Review
Culture
Film & TV
Mental Health
Trauma
5 min read

The battle between seen and unseen pain

Jesse Eisenberg explores how the generations cope with pain.

Krish is a social entrepreneur partnering across civil society, faith communities, government and philanthropy. He founded The Sanctuary Foundation.

Two male cousins converse across the aisle of a train.
Kieran Culkin and Jesse Eisenberg.

In today’s ultra-developed world, where technological and medical advances have reached unprecedented heights, suffering remains an unsolved problem. While the World Health Organization claims the successful prevention, elimination, or treatment of more diseases than ever before, it also highlights significant increases in anxiety, depression, and stress-related disorders worldwide. This paradox raises questions not only about the root causes of mental health suffering but also about the way we understand its current prevalence and impact. Are today’s struggles any different to those others have experienced before us? Is the pain equally real? As we approach the eightieth anniversary of Holocaust Memorial Day, can we truly equate the silent struggles of contemporary emotional health challenges with the unimaginably harrowing experiences of those who endured the worst horrors of war, violence, and genocide?  

Jesse Eisenberg dares to tackle these complex questions with his directorial debut, A Real Pain, a masterful exploration of trauma, resilience, and the search for meaning. Co-starring Kieran Culkin in a career-defining performance, the film takes viewers on a journey that is part road trip, part comedy-drama, part historical reflection, and wholly compelling. I believe it offers a timely and deeply thought-provoking challenge to consider how we recognise and process pain across generations as well as understand the way pain shapes – and reshapes – our lives.  

In the film, Eisenberg and Culkin portray two estranged Jewish-American cousins, David and Benji, who embark on a shared mission to retrace the steps of their grandmother, a Holocaust survivor. What begins as a simple road trip to Poland quickly transforms into something much more as the brutal reality of intergenerational trauma and mental health struggles rise to the surface.  The film’s themes can be explored through three key lenses: the passing on of pain, the proximity of pain, and the problem of pain. 

The passing on of pain 

At its heart, A Real Pain is a story about legacy—the burdens and blessings passed down through generations. Though their shared grandmother is no longer alive, her story of survival, resilience, and eventual flourishing has left a profound impact on her descendants. Her story draws the cousins in, but it also draws them together and apart in different ways over the course of the trip. There is tragedy and comedy, and poignant moments of connection as well as frustration as Eisenberg explores how trauma echoes through generations, affecting different people in different ways, weighing heavily on those who did not live through the original events. This theme is handled with nuance showing both the strength and fragility that come from confronting a painful past. Ultimately it brings us to a new question – how do we honour the suffering of those who came before us while also finding our own path, or paths, to healing? 

The proximity of pain 

As the cousins delve deeper into their family’s history, the film juxtaposes the grandmother’s resilience in the face of antisemitism, war, and Holocaust with Benji’s struggles. Despite severe loss, grief and trauma, the grandmother went on to live a meaningful life. Benji on the other hand struggles to keep on top of his daily responsibilities, hold down a job, and maintain relationships. He struggles to find any meaning in his life and reveals he has attempted suicide. How, he wonders, did his grandmother find the strength to fight for her life against the backdrop of the Holocaust when he can’t even navigate the relative peace of middle-class America? This question seems to add to his despair. He seems thoroughly beaten.  

Eisenberg does not provide easy answers but instead invites viewers to wrestle with these complexities of life and death, resilience, and vulnerability. He forces us to confront our assumptions about suffering and strength. By making us reflect on which pain is more real, he seems to have found a way to challenge us both to honour the reality of past trauma and recognise the reality of the struggles faced by those around us.  He has certainly found a way to help us empathise both with the millions of people who are currently displaced and traumatised by violence, conflict, and displacement, and, equally, with the millions whose mental health is in tatters.   

The problem of pain 

At its core, A Real Pain tackles the universal question: what do we do with suffering? Do we bury it in the past? Do we pretend it does not exist? Do we insulate ourselves from the pain of others? Do we respond with frustration and anger or with patience and empathy? Do we accept pain as a tragic by-product of existence? Do we struggle under the burden of it? Do we let it defeat us? Do we find ways to learn from it? Can pain make us stronger? Can it make us better people? Does it point to something deeper within us or, indeed, something beyond us? 

Right in the middle of the film, David and Benji meet a survivor of the Rwandan genocide. who provides a stark reminder that the horrors of the Holocaust are not just consigned to history, that even today there are places where entire people groups are being targeted, destroyed, and displaced. This character has clearly found solace and meaning through his faith, in contrast to the cousins’ secular Jewish identities. The tension between belief and unbelief runs through the film and reflects the wider experience of many for whom pain has been a critical factor in their journey either to faith or away from it.  

For C.S. Lewis, the author of the Narnia chronicles who offered spiritual solace to the nation during the Second World War and who was personally familiar with suffering writes: “God whispers to us in our pleasures, speaks in our conscience, but shouts in our pains: it is His megaphone to rouse a deaf world.” Pain, for many Christians like Lewis is supposed to draw us towards faith – it is an urgent invitation to seek meaning and connection in a fractured world. Pain reminds us of our mortality and vulnerability, and our dependence not just on others, but perhaps too on an Almighty being who offers hope, healing and the promise of a life beyond this in a world where there is no more death, no more tears, no more pain.  

