Article
Creed
Faith
Psychology
3 min read

Autism and belief: beyond the stereotypes

Reflect on living with the illogical beauty of feeling hemmed in by faith.
A theatrical set door stands in the middle of a snowploughed road between fields of snow under a blue sky.
Photo by Zach Vessels on Unsplash.

Do autistic people believe in God? Can they? The stereotype says no. The stereotype says that autistic people have a preference for all things logical, scientific and systematic, and therefore God, accessed only through the medium of metaphor and subjective experience, must be beyond the autistic ken.  

But we all know about stereotypes – they rarely serve us well. As it turns out that there are quite a few autistic people in churches, worshipping a God in whom they supposedly cannot believe. In fact, at the Centre for Autism and Theology (based at the University of Aberdeen) we have whole programme of research dedicated to understanding what it means to be an autistic person of faith.  

It is not only true that autistic people can and do believe in God (some, anyway), but also autistic Christians can teach the rest of us a thing or two about the assumptions we make when it comes to why people live a life of faith. For example, if we assume that anyone with a preference for all things logical, scientific, and systematic is not going to believe in God, then we are also assuming that that faith is some kind of considered, intellectual choice; a conscious decision that Christians have made on how to approach the world and the experience of living in it.  

But is faith really a choice? For many centuries the church was mired in this very argument about free will versus predestination. The matter never really got settled, indeed some theologians still earn their bread and butter by carrying the discussion on. Meanwhile, here in the academic cheap seats (so called ‘practical’ theology) we ask a different question: not do people have free will to choose the Christian faith, but do people feel like they have free will to choose the Christian faith? And what difference does this feeling make? 

If I reflect on my own life as a Christian, I know there have been times when I’ve stumbled into prayer, angry or in despair (often both), feeling as if I don’t like my faith all that much. Or that maybe that God just doesn’t like me. More than once I’ve prayed, “I’m going to keep following you, God, no matter how hard you make this!” Is this great faith, or just sheer bloody-mindedness? I like to believe that I can walk away from practicing my faith, but can I really walk away from having it? 

My research with the centre for autism and theology has been an education in how to live with the illogical beauty of feeling hemmed in by faith.

At one point in the Old Testament a psalm-writer speaks of feeling “hemmed in” by God. This resonates. My life is a patchwork quilt of being faithful to the Christian call, but also unfaithful, reluctantly faithful, faithful in public but, frankly, a bit iffy in private… yet every time I get to the very edge, somehow God is there. I cannot rationally explain God’s persistence in always catching me before I fall into utter, irrevocable faithlessness. It is certainly not logical. It is most certainly beyond my ken.  

My research with the centre for autism and theology has been an education in how to live with the illogical beauty of feeling hemmed in by faith. Autistic Christians have taught me so much in the way that many of them persist in attending church, even when it is being stated or implied, not only by their non-Christian acquaintances but also by other churchgoers, that they are simply not meant to be there. Some have wandered from church to church and from denomination to denomination, trying to find acceptance and welcome. As one autistic young woman put it:  

‘Going to church is just part of what Sunday is… [but] a lot of spiritual life is just up in the air and me working things out.’ 

When the purpose is counting bums-on-seats, research does tend to show that autistic people are more likely to be atheists. At the same time research also tends to show that socialisation is a big factor in the formation of faith. Perhaps it is little wonder then, that a group who often find themselves excluded socially are less likely to nurture and develop a faith. But then again, how do we explain a whole cohort of people who still have their bums on the Sunday seats and their hearts engaged in worship? Autistic people can and (some) do believe in God, and they keep engaging with church, working things out. Is this great faith, or sheer bloody-mindedness? At any rate such resilience is certainly not logical or rational, but perhaps it is just another thing that is beyond my ken. 

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Creed
Feminism
5 min read

The good, the bad and the Barbie

At the Barbie movie, Lauren Windle fraternises with her childhood enemy, and leaves pondering change and imperfection.

Lauren Windle

Lauren Windle is an author, journalist, presenter and public speaker.

Barbie stands between Ken and a rival with her hands raised.
Peacekeeper Barbie.
Warner Bros.

Barbie and I always had an unspoken understanding that our relationship would be mutually destructive. She made me feel inadequate; I was too short without a synched-in waist and pneumatic boobs. And I chewed her off her toes. One all. 

I have spent the better part of two decades not thinking about my adversary, until once again she reared her (not at all) ugly head. I always celebrate on July 21. It is, after all, my birthday. But this year, the date was eagerly anticipated by millions and not because they share my love of Colin the Caterpillar cake. Last Friday was ‘Barbie Day' and it was all anyone could talk about. 2 – 1 to Barbie. 

