Podcast
Culture
S&U interviews
Weirdness
5 min read

My conversation with... Tom Holland

Noticing that Tom Holland is the star of The Rest Is Politics Christmas special, Belle Tindall is remembering her conversation with the historian earlier this year.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

A man sits at a table speaking into a microphone but looks into the distance. Behind him, through the window and beyond a wall is Big Ben
Tom Holland recording the podcast at Lambeth Palace Library.

In a festive one-off, two worlds have collided. Tom Holland, of the beloved 'The Rest is History' podcast, has joined Rory Stewart and Alistair Campbell in their 'The Rest is Politics' parallel universe. They spend a merry hour talking through religion, politics and the way in which they have both shaped our modern world... plus dinosaurs, always dinosaurs. 

And it got me reminiscing - my mind drifted back to earlier in this slightly odd year, on the eve of the coronation, when we had the one and only Tom Holland on our podcast. We called that episode of the podcast - Re-Enchanting History and the Coronation - but for me, it could just as aptly be entitled Re-Enchanting the Weird.  

Below is a reflection that I wrote immediately after that fascinating episode was recorded. If you've enjoyed his appearance on The Rest is Politics, you may just enjoy his appearance here too. 

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Re-Enchanting the Weird

Let me start in the proper place, with introductions.  

If you are a fan of history, Tom needs no introduction. But, for those of you who are not yet acquainted with his wonderfully infectious expertise, Tom is the co-host of the beloved podcast, The Rest is History (alongside Dominic Sandbrook). He is also the best-selling author of Rubicon, Persian Fire, Dominion, and the up-coming book for children, The Wolf-Girl, The Greeks, and The Gods. Justin Brierley and I recently had the pleasure of soaking up a little of Tom’s extensive knowledge when we interviewed him for a Coronation special of Seen and Unseen’s Re-Enchanting podcast.  

Tom’s most recent book, Dominion, charts the mighty impact that the Christian revolution has had; beginning with its unexpected origins and following its cultural reverberations through to the present age, highlighting its very present influence. We are, to borrow Tom’s own phrase, a society of goldfish who are (perhaps unknowingly) swimming in a distinctly Christian fishbowl. And so, our conversation began there – as he pointed out that, like it or not, the West operates in the residue of the Christian revolution. Christianity has been hidden in plain sight all along. For the sake of eloquence, I’ll let Tom explain:  

‘The conceit of the West is that it’s transcended Christianity to become purely universal, purely global. But its values, its assumptions, its ethics remain palpably bred of the marrow of Christianity’.  

Throughout our conversation, Tom took us on a whistle-stop tour of what was, what is, and the thread that can be drawn between the two. And while I don’t wish to spoil things for you, I imagine you can guess what the thread is. This conversation touches upon the origins of democracy (as we perceive it), the Reformation and the Nazis, to name but a few. I couldn’t recommend it enough. But I must warn you, you cannot un-hear Tom’s observations. The things he points out, you simply cannot un-see. Christianity will no longer be hidden; it will just be in plain sight.  

Seen as it is within in touching distance, we also wanted to get Tom’s thoughts on the Coronation. And this is where the re-enchantment of the weird began. At least, for me.  

The very notion of this upcoming Coronation is odd. It is a distinctly peculiar event.  

Firstly, it is incredibly old. We are the only country in the world that still does this particular thing in this particular way. What we will see unfold before us is derived from the 10th Century, when King Edgar was coronated by St. Dunstan, and yet it goes back further still - its roots actually lie in Bronze Age Israel.  

During the Coronation, the ancient and the modern will converge. As spectators, we will be peeking into times gone by; as Tom (rather excitedly) said, watching this ceremony, and everything that will surround it, will be like ‘seeing a dinosaur… still alive… in a zoo’. I wrote that last week’s conversation with astrophysicist, Dr. Jennifer Wiseman, made me feel small – small in time and small in place. Well, in many ways, so did Tom’s thoughts on the Coronation. The ritual is so very old, and we, so very young.  

But there is more. Tom reminded us that the Coronation is not only old, it’s weird. It places the mystical, the supernatural, the sacred, and the down-right strange on centre stage.  

Nick Cave, who will be sitting in Westminster Abbey on the day despite not being much of a royalist, explained that he accepted the invitation purely because of its bewildering oddness. In his Red Hand Files, he wrote  

‘what I am also not is so spectacularly incurious about the world and the way it works, so ideologically captured, so damn grouchy, as to refuse an invitation to what will more than likely be the most important historical event in the UK of our age. Not just the most important, but the strangest, the weirdest.’  

Both Nick Cave and Tom Holland have allowed themselves the fun of being curious. Curious about the fact that something profoundly supernatural is about to be taken incredibly seriously in the heart of a so-called secular society. And whatever pragmatic questions I may have about the place of monarchy in the here and now, I think I will allow myself the fun of being curious about that too.  

My conversation with Tom re-enchanted the parts of Christianity that, as someone who grew up as a Christian, I used to be quite embarrassed by. Namely, the weirdest parts.  

As a teenager, my instinct was to minimise (at least in public) the aspects of the Christian faith that cannot be explained by rationalism. I used to keep quiet about the parts of my faith that outed me as someone who believed in things that are supernatural. I would try my absolute best to blur the details of the most obscure facets of Christian thinking. But, as Tom said, ‘a Christianity that has bled itself of enchantment is a pallid thing.’ And if there is one thing that the whole Jesus movement was not, it’s pallid.  

If you, like Tom Holland, crave enchantment, this episode will be for you. Afterall, what better place to go looking for the wonderfully weird than in the ‘greatest story ever told’?  

