Article
Creed
Football
Sport
5 min read

Killing joy: VAR's search for objectivity is flawed

Why this Man United fan wishes his team had lost.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

A TV screen shows a football match with a superimposed diagonal line dividing the pitch.
VAR draws the line.
BBC Sport.

I am a Manchester United fan. But I wish Coventry had won the FA Cup semi-final. 

I have supported United alongside my hometown team, Bristol City, ever since the days of George Best, Bobby Charlton and Denis Law. (Bristol City never win anything so it’s nice to have a team that does win things occasionally – or at least used to). 

In case you’ve had your head under a pillow over the weekend, or just avoid anything football-related on principle, Manchester United won an FA Cup semi-final replay on penalties by the skin of their teeth. 3-0 up and cruising after 70 minutes they somehow capitulated to allow Coventry, a team in the division below, to score three goals in the last 20 minutes. With virtually the last kick of extra time Coventry scored a fourth. Cue scenes of sheer unbridled ecstasy and abandon among the Coventry supporters.

What they experienced at that moment is what every sports fan longs for. Beating your intense rivals or mounting an astonishing comeback, snatching victory from the jaws of defeat - when it happens there is nothing like it. It is what United fans experienced when they beat Liverpool with a last-minute winner in the quarter final, or in the never-to-be-forgotten 1999 Champions League Final when they scored twice in injury time to beat Bayern Munich. Now it was Coventry’s turn. 

But then the VAR (Video Assistant Referee), like a killjoy schoolteacher, telling the kids they should calm down and not get so excited, spoiled the party, by pointing out that in the build-up, a Coventry player’s foot was about three inches in front of the nearest body part of the last Man United defender, and so was offside. The offside rule exists to stop attackers gaining an advantage. Quite how those three inches gave the Coventry player an advantage is beyond me. Before VAR, the rule was that, if the attacker was basically level with the defender, it was deemed to be onside. Let’s face it, it was a perfectly good goal. Coventry should have won. They deserved to. 

This would have been one of the great comebacks in FA Cup history. For a second-tier team to come back from 3-0 down with 20 minutes left against a team of that fame and pedigree to potentially win the game was extraordinary. The sheer joy and ecstasy on the faces of the Coventry fans, incredulous that their team could perform such a feat against the great Manchester United made every fan of every other club just wish something like that would happen to them. 

VAR was introduced to eliminate human error and to bring a more scientific and measurable accuracy to decisions like this. The reality is that it's done nothing of the kind and in fact has made things worse. 

Yet the worst thing of all this is that it denied Coventry fans their moment of ecstasy, a moment they would bask in for the rest of their lives.

It is part of a general fallacy in our culture, that science and objectivity give us all the answers we need. So, we try to reduce the role of human instinct, on the assumption that only what can be measured and exactly delineated is of any value. Hence Boris Johnson's mantra “follow the science” during the COVID pandemic.  

The reality is that ‘following the science’ still leaves a place for human decision. Science doesn't necessarily tell you what to do. During the pandemic it could tell us about the rate of spread of the virus, but it didn't dictate that a lockdown of the severity which we endured was necessarily the right way to deal with it. There was a human choice to be made, balancing the effect on the economy and the potential loss of life with the mental impact upon young people that is now becoming apparent.  

In football, VAR doesn't solve every issue. It can tell whether the ball hit a defender’s hand in the penalty area, but it still requires a subjective judgement by the referee or VAR official. Over the weekend’s semi-finals, it was decided to not award a penalty against Manchester City's Jack Grealish, but to do the opposite for Manchester United's Aaron Wan-Bissaka, for virtually identical actions. VAR has not taken refereeing decisions out of the equation. It hasn’t made it any better.  

Yet the worst thing of all this is that it denied Coventry fans their moment of ecstasy, a moment they would bask in for the rest of their lives. It was the kind of moment for which football fans live – the experience that makes the years of watching 1-0 defeats away from home, trudging around the country following your team, worthwhile. A moment that, even as a Man United fan, I would not want to deny them. Of course I'll support United in the final against the robotically efficient Manchester City, but in that moment, VAR destroyed joy. And if that joy is caused by a marginal human error, who cares? Better to have the possibility of joy than a world where it gets taken away by a spoilsport official in a darkened room watching screens and drawing fine lines across the pitch. 

Thinking that we can rely on the seen and not the unseen is fundamentally flawed.

Blaise Pascal once famously wrote that “The heart has its reasons of which Reason knows nothing.” His point was that we have a deep instinct for things which we just know are right, that we cannot prove and just have to assume, and the attempt to reduce everything to rationality, to scientific explanation, to what can be measured, thinking that we can rely on the seen and not the unseen is fundamentally flawed. Ever since the Enlightenment of the eighteenth century we have lived with this dream of a perfectly scientific world where everything can be reduced to numbers, mechanisms and measurements. In such a world there is no room for God, no room for miracles. It even conspired to rule out the joy of Coventry fans celebrating a wildly unlikely winner.  

It tries to delude us that it takes subjective human or moral judgement out of the equation. but it can never do that. And in doing that, it sucks the joy out of life.  Science is a great gift, and it can tell us a lot about our world. But it cannot tell us everything. It was never meant to bear such weight and the sooner we realise that it has its limits, and doesn't overstep its boundaries, the better.

Article
Advent
Christmas culture
Joy
Poetry
6 min read

The Advent poets who can’t wait until the world is sane

Tennyson to Eliot, Rossetti to L’Engle, find despair doesn’t preclude joy.

Beatrice writes on literature, religion, the arts, and the family. Her published work can be found here

Beyond a misty and raindrop streaked window, a colourful triangle shape emerges.
Ricardo Gomez Angel on Unsplash.

