Freedom of belief
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Politics
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Understanding authority from Rome to Beijing

As geo-political tensions between China and the West rise, K.K. Yeo explores authority and religion in China, finding complex questions and nuanced answers.

K.-K. Yeo, a diaspora Chinese, lectures widely in majority world including China on cross-cultural understanding of civilization and religion.

Haidian Christian Church
Haidian Christian Church

Is the West Christian and China Confucianist? Or is the West secular and China communist? Binary understanding of our world in conventional terms, such as East versus West, or the sacred-secular divide, is superficial and confusing. Given the biases, divisiveness and, at times, toxic geopolitical reality today, the topic of government and Christianity in China today is more complex than meets the eye. A much better option is a meaningful cross-cultural perspective that enables constructive conversation, while honoring different contexts and nuanced understandings. 

Does it surprise you that, an atheist, and at times anti-religion, ‘party-state’ China is the world’s largest Bible printer? Christianity in China has existed since the seventh century when the Syrian Church of the East had rigorous cultural, religious, and commercial exchanges with many nations as far as those in East Asia. Recently the regime in China has become concerned about the growth of the Christian population that might be outnumbering the Party’s members. There has been the suppression of believers, burning of crosses, and demolition of churches across the country. The Communist Party eliminated the State Administration for Religious Affairs in 2018, and the United Front Work Department of the Communist Party now has direct control on all religions.  

Does it surprise you that, an atheist, and at times anti-religion, ‘party-state’ China is the world’s largest Bible printer?

Churches in China exist in a harsh reality similar to that of first century Roman Empire, so they inevitably find the teaching of St. Paul in the Bible to be of great interest. Chinese Christians have long had nuanced responses to their government. The house church remains committed to love Christ only - rendering to God the things that are God’s, and only then would they render to Caesar the things that are Caesar’s. This ‘separation of religion and government’ position (preservation of religious freedom from government intrusion) is considered to be politically subversive to the authoritarian rule of the Party. Therefore, the house churches have long distanced themselves from politics, while acknowledging that their Christian behaviour, such as loving their neighbor as a religious duty, is ‘the best politics’ for nation building.  

By contrast, the Three-Self Patriotic churches—and also the current Vatican-China agreement on the appointment of Chinese bishops—do not find a serious discrepancy in loving Christ and the communist state. They seek to work with the government primarily in the matter of social welfare but have range of mixed views on the scope of combining patriotism with Christian belief. To maintain no or minimum separation of government and religion is becoming more and more challenging as the government centralises its control of all aspects of national and personal lives. 

Christians in China are asking harder questions than those in churches outside China. 

Can a Christian church adopt a state ideology or become a member of the Communist Party to support Christian identity and social harmony in China?  

Are church attendance and participating in church activities politically subversive?  

And what does it mean to say that ‘Jesus is Lord’ in that land?  

I remember teaching at Peking University and seeing the students debate a scenario in the Bible in which the Thessalonian crowd was charging the apostle Paul and his colleague Silas for contradicting the decree of Caesar, for ‘saying that there is another king named Jesus’. Paul was surely preaching neither about insurrection nor subversion of the Roman Empire. However, Roman audiences then, and Chinese crowd or government today, are more likely to have perceived the belief in ‘Jesus as Lord’ as a political threat.  

A case in point concerns Wang Yi, the pastor of the Early Rain Church in the city of Chendu, who preached Jesus as the Lord of lords - thus implying that the current political ruler is subsumed under Jesus Christ. Yi was sentenced to nine years in prison in 2018 ‘for inciting subversion of state power’. Cardinal Joseph Zen, a 90-year-old Catholic bishop in Hong Kong, was arrested in 2022 for criticizing the Vatican’s unwise deal with China, and for being an advocate of democracy in Hong Kong. 

Christians in Hong Kong are treading similar water regarding their religious faith clashing with the politicized perception of such faith as treason, such as in the Umbrella Movement or the Occupy Central with Love and Peace that protest the will of the Chinese Communist rule in Hong Kong. 