With A Real Pain, Jesse Eisenberg has crafted a film that will make you laugh and cry and think and discuss and reach out to others, or even to God.  This film invites you to reflect on the past, present and future, to wrestle with the pain we carry and to seek meaning beyond it. It’s a must-watch for anyone who dares to reflect on life’s most profound questions.  

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Article
Character
Culture
Sport
1 min read

Rodrigues and Mullally: rewriting history with bat and mitre

A match-winning innings and the rise to Archbishop both speak of the quiet power of possibility

Henry Corbett, a vicar in Liverpool and chaplain to Everton Football Club.  

  

Sarah Mullally and Jemimah Rodrigues
Sarah Mullally and Jemimah Rodrigues.

It’s a World Cup cricket semi-final between India and Australia. Australia are the world champions. They are unbeaten in their last 15 matches, and have won all their group matches impressively. They are overwhelming favourites. India have lost three of their group matches and only just managed to qualify for the semi-finals.

The match is being played in Mumbai. The ground is packed and millions are watching on television. Australia win the toss and bat first. They make 338 runs in their 50 overs, an outstanding score. India are facing the highest run chase in World Cup history to win the match. 

 India’s innings gets underway and a wicket goes down in the second  over.

Out walks Jemimah Rodrigues, 25 years young, nervous, in front of a full crowd of 45,000, in the city where she was born and grew up. Earlier in the competition she had been dropped from the team. Just over 3 hours later she is 127 not out, off of just 134 balls, and she has steered India to one of the greatest wins in Women’s World Cup history, and her innings has been described as one of the greatest World Cup innings of all time.

What does she have in common with Archbishop-elect Sarah Mullally? They are both Christians, sisters in the worldwide family of God’s Church, and when they were both young children neither knew that there was any possibility of their being where they are now.

Jemimah Rodrigues was born in September 2000 and as a child didn’t know women’s cricket existed. She played with her two older brothers, and hockey looked a more likely avenue for her sporting talents. When she went to play cricket, encouraged by her parents, she was the only girl among 500 boys. Playing in a women’s cricket World Cup final watched by a sell-out crowd? Not possible, surely.

Sarah Mullally was born in March 1962. A woman as Archbishop of Canterbury? It was 1994 before the first women became priests, and 2015 when the first woman was a Bishop. 

Now Jemimah Rodrigues has inspired a nation with her sensational innings that led to the defeat of the previously all-conquering Australian women’s team, and India went on to win the final against a resilient South Africa side in front of another packed crowd in Mumbai. It was the first time India’s women’s cricket team had won the World Cup. The most famous Indian cricketer Sachin Tendulkar posted on his social media of the team: “They have inspired countless young girls across the country to pick up a bat and ball, take the field and believe that they too can lift that trophy one day”. The Indian men’s cricket team’s head coach Gautam Gambhir posted: “You have not just created history, you’ve created a legacy that will inspire generations of girls.” Sarah Mullally becoming Archbishop of Canterbury will similarly inspire generations of young girls in their hopes and aspirations.

But there is even more to Jemimah’s inspiring legacy than encouraging girls to use their sporting gifts and helping to change the culture so that can happen. She has also been very open and honest about her struggles, disappointments, anxieties and about her very genuine Christian faith. In interviews she has spoken about how as a very young girl she was in a swimming pool when her young cousin tragically drowned and how that brought on a deep anxiety in her. She couldn’t face being in a classroom, she needed her mother there. She has continued to be open about nerves, crying, mental health, anxiety and to express gratitude for her family, her friends, her teammates (most of whom are Hindus) and for her Christian faith for the support and help they have given her. The first words in her post match interview after her match-winning 127 were a thank you to Jesus and the next were to thank her family. Another mindset she mentions is her concern to bat not for herself, but for the team. “I wanted to see a win for India, not something about myself.” She has also referenced a conversation with the above-mentioned legend of the Indian game Sachin Tendulkar who asked her about playing international cricket: “Are you nervous?” “Yes” was Jemimah’s immediate, honest reply, to which Tendulkar said “You are nervous because that means you care about doing well. So just go out and do your best”. 

Jemimah Rodrigues has shown an honesty, a concern for others, for the team not herself, and an openness.  “I will be vulnerable because I know if someone is watching they might be going through the same thing. That’s my whole purpose in saying it. I was going through a lot of anxiety at the start of the World Cup tournament.” And yes she does get trolls on her social media, but she will continue to be herself as God wants her to be. “When I am weak, then I am strong” writes Saint Paul to the Christians in Corinth giving him a hard time, and “I will keep on doing what I am doing”.

Here’s to more great innings from Jemimah Rodrigues (though she knows God’s love for her does not depend on her cricketing performances), and to more opportunities for girls as well as boys to use and enjoy their sporting gifts. And may Archbishop Sarah, as well as having in common with Jemimah a Christian faith and a story of opening up opportunities, share that aim of honesty and openness and may she know great victories along the way, not for herself but for the worldwide team of God’s Church.