If you missed the news that there’s a Barbie movie now in the cinemas, clamber out from underneath that rock and let me tell you about it. The film, starring Margot Robbie and Ryan Gosling, caused quite a stir with, what I can only assume is, the biggest marketing budget since Nike release Air Jordans. Both Warner Bros and Barbie’s parent company Mattel have thrown money at making sure we all know about their candy-coated flick. The campaign has been so effective that production sparked a global shortage of fluorescent pink paint. 

The box office is now raking in cash as people flock to see the fuchsia film. When I attended a morning viewing this weekend, I was one of the few people who hadn’t come dressed head to toe in pink. Not a chance Barbie. 

On taking my end-of-row seat (to facilitate a quick getaway) I settled in for one hour and 54 minutes of fraternising with the enemy. I’ll level with you, Barbie had made some effort to change. The vibrant colours (mainly in a rosy hue) were still in place, along with the glossy hair and impossibly smooth legs. But there was a new self-awareness and self-deprecation that hadn’t featured in our childhood tea parties.  

Finally, my arch nemesis is on the right side of history, right? I’m not sure that’s the case. 

I had expected a vapid tale with fun flourishes. The story certainly delivered on both of those but with a lot more I hadn’t anticipated. From where I was sitting (popcorn in hand, legs stretched out into the aisle), it was a satirical story of feminism, patriarchy and the joy and anguish of fully embracing life on life’s terms. If you saw that coming, you probably have the gift of the prophetic, because it was certainly not on my radar.  

If you don’t think too much about the plot, the film is easy to enjoy. Helen Mirren offers a witty commentary which is like someone handing you a cup of tea with two sugars when you usually just take milk. It was a welcome surprise that you wouldn’t have asked for but were delighted to discover. It was a visual feast for the eyes with everything – especially the inhabitants of Barbieland – looking perfectly polished. There are also a number of very funny jokes – albeit with adult undertones.  

All good so far, but now let’s suppose that you, like me, will think about the plot. When the word is defined correctly, I am delighted to identify as a feminist. That does not mean that I support every feminism-associated declaration of the last 100 years, but it does mean that I passionately champion women and the correcting of previous (and some current) oppressions. This would make me a prime candidate for loving the Barbie movie. Finally, my arch nemesis is on the right side of history, right? I’m not sure that’s the case. Sometimes, in an attempt to show willing, we can allow the pendulum to swing a little too far in the wrong direction. 

Mattel’s campaign to rebrand Barbie from a ditsy blonde to an empowered achiever has been well documented. People didn’t want the lack of ambition that came with “shopping mall Barbie” or “beach Barbie” and they certainly didn’t want to have to live up to her unrealistic beauty standards. Apparently if a Barbie doll was to scale, she’d be 5ft 9 with size three feet, and only enough space in her waist for half a liver. 

Rather than continuing along these lines, portraying the company as inspiring for girls and women, they take the mick out of it. They highlight that Barbie has been a part of the problem. But in making their point, they outrageously infantilise men. Of course, this is satire, and comedy allows space for exaggeration, but it still didn’t quite sit right for me. Not one man offered a positive portrayal of masculinity (although Michael Cera’s Allan is a joy to watch). On the whole, men were either oblivious, obsessed with their own success, or childish and sometimes sit in board meetings wishing they could just tickle each other. 

The very brief summary – without revealing too much of the plot – is that Barbie is very happy in Barbieland, a perfect paradise where women do the lion share of the work and take all the leadership roles. But something starts to change, and the real world begins to seep in. After “causing a rupture” between the real world and Barbieland, “the patriarchy” is introduced into this female-led eutopia and the Barbies must banish it in order to restore the sorority-dominated lifestyle they previously enjoyed. Not a problem – when Ken found out patriarchy wasn’t about horses he lost interest anyway.  

In ten years, I think many of the critics who have lauded this film as a classic will cringe at their enthusiasm. 

In a world where even Caitlin Moran is writing a book posing the question “What About Men?” I fear this film will age badly. The vast majority of people, including women, don’t want to propel women by doing men down. In ten years, I think many of the critics who have lauded this film as a classic will cringe at their enthusiasm. 

Finally, let’s frame this with the ways the Bible has influenced the film. Oh yes, the biblical message hasn’t just underpinned Harry Potter and The Lion, the Witch and the Wardrobe, it’s apparent in the Barbie movie too. If we replace Barbieland with Eden we can see a stark comparison between the film and the creation story. In this utopia, Barbie is given authority over the land. She is given a helper in Ken. But their paradise is threatened by human fragility and quest for more knowledge. After it comes crashing down the inhabitants just want to get back to their previous state. 

The film demonstrates the desperation to 'return to Eden', in the face of an imperfect and broken world. But it also highlights the beauty that can be found in allowing yourself to experience life on life’s terms; to cry, feel pain and embrace the ache associated with change. For that, I respect its efforts. Although I think Disney’s Inside Out manages to achieve the same without belittling men. 

 

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