Can a Christian church adopt a state ideology or become a member of the Communist Party to support Christian identity and social harmony in China? 

Using the teaching of St Paul in his letter to early Christians in Rome as a resource, the Chinese argue that he encourages these Roman Christians to critically reflect on government power so as to bring all nations to obedience of God’s justice. The popular reading of Paul as asking Roman Christians to ‘be subjected to the governing authorities’ for the reason that ‘for there is no authority except from God’ is a weak English translation. To the Chinese church, Paul admonishes Roman Christians to ‘subject themselves to the governing authorities’, and that is not a passive submission but a voluntary involvement as good citizens in the process of bringing about change to their government. The Chinese church sees that Paul challenges government politics, first by stating the principle that, ‘it is not an authority if not from God’, i.e., ‘unless from God’. In other words, there may be some governing authorities that are not appointed by God, thus begging the question: how does one know if governing authorities are from God and those not from God?  

It seems that Paul is not concerned about whether a government or the head of state is Christian or not. What matters to Paul is not what the government says but the way the government or the head of state acts in accordance to the following principles:  

  • Rulers are not to terrorize good conducts and good citizens; the rule of law is meant to approve the good-doers and punish the evil-doers; 
  • Rulers are ‘ministers’ of God for the common good of the people, even though Roman Empire has its mythic origin from Jupiter, a Roman god; 
  • Rulers are ‘worship leaders’ of God as they administer collected taxes not for their own concentration of power, but for the dignity and flourishing of the citizens, thus realizing God’s compassionate justice on earth, promoting the welfare of the city.  

Churches outside China read Paul on government politics based on their assumed cultural context of Christian values. Yet, the Chinese church’s courage and humility to ask hard questions for themselves is an enlightening conversation. For those outside China, a cross-cultural and global understanding of government and religion can shed light on the promotion of a robust public life.  

 

Further Reading 

K. K. Yeo, The Created Universe and Naturalistic Cosmos: A Cross-cultural Conversation with a Chinese Theologian

 

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Film & TV
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I’m not sure Christopher Nolan has actually read The Odyssey

The director has drunk the Kool-aid of modernity, and done so deeply
the head of a classical statue looks up amid embers around it.
The odyssey poster.
Universal Studios.

Greek myths are full of hubris. Full of it. I feel like ‘hubris’ isn’t a word you hear very often anymore. It means excessive pride or self-confidence that leads to a downfall, in case you were wondering. “Boris Johnson’s hubristic underestimation of the effects of ‘Partygate’ was the final nail in his political coffin,” we might say.  

In one myth, Icarus is imprisoned, but given wings held together by wax in aid of his escape. He is warned not to fly too close to the sun, because the heat will melt the wax. Guess what he does? Yep! Flies too close to the sun. The wings melt and he falls to his death. Hubris

Another myth tells the story of Prometheus. No, not the slightly underrated Alien prequel. (That’s right, I said underrated, but that’s another article for another day). Prometheus defies the Greek gods by stealing fire and giving it to humans. As punishment, Zeus ties Prometheus to a rock and has an eagle eat his liver, only for it to grow back overnight so the eagle can come back the next day and start again. Hubris. 

Greek myths are full of hubris. Full of it. 

And so, this is why I find the new poster for Christopher Nolan’s upcoming adaptation of Greek epic The Odyssey so … bizarre. But then I’ve been nervous about Nolan’s adaptation since it was announced. Nolan is a wonderful filmmaker, but he’s also deeply naturalistic in the messages he conveys. By this, I mean that all his films suggest that nature – the physical, material world of atoms and things – is all there is. Even when he has opportunity to explore themes of the mystical, or magical, or the supernatural, he only does so when a purely ‘natural’ explanation for such things is possible.  