Review
Culture
Film & TV
Purpose
Romance
5 min read

The Four Seasons and Dying for Sex hunt all of life for meaning

The TV shows joining academics exploring what it means to flourish

Giles is a writer and creative who hosts the God in Film podcast.

Two women in a composite image.
Tina Fey and Michelle Williams.

A recent Harvard study revealed an intriguing relationship between religion and how well people feel their lives are going. The study suggests that there is a direct correlation between attendance at religious services and happiness.  

The researchers defined ‘human flourishing’ as encompassing all aspects of a person’s life, including happiness, health, purpose, character, and relationships. Perhaps a snappier way to think of this would be “what does it mean to live a full life?.”  

There must have been something in the air that leads to asking this big question, because two TV shows have come out close to the release of this study, both of which tackle what it means to have a fulfilling life. While science has only turned its attention to this topic recently, artists, philosophers and storytellers have been grappling with this one for centuries, and as science has neither Tina Fey, nor Michelle Williams, let’s see what the story tellers have to say  

The Four Seasons 

The Four Seasons is Netflix’s latest comedy drama series based on a 1981 Alan Alda film of the same name. In it, a group of long-time friends in their fifties, who regularly go on holiday with each other have their whole dynamic rocked when Nick (Steve Carell) tells them he plans to divorce Anne, (Kerri Kenney-Silver) his wife of 25 years. Danny and Claude (Colman Domingo and Marco Calvani) are the group’s only same sex couple, but their warm and hedonistic lifestyle is marred by Danny needing surgery for his heart condition, which he keeps putting off. Our point of view characters are Kate and Jack, played by Tina Fey and Will Forte. Initially positioned as the most normal and stable couple of the group, seeing the unhappiness in their friend’s marriages opens a fissure in their own relationship. Kate gets frustrated that Jack appears to turn into a hypochondriac when they’re in private, and Jack resents his embarrassing secrets being shared by Kate as the butt of a joke. As season one draws to a close, we are unsure if these two will repair their marriage.  

The Four Seasons is a show about wanting your remaining days on this earth to be filled with meaning and passion. Dying for Sex has arguably the same motivation but on a tragically compressed timescale.  

Dying for Sex 

Inspired by the story of Molly Kochan and originally shared on the podcast of the same name, Dying for Sex follows Molly (Michelle Williams) as she receives a diagnosis of Stage IV metastatic breast cancer. In a moment of desperate clarity, she decides to leave her husband, Steve (Jay Duplass) and begins to explore her sexual desires for the first time in her life. Aided by her best friend Nikki (Jenny Slate), Molly dives into the world of online dating, finding partners that range from the kinky to incompetent, and finally compassionate. Molly’s one goal is to experience an orgasm with another person for once in her life. An aim that is hindered by a childhood trauma of sexual abuse. Despite the edginess of the title, Dying for Sex is a heartfelt meditation on what it means to find love just as your body is shutting down on you. It includes perhaps the best depiction of the final stages of life for a person with a terminal illness, the show is worth it for that alone.  

Yet one constant remains for believers and non-believers, and it is as trite as it is true; love is the key to a fulfilled life. 

It is important to note that there is a class element to both of these shows. The Four Seasons places good-looking affluent people in beautiful locations and then invites you to feel invested in their relationship drama, like an episode of 90210 for people in their fifties. Similarly, Dying for Sex sees Molly receive some of the best medical care possible, by virtue of still being on her husband’s health insurance. In a country where free health care is not seen as a basic right, the luxury of the facilities she has to hand starts to seem conspicuous. But this is not oppression Olympics and we’re not here to compare people’s pain. The less money you have will certainly decrease the amount of time you have to ponder the meaning of life, but it’s not a question that should be avoided indefinitely.  

The connection between ‘human flourishing’ may be the type of thing that might get jumped on by pastors around the world. But a note of caution is advised here as to how it’s used. Firstly, the Harvard study does not appear to make any kind of distinction between religions. So, if one were to use this study to endorse being a devout Christian, then the same could be said for being a Muslim, Buddhist, Hindu etc. 

Secondly, if the church tells people that becoming a Christian will statistically increase their chances of happiness, it’s doing them a disservice because Jesus never promised that. He distinctly told his followers: “Whoever wants to be my disciple must deny themselves and take up their cross and follow me. For whoever wants to save their life[a] will lose it, but whoever loses their life for me will find it.” That’s a difficult line to swallow in the world of retail religion, but it borders on false advertising to ignore it. 

Lastly, as critics have pointed out, even if faith improves happiness, it doesn't make the beliefs automatically true! If used as a guiding principle, the pursuit of happiness could have you swapping churches, denominations, even religions until you find what makes you happiest.  

These two shows stimulate an interesting thought experiment; whether a relationship with God would have made a difference in their lives? For Kate and Jack in The Four Seasons, the answer may well have been yes. For Molly in Dying for Sex the answer is a little trickier. Jesus doesn’t condone a promiscuous lifestyle, but the drive towards that was borne out of a fundamental lack of connection with her husband. The main thing that Jesus does promise his followers is connection, either directly with him, or with those walking the same path.  

You can have a fulfilling life outside of God, it would be disingenuous to say otherwise. Yet one constant remains for believers and non-believers, and it is as trite as it is true; love is the key to a fulfilled life. Molly finally attains it when she finds true love, Jack and Kate begin to lose it when they fear their love might be slipping beyond their grasp. 

But the one area where faith might just differ from the secular is that Jesus lived out his time on this earth as a walking talking example of perfect love. Patient, kind, quick to forgive. The kind of example that’s impossible to completely emulate, but still worth trying. 

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