Review
Culture
Music
Resurrection
Romance
Taylor Swift
6 min read

Taylor Swift proves Mr Bennet right

Romanticism: ruining lives since 1800. And we love it.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

Hand-written poetry on a page
Memo: to JA from TS.
@taylorswift Instagr

In Pride and Prejudice, Mr Bennet has a conversation with his favourite daughter, Lizzy, about her older sister’s heartbreak. He says,  

‘Your sister is crossed in love, I find. I congratulate her. Next to being married, a girl likes to be crossed a little in love now and then. It is something to think of, and it gives her a sort of distinction among her companions.’ 

It’s one of those lines, genius as it is, that I would hate were it not written by Jane Austen. But it was, so I don’t. I do, however, like to think that his words are outdated. His thoughts, an artefact. That such a notion may have been true when women were unable to have any kind of aspirations that transcended romantic (and not-so-romantic) attachments, but we’re definitely over that now. I sit smugly in the knowledge that Mr Bennet’s words are a jibe that I can affectionately roll my eyes at; witty, yet redundant.  

At least, that’s what I did think. Now, annoyingly, I’m not so sure. What changed my mind? Well, Taylor Swift’s latest album dropped. And now I think that Austen, as usual, was onto something. 

The Tortured Poets Department has broken more records than I can count, many of which were broken before it was even released. Love it or hate it (I happen to be in the love it camp), Taylor is going to make it pretty darn hard for you to ignore it. Housed within this juggernaut of an album are thirty-one songs that seek to remind us that it’s better to have loved and lost, than to have never loved at all. Thirty-one songs that offer a masterclass in melodrama. Thirty-one songs that prove Mr Bennet right.  

Somewhere along the line, have we been taught that tragedy is a signifier that our love is some kind of epic thing that is happening in the universe? 

Here’s the theory, the premise, the pop-culture context you need to understand this album’s intentions: ‘The Tortured Poets Department’ was/is a WhatsApp group that Swift’s past-love, Joe Alwyn, was/is a part of. And so, this album is their story; it’s the story of their relationship crumbling, their hearts breaking, their understanding of one another disintegrating. Whether the lyrics are filled with fact or fiction, it doesn’t really matter. We’re soaking it up - every reference, every hint, every clue. These tortured poets have captivated us.  

Agony, tragedy, ecstasy, torment, regret: that’s the currency this album deals in. Heartbreak, I suppose. This record-shattering album is about heartbreak. And it got me thinking, why are we so obsessed with love hurting? Why are Romeo and Juliet something to aspire to? Why is tragedy some kind of signifier of ‘real’ love? Why, as Mr Bennet says, do we like being ‘crossed in love now and then’

The key lyric that holds the first song on Taylor’s album together sums it up pretty well, as Taylor melodramatically declares – ‘I love you, it’s ruining my life’.  

Firstly - no it’s not, Taylor. You’re Taylor Swift, a life less ruined no-one could find. But secondly, why is that tumultuous kind of love something to idolise? I’m genuinely wondering. Because, admittedly, I’m as guilty of this as anyone.  

Maybe it’s a way in which we feel as though we’re living a meaningful story, it’s our main-character-syndrome rearing its head. Somewhere along the line, have we been taught that tragedy is a signifier that our love is some kind of epic thing that is happening in the universe? That our relationship is re-arranging the cosmos somehow? That this pain is so powerful, stories will be told of it? Afterall, many of the greatest love stories end in agony, do they not? Would we care about Titanic’s Jack and Rose, La La Land’s Mia and Sebastian, or Fleetwood Mac’s Stevie and Lindsay had they lived happily ever after? Perhaps not. If a beige life is to be avoided at all costs, the torture of heartbreak is, I suppose, a particularly vibrant shade.  

Taylor’s whole album is an ode to Romanticism: its lyrics are dramatic, beautiful, grand and religious. 