For example, in The Prestige (and HUGE spoilers for the film here: it’s incredible, please watch it if you haven’t), Nolan tells the story of two rival magicians, played by Hugh Jackman and Christian Bale. Robert Angier (Jackman) is trying to work out Alfred Borden’s (Bale) teleportation trick. The secret? (Seriously: big, big spoilers here). Science. Nikola Tesla has invented a device that can clone someone but send the clone to a different location. The trick – the mysterious MacGuffin at the film’s heart – has a natural, scientific explanation. Magic isn’t real and you’re a fool if you think otherwise. 

Perhaps this is also why Nolan directed the wonderful Dark Knight trilogy. After all, Batman’s superpower is just wealth: it’s entirely naturalistic, with nothing that can’t fit into a scientific way of understanding the world. Or we could point towards the science fiction that underwrites Inception, Interstellar, and Tenet. For a filmmaker so gifted at tension and intrigue, he has surprisingly little truck with mystique, mystery, and the divine. But this is a problem when it comes to The Odyssey. A huge problem.  

Let’s return to that poster I mentioned earlier. It shows the head of a classical Greek statue, flames ember underneath it. The caption? Defy the Gods. And it’s at this point I start to wonder if Nolan has actually read The Odyssey. Because The Odyssey takes questions of divinity and their authority very, very seriously. Like many Greek myths and poems, the message of The Odyssey isn’t ‘defy the Gods’. No: it’s ‘trying to defy the gods is an unbelievably stupid, futile, and dangerous thing to do’. Nolan would seemingly have us raze Mount Olympus to the ground.  

Look, all we have is a poster so far. Nolan might prove me wrong. But we shouldn’t be surprised if Nolan reworks The Odyssey in such a way that ‘defy the Gods’ becomes its central message. Because Nolan is a quintessentially modern filmmaker.  

In a 1965 book called Freud and Philosophy, French philosopher Paul Ricœur described the modern period as dominated by a climate of suspicion or scepticism. Within this ‘climate of thought’, the straightforward understandings of things are actually deceptive, instead hiding hidden, deeper, and ‘truer’ meanings. He described Sigmund Freud, Friedrich Nietzsche, and Karl Mark as the ‘masters of suspicion.’ And so the world around us is to be approached suspiciously, to uncover the ‘truer’ meanings about our subconscious (so Freud), our false, religiously imposed morals (so Nietzsche), or our exploitative economic systems (so Marx). 

Each of Ricœur’s ‘masters of suspicion’ might be mapped on to one of the villains in Nolan’s Dark Knight trilogy. Liam Neeson is Ra’s al Ghul, a Freud-like figure who helps Bruce Wayne navigate the psychological effects of his parents’ murders in childhood. Heath Ledger’s mesmeric Joker is Nietzsche’s stand-in, exposing our misguided systems and structures of ethics, tethered to a religious framework we no longer hold to. Tom Hardy’s Bane is Marx, freeing Gotham’s proletariat from the economic structures that oppress them so. 

It's not a perfect fit, but I think there’s more than enough evidence to say that Nolan has drunk the Kool-aid of modernity, and he has drunk so very deeply. And this would be fine – absolutely fine – if he wasn’t planning to adapt The Odyssey. Because, as a quintessentially modern filmmaker, Nolan’s work emerges out of and celebrates a culture wherein ‘defy the gods’ is a slogan that can only be heard as heroic, courageous, and noble, rather than dumb and futile, as The Odyssey would stress to us. 

Defying divinity is not heroic. The Odyssey knows this and knows it well. Defying the gods never ends well for humans stupid enough to try in Homer’s work. Our modern sensibilities encourage us to be suspicious of institutionalised power, especially when that power takes a religious shape. We are predisposed to imagine that invocations of the divine are nothing more than thinly-veiled power-grabs. And sometimes they are. But The Odyssey is right to say that divinity itself is not to be trifled with. Renounce your creator at your peril. 

Like all his other films, Nolan’s The Odyssey is likely to be tense, wrought, and cinematographically immaculate. But also like his other films, I worry it will be deeply naturalistic in the way it handles the inescapably divine and supernatural elements present in Homer’s epic. The Odyssey has an important message for our increasingly hubristic society. I just worry that Nolan’s not the man to convey it as it deserves. 

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