After his conversion to Anglo-Catholicism in 1927, critics began to notice a change in T. S. Eliot’s poetry. Some thought this was for the worse, that Eliot’s newfound faith dimmed his literary powers, making his usually impenetrable style more conventional. But there is a less cynical view. I think, instead, that his conversion brought a sense of clarity and purpose to his poetry. I think what really happened is that, like many Christian converts before and after him, he found a sense of joy.  

Nowhere better can we find that distinctly Christian sense of joy than in Eliot’s ‘The Journey of the Magi’, an Advent poem recounting Jesus’s birth from the point of view of the magi travelling to meet him. Like many of my favourite Advent poems, ‘Journey of the Magi’ is not straightforwardly cheerful, instead dwelling on the idea of alienation. The last stanza of the poem in particular is devoted to the magi’s confusion at returning to their old life after witnessing the miracle of Christ’s birth: 

All this was a long time ago, I remember, 
And I would do it again, but set down 
This set down 
This: were we led all that way for 
Birth or Death? There was a birth, certainly, 
We had evidence and no doubt. I had seen birth and death, 
But had thought they were different; this Birth was 
Hard and bitter agony for us, like Death, our death. 
We returned to our places, these Kingdoms, 
But no longer at ease here, in the old dispensation, 
With an alien people clutching their gods. 
I should be glad of another death. 

It’s hard not to read these lines and imagine that Eliot himself might have experienced a feeling of alienation, as a new convert, when looking back on his old life. And yet, the magi’s sense of being ‘no longer at ease’ in their old home, of being among ‘an alien people’, is not something that only converts experience. All of us, whether we are converts or reverts, whether we were brought up in the Christian faith or are still contemplating it with uncertainty, have a moment when we realise that believing in Christ’s birth, death, and resurrection radically changes the way we look at the world. 

And conversion isn’t something that just happens once. Every year, during Advent, we are asked to meet despair with joy. For those of us living in the northern hemisphere, we’re specifically asked to do this in the darkest and coldest time of the year, when nature looks so gloomy and unwelcoming. As Christina Rossetti puts it in one of our country’s most beloved Christmas hymns, Jesus comes not at a time of flourishing nature, but rather ‘in the bleak midwinter’, when the earth is ‘hard as iron’ and water frozen ‘like a stone’. Just as we persevere in our yearly hope that spring will come again, so too we are called to renew our conversion of heart each Advent, waiting in hope for Christ’s birth.  

But hope doesn’t have to mean blind optimism. The older I’ve become, the more I’ve come to think that rejoicing during Advent doesn’t have to involve unadulterated cheerfulness. Grief has its place within joy, as counterintuitive as that may seem. In fact, Advent is an opportunity to cultivate the virtue of hope in spite of grief, and in spite of the evils that we see in the world. ‘Were we led all that way for / Birth or Death?’, ask the magi. The answer is both. Each year Christ’s birth reminds us that faith requires us to die to our old selves. For some, this means having uncomfortable conversations with family or friends who don’t understand their conversion to the faith. For others, it means facing illness or death of a loved one or other kinds of trauma without giving in to despair.  

None of this is easy, of course. Clinging to hope in dark times can truly feel like ‘bitter agony’, as Eliot writes. And yet, as one of the magi says in the final line of Eliot’s poem, ‘I should be glad of another death’. When we die to our selves, we also experience a new birth in Christ. Even as we celebrate his birth, we are reminded of his death on the cross for us, of the fact that he so loved us that he was willing to bear unbearable pain for our sake.  

That kind of love, although it doesn’t remove all the sources of suffering in our daily life, does call for rejoicing. Another wonderful Advent poem, Madeleine L’Engle’s ‘First Coming’, emphasises the necessity of joyfulness in the face of a corrupted world. L’Engle begins by reminding us, stanza after stanza, that Jesus didn’t wait for humanity to become perfect before coming to us: ‘He did not wait till the world was ready’, she begins, before adding, ‘He did not wait for the perfect time’, ‘He did not wait till hearts were pure’. Rather, Christ came ‘in joy’, to ‘a tarnished world of sin and doubt’, right ‘when the need was deep and great’.  

L’Engle ends ‘First Coming’ by encouraging us to imitate Christ not just in his patience, but also in accepting joy now, not when we world finally stops being rife with sin and pain: 

We cannot wait till the world is sane 
to raise our songs with joyful voice, 
for to share our grief, to touch our pain, 
He came with Love: Rejoice! Rejoice! 

We can’t wait until ‘the world is sane’ to be joyful. Joy is remembering that Christ really did come ‘to share our grief’, no matter how seemingly unbearable it may be. Lord Tennyson expresses a similar sentiment in his poem In Memoriam, an elegy written after the loss of his dear friend Arthur Hallam. He admits that the pain at his friend’s death is so intense that, as Christmas is drawing near, he almost wishes ‘no more to wake’, and for his ‘hold on life’ to ‘break’. Then, he hears the sounds of bells: 

But they my troubled spirit rule, 
For they controll'd me when a boy; 
They bring me sorrow touch’d with joy, 
The merry merry bells of Yule. 

Happy memories of Christmas bells from childhood are mixed with pain for Tennyson, bringing him ‘sorrow touch’d with joy’. That’s what all the best Advent poems, from Tennyson to Eliot, From Rossetti to L’Engle, show us: that sorrow doesn’t preclude joy. In the weeks leading up to Christ’s birth, it’s normal to dwell on both birth and death; Advent can be a season for both somberness and merrymaking. Most of all, Advent is a time for prayer, that our hearts may be filled with the knowledge that Christ loves us even in our sorrow, and that the very knowledge of Christ’s love may in turn fill our hearts with joy.  

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