at the end of the Bible where God will be with his people, and drove a stake, or a cross, into the ground to enable this to happen.

Maybe Coldplay can be right, when on the Pyramid stage at Glastonbury they sang to tens of thousands, ‘you’ve got a higher power.’