Explainer
Creed
Easter
Resurrection
5 min read

Beyond immortality there’s restoration

The resurrection strikes at the heart of the cold reality of the human condition.

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

A fine art painting depicts a risen Jesus hold a flag in one hand and raising his other hand above his head, against a dark background
Caravaggio's The Resurrection, detail.
Art Institute of Chicago, Public domain, via Wikimedia Commons.

No one on the planet can pretend not to care about death or about a way to overcome it. The heart of the Christian message is that death has been overcome. This isn’t just about immortality. It’s about Resurrection: the triumph of life over death. If we want to see why that matters we need first to face the reality of death squarely and without flinching. The best person to help us do that is Martin Heidegger.  

It is unfortunate that one of the most influential philosophers of the twentieth century is also among the hardest to understand. There are even philosophy professors who avoid Heidegger’s work and refuse to talk about it (his associations with Nazism and antisemitism don’t help either). Yet for all that, his fame and influence continue unabated. Why? Perhaps it is due to the bold way he points to realities at the heart of the human condition. Realities like death.  

Nobody can avoid death. No matter how rich, healthy, successful, or famous you are, death comes to you as it came to everyone before you. 

If you dare to open Heidegger’s most renowned work, Being and Time, you will find a description of human existence as being-towards-death. What on earth does that mean? It starts with Heidegger’s claim that time is part of our very essence. We are time-bound beings. And the way in which we are time-bound has a direction: the future. Anxiety about the future constitutes our existence. We never stop being anxious: about where our lives are going, whether we will achieve our goals and dreams, whether our loved ones will be safe and happy, even (for some) whether we will survive another day. Only the most downtrodden and dehumanised in society have lost this forward-looking drive. The rest of us live most of our lives in our own projected future. Earning money, getting engaged, buying a house, getting a secure job, raising children: almost everything we do is future-oriented. 

Yet our ultimate future faces us all as a horrifying reality we can’t avoid, that we spend most of our lives trying to ignore. We are all going to die. 

Nobody can avoid death. No matter how rich, healthy, successful, or famous you are, death comes to you as it came to everyone before you. The greatest emperors, the wealthiest entrepreneurs, and the most famous superstars in literature, music or art have no advantage over the lowliest peasant. Death is the great leveller. And what of all that achievement then? What does it mean?  

Death puts an end not only to ‘worldly’ ambitions like the above, but also to more meaningful pursuits like love, family, and relationships. Whoever you love will die too. This was the terrible truth that the Russian novelist Leo Tolstoy learnt. After decades of promoting family as the true meaning of life, he realised that he was simply passing the buck to the next generation. Unless each individual life had its own meaning, he had nothing to offer his children: like him they would end their lives six feet under the ground. He could neither stop them from dying nor give them a meaning to their lives that outlasted their death. 

Heidegger said we should spend more time in graveyards. He believed that facing the inevitability of our death would make us live more authentic lives. No doubt he was right. But wouldn’t something else change how you lived your life? Namely, if you believed death was not the end? 

There’s a point being made here that goes far beyond immortality: it is about the restoration of life by the author of life who defeated death. 

The Christian tradition is founded on an event with a unique promise. Christians claim that Jesus defeated death by dying and rising again. This means that even though we still die we will one day rise with him and never die again. There is no greater hope on offer. Nothing could be more relevant, more urgent, more meaningful than this central Christian claim. It is equally relevant to someone gasping for breath on a sinking ship and to someone bursting with health in the prime of life.  

If Heidegger is right, the Christian message strikes at the heart of the most horrifying and cold reality of the human condition. The event of the Resurrection has the power to transform every anxious future-oriented human being facing their inevitable death. The reality is cold and horrifying no more. Jesus’ death broke the curse of death and robbed it of its power. If we follow him in dying, we will also follow him in rising. Just as Jesus rose again (and because Jesus rose again), we will rise again one day and death will be no more. 

But is the Christian claim really unique? Don’t other religions believe in life after death? 

Not like this. Not bodily resurrection. We must not confuse the Christian claim with a general belief in immortality, though that is an essential part of it. Other religions hold that our souls continue after death. Some teach reincarnation, an endless cycle of birth and death. But there’s something more to the Christian claim. The Gospel accounts tell that Jesus died and was buried in a tomb. If all Jesus wanted to prove was that the spirit outlives the body, then his body could have remained in the tomb. No big deal: it’s just a dead body. His ghost could have still wandered around and appeared to people. 

All four Gospel accounts begin their scandalous news with the inability to find Jesus’ dead body. Three days after he dies, the women go to his tomb, and the tomb is empty. When the risen Jesus appears to the disciples, he takes pains to prove he is not a ghost. He invites them to touch him. He eats breakfast with them. He walks among them as flesh-and-blood. There’s a point being made here that goes far beyond immortality: it is about the restoration of life by the author of life who defeated death. 

That’s why the Christian teaching on immortality is unique: because immortality is just the beginning. It’s about far more than that. It’s about restoration to life in the world God made: the bodily world in which we live. God created it. He doesn’t want us to leave it after we die. He wants us still to live in it. Jesus’ death empowered us so that we can live in it forever.