Or perhaps it’s a sensation thing, akin to our obsession with jumping out of airplanes or walking over hot coals. Maybe we just want to feel. And according to most psychologists, heartbreak is one of the most powerful and emotive experiences one could face – a plane could not get high enough, nor coals hot enough, to compete. The science behind it is fascinating. I truly had no idea.  

Which leads me onto my second question – why don’t we care for the science of it?  

Why, when it comes to explaining what we’re feeling, do we declare our ‘heart to be broken’ as opposed to ‘the right side our brain is experiencing a deeply distressing emotional sensation following a shattering of an emotional attachment, triggering feelings of loss and inadequacy’? 

Interesting, isn’t it? How that second definition somehow feels less true. Maybe we have Romanticism to blame for that - the poets, philosophers and writers who shunned reasonable, practical, scientific language in favour of the tragic, the grand, and the sublime. Taylor’s whole album is an ode to Romanticism: its lyrics are dramatic, beautiful, grand and religious.  

In her song, Guilty as Sin, Taylor writes –  

What if I roll the stone away? They’re gonna crucify me anyway. What if the way you hold me is holy… I choose you and me, religiously.’ 

Yes, she’s comparing her crush on a man to the crucifixion of the Son of God. If this isn’t over the top, I don’t know what is. In many ways, this album knows it’s being silly, over-dramatic and naïve. But it also knows that to be those things is to be as honest as possible. It is shunning human-sized explanations of heartbreak, and is instead desperately searching for the deepest, highest, grandest language it can find - because that kind of language just feels truer. And I find it pretty fascinating that such language still has Jesus all over it.  

All of it has got me thinking, we don’t really want everything controlled, measured and understood, do we? We don’t really want to be the most powerful thing we know. I think that’s a myth. A convincing one, I grant you. But one that has cracks in it. Romanticism is one such crack. School of Life says this about the Romantics, ‘Romantics don’t believe in God, but they go in search of the emotions one might find around religion’. Awe. Transcendence. Our own small-ness in the face of something great – that kind of thing.  

They don’t believe in God, but they crave him. Interesting.  

I think maybe that’s (at least partly) why we want our love stories, the good and the bad, to engulf us, to be something we must succumb to, to be written in the stars – predating our awareness of it and transcending our control over it. We think, at least to an extent, that love and heartbreak, they happen to us. They’re a sacred hand that we have been dealt and must grapple with. This is Romanticism - and apparently it hasn’t gone anywhere, Taylor Swift and her band of tortured poets have just proved it.  

Perhaps Mr Bennet was right after all; perhaps we do have an odd thing about heartbreak. But hey, don’t blame women. Blame the Romantics and that God-shaped hole within them… and within us too, apparently.  

Article
Comment
Migration
Politics
Romance
5 min read

Families like mine are impossible now, thanks to the idol that is the net migration target

Politician priests are making pointless sacrifices on the altar of numbers

Joel Pierce is the administrator of Christ's College, University of Aberdeen. He has recently published his first book.

A Border Force officer wears body armour with Immigration Enforcement written on the back
UK Border Force.

Let me tell you a love story. Eighteen years ago, in a time before politicians had taken to immolating their values on the altar of the semiannual net migration totals, I fell for the pretty Scottish bridesmaid at my sister’s wedding. The romance presented some challenges for an American like me, but none that were insurmountable. She found a year-long internship near me in Seattle and, just before she returned home, I popped the question.  

The process of applying for a UK visa was just another bit of the tedious logistics of an overseas move, the kind of thing a romantic comedy skips over with a ‘One Year Later’ movie subtitle so that it can end with a joyous wedding ceilidh in a picturesque Scottish locale. Our first few years together in Edinburgh were lean ones. Having takeaway coffee more than once a week felt like a scandalously indulgent luxury. Even so, I was able to progress seamlessly from my marriage visa to indefinite leave to remain, to citizenship.   

None of this would be possible if we were young twentysomethings in love today. We would fail every test of what the Home Office now considers to be acceptable romance.  

During our first year of marriage, the stipend my wife received while training for ministry would have been well short of the £18,600 income threshold introduced in 2012 for a sponsoring spouse, let alone the £29,000 required now. While we did have some savings, they were nowhere near the £88,500 now needed to waive the income requirement, and, in any case, would have been substantially drained by the £5,000 in fees and health surcharges that a two-and-half-year spouse visa now costs. It is little wonder Brits who have found love abroad, even ones in a substantially better financial and professional position than we were then, are now finding it impossible to move back to the UK.  

What is the cause of these new barriers? A hint can be found in the title of a recent Guardian article about recommendations for a slight relaxation of the income threshold to between £23,000 to £25,000. ‘Lowering UK’s income requirement for family visas ‘would increase net migration’, the piece was headlined. When even the most left wing major daily in Britain can’t report on the possibility of things being marginally easier for Brits who have the temerity to love a non-citizen, without framing it in terms of net migration, it’s a sign that we have all fallen captive to this singular statistic.  

Net migration is a number created by humans and yet it has come to play the role of an angry god which demands sacrifices every time it is reported. The right of working class people to marry a non-citizen spouse, the economic viability of our universities, and the proper staffing of the NHS are all victims its politician-priests have offered up in hopes that they would satiate its hunger. Net zero maybe next. 

There is no particular reason to think totting up the total number of people who arrived in the UK with the intention of staying here for a year and then subtracting the total number who left with the intention of staying abroad for a similar duration is a particularly meaningful exercise. It conflates people like me, who came here with every intention to settle and start a family, with students coming for a one-year master’s, doctors filling vital roles in NHS with children try to stay with with a migrant parent and Afghan refugees seeking long-term sanctuary with oil workers serving time in Aberdeen before moving on to Calgary or Brunei.  

The dominance of this statistic in our discourse has warped our moral discernments. 

There are perfectly legitimate reasons to think carefully about how much of each form of migration to allow, but when they are all grouped together under this single measure a peculiar logic sets in. Want to do the right thing by welcoming refugees from Ukraine and Hong Kong? Well, then, we’ll have to offset that with restricting visas for overseas students and throwing our higher education sector into chaos. Need more highly skilled programmers working in banks in London? Well, maybe we can balance that by demanding care workers abandon their kids if they want to look after someone in Nottingham. There is no reason to weigh the needs of these different sectors against each other, and yet the logic of this statistic demands that we do. 

The Bible has a word for human-made things which take on their own singular, violent logic. It calls them idols. While that word may conjure images of golden calves, the accusation which biblical writers consistently make against idolaters, that their idols blind them to what is really important and numbs their critical thinking, applies equally well when the idol is a statistic. The dominance of this statistic in our discourse has warped our moral discernments. It has made us unable to say what should be said without glancing nervously at its imposing shadow. It causes us to say things that should never be said and not notice how absurd they are. 

Instead, we should be able to celebrate that hundreds of thousands of people want to come to study at our universities (the vast majority of whom return home after finishing their studies)  and, hopefully, someday also be able to celebrate when hundreds of thousands of refugees are able to return to a peaceful and liberated Ukraine without having to calculate that the former will raise and the latter lower our totals. We should be able to welcome easing of income restrictions on spouse visas without noting that it will lead to a marginal increase in net migration. We should be able to see that sending an eight- and eleven-year-old back to Brazil without their parents is not, in the words of a Home Office official, “a degree of disruption in family life” which is “proportionate to the legitimate aim of maintaining effective immigration control”, but rather a gross violation of human decency. 

Migrants are not just numbers on a balance sheet. The diversity of our lives, what we give to the UK, what we receive in return, cannot be summed up in a single annual figure. And yet every six months, as the figure comes out, politicians express disappointment and announce measures to put that little bit of extra pressure on us, so that maybe a few more of us who can leave will. In the process they are sacrificing to this idol not just the peace of mind and the economic well-being of many migrants, but also much of the vitality of the nation as a whole. The Bible has a solution for idols. They are only fit to be melted down, destroyed, and forgotten. It is time to consider giving this one a similar treatment. 

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