Explainer
Belief
Books
Creed
Poetry
6 min read

Why a book? The words that change the world and me

Living by a literature that’s imbibed in countless cultures.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

A man sits on a pier intently reading a book on his lap.
Ben White on Unsplash.

I have a belief system, a story that I live by, a lens through which I perceive the world. That doesn’t make me unusual or in any way different to you – we all have those, whether we’re aware of them or not. What may make me different to you is that mine are primarily explained to me through a book – or, more accurately, a library of sixty-six books – which we call the Bible. 

The story that I live by, that I breathe in and out, is bound. It sits within a cover, it moves through pages, it unfolds according to a contents page – it has genre, it has authors, it has punctuation.  

And I’ve never really found this odd. 

I think it’s because I’m what Charles Taylor would call a ‘storied creature’, my default is to make sense of the world on a largely imaginative level. I’m also quite romantic; poetically inclined, one could say. It sometimes feels as though words flow through my veins – if you were to cut me open, I may just bleed a puddle of my favourite Jane Austen monologues straight onto the floor. And so, my personality happens to lend itself spectacularly well to living my life according to a spiritual, sixty-six book wide, library. I’ve never really had to wrestle with the strangeness of such a thing, I’ve never sat down and stared the oddness of it in the eye, I’ve never even really asked myself (or God): why a book?  

I feel I should pause here, and offer a quick Rory Stewart-esque explainer, just so that we’re all on the same page.  

What I, and Christians through time and place, call the Bible is an anthology of sixty-six books, written by around forty authors, in three languages, over the span of 1,400-ish years. Within it, one can find poetry, narrative, apocalyptic literature, erotic literature, lists and figures, instructions and explanations. It is – year in and year out – the bestselling book in the world, with over 100 million copies sold or gifted each year. The New York Times Bestseller List actually omits it from its rundown, because otherwise it would always be so boringly there – sitting comfortably right at the top. No other book ever comes close. Words from this anthology of literature are graven into the floors and walls of the Houses of Parliament, they’re woven into almost every work of Shakespeare, they’re spray-painted clumsily onto billboards in the city I call home.  

And so, I guess, in one way, the answer to my question – why a book? – is all of that. The peculiar far-reaching resonance of the methodology speaks for itself. I think of Robin Williams’ impassioned monologue in Dead Poets Society… 

‘No matter what anybody tells you, words and ideas can change the world. We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion.’  

… And I get it. I understand why it was literature that was compiled, why language and words were the tool of choice. For better and for worse, biblical words and ideas have changed the world – they have been ‘the making of the western mind’, just ask Tom Holland. And so, pragmatically, one could argue that the Bible being a book (or a book of books) means that it has successfully imbedded itself in countless cultures, while also transcending them. It’s gone further, lasted longer, sunk deeper than any other form of communication could. Such is the power of words. 

But to stop my pondering there feels like I’d be stopping short. I’m not sure that a distant, pragmatic, academic answer is one that I feel satisfied with.  

So, this morning, I sat down with a cup of tea, a pen, my notebook, and a newfound curiosity - and I asked myself, and God, why a book?  

Why poetry?  

Why story?  

Why wordplay?  

Why have I – an educated, arguably disenchanted, most definitely left-brained, twenty-first century adult - been so willing to let these things mould my interior life? Why am I so moved by them? Moved to action, moved to tears, moved to rage. How can I read something that was written a millennia ago, in a part of the world I have never trod on, and somehow feel as if it is a love letter written exclusively to my own soul?  

I think that those are the real questions - the questions to which I have both a thousand and zero answers.  

And, like any work of literature, it does not give its meaning up easily – it requires me to sit with it, to excavate it, to gnaw on it like a dog with a bone. 

Zero answers, because I fundamentally think that it’s a spiritual thing, a God-designed thing, a thing that sits beyond any explanation I could piece together. The God that I believe exists wants me to know about him, wants me to learn and study, wants me to get glimpses of how thinks, how he works, he feels about me – and you. That’s a wild and wonderous thing. That reality leads me be stunned not only at the methodology, but the desire behind it, as St. Augustine wrote,  

‘the whole Bible does nothing but tell of God’s love’.  

And so, this literature, to me, is a source of truth, leaning into Iain McGilchrist’s inkling that,  

‘the fact that religions and mystical and spiritual traditions have always had to use language in a poetic way doesn’t mean that what they’re talking about is not real, it means it is ultimately real.’ 

The biblical literature uses words to take us to the edge of them.  

And, like any work of literature, it does not give its meaning up easily – it requires me to sit with it, to excavate it, to gnaw on it like a dog with a bone.  

Sometimes reading it feels like a balm on my heart, other times it feels like a wrestle in the dirt. But I guess that’s the beauty of it being a book, right? My worldview sits within a piece of literature that is adorned with my scribbles, tear stains, tea spills. A book that meets me every single day, ready to read me as I read it, giving my as many questions as it does answers. 

So, why a book? Because now that I think about it, it is odd. The powerful resonance of words for all cultures at all times, perhaps? Or the way that poetry was designed to make a bee line for the deepest parts of us? Or the fact that it is only through language that we can talk about the things that go beyond it?  

There are a thousand human-sized answers, if you really need them. I happen to enjoy the mystically-charged zero answers, myself.  

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